FASHION.

Why is it that the introduction of a really graceful fashion is

generally met with ridicule and opposition, while ugly modes are

adopted with grave acquiescence and reverent submission?

"Seest thou not what a deformed thief this _Fashion_ is?" "I know that

Deformed; he goes up and down like a gentleman." Yes, we all know

_Deformed_. When any of his family come to us, from England or France

or any foreign country, we recognize the hideous brotherhood, and

extend our welcoming hands; but _Graceful_ must stay with us a long

time to be greeted kindly, and her sisters from foreign parts are

coldly looked upon, or dismissed at once.

To begin at the top,--"the very head and front of the offending." A

gentleman goes into a fashionable hatter's, and the shopman, holding

up for admiration a hat with a crown a foot high, of the genuine

stove-pipe form, and a brim an inch wide, says, "This is the newest

style, Sir." The gentleman walks home with the ugly thing on his head,

but no one stares or laughs. 'Tis a new fashion, but all "take it

easy." A year later, perhaps, the hatter shows him a thing with a brim

a half an inch wider, but rolled up at the sides, and a crown of a

much greater diameter at the top than where it joins the brim,--a

specimen of the bell-crown. This is solemnly donned, and the wearer

has the pleasure of knowing that the head-gear of all his friends is

as hideous as his own. The inverted cone is worn with a sweet,

Malvolio smile. And so "Deformed" has ruled the head of man for as

many years as any of us can number, only ringing the changes, from one

year to another, upon the three degrees of comparison of the word

_ugly_.

But a change takes place; a light, graceful, low-crowned hat, with a

brim wide enough for shelter or for shade, begins to appear as a

fashion;--and how is it received? The clergyman thinks it would be

very unclerical for him to wear it, though it may be as black, and is

as modest, as the rest of his apparel. The young doctor timidly tries

it on, and in his first walk meets the wealthy hypochondriac, his

favorite patient, and the one who is trying to introduce him to

practice, who seriously advises him, as a friend, not to wear that

new-fangled thing,--if the poor hat had only been ugly, there would

have been nothing bad in its _new-fangled_ quality,--as all his

respectable patients will leave him if he dresses so like a fool. The

young lawyer gets one, because he heard an old lady speak of "those

impudent-looking hats," and he is in hopes that impudence, which he

understands is all-important in his profession, and which he is

conscious of not possessing, may come with the hat. A lady goes out

with her son, who is just old enough to have gained a coat, and is

looking for his first hat. The mother has taste and judgment, and the

youth has yet some unperverted affinity with graceful forms left, and

so they choose and buy one of these comfortable and elegant

chapeaux. Just before they reach home, they meet one of their best

friends, a person whom the lady regards most kindly, and the young man

admires and respects, and _he_ greets him with, "Why, Tom! have _you_

got one of those rowdy hats?" And so the stiff, stove-pipe monstrosity

keeps its place, and the only pleasant, sensible, graceful, becoming

hat that the nineteenth century has known, is called all sorts of bad

names, and quiet gentlemen are afraid to wear it.

Has it not been the fate of the shawl, too, the most simple and

elegant wrapper, and comfortable withal, that a man can throw around

him, to be scouted and flouted?

Yes, Deformed! Come on next winter with a white surtout in your hand

that must fit so tightly that your victims can but just screw

themselves into it, with a stiff, square collar touching the ears, and

seven capes, one over the other, "small by degrees and beautifully

less," and all respectable gentlemen will accept it, and virtuously

frown down, as dandies or rowdies, those who will not sacrifice their

shawls to the ugly idol.

Autumn Leaves: Original Pieces in Prose and Verse · 第 34 / 48 题