RAFTS AND RHINE SCENERY.

Between Andernach and Bonn I saw two or three of those enormous rafts

which are formed of the accumulated produce of the Swiss and German

forests. One was anchored in the middle of the river, and looked like a

floating island. These _Krakens_ of the Rhine are composed of oak and

fir floated in smaller rafts down the tributary streams, and, their size

constantly increasing till they arrive hereabouts, they make platforms

of from four hundred to seven hundred feet long, and one hundred and

forty feet in breadth. When in motion, a dozen boats and more precede

them, carrying anchors and cables to guide and arrest their course. The

navigation of a raft down the Rhine to Dort, in Holland, which is the

place of their destination,[4] is a work of great difficulty. The skill

of the German and Dutch pilots who navigate them, in spite of the abrupt

turnings, the eddies, the currents, rocks and shoals that oppose their

progress, must indeed be of a very peculiar kind, and can be possessed

but by few. It requires besides a vast deal of manual labour. The whole

complement of rowers and workmen, together with their wives and

children, on board one of the _first-rates_, amounts to the astonishing

number of nine hundred or a thousand; a little village, containing from

forty to sixty wooden houses, is erected upon each, which also is

furnished with stalls for cattle, a magazine for provisions, &c. The

dwelling appropriated to the use of the master of the raft and the

principal super-cargoes was conspicuous for its size and commodiousness.

It is curious to observe these rafts, on their passage, with their

companies of rowers stationed at each end, making the shores ring again

to the sound of their immense oars.

[4] About twelve of these rafts annually arrive at Dort, in

July or August; when the German timber merchants, having

converted their floats into good Dutch ducats, return to their

own country. When the water is low, those machines are

sometimes months upon the journey.--_Campbell's Guide_.

The succession of grand natural pictures, which I had been gazing upon

since my departure from Mentz and the district of the Rheingau, are

undoubtedly similar, but not the same; there is alternately the long

noble reach, the sudden bend, the lake-like expanse, the shores on both

sides lined with towns whose antique fortifications rise in distant

view, and villages whose tapering spires of blue slate peer above the

embosoming foliage; the mountains clothed with vines and forests, their

sides bristled and their summits crowned with the relics of feudal

residences,[5] or of cloistered fanes: but the varieties in the shape

and character of all these are inexhaustible; it is this circumstance

that enhances the pleasure of contemplating, scenery, in which there is,

as Lord Byron says,

"A blending of all beauties, streams and dells,

Fruit, foliage, crag, wood, corn-field, mountain, vine,

And chiefless castles breathing stern farewells,

From gray but leafy walls where ruin greenly dwells."

[5] There are the ruins of fourteen castles on the left bank,

and of fifteen on the right bank of the Rhine, from Mentz to

Bonn, a distance of thirty-six leagues.

The oppositions of light and shade; the rich culture of the hills

contrasted with the rugged rocks that often rise from out of the midst

of fertility; the bright verdure of the islands which the Rhine is

continually forming; the purple hues and misty azure of the distant

mountains--these and a thousand other indescribable charms constitute

sources of visual delight which can be imparted only by a view of the

objects themselves. And is excitement awakened in contemplating the

borders of this graceful and magnificent river? Yes. When we revert to

the awful convulsions of the physical world, and the important

revolutions of human society, of which the regions it flows through have

been successively the theatre--when we meditate on the vast changes, the

fearful struggles, the tragic incidents and mournful catastrophes, which

they have witnessed from the earliest ages to the very times in which we

have ourselves lived and marked the issue of events--"the battles,

sieges, fortunes" that have passed before its green tumultuous current,

or within ken of its mountain watch-towers--the shouts of nations that

have resounded, and the fates of empires that have been decided, on its

shores--when we think of the slaughtered myriads whose bones have

bleached on the neighbouring plains, filled up the trenches of its

rock-built strong-holds, or found their place of sepulture beneath its

wave--when, at each survey we take of the wide and diversified scene,

the forms of centuries seem to be embodied with the objects around us,

and the record of the past becomes vividly associated with the

impression of present realities--it is then that we are irresistibly led

to compare the greatness of nature with the littleness of man; it is

then that we are forcibly struck with the power and goodness of the

Author of both; and that the deepest humility unites itself in a

grateful mind, with the highest admiration, at the sight of "these His

lowest works."

But do you pretend, it may be asked, in the course of a three days'

journey, however lengthened by celerity of conveyance, or favoured by

advantages of season or weather--do you pretend to have experienced that

very eminent degree of gratification which the country is capable of

communicating? Certainly not. I speak of these scenes but as of things,

which before my own hasty and unsatisfied glances came like shadows--so

departed. Instead of two or three days, a whole month should be spent

between Mentz, Coblentz, and Bonn, in order fully to know and thoroughly

to enjoy the beauties and grandeurs with which that space

abounds.--_Stevenson's Tour in France, &c._

* * * * *

The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 264, July 14, 1827 · 第 32 / 37 题