TWINE.

Under the general head of _string_, I might enumerate a long list of

this world's miseries. Shoe-strings alone comprehend an amount of

wretchedness, which is but feebly described in the tragical story of

Jemmy String. Bonnet-strings and apron-strings, dickey-strings and

watch-guards, curtain-cord, bed-cord, and cod-line, each and all have

furnished enough discomfort to make out a long grumbling article. But

I cannot linger to describe their treacherous desertions when their

services are most needed, their unexpected weakness, and their

obstinate entanglements when time presses. A certain pudding-bag

string is commemorated in one of the beautiful couplets of Mother

Goose's Melodies. I am sure you cannot have forgotten it, nor the

staring spotted cat that is there represented racing away with her

booty. That lamented pudding-bag string is but a type of strings in

general. They are fleeting possessions, always hiding, always

misplaced, never in order. You fit up a string-drawer, perhaps, with a

fine assortment, and pride yourself upon its nice arrangement. Go to

it a week after, and see if you can find one ball where you left it!

Can you lay your hand upon a single piece that you want? No, indeed!

Twine is considered common property. If any one has a use for it, he

takes it without leave or license, without even inquiring who is the

owner, and you may be sure he will never bring any of it back again. O

the misery endured for the want of an errant piece of twine, when you

are in a nervous hurry to do up a parcel, some one waiting at the door

meanwhile! After an immense deal of pains, you have it at last folded

to your liking, with every corner squared and even, every wrinkle

smoothed. Then, clasping tightly with one hand the stiff wrapper, you

search distractedly with the other for a ball of twine, which you

distinctly remember tossing into the paper-drawer only the day before.

In vain you surround yourself with newspaper and brown paper, and

useless rubbish, tumbling your whole drawer into confusion. In vain

you relinquish your nicely packed parcel, and see its contents

scattered in all directions. In vain you grumble and scold. The ball

is not forthcoming. Your little brother has seized it to fly his kite,

or your sister is even now tying up her trailing morning-glories, or

sweet peas, with the stolen booty. You plunge your hand exploringly

into the drawer, and bring up a long roll wound thickly with twine of

all kinds and colors. Your eyes sparkle at the prize; but, alas! the

first energetic pull leaves in your hand a piece about four inches

long, and a quantity of dangling ends and rough knots convince you

that you have nothing to hope in that quarter. A second plunge brings

up a handful of odds and ends, strong pieces clumsy and rough, coarse

red quill-cord, delicate two-colored bits far too short, cotton twine

breaking at a touch, fine long pieces hopelessly tangled together, so

that not even an end is visible. The more you twitch at the loops, the

more desperate is the snarl. Poor mortal! Your pride gives way before

the urgency of haste. You send off your nice packet miserably tied

together by two kinds of twine.

All the rest of the day you are tormented by a superfluity of the very

thing you needed so much. It was impossible to get it when you wanted

it; but now it is pertinaciously in your way when you do _not_ want

it. You almost break your neck tripping over a long, firm cord, which

proves to be a pair of reins left hanging on a chair by some careless

urchin. The carpet and furniture are strewed with long, straggling

pieces of packthread. You find a white end dangling conspicuously from

your waistcoat pocket. As you walk the streets you see twine flying

from fences, or lying useless on the sidewalk, black with dust and

age. To crown the whole, a friend comes with a piece of twine

extending across two rooms, and asks you to help him twist and double

it into a cord. It is a very entertaining process. You amuse yourself

with watching one little rough place that whirls swiftly round, stops

with a jerk, turns hesitatingly one side and the other, then, yielding

to a new impulse, flies round and round again till you are dizzy. You

look with great complacency at the tightening twist, now brought

_almost_ to perfection. You turn it carelessly in your fingers,

scarcely noticing its convulsive starts for freedom. Ah! your

imprudent friend, without any warning, gives it a final pull to

stretch it into shape. The twine slips from your grasp, springs away

across the room, curls itself into a succession of snarls and twisted

loops, and then lies motionless. Your friend looks thunderstruck. With

a hasty apology, you step forward and tightly clasp the recreant

end. You are in nervous expectation of dropping it again. Your fingers

are benumbed at the tips with their tight compression, and the

constant twitching. They give a sudden jerk. You make an involuntary

clutch for the cord, but in vain. It is rapidly untwisting at the very

feet of your companion, who looks at it in despair. Again you make an

attempt with no success at all, the refractory twine eluding your

utmost endeavors to hold it. Once more! Your fellow-twister walks off

at last, with a wretchedly rough affair, which he good humoredly says

"will do very well."

Autumn Leaves: Original Pieces in Prose and Verse · 第 23 / 48 题