BOOK III.

ARGUMENT.

In the _third book_ he continues to dilate on music and gymnastics, and

then proceeds to treat of the talents, habits, and education

suitable for the inferior magistrates of a state. Lastly, from the

interpretation of a certain Phœnician fable, he demonstrates the

need of a community and general harmony between citizens, as being

truly brethren and members of the same family. It is quite

necessary, however, that there should be a distinct and well-ordered

εὐταξία, because some are capable of being χρύσος, others only

ἄργυρος, and so on, according to caste, talent, and conduct, all

together composing the state;—and lastly, he expresses

disapprobation at the great weight given to the sayings of poets,

whom accordingly he wishes to be excluded from his ideal republic,

though he willingly accords them honour on account of their great

learning.

CHAP. I.—Concerning the gods, then, said I, such things as these are, it

seems, to be both heard, and not heard, from childhood upwards, by those

who will honour the gods and parents, and not lightly esteem mutual

friendship. Aye,—and methinks, said he, these things are rightly so

understood. But what then?—If men are to be brave, must not these things

be told them, and such others likewise, as may make them least of all

afraid of death; or, think you, that any one can ever be brave, who has

this fear within him? Not I, truly, said he. But what? think you any one

can be free from the fear of death, while he conceives that there is

Hades—and a dreadful place, too,—and that in battles he will choose

death in preference to defeat and slavery? Surely not.

We ought then, it seems, to take the command, also, of those who

undertake to discourse about these fables, and entreat them not so

sweepingly to abuse what is in Hades, but rather to praise it;—since

they neither speak what is true, nor what is expedient for those who

mean to be soldiers. We ought indeed, said he. Beginning then, said I,

at this verse, we will omit all such as these:—

I had rather live

The servile hind for hire, and eat the bread

Of some man scantily, himself sustained,

Than sovereign empire hold o’er all the shades;[92]—

And this—

Lest Neptune o’er his head

Shattering the vaulted earth, should wide disclose

To mortal and immortal eyes his realm

Terrible, squalid, to the gods themselves

A dreaded spectacle;—

And—

Oh, then, ye gods! there doubtless are below,

The soul and semblance both, but empty forms;[93]—

And—

He’s wise alone, the rest are flutt’ring shades;[94]—

And—

Down into Hades from his limbs dismiss’d

His spirit fled sorrowful, of youth’s prime

And vigorous manhood suddenly bereft;[95]—

And—

... His soul, like smoke, down to the shades

Fled howling....[96]

And—

As when the bats within some hallow’d cave

Flit screaming all around; for if but one

Fall from the rock, the rest all follow him;

In such connexion mutual they adhere;

So ... the ghosts

Troop’d downward, gibbering all the dreary way.[97]

As to these and all such like passages, we must request Homer and the

other poets not to be offended at our erasing them,—not as unpoetical

and displeasing to the ears of the multitude;—for the more poetical they

are, the less should they be listened to by children, or men either, who

would be free, and fear slavery more than death. Aye, by all means.

-----

Footnote 92:

Odyss. xi. v. 488-91.

Footnote 93:

Il. xxiii. v. 103.

Footnote 94:

Il. xxii. v. 265.

Footnote 95:

Il. xvi. v. 856.

Footnote 96:

Il. xxii. v. 100.

Footnote 97:

Odyss. xxiv. v. 6.

-----

CHAP. II.—Further, are not all dreadful and frightful titles also, about

these things, to be rejected;—Cocytus and Styx, the infernals, the

life-lorn, and many other appellations of this character, such as make

all hearers shudder?—and perhaps they may well serve some other purpose;

but we fear for our guardians, lest by such terror they be made more

effeminate and soft than is fitting. We are in the right too, to be

afraid of that, said he. Are these then to be suppressed? Yes. And must

they speak, then, and compose on a contrary model to these? Plainly so.

And are we likewise to suppress the wailings and lamentations of

illustrious men? We must, said he, if we do the former. Consider then,

said I, whether we shall suppress them rightly or not,—and do we say,

that the virtuous man to another virtuous man—whose friend he is—deems

death dreadful? We do. He would not then, at any rate, lament over him,

as if he had suffered something dreadful? No, indeed. And we say this

likewise, that such an one is most of all self-sustained as regards

living happily, and distinctively above all others, least in need of

foreign aid. True, said he. To him, then, it is least dreadful to be

deprived of a son, a brother, or property, or other like things? Aye,

least of all so. Least of all then will he lament, but rather endure

with the utmost meekness whatever trouble may befal him? Certainly. We

should be right then in suppressing the lamentations of famous men, and

should assign them to women, (and among these even not to the better

sort), and to such men as are cowards; in order that, as regards those

whom we propose to educate for the guardianship of the country, they may

disdain to act thus. Right, said he. Again, then, we will entreat Homer

and the rest of the poets not to say in their compositions about

Achilles, the son of a goddess, that

Now on his side he lay, now lay supine,

Now prone; then starting from his couch he roam’d

Forlorn the beach....[98]

Nor how—

... grasping with both hands the ashes,

Down he pour’d them burning on his head....[99]

Nor the rest of his lamentation and wailing,—of whatever kind and

quantity he made them;—nor Priam, near as he was to the gods, who—

... to all—kneel’d

In turn, then roll’d himself in dust, and each

By name solicited to give him way.[100]

Still much more must we entreat them not to represent the gods as

bewailing, and saying,

Ah me, forlorn! ah me, parent in vain

Of an illustrious birth.[101]

And if they are not thus to introduce the gods, far less should they

dare thus unbecomingly to represent the greatest of those gods:

Ah! I behold a warrior dear to me,

Around the walls of Ilium driven, and grieve

For Hector,—

And again,—

Alas, he falls! my most beloved of men,

Sarpedon, vanquished by Patroclus, falls:

So will the Fates![102]

-----

Footnote 98:

Il. xxiv. v. 10.

Footnote 99:

Il. xviii. v. 23, 24.

Footnote 100:

Il. xxii. v. 414.

Footnote 101:

Il. xviii. v. 54.

-----

CHAP. III.—Supposing then, friend Adimantus, our youths should seriously

hear such things as these, and not ridicule them as spoken

unworthily,—hardly any one would think it unworthy of himself as a man,

or reprove himself [for it,] if he should chance either to say or do

anything of the kind,—but would rather, without shame or endurance, sing

many lamentations and moanings over trifling sufferings. You speak most

truly, replied he. But they must not,—as our argument has just evinced;

which we must believe, till some one persuades us by some better. They

must not, of course. Neither ought we, moreover, to be over fond of

laughing:—for commonly where a man gives himself to violent laughter,

such a disposition requires a violent change. I think so, said he.

Neither, if any one should represent worthy men as overcome by laughter,

should we allow it, much less if [he thus represent] the gods. Much,

indeed, said he. Neither, then, ought we to receive such statements as

these of Homer concerning the gods:—

Heaven rang with laughter inextinguishable—

Peal after peal, such pleasure all conceived

At sight of Vulcan in his new employ.[103]

This cannot be admitted, according to your reasoning. If you please to

call it my reasoning, said he,—this, indeed, cannot be admitted. Besides

this, however, the truth must be held of great importance:—for if we

just now argued rightly,[104] and falsehood be really of no service to

the gods, but useful to men, in the form of a drug, it is plain that

such a thing should be trusted only to physicians, but not meddled with

by private persons. Quite plain, said he. To the governors of the state,

then, if to any, it especially belongs to speak falsely either about

enemies or citizens, for the good of the state; whereas, for all the

rest, they must venture on no such a thing. For a private person,

moreover, to speak falsely against such governors, we shall deem the

same and even a greater offence, than for a patient not to speak the

truth to his physician, or for one who is learning his exercises to his

gymnastic master about the ailments of his body,—or for one not to tell

the pilot the real state of what concerns the ship and sailors, how

himself and the other sailors are performing their duty. Most true, said

he. If, however, he should detect any other citizen in a falsehood—

... of those, who by profession serve

The public, prophet, healer of disease,

Or him who makes the shafts of spears,[105]

he will punish him; as introducing a practice subversive and destructive

of the city, as well as of a ship. If, at least, it is on speech that

actions are completed.[106] But what;—will our youths have no need of

temperance? Certainly. And are not such as these in general the

principal parts of temperance; namely, obedience to governors,—and also,

that the governors themselves be temperate in drinking, feasting, and

pleasures of love? I am quite of that opinion. And we shall say, I

believe, that such views are just,—just as in Homer Diomedes says:

Sit thou in silence, and obey my speech,[107]—

and what is in connexion therewith,—thus:

So moved the Greeks successive, ev’ry chief

His loud command proclaiming, while the rest,

As voice in all those thousands none had been,

Heard mute....[108]

and so on. Well spoken. But what of such as these?—

Oh! charged with wine, in steadfastness of face.

Dog unabash’d, and yet at heart a deer,[109]—

and as respects what follows, and whatever other childish effusions are

uttered in prose or verse by private individuals, are they well

[pronounced]? No, not well:—for, methinks, even as respects temperance,

such [discourses] are not fit for the young to hear; and supposing they

do afford some other sort of pleasure, it is no wonder:—but what is your

notion of the matter? The same as your own, said he.

-----

Footnote 102:

Il. xxii. v. 168.

Footnote 103:

Namely as cupbearer to the gods.—Il. i. v. 599.

Footnote 104:

Comp. B. ii. ch. 21.

Footnote 105:

Hom. Od. xvii. v. 383.

Footnote 106:

Gr. ἐάνπερ ἐπί γε λόγῳ ἔργα τελῆται.

Footnote 107:

Il. iv. v. 412.

Footnote 108:

Il. iv. v. 431.

-----

CHAP. IV.—What?—To make the wisest man say, that it appears to him

supremely beautiful, when

... the steaming table’s spread

With plenteous viands, while the cups, with wine

From brimming beakers fill’d, pass brisk around,[110]—

does it seem proper to you that a youth should hear, in order to obtain

a command over himself;—or yet this:—

... most miserable it is,

To die of famine and have adverse fate;[111]—

or that Zeus, through desire for the pleasures of love, could easily

forget all that in solitary watching he had revolved in his mind, while

other gods and men were asleep, and could be so struck on seeing Hera,

as not even to care to enter his chamber, but to desire connexion with

her on the very spot, to embrace her on the ground, and at the same time

to declare that he was possessed with a desire, exceeding even what he

felt on their first acquaintance,

... Hidden from their parents dear;[112]—

nor yet how Ares and Aphrodite were bound by Hephæstus,[113] and other

such things? No, by Zeus, said he; these seem quite unfit. But if, said

I, any instances of self-denial in all matters are both to be spoken of

and practised by men of eminence, these should be held up for a

spectacle and celebrated in verse,—such as this:[114]—

... Smiting on his breast, thus he reproved

The mutinous inhabitant within.[115]

Just so, by all means, said he. Of course, then, we cannot by any means

allow men to receive bribes, or be covetous. By no means. Neither must

we sing to them, that

Gifts gain the gods and venerable kings;[116]—

neither can we commend Phœnix, the tutor of Achilles, as if he spoke

correctly, when counselling him to accept of presents and assist the

Greeks, but, without presents, not to desist from his wrath:[117]—nor

again, should we commend Achilles himself, or approve of his being so

covetous as to receive presents from Agamemnon, and, likewise for giving

up the dead body of Hector, on receiving a ransom, when otherwise he

would not do so. Of course it is not right, said he, to commend such

conduct as this. I am loath, said I, for Homer’s sake, to say, that it

is not allowable to allege these things against Achilles, or to believe

them, when said by others; nor, again, that he spoke thus to Apollo:—

Oh! of all the powers above,

To me most adverse, archer of the skies!

Thou hast beguiled me, leading me away ...

And hast defrauded me of great renown.

Ah! had I power, I would requite thee well,[118]—

and how he disobeyed the river [Xanthus,] though a divinity, and was

ready to fight; and again, how he says to that other river, Spercheius,

with his sacred locks,

Thy lock to great Patroclus I could give,

Who now is dead...[119]

Now, that he actually did this, we cannot believe. And again, the

dragging of Hector round the tomb of Patroclus, and the murder of the

captives at his funeral pile,—we shall deny that all this is spoken

truly; nor shall we suffer our people to believe, that Achilles, the son

of a goddess, and of Peleus, the most wise of men, and the third from

Jupiter, educated also by that sage Chiron, could be of so disordered a

constitution as to have within him two positively opposite moral

ailments,—illiberality and covetousness, and moreover a contempt both of

gods and men. You say right, replied he.

-----

Footnote 109:

Il. i. v. 225.

Footnote 110:

Od. ix. v. 8.

Footnote 111:

Od. xi. v. 342.

Footnote 112:

Il. xiv. v. 291.

Footnote 113:

Od. viii. v. 266.

Footnote 114:

θεατέον τε καὶ ἀκουστέον, which we have somewhat paraphrastically

rendered, in order to give the full meaning of the words.

Footnote 115:

Od. xx. v. 17.

Footnote 116:

This verse is not to be found in any of Homer’s writings; and Suidas

ascribes it to Hesiod. Euripides has a similar sentiment, Med. v. 934.

Footnote 117:

Comp. Il. xix. v. 278, &c. with Il. xxiv. v. 175, &c.

Footnote 118:

Il. xxii. v. 15, 16.

Footnote 119:

Il. xxiii. v. 151.

-----

CHAP. V.—Let us not then believe these things, said I, nor yet suffer

any to say, that Theseus, son of Poseidon, and Pirithous, son of Zeus,

were impelled to such dire abductions; nor that any other son of a

deity, or hero either, would dare to commit horrible and impious deeds,

such as now they falsely ascribe to them; but let us compel the poets to

say, either that the actions do not belong to these persons, or that

these persons are not the children of gods,—but not to say both, nor yet

try to persuade our youth that the gods are the origin of evil, and

heroes no better than men:—for just as we said before, these

[statements] are neither holy nor true; inasmuch as we have somewhere or

other shown, that evils cannot possibly proceed from the gods. Of course

not. But, besides this, they are hurtful to the hearers also; for every

one will pardon his own depravity, through the persuasion that even the

near relatives of the gods, near to Zeus himself, do, and have done,

things of a similar nature, of whom it has been written,—

They, on the top of Ida, have uprear’d

To parent Jupiter an altar;—

And,

Whose blood derived from gods is not extinct.

Wherefore, we should suppress all such fables, lest they create in our

youth a great readiness for committing wickedness. We should so, of

course, replied he. What other species of argument, then, said I,—since

we are speaking about arguments,—have we still remaining, which ought,

or ought not, to be maintained?—For in what manner we ought to speak of

the gods we have already mentioned, and likewise of demons and heroes,

and those too in Hades. Certainly. Does it not remain, then, to speak

concerning men? Clearly so. Still it is impossible for us, my friend, to

regulate this at present. How? Because we shall say, I think, that the

poets and orators speak amiss in most important respects concerning

mankind, as [for instance,] that many are unjust, and yet happy, while

the just are miserable; and that injustice is profitable, if it escape

observation, while justice is another’s gain indeed, but injury to one’s

self; such things, as these, we must forbid them to say, but yet bid

them sing and compose in fable the very contrary. Do you not think so? I

know it well, said he. If then you acknowledge that I am right, shall I

conclude that you have admitted what all along we were seeking for? You

judge right, said he. Shall we not allow, then, that such arguments may

be stated about men, whenever we shall have discovered the nature of

justice,—and how it is naturally profitable for the just man to be such,

whether he seem so or not? Most true, replied he.

CHAP. VI.—Concerning the arguments, then, let what we have said suffice,

and now we should consider, methinks, the manner of stating them; and

then we shall have completely considered, both what is to be spoken, and

the manner how. Adimantus here said;—What you now say, I do not

understand. Nevertheless, replied I, it needs you should.—Perhaps then

you will understand it better in this way:—is not everything told by the

mythologists or poets, a narrative of the past, present, or future?[120]

Of course, replied he. And do not they execute it, either in simple

narrative, or through the medium of imitation, or both? This too,

replied he, I yet require to understand more plainly. I appear, said I,

to be a ridiculous and dull instructor:—like those, then, who are unable

to speak, I will endeavour to explain my meaning,—not the whole

generally, but by a particular case. And tell me,—are you acquainted

with the opening of the Iliad, where the poet says, Chryses entreated

Agamemnon to ransom his daughter; but that he was angry, whereupon the

former, since he did not obtain his request, besought the god, against

the Greeks? I know it. You know, then, that down to these verses,—

His supplication was at large to all

The host of Greece; but most of all to two,

The sons of Atreus, highest in command,—

the poet himself speaks, and does not attempt to divert our attention

elsewhere, as if any other person were speaking except himself; but as

to what he says after this, he speaks as though he himself were Chryses,

and tries all he can to make us think that the speaker is not Homer, but

the priest, an old man:—and thus he has composed nearly all the rest of

the narrative of what happened at Troy, and in Ithaca, and the

adventures throughout the Odyssey. Yes, certainly, replied he. Is it not

narrative, then, when he recites the several speeches, and also when [he

recites] what intervenes between the speeches? Of course. But when he

speaks in the person of another, do we not say, that then he assimilates

his speech as much as possible to each person whom he introduces as

speaking? We will grant it;—why not? And is not [a poet’s] assimilation

of himself to another, either in voice or figure, an imitation of that

person to whom he assimilates himself? Of course. In such a case as

this, then, it seems, both he and the other poets execute their

narrative by means of imitation? Certainly. But if the poet were not to

conceal himself at all, his whole action and narrative would be without

imitation.—That you may not say, however, that you do not again

understand how this can be, I will tell you.—If, for instance, in

relating how Chryses came with his daughter’s ransom, beseeching the

Greeks, but chiefly the kings, Homer had subsequently spoken, not in the

character of Chryses, but still as Homer, you know it would not be

imitation, but only simple narrative:—and it would have been somehow

thus (I shall speak without metre, for I am no poet):—“The priest came

and prayed, that the gods would allow them to take Troy, and return in

safety; and begged them also to restore him his daughter, and accept the

presents, out of respect to the god. When he had said this, all the rest

showed respect, and consented; but Agamemnon became enraged, and charged

him to depart instantly, and not return, lest his sceptre and the

garlands of the god should not avail him, and added also, that, before

his daughter should be ransomed she should grow old with him in Argos;

and he ordered him to be gone, and not irritate him, if he would get

home in safety. The old man on hearing this was terrified and went away

in silence. And after his retiring from the camp he offered numerous

prayers to Apollo, calling on the god by his various names, and

reminding as well as imploring him, that, if ever, either in the

building of temples, or the offering of sacrifices, he had made any

acceptable presents,—for the sake of these then, he besought him, to

avenge with his shafts on the Greeks the tears [that had been shed] by

himself.”[121]—Thus far, said I, friend, the narrative is simple,

without imitation. I understand, said he.

-----

Footnote 120:

This threefold distinction of poetry is mentioned likewise by

Aristotle; Poet. ch. iii. § 2.

Footnote 121:

The Greek form—τὰ ἃ δάκρυα is unquestionably archaic; but, as

Stallbaum well observes, was still extant among the Athenians in

colloquial language.

-----

CHAP. VII.—Understand, then, said I, that the opposite of this happens,

when one takes out the poet’s words between the speeches, and leaves

only the dialogue. This too, said he, I understand, that something like

this takes place with tragedies. You have apprehended my meaning quite

correctly, said I. And methinks, I can now make plain to you what before

I could not,—that in poetry, and all fabulous writing, one species of it

is wholly imitative, as, for instance (just as you say), tragedy and

comedy; another species employs the narration of the poet himself, (you

will find this chiefly in dithyrambics;) and another again by both, as

in epic poetry, and many other kinds besides:—if you understand me.

Aye,—I now understand, replied he, what you meant before. Remember, too,

that we were before saying, that it had already been settled what were

to be the subjects of speech, but it yet remained to be considered how

they should be spoken. I do remember. This then, is the very thing that

I was saying,—namely, that we ought to have agreed, whether we will

allow the poets to make us narratives wholly through the medium of

imitation, or partly through imitation, partly not so,—and, of what kind

in each,—or lastly whether they are not to employ imitation at all. I

guess, said he, you are inquiring, whether we are to receive tragedy and

comedy into our state, or not. Perhaps so, said I, and something more

too,—for I as yet know not; but wherever our reason, wind-like, carries

us, there must we go. You say well, said he. Let us then consider,

Adimantus, whether our guardians ought to be practised imitators or

not:—does not this follow, from what has been above stated, that each

may exercise one business well, but many, not,—and should he attempt it,

that, in grasping at many things, he will fail in all, and excel,

perhaps, in none?[122] Of course he will. Well then, does not the same

reasoning apply to imitation, that the same man cannot so well imitate

many things as one? Of course he cannot. In that case he can perform

scarcely any of the more eminent employments, and at the same time

imitate many things, and be an apt imitator,—since the same persons

cannot well execute two different sorts of imitations, apparently

similar to each other; as, for instance, comedy and tragedy:—and as for

that, did you not, just now, call both of these imitations? I did; and

you are right in saying, that the same persons cannot succeed [in both].

Nor can they, at the same time, be rhapsodists and actors? True. Nor can

the same persons be actors in comedies and in tragedies:—and all these

are imitations, are they not? Aye,—surely. The genius of man, Adimantus,

seems to have been cut up even into a still greater number of minute

particles,—so much so, indeed,[123] that it cannot properly imitate many

things, or perform [in earnest] those very things, of which even the

imitations are the resemblances. Most true, said he.

-----

Footnote 122:

Gr. ὥστ’ εἶναι ἐλλόγιμος.

Footnote 123:

Gr. εἰς ἀμικρότερα κατακεκερματίσθαι.

-----

CHAP. VIII.—If we are to hold to our first reasoning, therefore, that

our guardians, though unoccupied in any productive art whatever, ought

to be the most skilful labourers for the liberty of the state, and to

mind nothing but what refers thereto, it were surely proper that they

should neither perform nor imitate anything else,—but, should they

imitate at all, to imitate from their childhood upwards just what

correspond with these,—brave, temperate, pious, generous-hearted men,

and the like;—but neither to perform, nor desire to imitate what is

illiberal or base, lest from the very imitation they come to experience

the positive reality.[124] Have you not also observed, that imitations,

if from earliest youth onwards they be long continued, become

established in the manners and natural temper, both as to body and

voice, and intellect too? Very much so, replied he. Surely we are not to

allow those, said I, for whom we profess to be anxious, and who ought to

be good men, to imitate a woman either young or old, whether reviling

her husband, or contending against the gods, and speaking boastingly

from the idea of her own happiness;—neither should we imitate her in her

misfortunes, sorrows, and lamentations, when sick, or in love, or in the

throes of child-birth; we shall be far from allowing this. By all means,

replied he. Nor to imitate male or female servants in doing servants’

duties? Nor this either. Nor yet, it seems, depraved men, dastards, and

those who do the contrary of what has been just mentioned, who revile

and rail at one another; and speak abominable things, whether drunk or

sober, or [do] any other misdeeds, such as this class of persons are

guilty of, either in words or actions, either as respects themselves or

others?—I think too, that they should not even accustom themselves to

resemble madmen, in words or actions, for one may know both the mad and

wicked, whether men or women;—yet we must not either do or imitate any

one of their actions. Most true, said he. But what, said I;—are braziers

or other craftsmen, or such as row vessels, or pilot the sailors, or any

others connected therewith to be imitated? How can it be so, said he, by

those at least who are not allowed to give their mind up to those

pursuits? But what,—are they to imitate horses neighing, or bulls

lowing, or rivers murmuring, or the sea roaring, or thunder, and all

such like things? No surely, said he:—we have forbidden them either to

get mad, or resemble madmen. If then I understand what you mean, replied

I, there is a sort of speech and narrative in which the truly good and

worthy man expresses himself, when required to say anything,—and another

again quite dissimilar, to which a person quite oppositely born and bred

always adheres, and in which [he always] expresses himself. But what

sorts are they? asked he. That man, said I, seems a worthy man, who on

coming in his narrative to any speech or action of a good man, will

willingly tell it, as if he were himself the man, and not be ashamed of

such an imitation,—the more especially, if he be imitating a good man

acting cautiously and sensibly, one who is seldom and but little led

astray through ailments, or love, or drink, or any other mishap. But

when there arises [in his narrative] anything unworthy of himself, he

will not be in any hurry to assimilate himself to one that is worse,

except it be for a short time when he is doing some good; and besides,

he will be ashamed of it, both as being unpractised in the imitation of

such characters, and also, as unwilling to mould himself, and stand

among the models of baser men, whom all the while he despises in his

heart, [bearing with them] only for mere amusement. Probably, said he.

-----

Footnote 124:

Gr. ἵνα μὴ ἐκ τῆς μιμήσεως τοῦ εἶναι ἀπολαύσωσιν.

-----

CHAP. IX.—Will he employ a narrative such as that we not long since

described in the case of Homer’s poems; and will his language partake

both of imitation and simple narrative, but have only a small portion of

imitation inserted in a great quantity [of plain narrative?]—Do you

think I speak to the purpose or not? Yes, certainly, replied he; that

must needs be the type of such an orator. In that case, said I, will not

such a man, the more he is depraved, the more readily narrate any matter

whatever, thinking nothing unworthy of him,—so much so, indeed, that he

will undertake to imitate everything zealously and in public, and such

especially as we just mentioned, thunderings and noises of winds and

tempests, and of axles and wheels, and of trumpets, pipes, whistles, and

sounds of all kinds of instruments, and the cries of dogs likewise, and

sheep, and birds?—and of course the whole expression of this is to be by

imitation, both in voice and gestures, partaking but slightly of

narrative. This too, said he, is a matter of course. These, said I, are

what I termed the two kinds of diction. Yes, they are, replied he. Has

not one of the two, then, very trifling variations; and to give the

diction a becoming harmony and rhythm, he who would speak correctly must

always speak in the same style, in one harmony,—for the variations are

but trifling,—and of course in a rhythm closely corresponding?[125] It

is so, clearly, replied he. But as to the other kind, does it not

require the contrary,—all kinds of harmonies, and all kinds of rhythms,

if, indeed, it is to be naturally expressed, on account of its having

all sorts and shades of variation? That is precisely the case. Do not,

then, all the poets, and writers of narrative generally,[126] use one or

other of these models of diction, or a blending of the other two? They

must, replied he. What are we to do then, said I:—shall we admit into

our state all of these [models,] or only one of the unmixed, or the one

compounded? If my opinion, replied he, is to prevail, [you should

employ] that uncompounded one, which imitates only what is worthy. But

surely, Adimantus, the mixed is at least pleasant:—the most pleasant of

all, both to children and pedagogues, is the opposite of what you

choose, and it is so to the crowd likewise. Yes, it is the most

pleasant. But probably, said I, you will not deem it suited to our civil

establishment, because with us no man can be engaged in two or more

occupations, but each individual is employed in one only? Of course, it

is not fit. Shall we not find then, that in such a state alone, a

shoemaker is only a shoemaker, and not a pilot as well as a shoemaker;

and that the husbandman is only a husbandman, and not a judge as well as

a husbandman; and that the soldier is a soldier, and not a money-maker

as well; and so with the rest? True, replied he. With respect to the man

then, who is enabled by his talents to become everything and imitate

everything, if that person were to come into our state and wish to show

us his poems, we should respect him as a pious, wonderful, and pleasant

person, but would say that we have no such person in our state, nor

could such be allowed; and then we should send him to some other state,

pouring oil on his head, and crowning him with a woollen chaplet,[127]

while we ourselves would call in, to our advantage, a more austere and

less pleasing poet and mythologist, to imitate for us the diction of

what is becoming, and say whatever he says, in accordance with those

models which we regularly set forth on first undertaking the education

of our soldiers. So we should do, replied he, if it depended on us. Now

then, friend, it seems that we have thoroughly discussed that part of

music which concerns oratory and fable; for what is to be spoken, and

how spoken, we have already considered. I think so too, observed he.

-----

Footnote 125:

Gr. καὶ δὴ ἐν ῥυθμῷ ὡσαύτως παραπλησίῳ τινί.

Footnote 126:

Gr. καὶ οἵ τι λέγοντες.

Footnote 127:

Gr. ἀποπέμποιμέν τε ἂν εἰς ἄλλην πόλιν μύρον κατὰ τῆς κεφαλῆς

καταχέαντες καὶ ἐρίῳ στέψαντες. This passage with all its beauty is

somewhat obscure. It plainly refers to that kind of poet, who was used

to treat all kinds of characters and subjects;—and yet the ancient

writers evidently understood it, as referring to Homer. Comp. Dion.

Halic. Epist. de Plat. vol. vi. d. 756:—ἦν τῇ Πλάτωνος φύσει πολλὰς

ἀρετὰς ἐχούσῃ τὸ φιλότιμον· ἐδήλωσε δὲ τοῦτο μάλιστα διὰ τῆς πρὸς

Ὅμηρον ζηλοτυπίας, ὃν ἐκ τῆς κατασκευαζομένης ὑπ’ αὐτοῦ πολιτείας

ἐκβάλλει, στεφανώσας καὶ μύρῳ χρίσας. So also Aristides, Orat. Plat.

111; vol. ii. p. 326:—Ὅμηρον μύρῳ χρίσας ἐκπέμπει χελιδόνος τιμὴν

καταθείς. Josephus, Minucius Felix, Theodoret, and Chrysostom bear

similar testimony to its meaning.

-----

CHAP. X.—Are we not next to speak, said I, about the style of song and

melody?[128] Clearly so. Cannot one already find out, then, what we

ought to say about these things, and of what kind they should be, if we

would be consistent with what we have above said? Here Glaucon, smiling,

said,—I seem, indeed, Socrates, to be a stranger to the whole business,

for I cannot at present conceive what we ought to say, though I have

some inkling. You can, surely, said I, at any rate, fully state this

much,—that melody has three constituents,—sentiment, harmony, and

rhythm?[129] Yes, replied he, this much, at any rate. And as concerns

the sentiment,—that differs in nothing from the sentiment which is not

sung, inasmuch as it ought to be performed on the same models, as we

just said, and after the same fashion. True, said he. Surely, then, the

harmony and rhythm should correspond with the sentiment? Of course. But

yet we said there was no need for wailings and lamentations in written

compositions? None, certainly. Which then are the querulous

harmonies?[130] Tell me,—for you are a musician. The mixed Lydian,[131]

replied he, and the sharp Lydian, and some others of this kind. Are not

these, then, said I, to be rejected, as being useless even to

well-conducted women, not to speak of men? Certainly. Drunkenness,

moreover, is highly unbecoming in our guardians, as well as effeminacy

and idleness? Of course. Which then are the effeminate and convivial

harmonies? The Ionic, replied he, and the Lydian, which are called

relaxing. Can you use these, my friend, for military men? By no means,

replied he; but it seems you have yet the Doric remaining, and the

Phrygian. I am not learned, said I, in harmonies; but let us put out of

the question that harmony, which would fitly imitate the voice and

accents of a brave man, engaged in military action, and every sort of

rough adventure, and, should he fail of success, rushing on wounds or

death, or any other distress, all the while regularly and resolutely

battling with fortune:—let us put out of the question, also, that kind

of harmony which suits what is peaceable, where there is no violence,

but everything is voluntary, where a man either persuades or beseeches

any one, about anything,—either God by prayer, or man by instruction and

admonition; or, on the other hand, where one submits to another’s

entreaties, instructions, or persuasion, and in all these points acts in

accordance with intellect, and does not behave haughtily, but demeans

himself soberly and moderately, gladly embracing whatever may

happen:—put out of the question, too, these two harmonies, the vehement

and the voluntary,[132] which so capitally imitate the voice both of the

unfortunate and fortunate,—the moderate and brave. Aye, you are anxious,

replied he, to leave no others but those I now mentioned. We shall have

no need, then, said I, in our songs and melodies, for many strings or

instruments expressive of all the harmonies. We shall not, it seems,

replied he. We are not to maintain, then, such craftsmen, as make harps

and spinets, and instruments of many strings that produce a variety of

harmony. We are not, it seems. But what,—will you admit into your city

flute-makers or flute-players? for, are not those instruments which

consist of the greatest number of strings,[133] and those that produce

all kinds of harmony, imitations of the flute? Plainly so, replied he.

There are still left you, then, said I, the lyre and the harp, as useful

for your city; and, as respects the fields again, a reed or so for the

shepherds? This is quite reasonable, said he. We are doing nothing new

then, replied I, in preferring Apollo and Apollo’s instruments, to

Marsyas[134] and his instruments. Truly not, it seems, replied he. By

the dog, too, said I, we have been once more unconsciously cleansing our

city, which, we just now said, had become luxurious. Aye; we were wise

to do so, replied he.

-----

Footnote 128:

It has been rightly stated by Ger. Voss. in his Institut. Poet. ii.

ch. ix. § 2, that the word μέλος is equivalent to λόγος ᾀδόμενος.

Comp. also Plato de Legg. ii. p. 655 a.

Footnote 129:

The distinction between harmony and rhythm is well explained in the

Laws, ii. p. 655 a:—τῇ δὲ τῆς κινήσεως τάξει ῥυθμὸς ὄνομα· τῇ δ’ αὖ

τῆς φωνῆς, τοῦ τε ὀξέος ἅμα καὶ βαρέος συκεραννυμένων, ἁρμονίας ὄνομα

προσαγορεύοιτο.

Footnote 130:

On the power and character of the several kinds of melody, comp.

Heraclides Ponticus in Athenæus, xiv. p. 624 d, and Aristotle’s Polit.

viii. ch. 5-7. Boeckh also in his work on the metres of Pindar (vol.

i. pt. 2), has learnedly discussed the variety of ancient Greek

melodies.

Footnote 131:

Aristoxenus quoted by Plutarch (de Musicâ, p. 1136 d), thus explains

the word μιξολυδιστί:—καὶ ἡ μιξολύδιος δὲ παθητική τίς ἐστι,

τραγῳδίαις ἁρμόζουσα. Ἀριστόξενος δέ φησι Σαπφὼ πρώτην εὕρασθαι τὴν

μιξολυδιστί, παρ’ ἧς τοὺς τραγῳδοποιοὺς μαθεῖν.

Footnote 132:

A harmony is here termed βίαιος, which (to use the words in the Laws,

viii. 814 e):—ἐν βιαίῳ ἐργασίᾳ πρεπόντως ἂν μιμήσαιτο φθόγγους τε καὶ

προσῳδίας, &c.;—and that is called ἑκούσιος, which becomes a man who

is engaged ἐν ἑκουσίῳ πράξει.

Footnote 133:

All musical instruments are here rejected, which, from having many

chords, have the power of soothing the ear with a variety of

harmonies, and yet do not improve the mind, but rather render it

effeminate and fill it with sensual desires. Among these is classed

the lyre,—which is rejected also by Pythagoras, who (according to

Iamblichus) τοὺς αὐλοὺς ὑπελάμβανεν ὑβριστικόν τε καὶ πανηγυρικὸν καὶ

οὐδαμῶς ἐλευθέριον τὸν ἦχον ἔχειν. See also Plato’s Gorgias, p. 501 e,

where he conceives the art of flute-playing—τὴν ἡδονὴν ἡμῶν μόνον

διώκειν, ἄλλο δ’ οὐδὲν φροντίζειν.

Footnote 134:

On the contest of Marsyas with Apollo, comp. Herodot. vii. 26, and

Diodor. Sic. iii. p. 192.

-----

CHAP. XI.—Come then, said I, and let us cleanse the remainder; for what

concerns rhythm will follow after harmonies,—namely, that our citizens

pursue not ever-varying rhythms having a variety of cadences, but

observe what are the rhythms of an orderly and manly life; and observing

these, should compel the time and the melody to subserve the sentiment,

and not the sentiment to subserve the time and melody.—Now, what these

rhythms are, it is your business to tell, as you did with the harmonies.

Nay, by Zeus, replied he, I cannot tell:—so far, indeed, as that there

are three forms from which all measures are composed, just as there are

four primitive sounds, from which all harmony is derived, this I can say

from observation; but what kind of imitations they are, and of what kind

of life, I am not able to tell. These things, however, said I, with

Damon’s[135] aid we will consider,—what measures suit illiberality and

insolence, or madness and any other ill disposition,—and what rhythms

also must be left for their opposites. And I have a confused

recollection of having heard him call a certain [measure] enoplion,

which was compound, another a dactyl, and a third an heroic

measure,—embellishing them I know not how,—making them equal above and

below, in breadth and length: and methinks he called one an iambus, and

another a trochee, and regulated also the long and short measures. In

some of these, too, I fancy, he both blamed and praised the measure of

the foot, no less than the numbers themselves, or something compounded

of both. As for these matters, however, as I said, let them be thrown on

Damon: for to define them distinctly, indeed, would require no small

discourse: do not you think so? No small one, truly. But as for this

point,—whether the propriety or impropriety is dependent on the good or

ill rhythm,—can you at all discern that? Of course. Moreover, with

respect to good or ill rhythm, the one depends on elegant expression,

and conforms to it, while the other is the reverse; and, in the same

way, as to the harmonious and discordant, the rhythm and harmony being

subservient to the sentiment, as we just said, and not the sentiment to

the former. These, indeed, said he, should subserve the sentiment. And

what, said I, as to the manner of expression, and as to the sentiment

itself, must it not be suited to the temper of the soul? Of course. And

all the rest to the expression? Yes. Well then, fine expression, fine

harmony, perfect propriety, and perfect rhythm, are dependent on good

disposition,—not that dulness which in flattering language we call good

temper, but the intellect itself, adorned with excellent and amiable

moral feelings? Surely, altogether so, replied he. Must not all these

then be always pursued by the youth, if they would perform their duties?

They should, indeed, be so pursued. Painting, indeed, is, somehow, full

of these things, and so is every other such kind of craftsmanship; and

weaving, too, is full thereof, and embroidery and architecture, and all

craftship of all kinds of implements; and yet further, the nature of

animal bodies and of all plants,—for in all these is found either

propriety or impropriety: and moreover, impropriety, want of rhythm, and

want of harmony, are close akin to bad language and depraved

manners,—their opposites being likewise related, and imitations of

discretion and good morals. Entirely so, replied he.

-----

Footnote 135:

A celebrated musician who instructed Pericles in that art. Comp. Rep.

iv. ch. 3, p. 424 c. See also Plutarch, Life of Pericles, ch. 4.

-----

CHAP. XII.—Must we, then, merely superintend the poets, and oblige them

to present in their poems the idea of good morals, or else not write at

all with us;—or should we superintend all other craftsmen also, and

restrain this immoral, undisciplined, illiberal, indecent style, so as

not to exhibit it either in the representation of animals, or in

buildings, or in any other craftsmanship,—so that he who cannot do this

may not be suffered to work with us?—[This we must do,] for fear that

our guardians, being trained by images of evil, as in bad pasture-land,

by every day plucking and eating many different things, should establish

imperceptibly, by little and little, some mighty evil in their soul;—but

rather should we seek for such craftsmen, as, by the help of a good

natural genius, can investigate the nature of the beautiful and

becoming,—in order that our youths, dwelling, as it were, in a healthful

place, may receive advantage on all sides, and so receive some service,

either by sight or hearing, from fine productions, just as a breeze

brings health from healthy places, and imperceptibly lead them from

childhood onwards to resemblance, friendship, and harmony with right

reason. Thus indeed, said he, they would be brought up in the best

possible manner. In this case, then, Glaucon, said I;—is not musical

training of the utmost importance, inasmuch as rhythm and harmony enter

largely into the inward part of the soul, and most powerfully affect it,

at the same time introducing decorum, and rendering every one becoming,

if properly trained, and, if not so, the reverse?—Moreover, the man, who

has thus been brought up as he ought, very soon perceives whatever

workmanship is defective and badly executed, or what productions are of

such description,—and through a right feeling of disgust will praise and

rejoice in the beautiful, and receiving it in his soul will be fostered

thereby, and thus become a worthy, good man,—while, as to all that is

base, he will rightly despise and hate it, even from early youth, and

before he can partake of reason; and again, when reason comes, having

been thus trained, he will heartily embrace it, because he clearly

recognises it from its intimate familiarity with himself. This appears

to me, replied he, the very reason, why there should be musical

training. Just as in learning our letters, said I, we are only then

sufficiently instructed, when we are acquainted, on meeting them, with

the few elementary letters through their various combinations, and do

not more or less despise them as unnecessary to be learnt, but take all

pains to understand them thoroughly,—as we cannot be good grammarians

till we do so. True. And supposing the images of letters were seen

anywhere, either in water or in mirrors, should we not recognise them

before the letters themselves?—or is this a part of the same art and

study? Surely. Is it then true, what I say, by the gods, that in this

case we shall never become musicians, neither ourselves nor the

guardians we talk of training, unless we understand the ideas of

temperance, fortitude, liberality, and magnificence, and whatever are

akin to these, are acquainted also with their contraries, so familiar to

all, and unless, wheresoever they are, we observe both the virtues

themselves and the images thereof, and despise them neither in small nor

great instances, but conceive them to be rather a part of the same art

and study. It must be so, said he. Must not that person, then, said I,

whose lot it is to have virtuous habits in his soul, and what is

proportioned and corresponding thereto in his appearance, partake of the

same impression and be a fine spectacle to any one who is able to behold

him? Quite so. Yet, what is most beautiful is most lovely? Of course.

He, then, who is most musical should surely love those men, who are most

eminent in this way; but if a man be unmusical, he will not love them?

He will not, replied he, if he be at all defective in his soul: still,

if it were in his body, he would bear with it, and be willing to

associate with him. I understand, said I, that your favourites are or

have been of this kind: and I too agree to that; but tell me this,—is

there any communion between temperance and excessive pleasure? How can

there? said he, for such pleasure causes a privation of intellect, not

less than grief. But has it communion with any other virtue? Not at all.

What then,—has it communion with insolence and intemperance? Most

certainly. Can you mention a greater and more acute pleasure than what

respects the matters of love? I cannot, said he, nor yet one that is

more insane. But right love is of a nature to love the beautiful and the

good temperately and harmoniously? Certainly. Nothing, then, which is

mad, or allied to intemperance, may approach real and right love. It may

not approach it. Nor may pleasure approach it; neither may the lover and

the person he loves have communion with it, if they are rightly to love

and be beloved? No, truly, said he; they may not, Socrates. Thus, then,

it seems, you will lay down a law in the city you are establishing, that

the lover shall love, converse, and associate with the objects of his

love, as with a son,—from a virtuous motive and with his consent; and as

to everything else, every one will so converse with him whose love he

solicits, as never to wish to associate for any other purpose but what

we have said;—for otherwise he would undergo the reproach of being

unmusical and unacquainted with the beautiful. It must be so, replied

he. Do not you think then, said I, that our discourse concerning music

is now concluded?—For it has now terminated where it ought,—as what is

concerned with the art of music somehow ought to terminate in the love

of the beautiful. I agree, said he.

CHAP. XIII.—After music, then, our youths must be trained in gymnastics.

What then? In this likewise they must needs be accurately trained, from

infancy upwards through their whole life:—For the matter, methinks,

stands somehow thus;—and do you also consider.—I do not think that any

sound body can, by its own virtue, render the soul good; and

contrariwise, that a good soul can, by its own virtue, render the body

the best possible: what think you? I think so too, replied he. If then,

after having sufficiently trained the intellect, we commit to it the

careful management of what concerns the body, shall we not, as we are

only laying down patterns, (that we may not be tedious,) act in a right

manner? Entirely so. We say then, that they must abstain from

drunkenness; for any one, rather than a guardian, might be allowed to

get drunk, and not know where he is. It were ridiculous, said he, for a

guardian to need a guardian himself. But what as respects meats;—for

these men are wrestlers in most important combats;—are they not? Yes.

Would not then the bodily state of the wrestlers suit such as these?

Perhaps so. But, said I, they are a sluggish set, and of dubious

health:—do you not observe, that they sleep out their life; and, that if

they only ever so little depart from their regular diet, such wrestlers

become extensively and deeply diseased? I do observe it. But a more

elegant kind of exercise, said I, is required for our military

wrestlers,—who, as dogs, ought to be wakeful, and see and hear most

acutely, and endure, in their expeditions, many changes of water and

food, of heat and cold, that so they may not fail in their health? I

think so. Is not then the best kind of gymnastic exercise very like the

simple music which we just before described? How mean you? That the

gymnastics should be simple and moderate, and of that kind most

especially which concern war. Of what kind? Even from Homer, said I, one

may learn such things as these: for you know, that in their military

expeditions, at their heroes’ banquets, he never feasts them with fish,

not even while they were by the sea at the Hellespont, nor yet with

boiled flesh, but only with roast meat, as what soldiers can most easily

procure: for, in short, one can everywhere more easily use fire, than

carry vessels about? Yes. Neither does Homer, I think, make any mention

of seasonings: and this is what every wrestler knows,—that the body, to

be in good condition, must abstain from these. They are right, said he,

and do abstain. You do not then approve, friend, it would seem, of the

Syracusan table, and the various Sicilian made-dishes, since you think

the other right? It seems I do not. You will disapprove also of a

Corinthian girl, as a mistress, for such as would be in good bodily

condition? By all means. And likewise of those celebrated delicacies of

Attic confections? Surely. As respects all such feeding and dieting, if

we compare it to the melody and song produced in full harmony and

universal rhythm, will not the comparison hold good? Of course. And does

not that diversity cause insubordination in this case—disease in the

other? But simplicity in music, engenders temperance in the soul,—and in

gymnastics, bodily health. True, said he. And when insubordination and

diseases multiply in a city, must not many law-courts and medicine-halls

be opened; and will not the forensic and medicinal arts be in request,

when many, even of the free, will earnestly apply to them? Of course.

CHAP. XIV.—Can you then adduce any greater proof of bad and shameful

training in a city, than the fact of their needing physicians and

supreme magistrates, and these too, not only for base and low craftsmen,

but for those also, who boast of having been liberally educated;—and

again, does it not seem base, and a great proof of defective education,

to be obliged to see justice pronounced on us by others, as our masters

and judges, and yet to have no sense of it in ourselves? This, replied

he, is of all things the most base. And deem you not this far more base,

said I; when a person not only spends a great part of his life in courts

of justice, as defendant or plaintiff,—but, from ignorance of the

beautiful, thinks he is renowned for his very dexterity in doing

injustice, and his cleverness at turning through all sorts of windings,

and using every kind of subterfuge, with the idea of evading

justice,—and all this for the sake of small and contemptible

things,—ignorant how much better and more noble it were so to regulate

life as not to need a sleepy judge? This, replied he, is still baser

than the other. And to need the medicinal art, said I, not on account of

wounds, or some incidental epidemic complaint, but through sloth, and

such diet as we mentioned, being filled with rheums and wind, like

lakes, and obliging the skilful sons of Æsculapius to invent new names

for diseases,—such as dropsies and catarrhs:—do not you think this

abominable? Truly, replied he, those are very new and strange names of

diseases. Such, said I, as I think, existed not in the days of

Æsculapius: and I guess so from this, that when Eurypylus was wounded at

Troy, and was getting Pramnian wine to drink with much flour sprinkled

in it, and cheese grated (all which seem to be of inflammatory

tendency), the sons of Æsculapius neither blamed the woman who presented

it, nor reproved Patroclus, for presenting the cure. Surely such a

potion, said he, is absurdly improper for one in such a case. Not so,

said I, if you consider, that the descendants of Æsculapius, as they

tell us, did not, before the time of Herodicus, practise the method of

cure now in use, which puts the patient on a regimen;—whereas Herodicus,

being a teacher of youth, and in weak health too, confounded gymnastics

and medicine, and made himself first very uncomfortable, and afterwards

many others besides. How was that? said he. By procuring himself a

lingering death, said I; for while he was constantly attending to his

disease, which was mortal, he was not able, as I imagine, to cure

himself; though, to the neglect of everything else, he was constantly

using medicines, and thus passed his life, always most uneasy, if he

departed in the least from his usual diet; and through this wisdom of

his, struggling long with death, he arrived at old age. A mighty reward,

said he, he reaped for his cleverness! Such as became one, said I, who

was unconscious that it was not from ignorance or inexperience of this

method of cure, that Æsculapius did not discover it to his descendants,

but simply because he was aware, that in all well-regulated states there

every one had a certain work enjoined him, necessary to be done, and no

one could be permitted to have time or leisure to get sick throughout

life, or busy himself with taking medicine;—a fact that we amusingly

discover in the case of labouring people, but do not see it in that of

the rich, and those reputed happy. How? said he.

CHAP. XV.—A builder, replied I, when he falls sick, gets from the

physician some potion for throwing up his disease, or purging it

downwards, or else, by means of caustic or amputation, for getting freed

from trouble; but if any one prescribe him a system of regimen, putting

caps on his head and so on, he quickly tells him that he has no leisure

to lie sick, and it does not suit him to live in that manner, attending

to his troubles, and neglecting his duty; and so, bidding the physician

farewell, he returns to his ordinary diet, and, should he recover, he

goes on managing his affairs, but should his body be unable to bear up

against the disease, he dies, and gets rid of his troubles. Such an one,

said he, ought to use the art of medicine just in this manner. Is it

not, said I, because he has a certain business,—and which, if he does

not do it, it is no profit for him to live? Plainly, replied he. But the

rich man, as we say, has no such work allotted him, from which, when

compelled to refrain, life is not worth the having? It is said so of

him, at least. You do not mind, said I, what Phocylides says,—that one

ought, throughout life, to practise virtue. I think, replied he, we

attended to that formerly. We shall not differ on this point, said I.

But let us learn, whether excessive attention to one’s disease is to be

the business of the rich, and life is not worth keeping, if he does not

give this attention; inasmuch, as such a life hinders the mind from

attending to building and other arts,—but, as respects the exhortation

of Phocylides, it is no hinderance. Yes, by Zeus, said he, it is, and

that in the greatest degree, when this unusual care of the body goes

beyond gymnastics. It agrees neither with attention to private economy,

or military expeditions, or sedentary magistracies in the city. But what

is of most importance is, that such application to health ill suits any

sort of learning and inquiry and solitary study, because one is then

perpetually dreading certain pains and swimmings of the head, and

blaming philosophy as the cause thereof,—so that, where there is this

attention to health, it greatly hinders the practice of virtue and

improvement therein, as it makes us always imagine that we are ill and

ailing. Very probably, said he. And shall we not say, that Æsculapius

too understood these things, when to persons in health, and such as used

a wholesome diet, but were afflicted by some particular disease, to

these and such kind of constitution he prescribed medicine, resisting

their ailments by drugs and incisions, but still ordering them their

usual diet, that the public might not be injured; but he did not

attempt, either by low or nourishing diet, to cure thoroughly diseased

systems; and so to afford a long and miserable life to the man himself,

and his descendants too, who would probably be of the same kind: for he

did not think that a man ought to be cured, who could not live in the

ordinary course, as in that case he would be of no service either to

himself or the state. You make Æsculapius, a politician, observed he.

Plainly so, said I; and his sons may evince that he was so.[136] See you

not again, that at Troy they proved their bravery in war, and, as I say,

practised medicine likewise? And do not you remember, that when Menelaus

was wounded by Pandarus,—

... they sucked the wound, then spread it o’er

With drugs of balmy power;[137]—

but as for what he wanted to eat or drink afterwards, they prescribed

for him no more than for Eurypylus, because they deemed external

applications sufficient to heal men, who, before they were wounded, had

been healthy and moderate in their diet, whatever potion they might have

drunk at the time, but conceived, that a diseased constitution and an

intemperate life were beneficial neither to the men themselves nor to

others, and that their art ought not to be employed on, nor minister to

them, even were they richer than Midas.[138] How vastly clever, said he,

you are making the sons of Æsculapius!

-----

Footnote 136:

Viz. Machaon and Podalirius.

Footnote 137:

Hom. Il. iv. 218, though somewhat modified by Plato.

Footnote 138:

Plato is here alluding to Tyrtæus, Eleg. iii. v. 6:—

Οὐδ’ εἰ Τιθωνοῖο φύην χαριέστερος εἴη

Πλουτοίη δὲ Μίδεω καὶ κινύρῳ βάθιον.

-----

CHAP. XVI.—It is quite right, replied I;—though in opposition to us,

the tragedy-writers, and Pindar also, say that Æsculapius was the son

of Apollo,[139] and was induced by gold to undertake the cure of a

rich man, already in a dying state,—for which indeed he was struck

with a thunderbolt:—but we, in accordance with what has been before

said, will not believe them as to both these statements, but assert,

that were he really a god’s son, he would not have been given to

filthy lucre,—or else, if he were given to filthy lucre, he was not a

god’s son. This at least, said he, is quite correct. But what say you

to this, Socrates?—-Must we not provide good physicians for the state;

and must not these probably be such as have been conversant with great

numbers both of healthy and sick people; and judges also, who have had

experience of all varieties of dispositions? I am speaking

particularly, said I, of those who are good: but [tell me,]—are you

aware who they are, that I deem such? [I shall be,] if you will tell

me, replied he. I will try to do so, said I; but you are inquiring in

one and the same question about two different things. As how? said he.

Physicians, replied I, would become extremely skilled, if, from

childhood upwards, they would, in course of learning their art, gain

experience from a large number of bodies, and these too of a very

sickly character,—especially if they should be themselves afflicted

with all kinds of maladies, and not be altogether of a healthy

constitution,—for it is not by the body, methinks, that they cure the

body (else their own bodies would never be allowed to be diseased, or

become so), but they cure the body by the soul, which, while in a

diseased state, or becoming so, is incapable of properly performing

any cure whatever. Right, said he. But as for the judge, friend, said

I, he governs the soul by the soul; and if it has been bred up from

childhood with depraved souls, has constantly associated with them,

and has itself committed all sorts of crime, it cannot so far

emancipate itself, as of itself to judge correctly about others’ ill

deeds, just as happens with respect to bodily ailments:—no, it must

even in youth be unacquainted with and unpolluted by bad habits, if it

would be fair and honourable itself and judge correctly of what is

just. Hence, therefore, the virtuous, even in youth, appear simple,

and easily deceived by the unjust, because they have within them,

forsooth, no dispositions corresponding in sentiment with those of the

wicked. Aye, indeed, said he, this very often happens to them. For

this reason, said I, the good judge must not be a youth, but old,—one

who has been late in learning the nature of wickedness, which he

apprehends not as a peculiar quality resident in his own soul, but

from having, as a foreign one, long studied it in the souls of others,

and from having ascertained the nature of its evil by positive

science, rather than personal experience. Such an one as this, said

he, is likely to be a very noble judge. And a good one too, said I;

the very thing you required: for the man with a good soul is

good;—while on the other hand, the clever, slyly suspicious man,—he,

namely, who has himself committed much sin, and is deemed subtle and

wise when in the society of his equals, has the repute of being a

clever, wary kind of person, because he has constantly in his eye

those models that reside within himself:—but whenever he approaches

the good, who are his seniors, he appears mightily inferior,

unseasonably suspicious, and wholly ignorant of moral integrity,

having within him no models of any such quality; but, on the other

hand, as he has more frequent intercourse with the wicked than with

the wise, he appears, both to himself and others, unusually wise,

rather than ignorant. Quite true, said he.

-----

Footnote 139:

Respecting this power of Æsculapius to raise the dead, comp. Pind.

Pyth. iii. v. 96, &c. Euripides, also, in the opening lines of the

Alcestis, remarks, that Æsculapius was struck with lightning, but

without assigning any reason.

-----

CHAP. XVII.—We must not then, said I, in such a man as this, look for

a wise and good judge, but in the former one. Vice, indeed, can never

know both itself and virtue; but virtue, where the moral temper is

gradually instructed, will attain to a scientific knowledge both of

itself and depravity also:—this man, then, and not the wicked one, is,

as I think, wise. I, too, said he, am of the same opinion. You will

establish, then, in your state a science of medicine such as we have

described, and along with it a corresponding system of judicature,

both of which together may carefully provide for such of your citizens

as are naturally well disposed both in body and in mind; while, as

regards the opposite, such as are diseased in their bodies, they

should let die; but as for those who are thoroughly evil and incurable

as to the soul, these they are themselves to put to death? It seems,

at any rate, the best, said he, that can happen, both for those who

are thus afflicted and for the state itself. As respects your youths,

however, it is quite plain, said I, that they will be cautious in

calling in the aid of judicial science, so long as they are employed

on that simple music, which, we said, generates temperance. Of course,

said he. Will not then, the musician who pursues gymnastics, on the

very same principles as his own art, prefer doing so in such a way as

not to want medicine except when absolutely necessary? I think so. His

exercises too, and his labours, he will perform with reference more to

the spirited portion[140] of his nature thus stirred into action, than

to mere physical strength,—differently, indeed, from all other

wrestlers, who take food and undergo toil with a view to the promotion

of bodily strength? Most true, said he. In that case, said I, Glaucon,

they who propose to teach music and gymnastics, propose them, not for

what some imagine, namely, to cure the body by the one, and the soul

by the other. If not, what is their motive? asked he. They seem to

propose them both, said I, chiefly on the soul’s account. As how?

Perceive you not, said I, how those persons have regulated their

intellect itself, who have all their life been conversant with

gymnastics, yet never studied music,—or how those are affected who

have lived in a manner quite the reverse of this? What are you

speaking about? said he. Of savageness and fierceness, said I, and

again of effeminacy and mildness. Yes, I understand, said he;—that is,

persons who apply themselves to unmixed gymnastics become more savage

than they ought; and those again [who attend] to music alone, are

softer than becomes them. And moreover, said I, this very savageness

imparts probably a certain spirit to the disposition, and, if rightly

disciplined, will become fortitude; but when stretched too far, it

will probably become indecently fierce and troublesome. So I think,

said he. But what;—will not the philosophic nature partake of the mild

also; and when this disposition is carried to excess, may it not prove

softer than it ought, and if rightly disciplined, both mild and

modest? Just so. We say also, that our guardians ought naturally to be

possessed of both. They ought. Ought they not, then, to be made to

suit one another? Of course. And the soul of the person thus suited is

temperate and brave? Certainly. But the soul of a person not so suited

is cowardly and savage? Especially so.

-----

Footnote 140:

Τὸ θυμοειδές. This refers to Plato’s division of the mental faculties

into τὸ λογιστικόν and τὸ ἄλογον, the latter of which is again divided

into τὸ θυμικόν and τὸ ἐπιθυμητικόν. The art of gymnastics, he

conceives then, has for its object—not so much the promotion of the

bodily strength as the excitement of the spirited part of our

nature,—τὸ θυμοειδές.

-----

CHAP. XVIII.—As a matter of course, then, when one consents to be

soothed with the charms of music, and to have poured into his soul

through his ears (as through a pipe) those lately called the sweet,

effeminate, and doleful harmonies, and spends the whole of his life

humming ditties and charmed with melody,[141]—such an one, first of

all,—should he possess any spirit,—softens it like iron, and makes it

serviceable, instead of useless and harsh. When, however, he

positively declines desisting, and becomes the victim of a kind of

fascination,—after this, he is melted and dissolved, till his spirit

is quite spent, and the nerves are, as it were, cut out from his soul,

making him an effeminate warrior.[142] Quite so indeed, said he.

Aye,—said I; if he had originally possessed a nature devoid of spirit,

he would quickly have done thus; but, if [he possesses] one of high

spirit, it makes the mind weak, and causes it to be quickly

overbalanced, speedily either excited and overcome; and hence men

become outrageous and ill-tempered, rather than high-spirited. Quite

so, indeed. But what;—if a man labour much in gymnastics and live on

extremely good diet, but pay no attention to music and philosophy; is

he not first of all, from having his body in good condition,

abundantly filled with prudence and spirit, and does he not become

braver than he was before? Surely. But what;—supposing he does nothing

else, and has no commerce with the Muses, not even if he had any love

of learning in his soul, as neither having a taste for investigation,

nor sharing in any inquiry or reasoning, or other musical pursuit

whatever, does it not become feeble, deaf, and blind, as being neither

awakened, nor nurtured, nor his perceptions purified? Just so. Such an

one then becomes, I suppose, a hater of argument, and indisposed to

music,—one who cannot at all be reasoned into anything, but conducts

himself in all matters with violence and ferocity, like a wild beast;

and thus he lives in ignorance and barbarity, out of measure, and

unpolished? Quite so, said he. Corresponding then to these two

tempers, it seems, I would say, that some deity has furnished men with

two arts,—music and gymnastics,—relating respectively to the

high-spirited and the philosophic nature,—not indeed, for the soul and

body, otherwise than as a by-work and accessory, but with a view to

those two tempers, that they may be mutually suitable to each other by

being tightened and loosened at pleasure. Aye,—it seems so. Whoever

then can most cleverly mingle gymnastics with music, and introduce

them in justest measure into the soul, this person we may most

properly call completely musical, and most harmoniously disposed,—far

more, indeed, than the man who puts in tune the strings of an

instrument. Very likely, Socrates, said he. Shall we not then, always

need, Glaucon, such a president in our city, if its government is to

be kept entire? It will indeed be quite needful, as far at least as we

can.

-----

Footnote 141:

Gr. ὅταν μέν τις μουσικῇ παρεχῇ καταυλεῖν καὶ καταχεῖν διὰ τῶν ὤτων,

ὥσπερ διὰ χώνης, ἃς νῦν δὴ ἡμεῖς ἐλέγομεν τὰς γλυκείας τε καὶ μαλακὰς

καὶ θρηνώδεις ἁρμονίας καὶ μινυρίζων τε καὶ γεγανωμένος ὑπὸ τῆς ᾠδῆς

διατελῇ τὸν βίον ὅλον, &c. The verb μινυρίζειν signifies _to sing in a

high and plaintive key_,—sometimes, also, _to whine_; γανοῦν is

derived from γάνος, _splendour_, _joy_, and hence means _to be radiant

with pleasure, to be of joyful countenance_.

Footnote 142:

Allusion is here made to Hom. Il. xvii. v. 586:—

Ἕκτορ, τίς κέ σ’ ἔτ’ ἄλλος Ἀχαιῶν ταρβήσειεν;

Οἷον δὴ Μενέλαον ὑπέτρεσας, ὃς τὸ πάρος περ

Μαλθακὸς αἰχμητής·

What chiefs of all the Grecians shall henceforth

Fear Hector, who from Menelaus shrinks

Once deemed effeminate. _Cowper._

-----

CHAP. XIX.—The above then are probably the true models both of education

and discipline:—for why should one go through the dances, the hunts of

wild beasts with dogs and nets, the wrestlings and the horse-races

expedient for such persons?—for it is almost manifest that they follow

as a matter of course, nor are they at all hard to discover. Well, said

he, perhaps they are not difficult. Granted, said I:—but after this,

what had we next to determine?—Is it not, which of these shall govern,

and be governed? What else? Is it not plain that the governors should be

the elder, and the governed the younger? Plain. And also, that the best

of them [should govern?] Aye,—that too. And the best husbandmen;—are

they not the cleverest in tillage? Yes. Now, if it be fit that our

guardians be the best, will they not be most strictly watchful over the

city? Yes. With this view should we not make them prudent, and able, and

careful also of the city? It is the fact. At any rate a man would be

most careful of what he happens to love? Necessarily so. And this at

least one must especially love,—namely, what he deems to have a

community of interest with himself, especially when he conceives, that

in another’s good fortune he may find good fortune too,—but if

otherwise, the reverse? Just so, said he. We must choose then, from the

rest of the guardians such men, as on inquiry most of all seem to

perform with all cheerfulness through an entire life whatever they deem

expedient for the state,—while, as to the inexpedient, they will not do

it by any means at all. These are just the proper persons, said he. I

really think that they ought to be observed at all stages of life,

whether they act consistently with this opinion, without either being

reduced or forcibly compelled inconsiderately to throw up the opinion,

of its being a duty to do what is best for the state. What throwing up

do you mean? said he. I will tell you, said I. Opinion seems to me to

come from the intellect either voluntarily or involuntarily,—voluntarily

indeed as regards false opinion, [when it comes] from him who unlearns

it,—but involuntarily, as regards every true one. The case of the

voluntary one, replied he, I understand; but that of the involuntary I

want to learn. What;—are not even you of opinion, said I, that men are

deprived of good things involuntarily, but of evil things voluntarily?

Is being deceived respecting the truth no evil, and the attainment of

truth no good? and think you not, that to form opinions respecting

things as they really exist is attaining the truth? Aye, said he, you

speak correctly:—they do indeed seem to me to be deprived unwillingly of

true opinion. Are they then thus affected by being robbed, or enchanted,

or forced? Now, at any rate, said he, I do not understand you. I am

probably expressing myself, said I, just like the tragedians:[143] for,

I say, that those [have their opinions] stolen, who change them through

persuasion, or else forget them; because, in the one case, they are

imperceptibly removed by time, and in the other by reasoning:—now

perhaps you understand? Yes. And those, I say, are forced out of their

opinions, whom grief or agony obliges to change them? This too, said he,

I understand, and you are right in saying so. Those, moreover, methinks,

you will say, are enchanted out of their opinions, who change them,

either bewitched by pleasure or appalled by fear. For whatever deceives,

said he, seems to exercise a kind of magical enchantment.

-----

Footnote 143:

Plato here alludes to the obscure style sometimes adopted by them to

mystify the hearers. Comp. viii. ch. 3, where they are spoken of as

πρὸς παῖδας ἡμᾶς παιζούσας καὶ ἐρεσχελούσας ὑψηλολογουμένας.

Aristophanes all through “the Frogs” caricatures this mystifying,

bombastic tendency.

-----

CHAP. XX.—We must now then inquire,—as I was saying before,—who are the

best guardians of their own particular maxim, that they should do

whatever they deem to be best for the state; and they should observe

them too quite from childhood, setting before them such work, as may

lead them most readily to forget such a matter and delude themselves;

and we should choose one who is mindful and hard to be deluded, while

one who is not so we should reject:—is that it? Yes. And we must appoint

them labours and pains and contests, in which we must observe these very

same things. Right, said he. Should we not, also, said I, appoint a

third contest, that of the mountebank kind; and look to see, just as

persons lead young colts amidst noises and tumults, to find out whether

they are frightened?—and thus, while yet young, they must be led into

various fearful situations, and again be thrown back into pleasures,

trying them far more than gold in the fire, whether a person appears

hard to be beguiled by mountebank tricks, and is of composed demeanour

amidst all, because he is a good guardian of himself, and of that music

in which he had been instructed, proving himself in all these respects

to be in just rhythm and harmony. Being of such character, he would

truly be most useful both to himself and the state. And he who in

childhood, youth, and manhood, has been thus tried, and come out pure,

may be appointed governor and guardian of the state; honours are to be

paid him while he lives, and at his death he should receive the highest

rewards of public burial and other memorials:—while one that is not such

we must reject. Somewhat like this, methinks, Glaucon, said I,—for we

have only drawn it in outline, not defined it accurately,[144]—should be

the mode of choosing and establishing our governors and guardians. I

think so too, rejoined he. Is it not then really most correct to call

these the perfect guardians, both as to what relates to enemies abroad

and friends at home, for taking from one party the will, and from the

other the power of doing mischief, while the youth (whom we just now

called guardians) will be allies and auxiliaries to the decrees of the

governors? Yes, I think so, replied he.

-----

Footnote 144:

Gr. ὡς ἐν τύπῳ, μὴ δι’ ἀκριβείας, εἰρῆσθαι. Comp. vi. ch. 6—ἔχεις γὰρ

τὸν τύπον ὧν λέγω, where τύπον, as here means _a general notion_ or

_sketch_, like ὑπογραφὴν in ch. 16 of the same book.

-----

CHAP. XXI.—What then, said I, should be our plan, when we are falsifying

by one of the well-intentioned and necessary untruths, such as we just

mentioned, with a view to persuade chiefly the governors

themselves;—but, if not these, the rest of the state? What kind of

untruth do you mean? Nothing new, said I, but something like the

Phœnician fable,[145] which has often taken place heretofore, as the

poets say and have persuaded us, but which has not happened in our

times, nor do I know whether it is likely to happen,—to persuade one of

which indeed requires great suasive power. You seem to me, said he, to

hesitate to tell it! I shall appear to you, said I, to hesitate with

very good reason, whenever I shall tell it. Speak, said he, and be not

afraid. I will tell you then, though I know not with what courage, or

what words I am to use in telling you;—and I will attempt, first of all

to persuade the governors themselves, and the soldiers, and then also

the rest of the state, that, whatever training or education we gave

them, all these particulars seemed to affect and befal them like dreams,

while really they were in course of formation and development beneath

the earth, where are fabricated not only themselves, but also their

armour and other equipments:—but after they were completely fashioned,

the earth, who is their mother, brought them forth; and now they ought

to consult the interests of the country in which they reside as for a

mother and nurse, and to defend her in case of invasion, and to look

upon the rest of the citizens as their brethren, and sprung from the

same soil. It is not without reason, said he, that some time back, you

were ashamed to tell this falsehood. Quite so, said I:—but still hear

the remainder of the fable. All of you in the state truly are brethren

(as we shall tell them by way of fable); but the God, in forming you,

mixed gold in the formation of such of you as are able to govern;—on

which account they are the most honourable;—in such as are auxiliaries,

silver;—and in the husbandmen and other craftsmen, iron and brass. Since

then you are all of the same kindred, you would for the most part beget

children resembling yourselves; and sometimes perhaps silver will be

generated out of gold, and out of silver there might be a golden

offspring; and thus in all other ways [are they generated] out of one

another.[146] Governors then, first and chiefly, the God charges, that

over nothing are they to be such good guardians, or to keep such

vigilant watch, as over their children;—[to know] with which of these

principles their souls are imbued;—and should their descendants be of

brass or iron, they will show them no indulgence whatever, but assigning

them honour just proportioned to their natural temper, will thrust them

down to the rank of craftsmen or husbandmen. And if again any from among

these latter shall exhibit a golden or silver sort of nature, they are

to pay them honour and elevate them;—some to the guardianship, others to

the rank of auxiliaries,—the oracle having declared that the state shall

perish whenever iron or brass shall hold its guardianship. With respect

to this fable then, have you any means of persuading them of its truth?

None, said he, of persuading these men themselves; but I have as

respects their sons and posterity, and the rest of mankind afterwards.

Even this, said I, would act well in making them more anxious about the

state’s welfare, and for one another; for I almost understand what you

mean;—and this truly will lead the same way as the oracle.

-----

Footnote 145:

The scholiast tells us that the Phœnician fable had reference to the

myths related about the dragon and the sown men that arose at the

bidding of Cadmus, the son of Agenor, and grandson of Poseidon and

Libya, whose native country was Phœnicia.

Footnote 146:

Aristotle makes some rather strong remarks on these views in his

Polit. ch. 2, § 15, ed. Schneid.

-----

CHAP. XXII.—As for ourselves, having armed these earth-born sons, let us

lead them forward under the conduct of their leaders; and when they are

come into the city, let them consider where they may best pitch their

camp, so as best to keep in order those within it, should any one be

unwilling to obey the laws; and likewise how they may defend it against

those without, should any enemy come, like a wolf, on the fold. And when

they have pitched their camp, and sacrificed to the proper divinities,

let them erect their tents: is that the way? Just so, said he. They

should be such then as may suffice to defend them, both from winter’s

cold and summer-heat? Of course; for I think, said he, you are alluding

to houses. Yes, said I, those of the military class, not those of the

money-makers. How, replied he, do you say that the latter differs from

the former? I will try to tell you, said I; for, of all things, it is

the most dreadful, and disgraceful to shepherds, to breed, as guardians

of the flocks, such kind of dogs, and in such a manner, as that, either

through want of discipline, or hunger, or some other ill habit, the dogs

should themselves attempt to hurt the sheep, and so resemble wolves

rather than dogs. It is dreadful, of course, said he. Must we not then

take all care, lest our allies act thus towards our citizens, as being

the more powerful, and, instead of generous allies, resemble savage

masters? We must take care, said he. Would they not be prepared to

exercise the greatest caution, if they were really well educated? They

are so, moreover, replied he. I then, for my part, observed: that you

cannot properly insist on, friend Glaucon; but what we were just now

saying is proper; namely, that they should have a good education,

whatever its nature, if they are to possess what is most important

towards rendering them mild, both among themselves and towards those

under their guardianship. Right, said he. In addition then to this

training, any intelligent person would say, that their houses and all

other effects ought to be so contrived, as neither to impede their

guardians in becoming the very best possible, nor to excite them to the

injury of the other citizens. Aye, and he will say true. If then they

intend to be such, consider, said I, whether they ought to live and

arrange their household in some such manner, as follows: First, let none

possess any private property unless it be absolutely necessary: next,

let none have any dwelling, or store-house, into which any one that

pleases may not enter: then, as for necessaries, let them be such as

both temperate and brave champions in war may require; making for

themselves this law, not to receive such a reward of their guardianship

from the other citizens, as to have either surplus or deficiency at the

year’s end. Let them also frequent public meals, as in camps, and live

in common; and we must tell them, that they have ever in their souls

from the gods a divine gold and silver, and therefore have no need of

that which is human; and that it were profane to pollute the possession

of the divine ore, by mixing it with the alloy of the mortal metal;

because the money of the vulgar has produced many impious deeds, while

that which they have is pure; and that of all men in the city, they

alone should not be allowed to handle or touch gold or silver, or

harbour it under their roof, or carry it about, nor to drink out of

silver or gold. By such means they will be likely to preserve both

themselves and the state; but whenever they shall possess private lands

and houses, and money, they will become stewards and farmers instead of

guardians, and hateful masters instead of allies to the other citizens;

in hating indeed, and being hated, in plotting, and being plotted

against, they will pass the whole of their life; much more frequently

and more really terrified by the enemies from within than by those from

without, as they and the rest of the state are hastening very near to

destruction. For all these reasons, said I, we must say, that our

guardians should be thus regulated, both as to their houses and all

other matters. And let us consider these things as law; shall we not? By

all means, said Glaucon.

The works of Plato (Vol. 2 of 6) · 第 3 / 12 章