CHAPTER III

THE MARQUESAS TODAY

It is a strange anomaly that the Marquesan, by long odds the fastest

disappearing of the Polynesian races, is made up of individuals of

incomparably finer physique than those of any other of the islands of

the South Pacific. Of a dozen natives picked at random from the beach

of Taio-haie, there would probably be not over three or four who would

not show more or less of his dark head above the end of a six-foot

tape, and the breadth and muscling of each would be in proportion. The

women are likewise of good size and figure, and, when undisfigured

with tattooing, of considerable beauty as well. Both sexes accomplish

prodigious feats of walking, swimming and rowing, and both invariably

bear up remarkably under hardship and privation such as that incident

to being cast away to sea for weeks in an open boat.

As a matter of fact, the startling decrease in the population of the

Marquesan group, except for occasional epidemics, is due to scarcity

of births and a lack of vitality in the children rather than to an

abnormal number of deaths among the adults. This condition is largely

traceable to the existence of a number of more or less active forms of

blood disease introduced by the whites of the Pacific whaling fleet

of half a century ago, and to certain vicious practices in connection

with the prevention of child-bearing prevalent in the over-populous

days of the group. Cannibalism and intertribal wars have frequently

been assigned as potent factors in the decimation, but it is notable

that neither has had such effect in the Solomon or New Hebridean

groups, where both are prevalent today.

The early explorers estimated the population of the island of Nukahiva

at from 30,000 to 40,000. In 1804 there was believed to be not over

18,000 on the island, and in 1836 but 8,000. A French census in 1856

enumerated but 2,960, which number had fallen to 800 by 1880. In

1889 +Stevenson found Taio-haie a lively village with a club, barracks,

hotel, numerous stores and a considerable colony of French officials;

Hatiheu and Anaho were villages of upwards of a hundred natives each.

At the time of our visit in the _Lurline_ there remained in Taio-haie

but three French officials, a single German trader, three or four

missionaries and a native population just short of ninety. The villages

of Hatiheu and Anaho had but a few over a hundred inhabitants between

them.

In the veins of the Nukahivan of today course two strains of foreign

blood of widely diverse origin. During the latter part of the 16th, and

for most of the 17th century, the island was a rendezvous for a large

colony of buccaneers who had chosen that location for the advantages

it gave them in preying upon the Spanish galleons plying between Peru

and the Isthmus of Panama, as well as in raiding settlements on the

intervening coast of South America. These pirates, after some years of

fighting, brought the natives of the Taio-haie and Hatiheu districts

into a state of complete subjection, while their relations with the

tribes of the interior appeared to have been in the nature of an

armed neutrality. The subject natives were employed at sea as sailors

and boatmen, and on land as gardeners and herdsmen. The cattle,

pigs and goats brought to the island by the freebooters must have

been the progenitors of the wild animals of these species which

abound there today. With the natives of the interior some trading

for food was carried on at times when the drought on the coast

made short crops of coconuts, breadfruit and bananas.

When the streams of Incan gold from Peru began to run low and

buccaneering became unprofitable as a consequence, the Nukahivan

pirate colonies gradually changed back to native villages. After the

last of the strangers had died, their descendants, through

intermarriage with pure-blooded natives, reverted little by little to

the predominating type, until the evidences of the blood of white

men in their veins survived only in straighter hair and features,

harder eyes, a sharper and more uncertain temper and an increased

arrogance. They were a handsomer people physically, and a keener

one mentally than the original Marquesan, but withal a race whose

morals were in rags and tatters.

For some decades in the middle of the last century Nukahiva was the

main base of a large portion of the Pacific whaling fleet. Ships spent

months at a time at Taio-haie, refitting and reprovisioning, and the

island gained many new and undesirable inhabitants through desertions

from their crews. The worst epidemic of smallpox ever recorded in

the South Pacific was started in Nukahiva by a maroon from a whaler,

and the present-day prevalence of blood and skin disease is directly

traceable to similar sources. The women were carried off to the ends

of the earth on the whalers and few indeed of them ever found their

way back; for the good of future generations it would have been

better had none of them done so.

The moral laxity of the Marquesan of the present day is undoubtedly a

legacy of these two occupations of the principal island by the lowest

of the sea's riff-raff, pirates and whalers. In Nukahiva chastity

is quite unknown to any class, and a century of work on the part of

the French missionaries has left little mark upon the morals of the

people. They are prone to throw themselves at every opportunity into

the most unlicensed debauchery, and they know no law save that of the

appetites. The feasts of the present generation of Nukahivans--aside

from cannibalism, which is still practised whenever the chances for

escaping detection are favourable--are howling orgies of two and three

days' duration, their riotous excesses uninterrupted even by intervals

of singing and dancing, as in Samoa, Tahiti and Fiji. The song and the

dance, which represent to the Polynesian about all that religion, music

and the drama combined do to us, have died out in the Marquesas even

faster than the people.

The Marquesans of a century ago were the most completely and

artistically tattooed people in the Pacific, and the practice is

carried on among them to a certain extent even today. The really fine

pieces of work, however, such as the famous right leg of the late

Queen Vaekehu over which Stevenson waxed so enthusiastic, are

confined entirely to the very old, and, what with wrinkles, deformities

and the wear and tear of time, these have lost most of their original

sharpness of colour and outline. None of the new generation appears

to have the fortitude to endure the exquisite pain incident to having

a whole limb picked out in a network of geometric design or the face

barred and circled like a coarse spider's web.

Women are rarely tattooed at all now, and most of the young men are

satisfied with a broad band of solid black--not unlike a highwayman's

mask in effect--which reaches across the face from ear to ear, giving

to their never overly-mild countenances an expression of amazing

ferocity. That the art, and a certain pride connected with it, are not

yet lost to the Marquesans, however, was amusingly shown by an

incident which occurred the day after _Lurline's_ arrival in Taio-haie.

On this occasion, in testing some newly-opened shells, we fired ten

or a dozen shots in rapid succession from the yacht's brass signal

cannon. At the first report a bevy of Marquesan damsels, who had

come off to sell sandalwood and shark-tooth necklaces, stampeded

to their canoes and could not be induced to return until all activity

in the firing line had ceased.

Then they all clambered gleefully aboard again, and one of them so

far forgot herself as to sit down on the deck and lean languidly back

with her plump brown shoulder against the sizzling hot breech of the

signal gun. That was the last languid movement she made for some

time. Came the sharp hiss of singed flesh and then, with the scream

of a frightened wildcat, the girl cleared the low rail as though thrown

from a catapult, swam half a hundred feet under water, to go lunging

straight off for the shore the instant her head rose above the surface.

Now it chanced that across the breech of our little cannon was engraved

the name "LURLINE," picked out in ornamental scrolleries, and beneath

it, in rich reposé, the figure of a puffy dolphin in the act of gulping

down a buxom mermaid. Such of this bas-relief as had come in contact

with the fair Marquesienne's shoulder left its mark, which striking

design was no sooner seen by the tribal tattooist than he needs must

perpetuate what he feared, no doubt, was but an ephemeral impression.

So fishbone needles and black gum were hastily brought into play, and

several days later, when the inflammation had subsided sufficiently to

enable her to be about, the proud and grateful young beauty brought

the decoration off for us to see. "RLINE" we read in wobbly reversed

letters, and beneath, floundering desperately across a shoulder blade,

a stub-tailed mermaid could be discerned in the act of disappearing

into the impressionistic but unmistakable head of a dolphin. A half

dozen of the now distinguished young person's girl friends

accompanied her, and every one of the envious minxes persisted in

embracing, leaning against and sitting upon that now cool but still

ornamental signal-gun breech in anxious endeavours to get patterns

of their own to take back to the village tattooist.

But the cunningest picture ever executed upon the body of any

Marquesan, living or dead, pales to insignificance when compared to

the amazing hieroglyphic record depicted upon the skin of a living

Marqueso-American, John Hilyard. Readers of Stevenson may recall the

tattooed man, who was the first resident of Taio-haie to discover the

appearance of the strange schooner in the introductory chapter of

"The Wreckers." A bit of the history of that strange character is also

hinted at, I believe, but, according to the present-day gossip of the

"beach" of Taio-haie, it is all wrong. For the real story I am indebted

to our friend, McGrath, the trader of Hatiheu, who once nursed Hilyard

through a spell of fever and attained to more of that queer outcast's

confidence than any one else on the island. From Hilyard himself--now

a man of about seventy, with his grotesquely figured body fully

clothed and as much as possible of his face obscured with a bushy

beard,--absolutely nothing can be learned, and I was considered to have

done remarkably well in holding him during a ten-minute discussion of

shark baits. I will outline here in a single paragraph a story which,

measured in pangs of soul and body, would tax the compass of a modern

novel adequately to depict.

Deserting from the American whaler, _Nancy Dawson_, when that ship was

careened at Anaho in the 60's for calking, was a raw youth of twenty,

who had run away from his home in a California mining camp and signed

on in San Francisco. White men were scarce in the Marquesas, and

after working for a while in a trading store in Taio-haie, he shortly

became supercargo on a trading schooner, and at length the owner of a

concession and boats of his own. It was at the height of his prosperity

that he met and fell captive to the charms of Mariva, who was reputed

beautiful and undoubtedly was coquettish, as the sequel shows. She

accepted Hilyard's presents, but told him that, while she liked his

personality well enough, she detested the sight of his white skin. Let

the village tattooer remedy that and perhaps--The love lorn wretch was

off to put himself under the needle before she had finished. Mariva

dropped in occasionally upon the session of torture which followed

and, now by criticism, now by approval, urged on the flagging artists

to renewed effort. When geometric whorls and bands and parallelograms

were exhausted, Mariva herself dipped a dainty forefinger in the

black _kuki_-soot gum and began improvising designs. "That broad chest

was made by nature to support a clump of bananas." "What could be

daintier than some fat pigs gorging on mangoes in the hollow of that

back?" She and an invited bevy of friends sang _himines_ to drown

Hilyard's groans while he was conscious, and when he fainted with the

pain and lay in a stupor they seized spare needles and tried their own

hands at tattooing. At the end of the second day, with designs two and

three deep all over the body of the unconscious trader, they desisted,

less from exhaustion than from a lack of further skin that would take

an impression. Hilyard lay in a swoon all night, and in the morning

was carried to the mission house with a raging fever. That night the

faithless Mariva eloped with a half-caste missionary preacher, took

possession of one of Hilyard's schooners, sailed it to the Paumotos,

where they ultimately set up in trading on their own account and, as

far as any one knows, lived happily ever afterwards. That Hilyard did

not die from blood-poisoning was miraculous. As it was he hovered

between life and death for a month, finally to pass from the kindly

care of the missionaries so broken in mind and body that he was

never again able to return to his trading business. The honest

French Residente disposed of Hilyard's interests for a sum sufficient,

when placed in a bank at Tahiti, to give the unlucky victim of love's

madness enough to live comfortably upon, and for the last forty

years he has done just that and nothing more, just existed--an

object of scorn to the natives and of pity to the whites--upon the

"beach" of Taio-haie.

Scenically the Marquesas are incomparably more beautiful than any of

the other island groups of the Pacific, Hawaii not excepted. It is

usual to hear the traveller who has covered Polynesia by the steamer

route speak in similar terms of the Society Islands--especially Moorea

and Tahiti--Samoa and Fiji, whichever may have chanced to tickle his

fancy, quite losing sight of the fact that the route of his boat has

been laid out along the lines of commerce irrespective of scenery. Not

one steamer--save an occasional gunboat--goes to the Marquesas in a

decade, the mail of the islands being carried to and from Tahiti every

three or four months in a trading schooner. In the last twenty years

scarce that number of strangers have visited the group, and a dozen or

more of these came on the only three yachts that have ever found their

way there. How little, therefore, the average South Sea tourist really

knows of these islands may readily be seen.

The rock walls and cliffs of Moorea would be lost in the shadows of

the great 4,000-foot spires that tower above the bay of Hatiheu;

the 600-foot fall of Faatua, in Tahiti, might be shut from sight in

the spray of the 2,000-foot fall of the Typee in Nukahiva; and the

great cliff of Bora-Bora, the creeper-tapestried walls of the bay of

Pago-Pago and the great gorge of the upper Rewa, in Fiji, could be

hidden away in corners of the stupendous Atouna valley of Hiva-oa

so effectually that they would pass unnoticed.

In the matter of riotous tropical growth, the Marquesas, being nearer

the Line than any other of the South Sea islands that may lay claim to

scenic beauty, have also all the best of the comparison. Nukahiva is

an almost impenetrable jungle of lantana, burao, acacia, banana, guava

and scores of other trees and bushes, nearly all of them flowering and

fruit bearing. Indigenous to the island is the _cassi_ plant, a thick

shrub which covers patches of the lower hills in dense masses and

which blossoms out in tiny yellow balls of almost solid pollen. The

latter has a perfume of most penetrating sweetness, and in flowering

time is blown by the Trades many leagues to the leeward of the island.

This is the odour which I mentioned that we noted in the air while the

yacht was still a hundred miles or more from land. Beating into the

incomparable bay of Hatiheu at night with this perfumed breeze sweeping

the deck, the wake a comet of golden-green light and the surf bursting

in vivid spurts of phosphorescence along the silver-bright band of the

beach, is to anticipate the approach to the mystical Islands of the

Blest.

At a number of widely-separated points in the South Pacific--notably

at Easter Island, Tahiti and Kusaie, of the Caroline group--are to

be found great images of stone, the ruins of huge temples and other

evidences of the existence of prehistoric races who, at least as

builders, were far in advance of the Polynesian of today. French

scientists had noted that in the Marquesas some of the abandoned

house-foundations or _pai-pais_, contained far larger blocks of stone

than any of those of later construction, but not until very recently

was it known that there were works in the group not unworthy of

comparison with the stone gods of Easter Island.

Just previous to our visit to Nukahiva, our friend McGrath, the trader

of Hatiheu, while following up a wounded boar in the Typee Valley,

chanced on an ancient Marquesan "Olympus," containing nine large stone

images in a comparatively good state of preservation. Though this most

interesting discovery lies within 300 yards of the main trail up the

Typee Valley, no native on the island, either by actual knowledge or

through tradition, has been able to shed light on its origin, purpose

or probable age.

McGrath conducted our party to his "Goddery," as he facetiously called

it, when we were crossing the island to pay a visit to the Queen of

Hatiheu, and the several films which I exposed in a driving rainstorm

resulted in what are undoubtedly the first photographs of these strange

Marquesan images. The ancient shrine--for such it must have been--is

situated on a terrace in the steeply-sloping side hill, and though

the underbrush thins out somewhat in its immediate vicinity, the

overarching bows of _maupé_ and _hau_ trees form so dense a screen that

the heavens are completely obscured. Though it was full noonday when

we visited the place, the light--partly, no doubt, on account of the

rain--was as dim as that of an old cathedral, and my films, which were

exposed four minutes each, would have turned out much better with ten.

The images, which had been set at regular intervals around an open

stone-paved court, were from six to eight feet in height and averaged

about three feet in thickness. We estimated each to contain from forty

to sixty cubic feet of hard basaltic stone, the weight of which must

have been several tons. As raising so great a weight up the sixty or

seventy per cent. incline from the valley would have been almost

impossible, and as no outcroppings of stone of similar nature appeared

nearby, we were forced to the conclusion that the material for the

images must have been quarried out at some point higher up the mountain

and laboriously lowered to the terrace prepared for them.

[Illustration: "ALL OF THE IMAGES WERE COVERED

WITH MOSS"]

[Illustration: "A HARDENED OLD OFFENDER WHO

PREFERRED WHITE MAN TO NATIVE MEAT"]

All of the images were covered with an inch or more of solid moss, and

on one which I photographed it was necessary to scrape some of this

away to bring out the features. The figures were much alike in design,

and, in a general way, of a not unremote resemblance to the Buddhas of

the ancient Javan temples. Eleven of them were still in their original

positions; one was blocked half way in its fall by the trunk of a _hau_

tree, and one was prostrate and overgrown with moss and creepers. A

search will undoubtedly reveal others now entirely covered with earth

and undergrowth, as there are several unoccupied niches still remaining.

That this shrine is of considerable age is evidenced by the fact that a

_hau_ tree, three feet in diameter, has forced apart the heavy paving

stones and is growing in the middle of the court. Trees of even greater

size are growing out of the ruins of a small nearby building, which

might once have been the foundation of the domicile of the attendant

priests. Some of the roughly squared rocks in the foundation of the

shrine are approximately three by three by ten feet in dimension, and

must have taken a small army of men to move and set in place.

The Marquesas are the only islands of the eastern groups of the South

Pacific where cannibalism has not long since ceased. This does not mean

that one is likely to be pounced on and eaten as soon as he sets foot

ashore--as I must frankly admit we all feared when we first heard of

the fate of the late pilots of Taio-haie--but only that under certain

favourable conditions, when there is small chance of its being brought

to the attention of the French authorities, this barbarity is still

resorted to. The French and the missionaries have been active in

suppressing cannibalism and its attendant rites, but, principally on

account of certain religious significances which appear to attach to

it, the practice persists in bobbing up perennially. The dead in their

tribal fights are still eaten when the opportunity offers, but only one

white man and a Chinaman (the two pilots were half-castes) are known

to have been eaten in the last decade.

Accuse a Marquesan of being a cannibal, and he will ordinarily deny

the soft impeachment much after the manner of a school girl taxed with

being a flirt. Some will brazen it out, however, and of such was a

hardened old offender who explained to the _Lurline_ forecastle one

night that, of the various classes of "long-pig," he preferred white

man to native because the meat of the latter was saltier and of a more

pronounced flavour. Chinaman he had never eaten, he said, but--and

here he cast an appraising look to where our recently shipped cook was

shuddering at the door of the galley--he was going to try one at his

first opportunity. The terrified Si-ah would not even go ashore to do

the marketing during the remainder of our stay in Taio-haie.

The practice of cannibalism undoubtedly originated in the

over-populated days of the island when, in the seasons of famine, the

bodies of those killed in the intertribal raids were eaten by the

survivors to escape starvation. Its survival into a period when the

islands produce food a thousand-fold in excess of consumption, and in

the face of the active opposition of the French, can be due only to

certain superstitious attributes, such as the belief that the strength

of a dead foe enters into the body of him who eats the flesh.

Human flesh is eaten in the Marquesas today only when the conditions

are such that the chances of detection are the slightest, and never

under any circumstances with the ceremonies which attended the rites

of three or four decades ago. The "long-pig"--the polite euphemism by

which man-meat is designated--may be quietly cut up and distributed

among a hundred families in a half dozen different villages, each of

which will partake of its precious tidbit in private and strictest

secrecy. Again, the body may be buried after only a small portion has

been reserved for eating. Just previous to our arrival in Nukahiva a

body from which only the hands were missing was washed ashore at

Anaho during a heavy southwester. Investigation showed it to be that

of one Teona, a resident of Hatiheu, a native who, three days

previously, had, according to the story of his companions, fallen from

their canoe and been drowned. The latter, after four days' confinement

in a dark cell at Taio-haie--the extremest torture to which the

superstitious Marquesan may be subjected--confessed that they had

killed Teona during a coconut wine debauch, and after cutting off his

hands and eating them, had weighted the body with stones and dropped it

out to sea. They were given the extreme penalty--two weeks' confinement

in the dark, to be followed by a year of weed-cutting on the village

street. One died of hysteria before the first week was out, and the

ther, at the end of ten days, killed himself by gashing his wrist on a

jagged corner of the sheet iron wall of his prison.

The Marquesan's terror of the dark is so extreme that it is not a rare

thing for men, women and children to die of fright during eclipses.

In view of this, there seems some ground for the contention that the

French practice of confining convicted, and occasionally suspected,

murderers and cannibals in windowless sheet iron cells is scarcely less

barbarous than the crimes for which punishment is being meted out.

The great cannibal feast grounds of Nukahiva and Hiva-oa are not

only not used at the present time, but are even so strictly _tabu_

that no native can be found who will venture within their forbidden

confines. Stevenson writes of visiting the Hatiheu "high-place" in

company with a French priest and a native boy; but on the occasion of

our visit we held out every conceivable inducement in an endeavour

to secure native guides to the same feast-ground, and quite in vain.

Not even among the converts of the Catholic fathers could be found

one who held the _tabu_ lightly enough to dare to violate it. The

best we could do was to persuade several of them to accompany us to

the line of the _tabu_, and there to await our return, while we went

over the ruins with McGrath. The following description is from notes

taken by Claribel on this occasion, and subsequently amplified under

the direction of McGrath, who, in the fifteen years he has maintained

a trading store at Hatiheu, has missed no opportunity to push

enquiries amongst the older natives regarding what is unquestionably

the most interesting ruin of its kind in the South Pacific:

"On the seaward side of a spur of the mountain a level space, oval in

general shape, had been partly excavated, partly built up, so that

there was a smooth floor about 300 feet long by 200 feet wide. In a

semi-circle, with the chief's house in the centre, were the little

'feast-houses' of the court dignitaries and the special guests. Beneath

the posts of each house excavations have disclosed a number of human

bones which bear witness to the sacrifice which accompanied the setting

of every pillar. In these little booths the guests remained during the

feasts, some of which, when food was plenty or some especially great

event was to be celebrated, lasted over a week. Each guest brought some

contribution to the feast, and when it was over he was privileged to

gather up and carry home any fragments that he liked.

"The 'dining-room' was the space in front of the houses, and there,

spread on the huge leaves of the banana and taro, the feast was laid.

Meat was handled with big four-tined forks of wood; poi and other

soft dishes in calabashes of coco shell and shallow wooden platters.

The drinking cups, in which were served a fiery wine made from the

juice of the tender shoots of the coconut, were the hollow shells of

nuts. The food, in addition to human flesh or 'long-pig,' included

the meat of the wild cattle, goats and pigs, roasted, boiled, fried and

salted raw, and served with _miti-hari_, a most piquant sauce still in

use and which is composed of a mixture of lime juice and the

pressed-out milk of grated coconuts. Bananas and plantains, cooked

and uncooked, were served; also taro in balls which looked like mud

and tasted like sago and brown sugar; breadfruit, avocados, seaweed,

squid, prawns and shrimps and an endless variety of indigenous

tropical fruits.

"The general plan of the place was, roughly, as follows: Beginning

at the right and running in a seaward direction, there was first the

private stairway for an official who might be designated as the Captain

of the Guard, a curving four-foot passage, the steps of which were

cut into the earth and faced with stones. This stairway led up to the

box where the Captain presided during the festivities, and was for

his private use. Next came the main approach to the feast level, a

stairway two paces in width, terminating between two round towers in

which soldiers with clubs were stationed to welcome bona fide guests

and intercept intruders. A functionary who stood at the head of the

stairs greeted each guest on his arrival with a loud shout of welcome

and a blast from a _pao_ or conch trumpet, announcing him immediately

afterwards to the company with a flowery recital of his personal career.

"Farther on was the stairway for the cooks, provision bearers and

the human victims. This led to the 'kitchen,' where the firestones

and chopping blocks were located. The firestones lined a circular

depression in the earth, and after this had been thoroughly heated,

the meat and fruit, all wrapped in _ti_ leaves, were laid sociably

together to cook. The blackened stones of this old cannibal oven are

still in place, and a half-hour's work with an ax and cutlass would

put it in shape for service.

[Illustration: THE BEST SURVIVING EXAMPLE OF

MARQUESAN TATTOOING]

[Illustration: "INTO IT WERE THROWN THE BONES

OF THE VICTIMS AFTER THE FEAST WAS OVER"]

"Back of the kitchen was the 'larder,' a round, deep hole where the

'long-pig' was kept until ready for the oven. Directly over the mouth

of this hole, and about forty feet above it, was the horizontally

projecting limb of the sacred banyan, the only tree, by the way, which

was permitted to grow within the walls. Over this limb hung a stout

rope braided of the fibrous bark of the _hau_ tree. When the call

for more meat came from the 'kitchen,' the noosed end of this rope

was lowered over the head of the victim next in order, and he was

pushed over the brink of the hole, the fall usually breaking his neck.

Dismemberment, according to prescribed rules, followed, the choice

bits, such as the hands and eyes and ears, being laid aside for the

chiefs.

"Beyond the oven, and not far from the chief's house, was what might be

called the 'bone-hole,' a rock-lined, well-like sort of an affair about

nine feet in diameter and twenty feet deep. Into it were thrown the

bones of the victims after the feast was over, and above these gruesome

remnants the priests performed certain ceremonies calculated to protect

the living from the spirits of the outraged dead. Cutting around the

rim of this hole with our cutlasses, we managed, after an hour of

tugging and hauling, to dislodge and remove a great mass of creepers,

disclosing a huge pile of human bones. A couple of pieces of mahogany,

which must have been taken from some ship, were lying near the top of

the heap, and led us to wonder how many of the bones mouldering in

the pile beneath were those of white men.

"After the keen edges of their appetites had worn off, the feasters

adjourned to the 'dance hall,' a rectangular subterranean chamber of

about thirty by fifty feet. The most of this great room was a natural

cave which pierced the mountain immediately under the feast ground,

but to seaward a considerable extension of masonry had been added

to give more space. The latter had been destroyed in a freshet and

hurricane which occurred about two years previous to our visit, but the

cave portion was still in a fair state of preservation. This had been

roughly squared with walls of fitted boulders, and off from it opened

numerous little retiring rooms which connected with private stairways

with the group of guest-houses above. The floor of this chamber was

covered with a cement made of coral lime and a puttylike clay, and

still remains as smooth and hard as concrete.

"The hall was lighted with torches of _kukui_ nuts, the sooty stains

of which on the walls the seepages of years have not entirely effaced.

Fantastic indeed must have been the barbaric assemblage as revealed in

their flickering light: the hideously tattooed dancers in head-dresses

fashioned in imitation of the forms of birds and animals and fishes;

the musicians drumming on the hollow trunks of _burao_ and _hau_,

shaking shell and bone rattles, tooting conches and blowing shrill cane

whistles; the packed ranks of the spectators, shouting and clapping

encouragement and tossing off _epu_ after _epu_ of the fiery coconut

wine. Hour after hour the dancers reeled in the delirious abandon of

the Marquesan _hula_; now gliding, with a sinuous, snaky motion,

their oil-glistening bodies bent almost to the floor; now leaping wildly

into the air, with shouts and shrill screams, lunging with their war

clubs at imaginary foes; now seated on long woven mats of pandanus

fibre before the dais where royalty reclined, bending and swaying their

supple forms in a series of graceful, rhythmic motions, accompanied

only by a song, the clappings of hands or the beating of the wooden

drums. The boom of the drums, the shrilling of the whistles, the

shouts of the spectators, the shrieks of the dancers and the swishings

of their bare feet upon the floor--how it all must have stirred and

amazed even those roistering old pirate and whaling captains when it

struck upon their ears for the first time!"

In the Track of the Trades The Account of a Fourteen Thousand Mile Yachting Cruise to the Hawaiis, Marquesas, Societies, Samoas and Fijis · 第 3 / 21 章