CHAPTER V.

THE LICHEN DYES

Some of the most useful dyes and the least known are to be found among

the Lichens. They seem to have been used among peasant dyers from

remote ages, but apparently none of the great French dyers used them,

nor are they mentioned in any of the old books on dyeing. The only

Lichen dyes that are known generally among dyers are Orchil and

Cudbear, and these are preparations of lichens, not the lichens

themselves. They are still used in some quantity and are prepared

rather elaborately. But a great many of the ordinary Lichens yield

very good and permanent dyes. The Parmelia saxatilis and P.

omphaloides, are largely used in the Highlands & West Ireland, for

dyeing brown of all shades. No mordant is needed, and the colours

produced are the fastest known. "Crottle," is the general name for

Lichens, in Scotland. They are gathered off the rocks in July and

August, dried in the sun, and used to dye wool, without any

preparation. The crottle is put into the dye bath with a sufficient

quantity of water, boiled up and allowed to cool and then boiled up

with the wool until the shade required is got. This may take from one

to three or four hours, as the dye is not rapidly taken up by the

wool. Other dyers use it in the following way:--A layer of crottle, a

layer of wool, and so on until the bath is full; fill up with cold

water and bring to the boil, and boil till the colour is deep enough.

Some of the finest browns are got in this way. The wool does not seem

to be affected by keeping it in the dye a long time. A small quantity

of acetic acid put in with the Lichen is said to assist in exhausting

the colour.

The grey Lichen _Ramalina scopulorum_, dyes a fine shade of yellow

brown. It grows very plentifully on old stone walls, especially by the

sea, and in damp woods, on trees, and on old rotten wood. Boil the

Lichen up in sufficient water one day, and the next day put in the

wool, and boil up again till the right colour is got. If the wool is

left in the dye for a day or more after boiling, it absorbs more

colour, and it does not hurt the wool, but leaves it soft and silky to

the touch, though apt to be uneven in colour. Some mordant the wool

first with alum, but it does not seem to need it.

The best known of the dye Lichens are Parmelia saxatilis, and Parmelia

omphalodes, which are still largely used in Scotland and Ireland for

dyeing wool for tweeds. The well known Harris tweed smell is partly

due to the use of this dye.

Other Lichens also known for their dyeing properties are:--Parmelia

caperata or Stone Crottle which contains a yellow dye, P.

ceratophylla, or Dark Crottle, and P. parietina, the common wall

lichen, which gives a colour similar to the colour of the lichen

itself, yellowish brown. In _Bancroft's_ "Philosophy of Permanent

Colours" is to be found the following--"Besides the lichens, whose

colour depends upon a combination with the ammonia, there are some

which afford substantive colours, less beautiful indeed, but more

durable, by merely boiling with water. One of these is the muscus

pulmonarius of Caspar Bauhine, or the lichenoides pulmonium

reticulatum vulgare marginibus peltiferus of Dillenius, called Rags

and Stone Rags, in the northern parts of England, which, without any

mordant, dyes a very durable dark brown colour upon white wool or

cloth, and a fine lasting black upon wool or cloth which has

previously received a dark blue from Indigo." The following occurs in

an old Scottish history.--"There is one excresence gotton off the

craigs which they call cork-lit, and make use thereof for litting, or

dyeing a kind of purple colour." Another lichen, taken from trees in

Scotland, was used for producing an orange tint, called Philamort. The

tree lichen was called wood-raw, or rags, to distinguish it from stone

lichen, or stone-raw. A deep red colour was got from the dull grey

friable lichen, common on old stone walls, which was scraped off, with

a metal scraper. The bright yellow lichen, growing on rocks and walls,

and old roofs, dyes a fine plum colour, if the wool is mordanted first

with Bichromate of Potash. There is a difficulty, however, in getting

enough of this lichen to make the dyeing with it practicable.

The colour of the plant is no indication of the colorific power. That

is often greatly modified by the conditions of its growth,--such as

climate, elevation above the sea, nearness or distance from the sea,

age, season when gathered, habitat. The best season for gathering most

lichens, is late summer and autumn.

In Sweden, Scotland and other countries, the peasantry use a lichen,

called _Lecanora tartarea_, to furnish a red or crimson dye.

In Shetland, the _Parmelia saxatilis_ (Scrottyie) is used to dye

brown. It is found in abundance on argillaceous rocks. It is

considered best if gathered late in the year, and is generally

collected in August. Immediately after being collected, an iron vessel

is filled with it, and stale urine then poured over it, till the

vessel is full. This is slowly boiled until the plant begins to assume

a mucillaginous appearance, which generally takes place in about 2

hours. When taken off the fire, it has the consistence of a thin

jelly, but it speedily hardens until it is nearly as thick as

porridge, and its colour becomes a dark rusty grey. It is then folded

in the cloth, layer by layer of Scrottyie and cloth alternately, and

all is boiled for about 20 minutes, in soft water, in which a little

alum has been dissolved. It is then taken off the fire and the cloth

washed in cold water, when the process of dyeing is complete. The

Scrottyie, taken from between the folds of the cloth, is used several

times for dyeing, on being treated again in the same manner.

The plant used in Shetland for the red dye is the _Lecanora tartarea_.

It is found abundantly on almost all rocks and also grows on dry

moors, along with _Cladonia sangiferina_. (If a particle of the latter

is allowed to be intermixed with the dye, it is supposed to be

spoiled.) The lichen, and the dye made from it, are called Korkalett.

This lichen is collected in May and June, and steeped in stale urine

for about 3 weeks, being kept at a moderate heat all the time. The

substance having then a thick and strong texture, like bread, and

being of a bluish black colour, is taken out and made into small cakes

of about ¾ lb. in weight, which are wrapped in dock leaves and hung up

to dry in peat smoke. When dry it may be preserved fit for use for

many years; when wanted for dyeing it is partially dissolved in warm

water till of the consistence of Scrottyie, the dyeing proceeds in the

same manner; 5 lbs. of korkalett being considered sufficient for about

4 Scotch ells of cloth. The colour produced is a light red. It is

much used in the dyeing of yarn as well as cloth. The yarn is simply

boiled in it without folding as in the case of cloth.[6]

Linnæus mentions that a beautiful red colour may be prepared from

Lichen pustulatus, _Gyrophora pustulata_. _G. cylindrica_ is used by

Icelanders for dyeing woollen stuffs a brownish green colour. In

Sweden and Norway, _Evernia vulpina_ is used for dyeing woollen stuffs

yellow. Iceland moss, _Cetraria Islandica_, is used in Iceland for

dyeing brown. _Usnea barbata_ is collected from trees in Pennsylvania

& used for an orange colour for yarn.

_Lecanora tartarea_ (corcur of the Scottish Highlanders) dyes a

claret. It is usually prepared by pounding the lichen and mixing it

with stale chamberley, to which a little salt or kelp is added; this

mixture is kept for several weeks, and frequently stirred; being then

brought to the consistence of coarse paste, it is made up into balls,

with a little lime or burnt shells, and is kept ready for use. When

used, it is coarsely powdered and a small portion of alum is generally

added.

A general method for using lichens is suggested by Dr. Westring of

Sweden, in his "Experiments on Lichens for Dyeing Wools and Silks." He

says:

"The Lichens should be gathered after some days of rain, they can then

be more easily detached from the rocks. They should be well washed,

dried and reduced to a fine powder: 25 parts pure river water are

added to 1 of powdered lichen, and 1 part of fresh quick lime to 10

parts powdered lichen. To 10 lbs. lichen ½ lb. sal ammoniac is

sufficient when lime and sal ammoniac are used together. The vessel

containing them should be kept covered for the first 2 or 3 days.

Sometimes the addition of a little common salt or salt-petre will give

greater lustre to the colours."[7]

This method can be followed by anyone wishing to experiment with

Lichens. Dr. Westring did not use a mordant as a rule. Where the same

species of Lichen grows on both rocks and trees, the specimens taken

from rocks give the better colours.

ORCHIL OR ARCHIL AND CUDBEAR are substantive or non mordant dyes,

obtained from Lichens of various species of Roccella growing on rocks

in the Canary Islands and other tropical and sub-tropical countries.

They used to be made in certain parts of Great Britain from various

lichens, but the manufacture of these has almost entirely disappeared.

They have been known from early times as dyes. They give beautiful

purples and reds, but the colour is not very fast. The dye is produced

by the action of ammonia and oxygen upon the crushed Lichens or weeds

as they are called. The early way of producing the colour was by

treating the Lichen with stale urine and slaked lime, and this method

was followed in Scotland. Orchil is applied to wool by the simple

process of boiling it in a neutral or slightly acid solution of the

colouring matter. 3% Sulphuric acid is a useful combination.

Sometimes alum and tartar are used. It dyes slowly and evenly. It is

used as a bottom for Indigo on wool and also for compound shades on

wool and silk. For cotton and linen dyeing it is not used. It is

rarely used by itself as the colour is fugitive, but by using a

mordant of tin, the colour is made much more permanent.

"Archil is in general a very useful ingredient in dyeing; but as it is

rich in colour, and communicates an alluring bloom, dyers are often

tempted to abuse it, and to exceed the proportions that can add to the

beauty, without, at the same time, injuring in a dangerous manner the

permanence of the colours. Nevertheless, the colour obtained when

solution of tin is employed, is less fugitive than without this

addition."[8]

Many of the British lichens produce colours by the same treatment as

is used for producing Orchil. Large quantities were manufactured in

Scotland from lichens gathered in the Shetland Islands and Western

Highlands. This was called Cudbear. The species used by the Scottish

Cudbear makers were generally _Lecanora tartarea_ and _Urceolaria

calcarea_; but the following lichens also give the purple colour on

treatment with ammonia.--_Evernia prunastri_, _Lecanora pallescens_,

_Umbilicaria vellea_, _U. pustulata_, _Parmelia perlata_; whilst

several others give colours of similar character, but of little

commercial value. The manufacture of Archil and Cudbear from the

various lichens is simple in principle. In all cases the plant is

reduced to a pulp with water and ammonia, and the mass kept at a

moderate heat and allowed to ferment, the process taking two or three

weeks to complete. The ammonia used to be added in the form of stale

urine, and additions of slaked lime were made from time to time.[9]

The general mode of treatment for the development from the dye lichens

of orchil and cudbear consists of the following steps:--

1.--Careful washing, drying and cleaning, to separate

earthy and other impurities.

2.--Pulverisation into a coarse or fine pulp with water.

3.--Regulated addition of ammonia of a certain strength

and derived from various sources (putrid urine, gas

liquor, etc.)

4.--Frequent stirring of the fermenting mass so as to

ensure full exposure of every part thereof to the action

of atmospheric oxygen.

5.--Addition of alkalis in some cases (e.g. potash or

soda) to heighten or modify the colour; and of chalk,

gypsum and other substances, to impart consistence.

Various accessories are employed, e.g. the application of

continued, moderate and carefully regulated heat during

the process of fermentation.[10]

RECIPES FOR DYEING WITH LICHENS.

_To dye Brown with Crotal._

For 6¼ lbs. (100 oz.) of wool. Dye baths may be used of varying

strengths of from 10 to 50 oz. of Crotal. Raise the bath to the boil,

and boil for an hour. A light tan shade is got by first dipping the

wool in a strong solution of Crotal, a darker shade by boiling for

half-an-hour, and a dark brown by boiling for two hours or so. It is

better, however, to get the shade by altering the quantity of Crotal

used. The addition of sufficient oil of vitriol to make the bath

slightly acid will be an improvement. (A very small quantity should be

used).

_To Dye Red with Crotal._--

Gather the lichen off the rocks--it is best in winter. Put layers of

lichen and wool alternately in a pot, fill up with water and boil

until you get the desired tint. Too much crotal will make the wool a

dark red brown, but a very pretty terra cotta red can be got. No

mordant is required.

_To Dye Pink from a bright yellow Lichen._ (_Parmelia parietina_).

Mordant the wool with 3% of Bichromate of Potash, then boil with the

lichen for 1 hour or more.

_To Dye Brown from Crotal._

Boil the wool with an equal quantity of lichen for 1 or 1½ hours. No

mordant is required.

_To dye red purple from Cudbear & Logwood._

Dye with equal quantities of Cudbear and Logwood, the wool having been

mordanted with chrome. A lighter colour is got by dyeing with 8 lbs.

cudbear and ½ lb. logwood (for 30 lbs. wool).

_To Dye Yellow on Linen with the Lichen Peltigera canina_ (a large

flat lichen growing on rocks in woods).

Mordant with alum, (¼ lb. to a lb. of linen) boil for 2 hours. Then

boil up with sufficient quantity of the lichen till the desired colour

is got.

LIST OF LICHENS USED BY THE PEASANTRY OF DIFFERENT COUNTRIES FOR WOOL

DYEING.[11]

SHADES OF RED, PURPLE AND ORANGE.

_Roccella tinctoria._ Orseille. Grows in the South of France, on rocks

by the sea.

_Lecanora tartarea._ Crotal, Crottle, Corkur, Corcir, Korkir. Found in

the Scotch Highlands and Islands, growing on rocks; used for the

manufacture of Cudbear in Leith & Glasgow.

_L. parella._ Light Crottle, Crabs Eye Lichen. Found in Scotland,

France, and England, on rocks and trees, formerly celebrated in the

South of France in the making of the dye called Orseille d'Auvergne.

_L. hæmatomma._--Bloody spotted lecanora, Black lecanora. Found in

Scotland on rocks and trees.

_Umbilicaria pustulata._--Blistered umbilicaria. Found on rocks in

Norway and Sweden.

_Isidium corallinum._ White crottle. Found on rocks in Scotland.

_I. Westringii._ Westring's Isidium. Norway and Sweden.

_Urceolaria calcarea._ Corkir, Limestone Urceolaria. Found in

Scotland, Western Islands, Shetland and Wales, growing on limestone

rocks.

_U. Scruposa._ Rock Urceolaria. Grows on rocks in hilly districts in

England.

_U. cinerea._ Greyish Urceolaria. In England, on rocks.

_Parmelia saxatilis._ Crottle, stane-raw, Staney-raw, (Scotland).

Scrottyie, (Shetland). Sten-laf, Sten-mossa, (Norway and Sweden).

Found on rocks and stones in Scotland, Shetland, and Scandinavia. In

winter the Swedish peasantry wear home made garments dyed purple by

this lichen. By the Shetlanders it is usually collected in August,

when it is considered richest in colouring matter.

_P. omphalodes._ Black Crottle, Cork, Corker, Crostil or Crostal,

(Scotch Highlands). Arcel, (Ireland). Kenkerig, (Wales).

Alaforel-leaf, (Sweden). Found on rocks, especially Alpine, in

Scotland, Ireland, Wales and Scandinavia. One of the most extensively

used dye-lichens. It yields a dark brown dye readily to boiling water,

and it is easily fixed to yarns by simple mordants. It is stated to

yield a red, crimson or purple dye.

_P. caperata._ Stone crottle, Arcel. Found in North of Ireland and

Isle of Man, on trees. Said to dye yarn brown, orange and lemon

yellow.

_P. conspersa._ Sprinkled parmelia. Found growing on rocks in England.

_Evernia prunastri._ Ragged hoary lichen. Stag's horn lichen. Found in

Scotland, on trees.

_Ramalina scopulorum._ Ivory-like ramalina. Scotland, on maritime

rocks. A red dye.

_R. farinacea._ Mealy ramalina. On trees in England.

_Borrera ashney._ Chutcheleera. India.

_Solorina crocea._ Saffron yellow solorina. In Scotland, on mountain

summits. The colouring matter is ready formed and abundant in the

thallus.

_Nephroma parilis._ Chocolate colored nephroma. Scotland, on stones.

Said to dye blue.

_Sticta pulmonacea._ On trees.

_Lecidea sanguinaria._ Red fruited lecidea. In Scotland, on rocks.

_Conicularia aculeata._ var. _spadicea_. Brown prickly cornicularia.

Canary Islands, Highland Mountains.

_Usnea barbata._ Bearded Usnea. Pennsylvania and South America. On old

trees. Stated to dye yarn orange.

_U. florida._ Flowering Usnea. Pale greenish yellow or reddish brown.

_U. plicata._ Plaited usnea. On trees.

SHADES OF BROWN

_Cetraria Islandica._ Iceland moss. Iceland heaths, and hills. It

yields a good brown to boiling water, but this dye appears only to

have been made available to the Icelanders.

_Parmelia physoides._ Dark crottle, Bjork-laf. Found in Sweden,

Scotland & Scandinavia, on rocks and trees.

_P. omphalodes._ In Scandinavia and Scotland. Withering asserts that

it yields a purple dye paler, but more permanent, than orchil; which

is prepared in Iceland by steeping in stale lye, adding a little salt

and making it up into balls with lime.

_Sticta pulmonacea._ Oak lung, Lungwort, Aikraw, Hazel-raw, Oak rag,

Hazel rag, Hazel crottle, Rags. Found on trees in England, Scotland,

North of Ireland, Scandinavia. It dyes wool orange and is said to have

been used by the Herefordshire peasantry to dye stockings brown. Some

species yield beautiful saffron or gamboge coloured dyes, e.g. _S.

flava_, _crocata_, _aurata_.

_For continuation of list see Appendix._

FOOTNOTES:

[6] T. Edmonston. _On the Native Dyes of the Shetland Islands_ 1841.

[7] The _Annales de Chimie_. Stockholm Transactions 1792.

[8] The Art of Dyeing. _Berthollet._ He gives minute directions for

the preparation of Archil. See page 365.

[9] Some British Dye Lichens. _Alfred Edge._

[10] From Dr. W. L. Lindsay, On Dyeing Properties of Lichens.

[11] From an article by Dr. Lauder Lindsay on the "Dyeing Properties

of Lichens," in the _Edinburgh Philosophical Journal._ July to October

1855.

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