Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view,—
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.
Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear,—
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home,—
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The virgin fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.
O heart sore-tried! thou hast the best
That Heaven itself could give thee,—rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!
As one who held herself a part
Of all she saw, and let her heart
Against the household bosom lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago:—
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?
MY PLAYMATE[4]
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine:
What more could ask the bashful boy
Who fed her father’s kine?
She left us in the bloom of May:
The constant years told o’er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o’er and o’er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,—
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,—
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father’s kine?
What cares she that the orioles build
For other eyes than ours,—
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o’er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,—
The moaning of the sea of change
Between myself and thee!
TELLING THE BEES[5]
Here is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred,
And the poplars tall;
And the barn’s brown length, and the cattle-yard,
And the white horns tossing above the wall.
There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o’errun,
Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blows, and the same sun glows,
And the same brook sings of a year ago.
There’s the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.
I mind me how with a lover’s care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and throat.
Since we parted, a month had passed,—
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.
I can see it all now,—the slantwise rain
Of light through the leaves,
The sundown’s blaze on her window-pane,
The bloom of her roses under the eaves.
Just the same as a month before,—
The house and the trees,
The barn’s brown gable, the vine by the door,—
Nothing changed but the hives of bees.
Before them, under the garden wall,
Forward and back,
Went drearily singing the chore-girl small,
Draping each hive with a shred of black.
Trembling, I listened: the summer sun
Had the chill of snow;
For I knew she was telling the bees of one
Gone on the journey we all must go!
Then I said to myself, “My Mary weeps
For the dead to-day:
Haply her blind old grandsire sleeps
The fret and the pain of his age away.”
But her dog whined low; on the doorway sill,
With his cane to his chin,
The old man sat; and the chore-girl still
Sung to the bees stealing out and in.
And the song she was singing ever since
In my ear sounds on:—
“Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!”
BURNS[6]
ON RECEIVING A SPRIG OF HEATHER IN BLOSSOM
No more these simple flowers belong
To Scottish maid and lover;
Sown in the common soil of song,
They bloom the wide world over.
In smiles and tears, in sun and showers,
The minstrel and the heather,
The deathless singer and the flowers
He sang of live together.
Wild heather-bells and Robert Burns!
The moorland flower and peasant!
How, at their mention, memory turns
Her pages old and pleasant!
The gray sky wears again its gold
And purple of adorning,
And manhood’s noonday shadows hold
The dews of boyhood’s morning:
The dews that washed the dust and soil
From off the wings of pleasure,
The sky that flecked the ground of toil
With golden threads of leisure.
I call to mind the summer day,
The early harvest mowing,
The sky with sun and clouds at play,
And flowers with breezes blowing.
I hear the blackbird in the corn,
The locust in the haying;
And, like the fabled hunter’s horn,
Old tunes my heart is playing.
How oft that day, with fond delay,
I sought the maple’s shadow,
And sang with Burns the hours away,
Forgetful of the meadow!
Bees hummed, birds twittered, overhead
I heard the squirrels leaping,
The good dog listened while I read,
And wagged his tail in keeping.
I watched him while in sportive mood
I read “_The Twa Dogs’_” story,
And half believed he understood
The poet’s allegory.
Sweet day, sweet songs! The golden hours
Grew brighter for that singing,
From brook and bird and meadow flowers
A dearer welcome bringing.
New light on home-seen Nature beamed,
New glory over Woman;
And daily life and duty seemed
No longer poor and common.
I woke to find the simple truth
Of fact and feeling better
Than all the dreams that held my youth
A still repining debtor:
That Nature gives her handmaid, Art,
The themes of sweet discoursing;
The tender idyls of the heart
In every tongue rehearsing.
Why dream of lands of gold and pearl,
Of loving knight and lady,
When farmer boy and barefoot girl
Were wandering there already?
I saw through all familiar things
The romance underlying;
The joys and griefs that plume the wings
Of Fancy skyward flying.
I saw the same blithe day return,
The same sweet fall of even,
That rose on wooded Craigie-burn,
And sank on crystal Devon.
I matched with Scotland’s heathery hills
The sweetbrier and the clover;
With Ayr and Doon, my native rills,
Their wood hymns chanting over.
O’er rank and pomp, as he had seen,
I saw the Man uprising;
No longer common or unclean,
The child of God’s baptizing!
With clearer eyes I saw the worth
Of life among the lowly;
The Bible at his Cotter’s hearth
Had made my own more holy.
And if at times an evil strain,
To lawless love appealing,
Broke in upon the sweet refrain
Of pure and healthful feeling,
It died upon the eye and ear,
No inward answer gaining;
No heart had I to see or hear
The discord and the staining.
Let those who never erred forget
His worth, in vain bewailings;
Sweet Soul of Song! I own my debt
Uncancelled by his failings!
Lament who will the ribald line
Which tells his lapse from duty,
How kissed the maddening lips of wine
Or wanton ones of beauty;
But think, while falls that shade between
The erring one and Heaven,
That he who loved like Magdalen,
Like her may be forgiven.
Not his the song whose thunderous chime
Eternal echoes render;
The mournful Tuscan’s haunted rhyme,
And Milton’s starry splendor!
But who his human heart has laid
To Nature’s bosom nearer?
Who sweetened toil like him, or paid
To love a tribute dearer?
Through all his tuneful art, how strong
The human feeling gushes!
The very moonlight of his song
Is warm with smiles and blushes!
Give lettered pomp to teeth of Time,
So “Bonnie Doon” but tarry;
Blot out the Epic’s stately rhyme,
But spare his Highland Mary!
THE SHIP-BUILDERS
The sky is ruddy in the east,
The earth is gray below,
And, spectral in the river-mist,
The ship’s white timbers show.
Then let the sounds of measured stroke
And grating saw begin;
The broad-axe to the gnarlèd oak,
The mallet to the pin!
Hark! roars the bellows, blast on blast,
The sooty smithy jars,
And fire-sparks, rising far and fast,
Are fading with the stars.
All day for us the smith shall stand
Beside that flashing forge;
All day for us his heavy hand
The groaning anvil scourge.
From far-off hills, the panting team
For us is toiling near;
For us the raftsmen down the stream
Their island barges steer.
Rings out for us the axe-man’s stroke
In forests old and still;
For us the century-circled oak
Falls crashing down his hill.
Up! up! in nobler toil than ours
No craftsmen bear a part:
We make of Nature’s giant powers
The slaves of human Art.
Lay rib to rib and beam to beam,
And drive the treenails free;
Nor faithless joint nor yawning seam
Shall tempt the searching sea!
Where’er the keel of our good ship
The sea’s rough field shall plough;
Where’er her tossing spars shall drip
With salt-spray caught below;
That ship must heed her master’s beck,
Her helm obey his hand,
And seamen tread her reeling deck
As if they trod the land.
Her oaken ribs the vulture-beak
Of Northern ice may peel;
The sunken rock and coral peak
May grate along her keel;
And know we well the painted shell
We give to wind and wave,
Must float, the sailor’s citadel,
Or sink, the sailor’s grave!
Ho! strike away the bars and blocks,
And set the good ship free!
Why lingers on these dusty rocks
The young bride of the sea?
Look! how she moves adown the grooves,
In graceful beauty now!
How lowly on the breast she loves
Sinks down her virgin prow!
God bless her! wheresoe’er the breeze
Her snowy wing shall fan,
Aside the frozen Hebrides,
Or sultry Hindostan!
Where’er, in mart or on the main,
With peaceful flag unfurled,
She helps to wind the silken chain
Of commerce round the world!
Speed on the ship! But let her bear
No merchandise of sin,
No groaning cargo of despair
Her roomy hold within;
No Lethean drug for Eastern lands,
Nor poison-draught for ours;
But honest fruits of toiling hands
And Nature’s sun and showers.
Be hers the Prairie’s golden grain,
The Desert’s golden sand,
The clustered fruits of sunny Spain,
The spice of Morning-land!
Her pathway on the open main
May blessings follow free,
And glad hearts welcome back again
Her white sails from the sea!
SKIPPER IRESON’S RIDE[7]
Of all the rides since the birth of time,
Told in story or sung in rhyme,—
On Apuleius’s Golden Ass,
Or one-eyed Calender’s horse of brass,
Witch astride of a human back,
Islam’s prophet on Al-Borák,—
The strangest ride that ever was sped
Was Ireson’s, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.
Scores of women, old and young,
Strong of muscle, and glib of tongue,
Pushed and pulled up the rocky lane,
Shouting and singing the shrill refrain:
“Here’s Flud Oirson, fur his horrd horrt,
Torr’d an’ futherr’d an’ corr’d in a corrt
By the women o’ Morble’ead!”
Wrinkled scolds with hands on hips,
Girls in bloom of cheek and lips,
Wild-eyed, free-limbed, such as chase
Bacchus round some antique vase,
Brief of skirt, with ankles bare,
Loose of kerchief and loose of hair,
With conch-shells blowing and fish-horns’ twang,
Over and over the Mænads sang:
“Here’s Flud Oirson, fur his horrd horrt,
Torr’d an’ futherr’d an’ corr’d in a corrt
By the women o’ Morble’ead!”
Small pity for him!—He sailed away
From a leaking ship in Chaleur Bay,—
Sailed away from a sinking wreck,
With his own town’s-people on her deck!
“Lay by! lay by!” they called to him.
Back he answered, “Sink or swim!
Brag of your catch of fish again!”
And off he sailed through the fog and rain!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Fathoms deep in dark Chaleur
That wreck shall lie forevermore.
Mother and sister, wife and maid,
Looked from the rocks of Marblehead
Over the moaning and rainy sea,—
Looked for the coming that might not be!
What did the winds and the sea-birds say
Of the cruel captain who sailed away?—
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Through the street, on either side,
Up flew windows, doors swung wide;
Sharp-tongued spinsters, old wives gray,
Treble lent the fish-horn’s bray.
Sea-worn grandsires, cripple-bound,
Hulks of old sailors run aground,
Shook head, and fist, and hat, and cane,
And cracked with curses the hoarse refrain:
“Here’s Flud Oirson, fur his horrd horrt,
Torr’d an’ futherr’d an’ corr’d in a corrt
By the women o’ Morble’ead!”
Sweetly along the Salem road
Bloom of orchard and lilac showed.
Little the wicked skipper knew
Of the fields so green and the sky so blue.
Riding there in his sorry trim,
Like an Indian idol glum and grim,
Scarcely he seemed the sound to hear
Of voices shouting, far and near:
“Here’s Flud Oirson, fur his horrd horrt,
Torr’d an’ futherr’d an’ corr’d in a corrt
By the women o’ Morble’ead!”
“Hear me, neighbors!” at last he cried,—
“What to me is this noisy ride?
What is the shame that clothes the skin
To the nameless horror that lives within?
Waking or sleeping, I see a wreck,
And hear a cry from a reeling deck!
Hate me and curse me,—I only dread
The hand of God and the face of the dead!”
Said old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Then the wife of the skipper lost at sea
Said, “God has touched him! why should we!”
Said an old wife mourning her only son,
“Cut the rogue’s tether and let him run!”
So with soft relentings and rude excuse,
Half scorn, half pity, they cut him loose,
And gave him a cloak to hide him in,
And left him alone with his shame and sin.
Poor Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
MAUD MULLER[8]
Maud Muller on a summer’s day
Raked the meadow sweet with hay.
Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.
Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.
But when she glanced to the far-off town,
White from its hill-slope looking down,
The sweet song died, and a vague unrest
And a nameless longing filled her breast,—
A wish that she hardly dared to own,
For something better than she had known.
The Judge rode slowly down the lane,
Smoothing his horse’s chestnut mane.
He drew his bridle in the shade
Of the apple-trees, to greet the maid,
And asked a draught from the spring that flowed
Through the meadow across the road.
She stooped where the cool spring bubbled up,
And filled for him her small tin cup,
And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.
“Thanks!” said the Judge; “a sweeter draught
From a fairer hand was never quaffed.”
He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;
Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.
And Maud forgot her brier-torn gown,
And her graceful ankles bare and brown;
And listened, while a pleased surprise
Looked from her long-lashed hazel eyes.
At last, like one who for delay
Seeks a vain excuse, he rode away.
Maud Muller looked and sighed: “Ah me!
That I the Judge’s bride might be!
“He would dress me up in silks so fine,
And praise and toast me at his wine.
“My father should wear a broadcloth coat;
My brother should sail a painted boat.
“I’d dress my mother so grand and gay,
And the baby should have a new toy each day.
“And I’d feed the hungry and clothe the poor,
And all should bless me who left our door.”
The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.
“A form more fair, a face more sweet,
Ne’er hath it been my lot to meet.
“And her modest answer and graceful air
Show her wise and good as she is fair.
“Would she were mine, and I to-day,
Like her, a harvester of hay;
“No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,
“But low of cattle and song of birds,
And health and quiet and loving words.”
But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.
So, closing his heart, the Judge rode on,
And Maud was left in the field alone.
But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;
And the young girl mused beside the well
Till the rain on the unraked clover fell.
He wedded a wife of richest dower,
Who lived for fashion, as he for power.
Yet oft, in his marble hearth’s bright glow,
He watched a picture come and go;
And sweet Maud Muller’s hazel eyes
Looked out in their innocent surprise.
Oft, when the wine in his glass was red,
He longed for the wayside well instead;
And closed his eyes on his garnished rooms
To dream of meadows and clover-blooms.
And the proud man sighed, with a secret pain,
“Ah, that I were free again!
“Free as when I rode that day,
Where the barefoot maiden raked her hay.”
She wedded a man unlearned and poor,
And many children played round her door.
But care and sorrow, and childbirth pain,
Left their traces on heart and brain.
And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,
And she heard the little spring brook fall
Over the roadside, through the wall,
In the shade of the apple-tree again
She saw a rider draw his rein;
And, gazing down with timid grace,
She felt his pleased eyes read her face.
Sometimes her narrow kitchen walls
Stretched away into stately halls;
The weary wheel to a spinnet turned,
The tallow candle an astral burned,
And for him who sat by the chimney lug,
Dozing and grumbling o’er pipe and mug,
A manly form at her side she saw,
And joy was duty and love was law.
Then she took up her burden of life again,
Saying only, “It might have been.”
Alas for maiden, alas for Judge,
For rich repiner and household drudge!
God pity them both! and pity us all,
Who vainly the dreams of youth recall.
For of all sad words of tongue or pen,
The saddest are these: “It might have been!”
Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;
And, in the hereafter, angels may
Roll the stone from its grave away!
RANDOLPH OF ROANOKE[9]
O Mother Earth! upon thy lap
Thy weary ones receiving,
And o’er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.
Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,
Press down his lids in blindness.
There, where with living ear and eye
He heard Potomac’s flowing,
And, through his tall ancestral trees,
Saw autumn’s sunset glowing,
He sleeps, still looking to the west,
Beneath the dark wood shadow,
As if he still would see the sun
Sink down on wave and meadow.
Bard, Sage, and Tribune! in himself
All moods of mind contrasting,—
The tenderest wail of human woe,
The scorn like lightning blasting;
The pathos which from rival eyes
Unwilling tears could summon,
The stinging taunt, the fiery burst
Of hatred scarcely human!
Mirth, sparkling like a diamond shower,
From lips of life-long sadness;
Clear picturings of majestic thought
Upon a ground of madness;
And over all Romance and Song
A classic beauty throwing,
And laurelled Clio at his side
Her storied pages showing.
All parties feared him: each in turn
Beheld its schemes disjointed,
As right or left his fatal glance
And spectral finger pointed.
Sworn foe of Cant, he smote it down
With trenchant wit unsparing,
And, mocking, rent with ruthless hand
The robe Pretence was wearing.
Too honest or too proud to feign
A love he never cherished,
Beyond Virginia’s border line
His patriotism perished.
While others hailed in distant skies
Our eagle’s dusky pinion,
He only saw the mountain bird
Stoop o’er his Old Dominion!
Still through each change of fortune strange,
Racked nerve, and brain all burning,
His loving faith in Mother-land
Knew never shade of turning;
By Britain’s lakes, by Neva’s tide,
Whatever sky was o’er him,
He heard her rivers’ rushing sound,
Her blue peaks rose before him.