Then what of the more staid, and, it may be, more serious, period in

life? We are, let us say, now beginning to settle down, to feel a

sense of responsibility. Father Time with his scythe has not greatly

concerned us up to now; but we fancy that we see his figure, faint and

shadowy, and, it may be, only just discernible, coming towards us from

over the horizon.... We are ready for serious books now.

But, bless you! that is just a stage--a period in our pilgrimage

through life. The old loves return. The volumes that charmed us in

childhood and in youth again claim our affections. And with what zest

we re-read those precious volumes! How heartily we greet our dear old

friends! How grateful we are to the authors who have introduced us to

this or that genial fellow, to this sedate and scholarly gentleman, to

this winsome maid, to that noble man, to this gracious lady! And how

many more await us!

Yes, the persons one meets in Bookland form an ever-increasing

army--so vast, so numerous, that when meditating upon them and their

characteristics, their virtues, their weaknesses, their foibles, their

whimsicalities, their sins, and their noble deeds, one is led to divide

them into classes and place them under the names of their creators--to

set apart the delicately but firmly pictured characters of Jane Austen

in a line running parallel with, say, the creations of Mrs. Gaskell and

other lady novelists, taking care to keep them some little distance

apart from the creations of Fielding and Sterne. For in Bookland, as

in real life, it is unreasonable to expect persons of widely different

temperaments to live on amicable terms.

That was a good plan, surely, of the book-lover who not only

classified the characters of his favourite authors under the name of

their creators, but also, after carefully considering their various

characteristics, grouped them in little compartments. It is good,

however, to feel that the characters of many of our famous novelists

may be left to mix freely. One cannot, for example, doubt that the

great majority of the creations of Charles Dickens were meant to ‘rub

shoulders.’ So wide were the sympathies of that great delineator of

human life that few indeed are the children of his imagination who

are lacking in some point or other of common interest. Tapley, Pinch,

Micawber, Toots, and the lovable Pickwick, and a host besides, may be

left safely in one compartment.

But all this may lead you to suppose that the persons who played a part

in real life as well as in Bookland are being forgotten. That can never

be. For who can forget the chief characters in the historical works

of our great novelists? These, in a sense, are more real to us than

children of the imagination. For we may first study the conditions in

which this or that great figure played a part in life, and then look

upon them in the searching light of the skilful novelist.

How natural, however, if the lover of books should at times overlook

the greatest of figures in a company so vast! He will do well if he

but keeps a warm corner or two in his heart for old friends and an

open place for new ones. And if meanwhile he can manage to keep his

mind fresh and active, ready to receive new ideas and eager for fresh

knowledge, he may surely rest content. Happily for the makers of books

we have not all the same taste. Some are for this class of book; others

for that. Some seek knowledge; others seek entertainment.

But I am running away from the vein in which this little book was

started. I am forgetting to set forth my own little likes and

dislikes. There is a reason, however, and it is this: I have nothing

more exciting to confess at this point than the plain fact that I am of

the company of bookmen who read _simply for the love of it_.

VII

SECOND-HAND BOOKS

The love of books is a love which requires neither justification,

apology, nor defence.--LANGFORD.

I HAVE confessed that I am of the company of book-lovers who delight

in dipping into the ‘lucky-tubs’ to be found outside booksellers’

windows. I know of no pleasanter way of spending a spare half-hour.

Give me a few ‘loose’ coppers, place my feet upon a likely road,

and I am content. I am now, let me say, of the happy company of

_book-fishermen_. And this, mark you, is fishing in real earnest,

this effort to ‘hook’ good food for the mind, to place in one’s basket

a ‘book that delighteth and giveth perennial satisfaction.’

Ah! it is a good road I am on--one of London’s happiest

thoroughfares--a road rich in book-shops. Here for a humble penny one

may dip into tub or barrel and perchance pick out a volume worth its

weight in gold! We hear so frequently of marvellous ‘catches.’ You know

how this, that, or the other fine sportsman boasts of landing fish of

amazing weight--well, it is so with your _book-fisherman_. Has he not

told you of first editions procured for a single copper? And who shall

say what fine day may not find us among Fortune’s favoured ones?

And so now to our fishing! Here is a copy of Milton’s _Paradise

Lost_, ‘hooked’ in the deep waters of a ‘penny tub.’ It is

calf-bound, mark you, and in fairish condition, though much stained

with the passing of years. My heart leaps; it is very old--a first

edition possibly! But no; it is anything but that, and alas! like the

egg that has grown into a proverb, it is only good in parts. Many of

the pages are entirely missing, and others partially so. Judged by the

books that surround me, it is dear at a penny ... _Paradise Lost_!

Yes, I confess that this fishing has its distressing side. One is

frequently disappointed. And how heart-rending it is to find great

works in a soiled and tattered condition, to discover, on drawing one’s

hand from some ‘lucky-tub,’ that one holds the remains, a few pages,

it may be, or the cover only, of a book that has played a part in the

making of this world’s history! And how touching to find a winsome

companion like the gentle Elia soiled, torn, bereft of covering,

showing yellow gum and coarse stitching! I confess that such a sight

almost moves me to tears. Fair wear and tear would never have reduced

the gentle Elia to so pitiable a state. I suspect hands as callous

as those of the butcher in the slaughterhouse across the way. Alas!

that there should be men to whom books are merely so much paper and

cloth. ‘A book,’ you tell them, ‘is the precious life-blood of a

master-spirit, embalmed and treasured upon purpose, to a life beyond.’

And their answer is a smile. But this is no time for repining. The

great army of book-lovers swells with each passing year. From all sides

come recruits, often from the most unexpected quarters, from mill and

factory, mean street and slum. Yes; ’tis a great day for books, and

soon _Everyman_ will have his library, in fact as well as in name.

And who dare say, who can guess, what treasures his library will hold?

Now back to our fishing. Here is a tub that promises well; the price

per volume, as aforetime, is only one penny. See! Here is a dainty

volume, slim and shapely of form, and clothed in a delicate green. A

minor poet, you guess. Yes; the work of a minor poet, published, no

doubt, at the author’s own expense. But do not turn aside. Do not say

that such books are of no value. I confess that I am for lingering over

this slender booklet. Its cover is very pleasing; the type is large and

clear; the paper is of good texture. And what anxiety, what patient

care, probably went to the making of its contents! Brave minor poet!

You have withstood many rebuffs. The road you travel holds, I doubt

not, many pure delights: you walk, it may be, beneath a star-strewn

sky. But star-gazing has proved in your case a dangerous occupation.

‘He who raises his eyes to the heavens forgets the stones and puddles

at his feet.’ Alas! you have had many falls. And when perchance you

have come to the ground, it has often been to the accompaniment of

heartless laughter. ‘Here,’ cry the critics, ‘is another minor poet on

all fours.’ And with ill-timed jests they proceed to point out your

weaknesses; how that you have not the feet to walk aright, much less

run; and as for wings, there is not, ’tis frequently said, so much as

a sign of their sprouting. But for all that you have scrambled to your

feet, and marching bravely forward, continued to give generously of

your gentle fancy. Long may you live! In you we have (and here is my

strongest point in your favour) many a great and worthy poet in the bud.

And so I confess gladly, and, indeed, with a proud heart, that in my

bookshelves you hold a warm, well-sheltered corner. I love to handle

your slender volumes, to pore over your early fancies, ill-expressed

at times, it may be, but with a sincerity that is refreshing, and a

simplicity that is delightful. And if your work is poor from cover to

cover--which is rarely, if ever the case--well, you have given us a

book.

Yes, I am of the company of book-lovers who revere anything in the form

of a book. Lovers are made that way; and it is futile to inquire how I

can bring myself to love books of ‘all sorts and conditions.’ As well

might you ask the nature-lover why he speaks so tenderly of, say, the

worm that peeps through the tender green of some sun-lit lawn. ’Tis

simply love--love for the humblest children of dear Mother Earth. And

so it is with the true book-lover; for the humblest volume he has a

tender thought.

But what of our fishing? This is, I take it, a fitting place to record

how on such and such a day I had the good fortune to ‘hook’ a copy of

this or that desirable work for a few humble pence--a ‘mere song’!

Well, so it has been, ‘day in and day out.’ But those books, I would

remind you, are now my companions, my friends, and I can no more

associate money with their value than I can judge a friend in the flesh

by the contents of his purse. To me they are _priceless_.

VIII

‘THE CULT OF THE BOOKPLATE’

YOU have often heard the cry, and know full well its meaning, ‘My books

are priceless.’ What wonder, then, if you and I--lovers of books--take

lively interest in what an ingenuous man of business has called ‘_The

Cult of the Bookplate_.’ ‘The mission of the bookplate,’ he advises

us, ‘has always been, and must always be, primarily to indicate

ownership of the books in which they are placed. They may be ornate

or simple, as the taste or means of the owner may indicate; they may

incorporate crests, arms, motto, or other family attribute; or, again,

they may reflect the personal interests or occupations of the owner;

but the real aim of the bookplate remains ever the same--a reminder to

those who borrow.’

Pretty ground this for contemplation--for doubts, counsels, hopes,

fears, regrets; aye, and for _rejoicing_! How my mind leaps,

first this way, then that, when I meditate upon that rich circle of

friendship in which I may borrow from a fellow book-lover’s treasured

volumes, and, of course, lend of my own! Yet by what unspeakable

regrets am I possessed when I think of certain treasured volumes lent

in wildly generous moments to good but ‘short-minded’ friends! I have

in mind a little volume of essays--a first and only edition--by an

unknown but charming writer, which is now in the possession of that

restless fellow K----. May he see these words and repent! And what of

that treasured edition--once mine, but, alas! mine no more--of certain

writings of Dr. Johnson? Oh, that I could send the good doctor in quest

of the volume! What blushes of shame he would bring to the cheeks of

the heartless borrower! ‘Sir!’ he would cry. And what words would

follow! Very speedily should I be in a position to fill the gap in my

shelves.

And there is that dainty little calf-bound volume of Lamb’s essays,

borrowed some months back by J----. Where are you and my little volume

now, good friend? For reasons known to ourselves alone I address you

tenderly. But I would that I could send the gentle Elia to recover my

lost gem. Very gently would he deal with you, with quaint phrases,

puns, and happy jests. Aye, and with little speeches uttered with that

fascinating lisp of his. Indeed, I fear, now that I come to give the

matter careful thought, that he would leave you empty handed. It would

be so like his charming ways to console, comfort, and amuse you, and

leave with you, after all, my volume of his incomparable essays.

The truth is, this work of restoring borrowed volumes to one’s shelves

calls for a stout heart. I confess that I am wanting in the necessary

qualifications. I have not the courage to speak harshly to a fellow

book-lover. So firm is his hold on my affections that I am as wax in

his hands. Yet book-lovers to a man agree that the borrower who never

repays stands in dire need of correction. I must call another to the

task--one of stronger metal.

Listen! ‘Even the fieldmouse,’ cries my champion, ‘has a russet gown to

match the mould, but the book-lover who has let loose a borrower in his

library is as forlorn as the goat tied up for tiger’s bait. True, that

to spare your Homer you may plead you are re-acquainting yourself with

the _Iliad_, but that is to save Homer and lose Virgil. You cannot

profess that you study all the classics simultaneously; and who knows

that better than the borrower? Snatch your Browning from his grip,

and his talons sink into Goethe instead. What does it matter to him?

He is out for books, and he will not be placated until he has left

gaping rents in your shelves, like the hull of a bombarded battleship.

These chasms shall burden your soul with the weight of many unkindly

maledictions, but the borrower will return no evil thought, for the

simple and satisfactory reason that he will now think no more either

of you or of your books. Stabled securely upon his shelves, they will

remain on one of those perpetual leases that amount to a freehold. It

is useless to invade his lair with the hope of bringing back the spoil.

Are you not instructed that he has not yet had time to read them,

but that they are yours again whenever you will? Outgeneralled and

outflanked, you retreat empty-handed.

‘Books are gentle, lovable company. Why should the lust of them

corrupt human nature, turning an amiable citizen into that hopeless

irreclaimable, the inveterate book-borrower? Is it that law of

contrasts which associates with the noble steed the ignoble

horse-coper, and with the gentle dove the cropped head and unshaven

jowl of the pigeon-flyer? But truce to theories! It is the hour of

action. Will not a benignly reforming Government insist that lent

books shall be registered like bills of sale, and a list drawn up of

notorious borrowers, with compulsory inspection of their dens, to

protect our defenceless libraries from the ravages of the book-pirate?

If it is hopeless to look for his cure, shall we not at least petition

for his prevention?’

You will allow that all this bears directly upon the subject in mind.

Does not the ingenuous gentleman whom I have quoted at the head of

this chapter aver that the real aim of the bookplate remains ever the

same--‘a reminder to those who borrow.’ Here, then, is one thread of

hope, but only a very thin thread, I fear. Not for one moment dare I

venture to think that it will bear the weight of our grievances. It

is too fine, too delicate, to save us from the hands of the ruthless

borrower. Indeed, I suspect that if it in any wise alters our position,

it is only to draw us into fresh danger. For you know how many and how

varied are the charms of bookplates, both old and new. Indeed, I have

known book-lovers borrow a volume for the sole purpose of tracing the

design upon the fly-leaf. It is a fault of which the present writer is

guilty. With shame he confesses it.

But wait! Why should I speak with blushes of my admiration for the

brave armorial designs which adorn the calf-bound volumes of my friend

H----? Well may he be proud of his family attributes, and well may I

admire the manner in which some skilful designer, long departed, has

incorporated arms and family motto with the familiar words _Ex Libris_.

I know not, by the way, how any book-lover can bring himself to ignore

information so absolutely clear. The announcement ‘FROM MY LIBRARY’

seems in the case of the particular bookplate in mind to come, nay,

_does_ come, from a trumpet of amazing dimensions. But it is to be

feared that the imaginative designer has been allowed too free a hand.

So rich is his fancy, so skilful his line work, that the force of his

call to duty is dulled by admiration. Perhaps that is why my friend’s

volume still rests on my shelves. And perchance herein may rest an

explanation of the heartless manner in which my friend has held fast to

my treasured volume of Cowper’s poems.

It is, I say, to be feared that designers of bookplates have sacrificed

the primary aim of their calling to the elaboration of playful fancies.

From the very birth of the bookplate the fault seems to have been

present. I am told that the earliest specimens date back to 1516, and

on the Continent, notably in Germany, even earlier than that. Far back

into the ages must we travel to find the first offenders. Let the

interested book-lover examine the ancient examples presented in 1574

by Sir Nicholas Bacon to the University of Cambridge. He will then see

pretty clearly how the war has been waged between the pictorial and

the practical, and how, all along the line, the victory has been with

the former. And what wonder with such mighty craftsmen as Albrecht

Durer, Lucas Cranach, and Hans Holbein to wield the steel point of the

engraver! Can one be surprised if such men defeat the chief aim of the

bookplate, and put to silence with their wonderful skill the simple cry

_Ex Libris_? Bookplates by Durer, Cranach, or Holbein must surely

give great value to the volumes in which they rest. Note the danger!

True book-lovers will blush to own it, but we must acknowledge the fact

that a bookplate may have greater attractions than the volume in which

it rests!

Wherefore, I say, we book-lovers will be well advised if we see to it

that we do not fall into the error of keeping on our shelves books

which may be coveted for the plates they contain. Bookplates in the

delicate manner of Chippendale, with ‘wreath and ribbon’ and open shell

work, are too alluring. Designs in the manner of Sheraton are also

dangerously attractive. Jacobean plates come nearer the desired mark.

But to my mind the good old English style of plate, ‘simple armorial,’

is best fitted for the purpose.

Always must we remember that the primary object of the bookplate is

_a reminder to those who borrow_. On this score I am disposed to

favour those inexpensive modern plates in which are interwoven some

dear, familiar scene--a nook or corner of one’s garden, or a beloved

scene in one’s native place. If the ruthless borrower has aught of

good in him, surely he will be affected by such tender personal

associations! But we have seen that the average borrower of books is

a strange fellow. Alas! I know him only too well. Indeed, I too must

confess that ‘out of an intimate knowledge of my own sinful ways have I

spoken.’

IX

BEDSIDE BOOKS

I come to my subject in a sleepy mood. It seems a daring confession to

make. But you will allow that only when one’s mind is bent on thoughts

of sleep can one hope to speak fittingly of bedside books. ’Tis a

subject calling for gentle, quiet thoughts. And what better state of

mind? You remember Robert Louis Stevenson’s prayer, ‘Give us the quiet

mind.’ How often has a similar prayer been offered! Too often are we

disturbed in thought--harassed, perplexed, worried. Let us now turn

our attention to books that soothe and lull to rest. Here they stand,

ready to hand. But name them I dare not, save in my own heart. For your

taste in this matter may be totally different from mine. I dare only

say at this point--for here surely I may speak with confidence--that

no bedside shelf is complete without a copy of Stevenson’s prayers.

With gratitude I confess that of the many volumes which have comforted

me during dark hours not one is so dear, so close to my heart, as the

little volume bearing the golden letters R. L. S.

‘Be with our friends, be with ourselves. Go with each of us to rest.

If any awake, temper to them the dark hours of watching; and when

the day returns, return to us our sun and comforter, and call us up

with morning faces and with morning hearts--eager to labour: eager to

be happy, if happiness be our portion; and if the day be marked for

sorrow, strong to endure it.’ Certainly the prayers of R. L. S. should

have a place on every bedside shelf. That you are familiar with the

foregoing prayer, I cannot doubt. ‘Many are the golden passages the

lover of good books has by heart.’ It may be that you have upon your

own particular bedside shelf many ‘devotional authors’ with whose every

word you are familiar--books, small and great, which are as jewels in

your shelf. And no doubt you have upon the same shelf many every-day

and every-hour books, acting, as it were, as a setting to your gems.

For certainly the bedside shelf, if it is to be complete, must contain

books to suit all moods. One cannot be certain in what mood the night

watches will find one. The over-excited brain, for instance, needs

its own particular medicine, and sometimes two, three, or more drugs

are required, according to the state and nature of the patient. In

the majority of cases it is futile to attempt a cure with a book less

lively than the patient’s own brain. His abnormal condition must be

righted by degrees. One book, or drug, must follow another, till his

mind has been restored to a normal state. Then may he resort to his

accustomed ‘rest books,’ and so fall asleep.

But I fear that such talk ‘smacks’ of the doctor and his medicine

chest, and I desire to conjure up restful thoughts. Well may the reader

be forgiven if he starts up in protest. Indeed, here is the difficulty

and the danger of seeking to promote a restful condition. One is so

apt to make, with the best intentions possible, a remark which has the

reverse effect. There is, I say, the risk of naming a book which to

the reader might come as a call to action--to daring deeds and mighty

enterprises--a mood as far removed from slumber as the North Pole from

the South.

I may, however, speak freely enough in the company of book-lovers who

wake with the rising sun and take to themselves one of their beloved

books. They will not resent my likes and dislikes--they who open the

day with a ‘jolly good book.’ In their company I may confess that for

the early morning I prefer a book with plenty of ‘go’ in it. Give me

life and spirit and enterprise. Thus may I hope to retain some measure

of the buoyancy of youth. It is good to have been young in youth,

and, as the years go, to grow _younger_. ‘Many,’ it is written,

‘are already old before they are through their teens; but to travel

deliberately through one’s ages is to get the heart out of a liberal

education. Times change, opinions vary to their opposite, and still

the world appears a brave gymnasium, full of sea-bathing, and horse

exercise, and bracing, manly virtues; and what can be more encouraging

than to find the friend who was welcome at one age welcome at another?’

Let _Westward Ho!_ stand on your bedside shelf, and many other

books of the same brave and lively order--‘the travel and adventure

books of our spirited youth.’ These, if you meet fresh days with a

book, will brace you for the battle. Stevenson must, of course, remain

one of your companions--your faithful friend both night and morning.

Bravery he will give you, and grace also.

Forth from the casement, on the plain

Where honour has the world to gain,

Pour forth and bravely do your part,

O knights of the unshielded heart!

Forth and for ever forward!--out

From prudent turret and redoubt,

And in the mellay charge amain

To fall, but yet to rise again!

Captive? Ah, still, to honour bright,

A captive soldier of the right!

Or free and fighting, good with ill?

Unconquering but unconquered still!

And mark again with what ‘manly grace’ and beauty of expression

Stevenson turns our thoughts to the ‘Giver of all strength.’

Confessions of a book-lover · 第 2 / 4 段