THE OPEN LETTER

[Illustration: SIR WALTER SCOTT

From the painting by Sir Henry Raeburn]

What sort of a person was he; what did he look like--this Scottish

bard, novelist, historian, essayist, and landed baronet?

"There he goes," said Dr. Maginn, a contemporary of Scott's,

"sauntering about his grounds, with his Lowland bonnet in his hand,

dressed in his old green shooting-jacket, telling stories of every

stone and bush, and tree and stream in sight--tales of battles and

raids--or ghosts and fairies, as the case may be, of the days of yore."

"Sauntering" is hardly the word with which to describe Scott's gait.

"Limping" would be better, for he was lame from boyhood, and he

supported himself in walking with a staff so heavy that it looked like

a cudgel. Washington Irving visited Abbotsford in 1816, and described

Scott as "limping up the gravel walk, aiding himself by a stout

walking-stick, but moving rapidly and with vigor."

* * * * *

His lameness, was no serious handicap to Sir Walter. He was a man of

extraordinary strength, six feet tall, and of a large and powerful

frame, with great breadth across the chest. The muscles of his arms

were like iron. He was an exceptional and powerful wielder of an ax,

and could bring down a tree with the best of the younger men. He was

a master of the horse, and a bold rider. He climbed the hills till he

wearied all but his faithful dogs, and he was proficient in sport and

hunting. The latter, however, he did not like. "I was never at ease,"

he said, "when I had knocked down my bird and, going to pick him up,

he cast back his dying eye with a look of reproach. I am not ashamed

to say that no practice ever reconciled me fully to the cruelty of the

affair."

* * * * *

The conversation of Scott was frank, hearty, picturesque, and dramatic.

He had a great sense of humor, and a rare gift for story telling.

He was an accomplished mimic, and he lighted up his narratives and

anecdotes with appropriate dialect and graphic description. And, as

a near friend once observed, "The chief charm of his conversation, he

being a man of such eminence, was its perfect simplicity and the entire

absence of vanity and love of display."

* * * * *

He was a good listener, too--but he did not enjoy listening to classic

music. He allowed that he "had a reasonable good ear for a jig," but

confessed that "sonatas gave him the spleen." But he would rouse up

at the sound of "The Blue Bells of Scotland" or "Bonnie Dundee," and

his eye would flash an enthusiastic response to any song or verse that

celebrated the romance, chivalry, and heroism of his native land.

* * * * *

Sir Walter was a strange combination of simplicity and strength. His

personal appearance was strikingly odd. Once seen, he could never

be forgotten. "Although forty-eight years have passed since I met

him," wrote an acquaintance, "his personality is as present to me now

as it was then in the flesh. His light blue waggish eye, sheltered,

almost screened, by overhanging straw-colored bushy brows, his scanty,

sandy-colored hair, the length of his upper lip, his towering forehead,

his abrupt movements, and the mingled humor, urbanity and benevolence

of his smile." His usual costume consisted of a green cutaway coat,

with short skirts and brass buttons; drab trousers, vest and gaiters;

a single seal and watch-key attached to a watered black ribbon dangling

from his fob; a loose, soft linen collar; a black silk neckerchief; and

a low-crowned, deep-brimmed hat.

[Illustration: W. D. Moffat, EDITOR]

The Mentor: Walter Scott, Vol. 4, Num. 15, Serial No. 115, September 15, 1916 · 第 29 / 38 题