JERRY AND EUGENE--AND JOE
XIII. HOW A GOOD MOTHER LIVES ON
XIV. JIM SWAIM'S WISH
XV. DRAWING OUT LEVIATHAN WITH A HOOK
XVI. A POSTLUDE IN "EDEN"
XVII. THE FLESH-POTS OF THE WINNWOC
XVIII. THE LORD HATH HIS WAY IN THE STORM
XIX. RECLAIMED
THE RECLAIMERS
I
JERRY
I
THE HEIR APPARENT
Only the good little snakes were permitted to enter the "Eden" that
belonged to Aunt Jerry and Uncle Cornie Darby. "Eden," it should be
explained, was the country estate of Mrs. Jerusha Darby--a wealthy
Philadelphian--and her husband, Cornelius Darby, a relative by marriage,
so to speak, whose sole business on earth was to guard his wife's wealth
for six hours of the day in the city, and to practise discus-throwing
out at "Eden" for two hours every evening.
Of course these two were never familiarly "Aunt" and "Uncle" to this
country neighborhood, nor to any other community. Far, oh, far from
that! They were Aunt and Uncle only to Jerry Swaim, the orphaned and
only child of Mrs. Darby's brother Jim, whose charming girlish presence
made the whole community, wherever she might chance to be. They were
cousin, however, to Eugene Wellington, a young artist of more than
ordinary merit, also orphaned and alone, except for a sort of cousinship
with Uncle Cornelius.
"Eden" was a beautifully located and handsomely appointed estate of two
hundred acres, offering large facilities to any photographer seeking
magazine illustrations of country life in America. Indeed, the place
was, as Aunt Jerry Darby declared, "summer and winter, all shot up by
camera-toters and dabbed over with canvas-stretchers' paints," much to
the owner's disgust, to whom all camera-toters and artists, except
Cousin Eugene Wellington, were useless idlers. The rustic little railway
station, hidden by maple-trees, was only three or four good
discus-throws from the house. But the railroad itself very properly
dropped from view into a wooded valley on either side of the station.
There was nothing of cindery ugliness to mar the spot where the dwellers
in "Eden" could take the early morning train for the city, or drop off
in the cool of the afternoon into a delightful pastoral retreat. Beyond
the lawns and buildings, gardens and orchards, the land billowed away
into meadow and pasture and grain-field, with an insert of leafy grove
where song-birds builded an Eden all their own. The entire freehold of
Aunt Jerry Darby and Uncle Cornie, set down in the middle of a Western
ranch, would have been a day's journey from its borders. And yet in it
country life was done into poetry, combining city luxuries and
conveniences with the dehorned, dethorned comfort and freedom of idyllic
nature. What more need be said for this "Eden" into which only the good
little snakes were permitted to enter?
In the late afternoon Aunt Jerry sat in the rose-arbor with her Japanese
work-basket beside her, and a pearl tatting-shuttle between her thumb
and fingers. One could read in a thoughtful glance all there was to know
of Mrs. Darby. Her alert air and busy hands bespoke the habit of
everlasting industry fastened down upon her, no doubt, in a far-off
childhood. She was luxurious in her tastes. The satin gown, the diamond
fastening the little cap to her gray hair, the elegant lace at her
throat and wrists, the flashing jewels on her thin fingers, all
proclaimed a desire for display and the means wherewith to pamper it.
The rest of her story was written on her wrinkled face, where the strong
traits of a self-willed youth were deeply graven. Something in the
narrow, restless eyes suggested the discontented lover of wealth. The
lines of the mouth hinted at selfishness and prejudice. The square chin
told of a stubborn will, and the stern cast of features indicated no
sense of humor whereby the hardest face is softened. That Jerusha Darby
was rich, intolerant, determined, unimaginative, self-centered,
unforgiving, and unhappy the student of character might gather at a
glance. Where these traits abide a second glance is unnecessary.
Outside, the arbor was aglow with early June roses; within, the
cushioned willow seats invite to restful enjoyment. But Jerusha Darby
was not there for pleasure. While her pearl shuttle darted in and out
among her fingers like a tiny, iridescent bird, her mind and tongue were
busy with important matters.
Opposite to her was her husband, Cornelius. It was only important
matters that called him away from his business in the city at so early
an hour in the afternoon. And it was only on business matters that he
and his wife ever really conferred, either in the rose-arbor or
elsewhere. The appealing beauty of the place indirectly meant nothing to
these two owners of all this beauty.
The most to be said of Cornelius Darby was that he was born the son of a
rich man and he died the husband of a rich woman. His life, like his
face, was colorless. He fitted into the landscape and his presence was
never detected. He had no opinions of his own. His father had given him
all that he needed to think about until he was married. "Was married" is
well said. He never courted nor married anybody. He was never courted,
but he was married by Jerusha Swaim. But that is all dried stuff now.
Let it be said, however, that not all the mummies are in Egyptian tombs
and Smithsonian Institutions. Some of them sit in banking-houses all day
long, and go discus-throwing in lovely "Edens" on soft June evenings.
And one of them once, just once, broke the ancient linen wrappings from
his glazed jaws and spoke. For half an hour his voice was heard; and
then the bandages slipped back, and the mummy was all mummy again. It
was Jerry Swaim who wrought that miracle. But then there is little in
the earth, or the waters under the earth, that a pretty girl cannot work
upon.
"You say you have the report on the Swaim estate that the Macpherson
Mortgage Company of New Eden, Kansas, is taking care of for us?" Mrs.
Darby asked.
"The complete report. York Macpherson hasn't left out a detail. Shall I
read you his description?" her husband replied.
"No, no; don't tell me a thing about it, not a thing. I don't want to
know any more about Kansas than I know already. I hate the very name of
Kansas. You can understand why, when you remember my brother. I've known
York Macpherson all his life, him and his sister Laura, too. And I never
could understand why he went so far West, nor why he dragged that lame
sister of his out with him to that Sage Brush country."
"That's because you won't let me tell you anything about the West. But
as a matter of business you ought to understand the conditions
connected with this estate."
"I tell you again I won't listen to it, not one word. He is employed to
look after the property, not to write about it. None of my family ever
expects to see it. When we get ready to study its value we will give due
notice. Now let the matter of description, location, big puffing up of
its value--I know all that Kansas talk--let all that drop here." Jerusha
Darby unconsciously stamped her foot on the cement floor of the arbor
and struck her thin palm flat upon the broad arm of her chair.
"Very well, Jerusha. If Jerry ever wants to know anything about its
extent, agricultural value, water-supply, crop returns, etc., she will
find them on file in my office. The document says that the land in the
Sage Brush Valley in Kansas is now, with title clear, the property of
the estate of the late Jeremiah Swaim and his heirs and assigns forever;
that York Macpherson will, for a very small consideration, be the Kansas
representative of the Swaim heirs. That is all I have to say about it."
"Then listen to me," Mrs. Darby commanded. And her listener--listened.
"Jerry Swaim is Brother Jim and Sister Lesa's only child. She's been
brought up in luxury; never wanted a thing she didn't get, and never
earned a penny in her life. She couldn't do it to save her life. If I
outlive you she will be my heir if I choose to make my will in her
favor. She can be taken care of without that Kansas property of hers.
That's enough about the matter. We will drop it right here for other
things. There's your cousin Eugene Wellington coming home again. He's a
real artist and hasn't any property at all."
A ghost of a smile flitted across Mr. Darby's blank face, but Mrs. Darby
never saw ghosts.
"Of course Jerry and Gene, who have been playmates in the same game all
their lives, will--will--" Mrs. Darby hesitated.
"Will keep on playing the same game," Cornelius suggested. "If that's
all about this business, I'll go and look after the lily-ponds over
yonder, and then take a little exercise before dinner. I'm sorry I
missed Jerry in the city. She doesn't know I am out here."
"What difference if you did? She and Eugene will be coming out on the
train pretty soon," Mrs. Darby declared.
"She doesn't know he's there, maybe. They may miss each other," her
husband replied.
Then he left the arbor and effaced himself, as was his custom, from his
wife's presence, and busied himself with matters concerning the
lily-ponds on the far side of the grounds where pink lotuses were
blooming.
Meantime Jerusha Darby's fingers fairly writhed about her tatting-work,
as she waited impatiently for the sound of the afternoon train from the
city.
"It's time the four-forty was whistling round the curve," she murmured.
"My girl will soon be here, unless the train is delayed by that bridge
down yonder. Plague on these June rains!"
Mrs. Darby said "my girl" exactly as she would have said "my bank
stock," or "my farm." Hers was the tone of complete possession.
"She could have come out in the auto in half the time, the four-forty
creeps so, but the roads are dreadfully skiddy after these abominable
rains," Mrs. Darby continued.
The habit of speaking her thoughts aloud had grown on her, as it often
does on those advanced in years who live much alone. The little vista of
rain-washed meadows and growing grain that lay between tall lilac-trees
was lost to her eyes in the impatience of the moment's delay. What
Jerusha Darby wanted for Jerusha Darby was vastly more important to her
at any moment than the abstract value of a general good or a common
charm.
As she leaned forward, listening intently for the rumble of the train
down in the valley, a great automobile swung through the open gateway of
"Eden" and rounded the curves of the maple-guarded avenue, bearing down
with a birdlike sweep upon the rose-arbor.
"Here I am, Aunt Jerry," the driver's girlish voice called. "Uncle
Cornie is coming out on the train. I beat him to it. I saw the old
engine huffing and puffing at the hill beyond the third crossing of the
Winnowoc. It is bank-full now from the rains. I stopped on that high
fill and watched the train down below me creeping out on the trestle
above the creek. When it got across and went crawling into the cut on
this side I came on, too. I had my hands full then making this big gun
of a car climb that muddy, slippery hill that the railroad cuts through.
But I'd rather climb than creep any old day."
"Jerry Swaim," Mrs. Darby cried, staring up at her niece in amazement,
"do you mean to say you drove out alone over that sideling, slippery
bluff road? But you wouldn't be Lesa Swaim's daughter if you weren't
taking chances. You are your mother's own child, if there ever was one."
"Well, I should hope I am, since I've got to be classified somewhere. I
came because I wanted to," Jerry declared, with the finality of complete
excuse in her tone. All her life what Jerry Swaim had wanted was
abundant reason for her having. "It was dreadfully hot and sticky in the
city, and I knew it would be the bottom deep of mugginess on that
crowded Winnowoc train. The last time I came out here on it I had to sit
beside a dreadful big Dutchman who had an old hen and chickens in a
basket under his feet. He had had Limburger cheese for his dinner and
had used his whiskers for a napkin to catch the crumbs. Ugh!" Jerry gave
a shiver of disgust at the recollection. "An old lady behind us had
'_sky_-atick rheumatiz' and wouldn't let the windows be opened. I'd
rather have any kind of 'rheumatiz' than Limburger for the same length
of time. The Winnowoc special ought to carry a parlor coach from the
city and set it off at 'Eden' like it used to do. The agent let me play
in it whenever I wanted to when I was a youngster. I'm never going to
ride on any train again unless I go in a Pullman."
The girl struck her small gloved fist, like a spoiled child, against the
steering-wheel of her luxuriously appointed car, but her winsome smile
was all-redeeming as she looked down at her aunt standing in the doorway
of the rose-arbor.
"Come in here, Geraldine Swaim. I want to talk to you." Mrs. Darby's
affectionate tones carried also a note of command.
"Means business when she 'Geraldine Swaims' me," Jerry commented,
mentally, as she gave the car to the "Eden" man-of-all-work and followed
her aunt to a seat inside the blossom-covered retreat, where the pearl
shuttle began to grow tatting again beneath the thin, busy fingers.
It always pleased Jerusha Darby to be told that there was a resemblance
between these two. But, although the older woman's countenance was an
open book holding the story of inherited ideas, limited and intensified,
and the young face unmistakably perpetuated the family likeness, yet
Jerry Swaim was a type of her own, not easy to forejudge. In the shadows
of the rose-arbor her hair rippled back from her forehead in dull-gold
waves. One could picture what the sunshine would do for it. Her big,
dark-blue eyes were sometimes dreamy under their long lashes, and
sometimes full of sparkling light. Her whole atmosphere was that of
easeful, dependent, city life; yet there was something contrastingly
definite in her low voice, her firm mouth and square-cut chin. And
beyond appearances and manner, there was something which nobody ever
quite defined, that made it her way to walk straight into the hearts of
those who knew her.
"Where were you in the city to-day?" Mrs. Darby asked, abruptly, looking
keenly at the fair-faced girl much as she would have looked at any other
of her goodly possessions.
"Let me see," Jerry Swaim began, meditatively. "I was shopping quite a
while. The stores are gorgeous this June."
"Yes, and what else?" queried the older woman.
"Oh, some more shopping. Then I lunched at _La Senorita_, that beautiful
new tea-house. Every room represents some nationality in its decoration.
I was in the Delft room--Holland Dutch--whiskers and Limburger"--there
was a gleam of fun in the dark-blue eyes--"but it is restful and
charming. And the service is perfect. Then I strolled off to the Art
Gallery and lost myself in the latest exhibit. Cousin Gene would like
that, I'm sure. It was so cool and quiet there that I stayed a long
time. The exhibit is mostly of landscapes, all of them as beautiful as
'Eden' except one."
There was just a shade of something different in the girl's tone when
she spoke her cousin's name.
"And that one?" Mrs. Darby inquired. She did not object to shopping and
more shopping, but art was getting outside of her dominion.
"It was a desert-like scene; just yellow-gray plains, with no trees at
all. And in the farther distance the richest purples and reds of a
sunset sky into which the land sort of diffused. No landscape on this
earth was ever so yellow-gray, or any sunset ever so like the Book of
Revelation, nor any horizon-line so wide and far away. It was the
hyperbole of a freakish imagination. And yet, Aunt Jerry, there was a
romantic lure in the thing, somehow."
Jerry Swaim's face was grave as she gazed with wide, unseeing eyes at
the vista of fresh June meadows from which the odor of red clover,
pulsing in on the cool west breeze of the late afternoon, mingled with
the odor of white honeysuckle that twined among the climbing rose-vines
above her.
"Humph! What else?" Aunt Jerry sniffed a disapproval of unpleasant
landscapes in general and alluring romances in particular. Love of
romance was not in her mental make-up, any more than love of art.
"I went over to Uncle Cornie's bank to tell him to take care of my
shopping-bills. He wasn't in just then and I didn't wait for him. By
the way"--Jerry Swaim was not dreamy now--"since all the legal
litigations and things are over, oughtn't I begin to manage my own
affairs and live on my own income?"
Sitting there in the shelter of blossoming vines, the girl seemed far
too dainty a creature, too lacking in experience, initiative, or
ability, to manage anything more trying than a big allowance of
pin-money. And yet, something in her small, firm hands, something in the
lines of her well-formed chin, put the doubt into any forecast of what
Geraldine Swaim might do when she chose to act.
Aunt Jerry wrapped the lacy tatting stuff she had been making around the
pearl shuttle and, putting both away in the Japanese work-basket,
carefully snapped down the lid.
"When Jerusha Darby quits work to talk it's time for me to put on my
skid-chains," Jerry said to herself as she watched the procedure.
"Jerry, do you know why I called you your mother's own child just now?"
Mrs. Darby asked, gravely.
"From habit, maybe, you have said it so often." Jerry's smile took away
any suggestion of pertness. "I know I am like her in some ways."
"Yes, but not altogether," the older woman continued. "Lesa Swaim was a
strange combination. She was made to spend money, with no idea of how to
get money. And she brought you up the same way. And now you are grown,
boarding-school finished, and of age, you can't alter your bringing up
any more than you can change your big eyes that are just like Lesa's,
nor your chin that you inherited from Brother Jim. I might as well try
to give you little black eyes and a receding chin as to try to reshape
your ways now. You are as the Lord made you, and Providence molded you,
and your mother spoiled you."
"Well, I don't want to be anything different. I'm happy as I am."
"You won't need to be, unless you choose. But being twenty-one doesn't
make you too old to listen to me--and your uncle Cornie."
In all her life Jerry had never before heard her uncle's name brought in
as co-partner of Jerusha Darby's in any opinion, authority, or advice.
It was an unfortunate slip of the tongue for Uncle Cornie's wife, one of
those simple phrases that, dropped at the right spot, take root and grow
and bear big fruit, whether of sweet or bitter taste.
"Your mother was a dreamer, a lover of romance, and all sorts of
adventures, although she never had a chance to get into any of them.
That's why you went skidding on that sideling bluff road to-day; that
and the fact that she brought you up to have your own way about
everything. But, as I say, we can't change that now, and there's no need
to if we could. Lesa was a pretty woman, but you look like the Swaims,
except right across here."
Aunt Jerry drew her bony finger across the girl's brows, unwilling to
concede any of the family likeness that could possibly be retained. She
could not see the gleam of mischief lurking under the downcast eyelashes
of Lesa Swaim's own child.
"Your father was a good business man, level-headed, shrewd, and
honest"--Mrs. Darby spoke rapidly now--"but things happened in the last
years of his life. Your mother took pneumonia and died, and you went
away to boarding-school. Jim's business was considerably involved. I
needn't bother to tell you about that. It doesn't matter now, anyhow.
And then one night he didn't come home, and the next morning your uncle
found him sitting in his office, just as he had left him the evening
before. He had been dead several hours. Heart failure was what the
doctor said, but I reckon everybody goes of heart failure sooner or
later."
A bright, hard glow came into Jerry Swaim's eyes and the red lips were
grimly pressed together. In the two years since the loss of her parents
the girl had never tried to pray. As time went on the light spirit of
youth had come back, but something went out of her life on the day of
her father's death, leaving a loss against which she stubbornly
rebelled.
"To be plain, Jerry," Mrs. Darby hurried on, "you have your inheritance
all cleared up at last, after two whole years of legal trouble."
"Oh, it hasn't really bothered me," Jerry declared, with seeming
flippancy. "Just signing my name where somebody pointed to a blank line,
and holding up my right hand to be sworn--that's all. I've written my
full name and promised that the writing was mine, 's'welp me Gawd,' as
the court-house man used to say, till I could do either one under the
influence of ether. Nothing really bothersome about it, but I'm glad
it's over. Business is so tiresome."
"It's not so large a fortune, by a good deal, as it would have been if
your father had listened to me." Mrs. Darby spoke vaguely. "But you will
be amply provided for, anyhow, unless you yourself choose to trifle with
your best interest. You and I are the only Swaims living now. Some day,
if I choose, I can will all my property to you."
The square-cut chin and the deep lines around the stern mouth told
plainly that obedience to this woman's wishes alone could make a
beneficiary to that will.
"You may be a dreamer, and love to go romancing around into new scrapes
like your mother would have done if she could. But she was as
soft-hearted as could be, with all that. That's why she never denied you
anything you wanted. She couldn't do a thing with money, though, as I
said, except spend it. You are a good deal like your father, too, Jerry,
and you'll value property some day as the only thing on earth that can
make life anything but a hard grind. If you don't want to be like that
bunch of everlasting grubs that ride on the Winnowoc train every
afternoon, or the poor country folks around here that never ride in
anything but a rickety old farm-wagon, you'll appreciate what I--and
Uncle Cornie--can do for you."
Uncle Cornie again, and he never had shared in any equal consideration
before. It was a mistake.
"There's the four-forty whistling for the curve at last. It's time it
was coming. I must go in and see that dinner is just right. You run down
and meet it. Cousin Eugene is coming out on it. Your uncle Cornie is
here on the place somewhere. He came out after lunch on some business we
had to fix up. No wonder you missed him. But, Jerry"--the stern-faced
woman put a hand on the girl's shoulder with more of command than caress
in the gesture--"Eugene is a real artist with genius, you know."
"Yes, I know," Jerry replied, a sudden change coming into her tone.
"What of that?"
"You've always known him. You like him very much?" Jerusha Darby was as
awkward in sentiment as she was shrewd in a bargain.
The bloom on the girl's cheek deepened as she looked away toward the
brilliantly green meadows across which the low sun was sending rays of
golden light.
"Oh, I like him as much as he likes me, no doubt. I'll go down to the
station and look him over, if you say so."
Beneath the words lay something deeper than speech--something new even
to the girl herself.
As Jerry left the arbor Mrs. Darby said, with something half playful,
half final, in her tone: "You won't forget what I've said about
property, you little spendthrift. You will be sensible, like my sensible
brother's child, even if you are as idealizing as your sentimental
mother."
"I'll not forget. I couldn't and be Jerry Darby's niece," the last added
after the girl was safely out of her aunt's hearing. "My father and
mother both had lots of good traits, it seems, and a few poor ones. I
seem to be really heir to all the faulty bents of theirs, and to have
lost out on all the good ones. But I can't help that now. Not till after
the train gets in, anyhow."
Her aunt watched her till the shrubbery hid her at a turn in the walk.
Young, full of life, dainty as the June blossoms that showered her
pathway with petals, a spoiled, luxury-loving child, with an adventurous
spirit and a blunted and undeveloped notion of human service and divine
heritage, but with a latent capacity and an untrained power for doing
things, that was Jerry Swaim--whom the winds of heaven must not visit
too roughly without being accountable to Mrs. Jerusha Darby, owner and
manager of the universe for her niece.
II
UNCLE CORNIE'S THROW
Jerry was waiting at the cool end of the rustic station when the train
came in. How hot and stuffy it seemed to her as it puffed out of the
valley, and how tired and cross all the bunch of grubs who stared out of
the window at her. It made them ten times more tired and cross and hot
to see that girl looking so cool and rested and exquisitely gowned and
crowned and shod. The blue linen with white embroidered cuffs, the
rippling, glinting masses of hair, the small shoes, immaculately white
against the green sod--little wonder that, while the heir apparent to
the Darby wealth felt comfortably indifferent toward this uninteresting
line of nobodies in particular, the bunch of grubs should feel only envy
and resentment of their own sweaty, muscle-worn lot in life.
Jerry and Eugene Wellington were far up the shrubbery walk by the time
the Winnowoc train was on its way again, unconscious that the passengers
were looking after them, or that the talk, as the train slowly got under
way, was all of "that rich old codger of a Darby and his selfish old
wife"; of "that young dude artist, old Wellington's kid, too lazy to
work"; of "that pretty, frivolous girl who didn't know how to comb her
own hair, Jim Swaim's girl--poor Jim!" "Old Corn Darby was looking
yellow and thin, too. He would dry up and blow away some day if his
money wasn't weighting him down so he couldn't."
At the bend in the walk, the two young people saw Uncle Cornie crossing
the lawn.
"Going to get his discus. He'll have no appetite for dinner unless he
gets in a few dozen slings," the young man declared. "Let's turn in here
at the sign of the roses, Jerry. I'm too lazy to take another step."
"You should have come out with me in the car," Jerry replied as they sat
down in the cool arbor made for youth and June-time. "I didn't know you
were in the city."
"Well, little cousin girl, I'll confess I didn't dare," the young man
declared, boldly. "I've been studying awfully hard this year, and, now
I'm needed to paint The Great American Canvas, I can't end my useful
career under a big touring-car at the bottom of an embankment out on the
Winnowoc bluff road. So when I saw you coming into Uncle Cornie's office
in the bank I slipped away."
"And as to my own risk?" Jerry asked.
"Oh, Jerry Swaim, you would never have an accident in a hundred years.
There's nobody like you, little cousin mine, nobody at all."
Eugene Wellington put one well-formed hand lightly on the small white
hand lying on the wicker chair-arm, and, leaning forward, he looked down
into the face of the girl beside him. A handsome, well-set up, artistic
young fellow he was, fitted to adorn life's ornamental places. And if a
faint line of possible indecision of character might have suggested
itself to the keen-eyed reader of faces, other traits outweighed its
possibility. For his was a fine face, with a sort of gracious gentleness
in it that grows with the artist's growth. A hint of deeper
spirituality, too, that marks nobility of character, added to a winning
personality, put Eugene Wellington above the common class. He fitted the
rose-arbor, in "Eden" and the comradeship of good breeding. When a man
finds his element, all the rest of the world moves more smoothly
therefor.
"Nobody like me," Jerry repeated. "It's a good thing I'm the only one of
the kind. You'd say so if you knew what Aunt Jerry thinks of me. She has
been analyzing me and filing me away in sections this afternoon."
"What's on her mind now?" Eugene Wellington asked, as he leaned
easefully back in his chair.
"She says I am heir--" Jerry always wondered what made her pause there.
Years afterward, when this June evening came back in memory, she could
not account for it.
"Heir to what?" the young artist inquired, a faint, shadowy something
sweeping his countenance fleetly.
"To all the sphere,
To the seven stars and the solar year;
also to my father's entire estate that's left after some two years of
litigation. I hate litigations."
"So do I, Jerry. Let's forget them. Isn't 'Eden' beautiful? I'm so glad
to be back here again." Eugene Wellington looked out at the idyllic
loveliness of the place which the rose-arbor was built especially to
command. "Nobody could sin here, for there are no serpents busy-bodying
around in such a dream of a landscape as this. I'm glad I'm an artist,
if I never become famous. There's such a joy in being able to see, even
if your brush fails miserably in trying to make others see."
Again the man's shapely hand fell gently on the girl's hand, and this
time it stayed there.
"You love it all as much as I do, don't you, Jerry?" The voice was deep
with emotion. "And you feel as I do, how this lifts one nearer to God.
Or is it because you are here with me that 'Eden' is so fair to-night?
May I tell you something, Jerry? Something I've waited for the summer
and 'Eden' to give me the hour and the place to say? We've always known
each other. We thought we did before, but a new knowing came to me the
day your father left us. Look up, little cousin. I want to say
something to you."
June-time, and youth, and roses, and soft, sweet air, and nobody there
but blossoms, and whispering breezes, and these two. And they had known
each other always. Oh, always! But now--something was different now,
something that was grander, more beautiful in this place, in this day,
in each other, than had ever been before--the old, old miracle of a man
and a maid.
Suddenly something whizzed through the air and a snakelike streak of
shadow cut the light of the doorway. Out in the open, Uncle Cornie came
slowly stepping off the space to where his discus lay beside the
rose-arbor--one of the good little snakes. Every Eden has them, and some
are much better than others.
The discus-ground was out on a lovely stretch of shorn clover sod. Why
the discus should wander from the thrower's hand through the air toward
the rose-arbor no wind of heaven could tell. Nor could it tell why Uncle
Cornie should choose to follow it and stand in the doorway of the arbor
until the "Eden" dinner-hour called all three of the dwellers, Adam and
Eve and this good little snake, to the cool dining-room and what goes
with it.
Twilight and moonlight were melting into one, and all the sweet odors
of dew-kissed blossoms, the good-night twitter of homing birds, the
mists rising above the Winnowoc Valley, the shadows of shrubbery on the
lawn, and the darkling outline of the tall maples made "Eden" as
beautiful now as in the full sunlight.
Jerry Swaim sat in the doorway of the rose-arbor, watching Uncle Cornie
throwing his discus again along the smooth white clover sod. Aunt Jerry
had trailed off with Eugene to the far side of the spacious grounds to
see the lily-ponds where the pink lotuses were blooming.
"Young folks mustn't be together too much. They'll get tired of each
other too quickly. I used to get bored to death having Cornelius forever
around." Aunt Jerry philosophized, considering herself as wise in the
affairs of the heart as she was shrewd in affairs of the pocketbook. She
would make Jerry and Gene want to be together before they had the chance
again.
So Jerry Swaim sat alone, watching the lights and shadows on the lawn,
only half conscious of Uncle Cornie's presence out there, until he
suddenly followed his discus as it rolled toward the arbor and lay flat
at her feet. Instead of picking it up, he dropped down on the stone step
beside his niece and sat without speaking until Jerry forgot his
presence entirely. It was his custom to sit without speaking, and to be
forgotten.
Jerry's mind was full of many things. Life had opened a new door to her
that afternoon, and something strange and sweet had suddenly come
through it. Life had always opened pleasant doors to her, save that one
through which her father and mother had slipped away--a door that closed
and shut her from them and God, whose Providence had robbed her so
cruelly of what was her own. But no door ever showed her as fair a vista
as the one now opening before her dreamy gaze.
She glanced unseeingly at the old man sitting beside her. Then across
her memory Aunt Jerry's words came drifting, "Being twenty-one doesn't
make you too old to listen to me--and your uncle Cornie," and, "You'll
appreciate what I--and Uncle Cornie--can do for you."
Uncle Cornie was looking at her with a face as expressionless as if he
were about to say, "The bank doesn't make loans on any such security,"
yet something in his eyes drew her comfortably to him and she
mechanically put her shapely little hand on his thin yellow one.
"I want to talk to you before anything happens, Jerry," he began, and
then paused, in a confused uncertainty that threatened to end his
wanting here.
And Jerry, being a woman, divined in an instant that it was to talk to
her before anything happened that he had thrown that discus out of its
way when she and Gene had thought themselves alone in the arbor before
dinner. It was to talk to her that the thing had been rolled purposely
to her feet now. Queer Uncle Cornie!
"I'm not too old to listen to you. I appreciate what you can do for me."
Jerry was quoting her aunt's admonitions exactly, which showed how
deeply they had unconsciously impressed themselves on her mind. Her
words broke the linen bands about Uncle Cornie's glazed jaws, and he
spoke.
"Your estate is all settled now. What's left to you after that rascally
John--I mean after two years of pulling and hauling through the courts,
is a 'claim,' as they call it, in the Sage Brush Valley in Kansas. It
has never been managed well, somehow. There's not been a cent of income
from it since Jim Swaim got hold of it, but that's no fault of the man
who is looking after it--a York Macpherson. He's a gentleman you can
trust anywhere. That's all there is of your own from your father's
estate."
Jerry Swaim's dark-blue eyes opened wide and her face was lily white
under the shadow of dull-gold hair above it.
"You are dependent on your aunt for everything. Well, she's glad of
that. So am I, in a way. Only, if you go against her will you won't be
her heir any more. You mightn't be, anyhow, if she--went first. The
Darby estate isn't really Jerusha Swaim's; it's mine. But she thinks
it's hers and it's all right that way, because, in the end, I do control
it." Uncle Cornie paused.
Jerry sat motionless, and, although it was June-time, the little white
hand on the speaker's thin yellow one was very cold.
"If you are satisfied, I'm glad, but I won't let Jim Swaim's child think
she's got a fortune of her own when she hasn't got a cent and must
depend on the good-will of her relatives for everything she wants. Jim
would haunt me to my grave if I did."
Jerry stared at her uncle's face in the darkening twilight. In all her
life she had never known him to seem to have any mind before except what
grooved in with Aunt Jerry's commanding mind. Yet, surprised as she was,
she involuntarily drew nearer to him as to one whom she could trust.
"We agreed long ago, Jim and I did, when Jim was a rich man, that some
day you must be shown that you were his child as well as Lesa's--I mean
that you mustn't always be a dependent spender. You must get some Swaim
notions of living, too. Not that either of us ever criticized your
mother's sweet spirit and her ideal-building and love of adventure.
Romance belongs to some lives and keeps them young and sweet if they
live to be a million. I'm not down on it like your Aunt Jerry is."
Romance had steered wide away from Cornelius Darby's colorless days. And
possibly only this once in the sweet stillness of the June twilight at
"Eden" did that hungering note ever sound in his voice, and then only
for a brief space.
"Jim would have told you all this himself if he had got his affairs
untangled in time. And he'd have done that, for he had a big brain and a
big heart, but God went and took him. He did. Don't rebel always, Jerry.
God was good to him--you'll see it some day and quit your ugly
doubting."
Who ever called anything ugly about Jerry Swaim before? That a creature
like Cornelius Darby should do it now was one of the strange,
unbelievable things of this world.
"I just wanted to say again," Uncle Cornie continued, "if I go first
you'd be Jerusha's heir. We agreed to that long ago. That is, if you
don't cross her wishes and start her to make a will against you, as
she'd do if you didn't obey her to the last letter in the alphabet. If I
go after she does, the property all goes by law to distant relatives of
mine. That was fixed before I ever got hold of it--heirs of some
spendthrifts who would have wasted it long ago if they'd lived and had
it themselves."
The sound of voices and Eugene Wellington's light laughter came faintly
from the lily-pond.
"Eugene is a good fellow," Uncle Cornie said, meditatively. "He's got
real talent and he'll make a name for himself some day that will be
stronger, and do more good, and last longer than the man's name that's
just rated gilt-edged security on a note, and nowhere else. Gene will
make a decent living, too, independent of any aunts and uncles. But he's
no stronger-willed, nor smarter, nor better than you are, Jerry, even if
he is a bit more religious-minded, as you might say. You try awfully
hard to think you don't believe in anything because just once in your
life Providence didn't work your way. You can't fool with your own
opinions against God Almighty and not lose in the deal. You'll have to
learn that some time. All of us do, sooner or later."
"But to take my father--all I had--after I had given up mother, I can't
see any justice nor any mercy in it," Jerry broke out.
Uncle Cornie was no comforter with words. He had had no chance to
practise giving sympathy either before or after marriage. Mummies are
limited, whether they be in sealed sarcophagi or sit behind roller-top
desks and cut coupons. Something in his quiet presence, however, soothed
the girl's rebellious spirit more than words could have done. Cornelius
Darby did not know that he could come nearer to the true measurement of
Jerry's mind than any one else had ever done. People had pitied her when
her mother passed away and her father died a bankrupt--which last fact
she must not be told--but nobody understood her except Uncle Cornie, and
he had never said a word until now. He seemed to know now just how her
mind was running. The wisdom of the serpent--even the good little
snakes, of this "Eden"--is not to be misjudged.
"Jerry"--the old man's voice had a strange gentleness in that hour,
however flat and dry it was before and afterward--"Jerry, you understand
about things here."
He waved his hand as if to take in "Eden," Aunt Jerry and Cousin Eugene
strolling leisurely away from the lily-pond, himself, the Darby
heritage, and the unprofitable Swaim estate in the Sage Brush Valley in
far-away Kansas.
"You've never been crossed in your life except when death took Jim. You
don't know a thing about business, nor what it means to earn the money
you spend, and to feel the independence that comes from being so strong
in yourself you don't have to submit to anybody's will." Cornelius Darby
spoke as one who had dreamed of these things, but had never known the
strength of their reality. "And last of all," he concluded, "you think
you are in love with Eugene Wellington."
Jerry gave a start. Uncle Cornie and love! Anybody and love! Only in her
day-dreams, her wild flights of adventure, up to castles builded high in
air, had she really thought of love for herself--until to-day. And
now--Aunt Jerry had hinted awkwardly enough here in the late afternoon
of what was on her mind. Cousin Gene had held her hand and said, "I want
to say something to you." How full of light his eyes had been as he
looked at her then! Jerry felt them on her still, and a tingle of joy
went pulsing through her whole being. Then the discus had hurtled across
the doorway and Uncle Cornie had come, not knowing that these two would
rather be alone. At least he didn't look as if he knew. And now it was
Uncle Cornie himself who was talking of love.
"You think you are in love with Eugene Wellington," Uncle Cornie
repeated, "but you're not, Jerry. You're only in love with Love. Some
day it may be with Gene, but it's not now. He just comes nearer to what
you've been dreaming about, and so you think you are in love with him.
Jerry, I don't want you to make any mistakes. I've lived a sort of
colorless life"--the man's face was ashy gray as he spoke--"but once in
a while I've thought of what might be in a man's days if things went
right with him and if he went right with himself."
How often the last words came back to Jerry Swaim when she recalled the
events of this evening--"if he went right himself."
"And I don't want any mistakes made that I can help."
Uncle Cornie's other hand closed gently about the little hand that lay
on one of his. How firm and white and shapely it was, and how determined
and fearless the grip it could put on the steering-wheel when the big
Darby car skidded dangerously! And how flat and flabby and yellow and
characterless was the hand that held it close!
"Come on, folks, we are going to the house to have some music," Aunt
Jerry called, as she and Eugene Wellington came across the lawn from the
lily-pond.
Mrs. Darby, sure of the fruition of her plans now, was really becoming
pettishly jealous to-night. A little longer she wanted to hold these two
young people under her absolute dominion. Of course she would always
control them, but when they were promised to each other there would
arise a kingdom within a kingdom which she could never enter. The angry
voice of a warped, misused, and withered youth was in her soul, and the
jealousy of loveless old age was no little fox among her vines to-night.
Let them wait on her a little while. One evening more wouldn't matter.
As the two approached the rose-arbor Jerry's hand touched Uncle Cornie's
cheek in a loving caress--the first she had ever given him.
"I won't forget what you have said, Uncle Cornie," she murmured, softly,
as she rose to join her aunt and Eugene.
The moonlight flooding the lawn touched Jerry's golden hair, and the
bloom of love and youth beautified her cheeks, as she walked away beside
the handsome young artist into the beauty of the June night.
"Come on, Cornelius." Mrs. Darby's voice put the one harsh note into the
harmony of the moment.
"As soon as I put away my discus. That last throw was an awkward one,
and a lot out of line for me," he answered, in his dry, flat voice,
stooping to pick up the implement of his daily pastime.
Up in the big parlor, Eugene and Jerry played the old duets they had
learned together in their childhood, and sang the old songs that Jerusha
Darby had heard when she was a girl, before the lust for wealth had
hardened her arteries and dimmed her eyes to visions that come only to
bless. But the two young people forgot her presence and seemed to live
the hours of the beautiful June night only for each other.
It was nearly midnight when a peal of thunder boomed up the Winnowoc
Valley and the end of a perfect day was brilliant in the grandeur of a
June shower, with skies of midnight blackness cloven through with long
shafts of lightning or swept across by billows of flame, while the storm
wind's strong arms beat the earth with flails of crystal rain.
"Where is Uncle Cornie? I hadn't missed him before," Jerry asked as the
three in the parlor watched the storm pouring out all its wrath upon the
Winnowoc Valley.
"Oh, he went to put up his old discus, and then he went off to bed I
suppose," Aunt Jerry replied, indifferently.
Nothing was ever farther from his wife's thought than the presence of
Cornelius Darby. The two had never lived for each other; they had lived
for the accumulation of property that together they might gather in.
It was long after midnight before the family retired. The moon came out
of hiding as the storm-cloud swept eastward. The night breezes were cool
and sweet, scattering the flower petals, that the shower had beaten off,
in little perfumy cloudlets about the rose-arbor and upon its stone
door-step.
It was long after Jerry Swaim had gone to her room before she slept.
Over and over the events of the day passed in review before her mind:
the city shopping; the dainty lunch in the Delft room at _La Senorita_;
the art exhibit and that one level gray landscape with the flaming,
gorgeous sunset so unlike the green-and-gold sunset landscape of "Eden";
the homeward ride with all its dangerous thrills; the talk with Aunt
Jerry; Eugene, Eugene, Eugene; Uncle Cornie with his discus, at the door
of the rose-arbor, and all that he had said to her; the old, old songs,
and the thunder-storm's tremendous beauty, and Uncle Cornie again--and
dreams at last, and Jim Swaim, big, strong, shrewd; and Lesa,
sweet-faced, visionary; and then sound slumber bringing complete
oblivion.
Last to sleep and first to waken in the early morning was Jerry. Happy
Jerry! Nobody as happy as she was could sleep--and yet--Uncle Cornie's
last discus-throw had brought new thoughts that would not slip away as
the storm had slipped up the Winnowoc into nowhere. A rift in the lute,
a cloud speck in a blue June sky, was the memory of what Uncle Cornie
had told her when he let his discus roll up to her very feet by the door
of the rose-arbor. Jerry Swaim must not be troubled with lute rifts and
cloud specks. The call of the early morning was in the air, the dewy,
misty, rose-hued dawning of a beautiful day in a beautiful "Eden" where
only beautiful things belong. And loveliest among them all was Jerry
Swaim in her pink morning dress, her glorious crown of hair agleam in
the sun's early rays, her blue eye full of light.
The sweetest spot to her in all "Eden" on this morning was the
rose-arbor. It belonged to her now by right of Eugene and--Uncle Cornie.
The snatches of an old love-ballad, one of the songs she had sung with
Eugene the night before, were on her lips as she left the veranda and
passed with light step down the lilac walk toward the arbor. The very
grass blades seemed to sing with her, and all the rain-washed world
glowed with green and gold and creamy white, pink and heliotrope and
rose.
At the turn of the walk toward the arbor Jerry paused to drink in the
richness of all this colorful scene. And then, for no reason at all, she
remembered what Uncle Cornie had said about his colorless life. Strange
that she had never, in her own frivolous existence, thought of him in
that way before. But with the alchemy of love in her veins she began to
see things in a new light. His had been a dull existence. If Aunt Jerry
ever really loved him she must have forgotten it long ago. And he made
so little noise in the world, anyhow, it was easy to forget that he was
in it. She had forgotten him last night even after all that he had said.
He had had no part in their music, nor the beauty of the storm.
But here he was up early and sitting at the doorway of the rose-arbor
just as she had left him last night. He was leaning back in the angle of
the slightly splintered trellis, his colorless face gray, save where a
blue line ran down his cheek from a blue-black burn on his temple, his
colorless eyes looking straight before him; the discus he had stooped to
pick up in the twilight last night clasped in his colorless hands; his
colorless life race run. His clothing, soaked by the midnight storm,
clung wet and sagging about his shrunken form. But the rain-beaten
rose-vines had showered his gray head with a halo of pink petals, and
about his feet were drifts of fallen blossoms flowing out upon the rich
green sod. Nature in loving pity had gently decked him with her
daintiest hues, as if a world of lavish color would wipe away in a sweep
of June-time beauty the memory of the lost drab years.
III
HITCHING THE WAGON TO A STAR
Behind the most expensive mourner's crape to be had in Philadelphia
Jerusha Darby hid the least mournful of faces. Not that she had not been
shocked that one bolt out of all that summer storm-cloud, barely
splintering the rose-arbor, should strike the head leaning against it
with a blow so faint and yet so fatal; nor that she would not miss
Cornelius and find it very inconvenient to fill his place in her
business management. Every business needs some one to fetch and carry
and play the watch-dog. And in these days of expensive labor watch-dogs
come high and are not always well trained. But everybody must go
sometime. That is, everybody else. To Mrs. Darby's cast of mind the
scheme of death and final reckoning as belonging to a general experience
was never intended for her individually. After all, things work out all
right under Providential guidance. Eugene Wellington was a fortunate
provision of an all-wise Providence. Eugene had some of his late
cousin's ability. He would come in time to fill the vacant chair by the
roll-top desk in the city banking and business house. Moreover, to the
eyes of age he was a thousandfold more interesting and resourceful than
the colorless quiet one whose loss would be felt of course, of course.
The reddest roses of "Eden" bloomed the next June on Cornelius Darby's
grave, the brightest leaves of autumn covered him warmly from the
winter's snows, and the places that had never felt his living presence
missed him no more forever.
There was a steady downpour of summer rain on the day following the
funeral at "Eden." Mrs. Darby was very busy with post-mortem details and
Eugene Wellington's services were in constant demand by her, while Jerry
Swaim wandered aimlessly about the house with a sense of the uselessness
of her existence forcing itself upon her for the first time. Late in the
afternoon, when the big rooms with all their luxurious appointments
seemed unbearable, she slipped down the sodden way to the rose-arbor.
There was a shower of new buds showing now under the beneficence of the
warm rain, and all the withered petals of fallen blossoms were swept
from sight.
As Jerry dropped into an easy willow rocker her eye fell on the
splintered angle of the trellis by the doorway where Uncle Cornie had
sat when the last summons came to him. A folded paper lay under the
seat, inside the door, as if it had been blown from his pocket by a
whirl of wind in that midnight thunder-storm.
Jerry stared at the paper a long time before it occurred to her to pick
it up. At last, in a mechanical way, she took it from under the seat and
spread it out on the broad arm of her chair. As she read its contents
her listlessness fell away, the dreamy blue eyes glowed with a new
light, the firm mouth took on a bit more of firmness, and the strong
little hands holding the paper did not tremble.
"A claim in the Sage Brush Valley in Kansas." Jerry spoke slowly. "It
lies in Range--Township--Oh, that's all Greek to me! They must number
land out there like lots in the potter's-field corner of the cemetery
that we drove by yesterday. Maybe they may all be dead ones, paupers at
that, in Kansas. It is controlled, or something, by York Macpherson of
the Macpherson Mortgage Company of New Eden--_New Eden_--Kansas. Uncle
Cornie told me it hadn't brought any income, but that wasn't York
Macpherson's fault. Strange that I remember all that Uncle Cornie said
here the other night."
The girl read the document spread out before her a second time. When she
lifted her face again it was another Jerry Swaim who looked out through
the dark-blue eyes. The rain had ceased falling. A cool breeze was
playing up the Winnowoc Valley, and low in the west shafts of sunlight
were piercing the thinning gray clouds.
"Twelve hundred acres! A prince's holdings! Why 'Eden' has only two
hundred! And that is at _New_ Eden. It 'hasn't been well managed.' I
know who's going to manage it now. I'm the daughter of Jim Swaim. He was
a good business man. And Aunt Darby--" A smile broke the set line about
the red lips. "I'd never dare to say she didn't understand how to manage
things, Chief of Staff to the General who runs the Universe, she is."
Then the serious mood came back as the girl stared out at the meadows
and growing grain of the "Eden" farmland. A sudden resolve had formed in
her mind--Jerry Swaim the type all her own, not possible to forecast.
"Father wanted me to know what it means to be independent. I'll find
out. If this 'Eden' can be so beautiful and profitable, what can I not
make out of twelve hundred acres, in a New Eden? And it will be such a
splendid lark, just the kind of thing I have always dreamed of doing.
Aunt Jerry will say that I'm crazy, or that I'm Lesa Swaim's own child.
Well, I am, but there's a big purpose back of it all, too, the purpose
my father would have approved. He was all business--all money-making--in
his purposes, it seemed to some folks, but I think mother knew how to
keep him sweet. Maybe her adventurous spirit, and all that, kept her
interesting to him, and her romancing kept him her lover, instead of
their growing to be like Uncle Cornie and Aunt Jerry. There's something
else in the world besides just getting property--'if a man went right
with himself,' Uncle Cornie said. There was a good sermon in those seven
words. Uncle Cornie preached more to me than the man who officiated at
the funeral yesterday could ever do. 'If a man went right with himself.'
And Eugene." A quick change swept Jerry Swaim's countenance. "He said he
wanted to say something to me. I think I know what he wanted to say.
Maybe he will say it some day, but not yet, not yet. Here he comes now."
There was a something new, unguessable, and very sweet in Jerry Swaim's
face as Eugene Wellington came striding down the walk to the rose-arbor.
"I'm through at last, little cousin," he declared, dropping into a seat
beside her. "Really, Aunt Jerry is a wonderful woman. She seems to know
most of the details of Uncle Cornie's business since he began in
business. But now and then she runs against something that takes her
breath away. Evidently Uncle Cornie knew a lot of things he didn't tell
her or anybody else. She doesn't like to meet these things. It makes her
cross. She sent me away just now in a huff because she was opening up a
new line that I think she didn't want me to know anything about.
Something that took her breath away at first glance. But she didn't have
to coax me off the place. I ran out here when the chance came."
How handsome and well-groomed he was sitting there in the easy willow
seat! And how good he had been to Mrs. Darby in these trying days! A
dozen little services that her niece had overlooked had come naturally
to his hand and mind.
The words of Uncle Cornie came into Jerry Swaim's mind as she looked at
him: "He's a good fellow, with real talent, and he'll make a name for
himself some day. He'll make a decent living, too, independent of
anybody's aunts and uncles, but he's no stronger-willed nor smarter nor
better than you are." A thrill of pleasure quickened her pulse at the
recollection, making this new decision of hers the more firm.
"It has seemed like a month since we sat here the evening before Uncle
Cornie passed away," Eugene began. "He made a bad discus-throw and came
over here just as I began to tell you something, Jerry. Do you remember
what we were saying when he appeared on the scene?"
"Yes, I remember." Jerry's voice was low, but there was no quaver in it.
Her face, as she lifted it, seemed to his eyes the one face he could
never paint. For him it was the fulfilment of a man's best dream.
"There's only one grief in my heart at this minute--that I can never put
your face as it is now on any canvas. But let me tell you some things
that Aunt Jerry has been telling me. She seems so fond of you, and she
says that after all the claims against your father's estate are settled
there is really no income left for you. But she assures me that it makes
no difference, because you can go on living with her exactly as you have
always done. She told me she had never failed in the fruition of a
single plan of hers, and she is too old to fail now. She has some plan
for you--" The young artist hesitated.
Jerry had never thought much about his good looks until in these June
days in "Eden" when Love had come noiselessly down the way to her. And
yet--a little faint, irresolute line in the man's face--a mere shadow, a
ghost of nothing at all, fixed itself in her image of his countenance. A
quick intuition flashed into her mind with the last words.
"Aunt Jerry is too old for lots of things besides the failure of her
plans. I know what she said, Gene, because I know what she thinks. She
isn't exactly fond of me; she wants to control me. I believe there are
only two planes of existence with her--one of absolute rule, and the
other of absolute submission. She couldn't conceive of me in the first
plane, of course, so I must be in the second."
"Why, Geraldine Swaim, I never heard you speak so of your aunt before!"
Eugene Wellington exclaimed. He had caught a new and very real line in
the girl's face as she spoke.
"Maybe not. But don't go Geraldine-ing me. It's too Aunt Jerry-ish. I'm
coming to understand her better because I'm doing my own thinking now,"
Jerry replied.
"As if you hadn't always done that, you little tyrant! I bear the scars
of your teeth on my arms now--or I would bear them if I hadn't given up
to you a thousand times years ago," Eugene declared, laughingly.
"That's just it," Jerry replied. "I've been let to have my own way until
Aunt Jerry thinks I must go on having just what she thinks I want, and
to do that I must be dependent on her. And--Wait a minute, Gene--you
will be dependent on her, too. You have only your gift. So both of us
are to be pensioners of hers. That's her plan."
"I won't be," Eugene Wellington declared, stoutly. And then, in loving
thought of Jerry, he added: "I don't want to, Jerry. I want to do great
things, the best that God has given me to do, not merely for myself, but
for your sake--and for all the world. That seems to me to be what
artists are for."
"And I won't be, either," Jerry insisted. "I won't. You needn't look so
incredulous. Let me tell you something. The evening before Uncle Cornie
died--" Jerry broke off suddenly.
It seemed unfair to betray the one burst of confidence that the
colorless old man had given up to on the last evening of his earthly
life. Jerry knew that it was to her, and for her alone, that he had
spoken.
"This is what I want to tell you. I have no income now. Aunt Jerry is
right, although she never told me that herself. But I have a plan to
make a living for myself."
Eugene Wellington leaned back and laughed aloud. "You, Miss Geraldine
Swaim, who never earned a dollar in your precious life! I always knew
you were a dreamer, but you are going wrong now, Jerry. You must look
out for belfry bats under that golden thatch of yours. Only artists dare
those wild flights so far--and they do it only on canvas and then get
rejected by the hanging committee."
Jerry paid no heed to his bantering words as she went on with serious
earnestness: "My estate--from my father--is a claim out at New Eden,
Kansas. Twelve hundred acres. It has never been managed well,
consequently it has never paid well. Look at 'Eden' here"--Jerry lifted
a hand for silence as Eugene was about to speak--"it has only two
hundred acres. Now multiply it by six and you'll have New Eden out in
Kansas. And I own it. And I am going to manage it. And I am not going to
be dependent on anybody. Won't it be one big lark for me to go clear to
the Sage Brush Valley? If it is as beautiful as the Winnowoc, just think
of its possibilities. It will be perfectly grand to feel oneself so free
and self-reliant. And when we have won out, you by your brush and I by
my Kansas farm, then, oh, Gene, how splendid life will be!"
The big, dreamy eyes were full of light. The level beams of the sun
stretched far across green meadows and shaven lawns, between tall
lilac-trees, to the rose-arbor, just to glorify that rippling mass of
brown-shadowed golden hair.
"Jerry"--Eugene Wellington's voice trembled--"you are the most wonderful
girl in the world. I am so proud of you. But, dear girl, it is an old,
threadbare fancy, this going to Kansas to get rich. My father tried it
years ago. He had a vision of great things, too. He failed. Not only
that, he ruined everybody connected with him. That's why I'm poor
to-day. Truly, little cousin mine, I don't believe the good Lord, who
makes Edens like this in the Winnowoc Valley, ever intended for
well-bred people to leave them and go New-Eden-hunting in the Sage Brush
Valley. We belong here where all the beauty of nature is about us and
the care of a loving God is over us. Why do you want to go to Kansas? I
wouldn't know how to pray out there where my father made such a botch of
living. I really wouldn't."
"I don't know how to pray here, Gene," Jerry said, softly, with no trace
of flippant irreverence in her tone. "I forgot how to do that when God
took my father away. But listen to me." The imperious power of the
uncontrolled will was Jerry's always. "You don't _live_ here; you _stay_
here. And you take a piece of canvas and go to the ends of the earth on
it, or down to the deeps, or into the heavens. You make what never did
and never will be, with your free brush. And folks call it good and you
earn a living by it. You are an artist. I am a foolish dreamer, but I am
going out to Kansas and work my dreams into reality and beauty--and
money--in a New Eden. If the Lord isn't there, I shall not mind any more
than I do here. I am going to Kansas, though, because I _want_ to."
"Look, Jerry, at the sunset yonder," Eugene said, gently, knowing of old
what "I want" meant. "They couldn't have such pictures of green and gold
out West as we see framed in here by the lilacs. You always have been a
determined little girl, so you will have your own way now, I suppose. We
can try it, anyhow, for a while. And if you find your way a rocky road
you must come back to 'Eden.' When your new playthings fail, you can
play with the old ones. But I really love your spirit of self-reliance.
I don't want you ever to be dependent. I don't want any other Jerry than
I have always known. And I want to work hard and make my little talent
pay me big, and make you proud of me."
"We are living a real romance, Gene. And we'll be true to our word to
make the best of ourselves and not let Aunt Jerry frighten us into
changing our plans, will we, Gene? My father's wish for me was that I
should not always be a spender of other folks's incomes, but that I
would find out what it means to live my own life. I never knew that
until last week. Everything seems changed for me since Uncle Cornie
died. Isn't it strange how suddenly we drop off one life and take up
another?" Jerry's eyes were on the deepening gold of the sunset sky.
"Yes, we have been two idlers. I'm glad to quit the job. But, somehow,
for you I could wish that you would stay here, if you were only
satisfied to do it," Eugene replied.
"I don't wish it." Jerry spoke decisively. "I couldn't be happy, now
I've this splendid Kansas thing to think about. Let's go and tell Aunt
Jerry and have it out with her."
"And if she says no?" the young man queried.
Jerry Swaim paused in the doorway and looked straight into Eugene
Wellington's face, without saying a word.
"Geraldine Swaim, there was a big mistake made in your baptismal
ceremony. You should have been christened 'The Sphinx.' Some day I'll
make a canvas of the Egyptian product and put your face on it. After
all, _are_ you really in earnest about this Sage Brush Valley New Eden?
It is so lovely here, I want you to stay here."
Again Jerry looked at him without speaking, and that faint line of
indecision that scarcely hinted at its own existence fixed itself in the
substratum of her memory.
Mrs. Darby met the young people in the parlor, where only a few nights
ago the three had watched the summer storm, not knowing that it was
beating down on the unconscious form of Cornelius Darby. Mrs. Darby felt
sure that the young people would be coming to her to-night. Well--the
end of her plan was in sight now. Really, it may have been better for
Cornelius to have gone when he did, since we must all go sometime.
Indeed, it would have been better--only Jerusha Darby never knew
that--if Cornelius had gone before that discus-throw. Everything might
have been different if he had gone earlier. But he lost the opportunity
of his life to serve his wife by staying over and making one awkward
fling too many.
The June evening was cool after the long rains. Aunt Jerry had a tiny
wood fire burning in the parlor grate, and the tall lamps with the
rose-colored shades lighted to add a touch of twilight charm to the
place, when the young lovers came in.
"Aunt Jerry, we want to tell you what we have been talking about,"
Eugene began, when the three were seated together. "Jerry and I have
decided that we must look on life differently now since--" Eugene
hesitated.
"Yes, I know." Mrs. Darby spoke briskly. "We must face the truth now and
speak of Cornelius freely. He was fond of both of you. Poor Cornelius!"
"Poor Cornelius," Jerry Swaim repeated, under her breath.
"Of course I know it is difficult for a girl reared as Jerry has been--"
Eugene began again.
"She can go on living just as she has been. This will be her home
always," Mrs. Darby broke in, abruptly.
"And I know that I have nothing but the prospect of earning a living and
winning to a successful career in my line--" the young man went on.
"Hasn't Jerry the prospect of enough for herself? I'll need you to help
me for several months. You know, Eugene, that I must have some one who
understands Cornelius's way of doing things." There was more of command
than request in the older woman's voice.
"I'll be glad to help you as long as I am needed, but I am speaking now
of my life-work. When I cannot serve you any longer I must begin on my
own career. I have some hopes and plans for the future."
"Humph! What's the use of talking about it? I tell you Jerry will have
enough for all her needs, and I want you here. I shall not consider any
more such notions, Eugene. You are both going to stay right here as you
have done. Let's talk of something else."
"We can't yet, Aunt Jerry, because I have not enough for myself, even if
Gene would accept a living from you," Jerry Swaim declared.
Jerusha Darby opened her narrow eyes and stared at her niece. If the
older woman had made one plea of loneliness, if she had even hinted at
sorrow for the loss of the companion of her business transactions, Jerry
Swaim would have felt uncomfortable, even though she knew her aunt too
well to be deceived by any such demonstration.
"Geraldine Swaim, what are you saying?" Mrs. Darby demanded, in a hard,
even voice. Something in her manner and face could always hold even the
brave-spirited in frightened awe of her.
Eugene Wellington lost courage to go on, and the same thing came again
that Jerry Swaim had twice seen on his face in the rose-arbor this
evening. The two were looking straight at the girl now. The firelight
played with the golden glory of her hair and deepened the rose hue of
her round cheeks. The dark-blue eyes seemed almost black, with a gleam
in their depths that meant trouble, and there was a strength in the low
voice as Jerry went on:
"I'm talking about what I know, Aunt Jerry. All there is of my heritage
from my father is a 'claim,' they call it, at New Eden, in the Sage
Brush Valley in Kansas; twelve hundred acres. I'm going out there to
manage it myself and support myself on an income of my own."
For a long minute Jerusha Darby looked steadily at her niece, her own
face as hard and impenetrable as if it were carven out of flint. Then
she said, sharply:
"Where did you find out all this?"
"It is all in a document here that I found in the rose-arbor this
afternoon," the girl replied. "Aunt Jerry, I must use what is mine. I
wouldn't be a Swaim if I didn't."
"You won't stay there two weeks." Mrs. Darby fairly clicked out the
words. Her face was very pale and something like real fright looked
through her eyes as she took the paper from her niece's hand.
"And then?" Jerry inquired, demurely.
"And then you will come back here where you belong and live as you
always have lived, in comfort."
"And if I do not come?"
Jerusha Darby's face was not pleasant to see just then. The firelight
that made the girl more winsomely pretty seemed to throw into relief all
the hard lines of a countenance which selfishness and stubbornness and a
dictatorial will had graven there.
"Jerry Swaim, you are building up a wild, adventurous dream. You are
Lesa Swaim over and over. You want a lark, that's what you want. And
it's you who have put Eugene up to his notions of a career and all that.
Listen to me. Nothing talks in this world like money. That you have to
have for your way of living, and that he's got to have if he wants to be
what he should be. Well, go on out to Kansas. You know more of that
prosperous property out there than I do. I'll let you find it out to the
last limit. But when you come back you must promise me never to take
another such notion. I won't stand this foolishness forever. I'll give
you plenty of money to get there. You can write me when you need funds
to come back. It won't take long to get that letter here."
"And if I shouldn't come?" Jerry asked, calmly.
"Look what you are giving up. All this beautiful home, to say nothing of
the town house--and Eugene--and other property."
"No, no; you don't count him as your property, do you?" Jerry cried,
turning to the young artist, whose face was very pale.
"Jerry, must you make this sacrifice?" he asked, in a voice of
tenderness.
"It isn't a sacrifice; it's just what I want to do," Jerry declared,
lightly.
Jerusha Darby's face darkened. The effect of a long and absolute
exercise of will, coupled with ample means, can make the same kind of a
tyrant out of a Kaiser and a rich aunt. The determination to have her
own way in this matter, as she had had in all other matters, became at
once an unbreakable purpose in her. She wanted to keep fast hold of
these young people for her own sake, not for theirs. For a little while
she sat measuring the two with her narrow, searching eyes.
"I can manage him best," she concluded to herself. At last she asked,
plaintively, "With all you have here, Jerry, why do you go hunting
opportunities in Kansas?"
"Because I want to," Jerry replied, and her aunt knew that, so far as
Jerry was concerned, everything was settled.
"Then we'll drop the matter here. I can wait for you to come to your
senses. Eugene, if you can give her up, when you've always been chums, I
certainly can."
With these words Mrs. Darby rose and passed out, leaving the two alone
under the rose-colored lights of the richly furnished parlor.
It was not like Jerusha Darby to make such a concession, and Jerry Swaim
knew it, but Eugene Wellington, who was of alien blood, did not know it.
The room was much more beautiful without her presence; and her sordid
hinting at the Darby wealth which Jerry must count on, and Eugene must
meekly help to guard for future gain, rasped harshly against their
souls, for they were young and more sentimental than practical. Left
alone to their youth, and strength, and nobler ideals, they vowed that
night to hold to better things. Together they builded a dream of a
rainbow-tinted world which they were going bravely forth to create. Of
what should follow that they did not speak, yet each one guessed what
was in the other's mind, as men and maidens have always guessed since
love began. And on this night there were no serpents at all in their
Eden.
IV
BETWEEN EDENS
The sun of a mid-June day glared down pitilessly on the little station
at the junction of the Sage Brush branch with the main line. There was
not a tree in sight. The south wind was raving across the prairie,
swirling showers of fine sand before it. Its breath came hot against
Jerry Swaim's cheek as she stood in the doorway of the station or
wandered grimly down between the shining rails that stretched toward a
boundless nowhere whither the "through" train had vanished nearly two
hours ago. As Jerry watched it leaving, a sudden heaviness weighed down
upon her. And when the Pullman porter's white coat on the rear platform
of the last coach melted into the dull, diminishing splotch on the
western distance, she felt as if she were shipwrecked in a pathless
land, with the little red station house, reefed about by cinders, as the
only resting-place for the soles of her feet. When her eyes grew weary
of the monotonous landscape, Jerry rested them with what she called "A
Kansas Interior." The rustic station under the maples at "Eden" was
always clean and comfortably appointed. Big flower-beds outside, Uncle
Cornie's gift, belonged to the station and its guests, with the spacious
grounds of "Eden," at which the travelers might gaze without cost, lying
just beyond it.
This "Kansas Interior" seemed only a degree less inviting than the whole
monotonous universe outside. The dust of ages dimmed the windows that
were propped and nailed and otherwise secured against the entrance of
cool summer breezes, or the outlet of bad, overheated air in winter.
Iron-partitioned seats, invention of the Evil One himself, stalled off
three sides of the room, intending to prove the principle that no one
body can occupy two spaces at the same time. In the center of the room a
"plain, unvarnished" stove, bare and bald, stood on a low pedestal
yellowed with time and tobacco juice. A dingy, fly-specked map of the
entire railway system hung askew on the wall--very fat and foreshortened
as to its own extent, very attenuated and ill-proportioned as to other
insignificant systems cutting spidery lines across it.
Behind a sealed tomb of a ticket-window Jerry could hear the "tick-tick,
tick-a-tick-tick, tick-tick" of a telegraph-wire. Somebody must be in
there who at set times, like a Saint Serapion from his hermit cell,
might open this blank wall and speak in almost human tones. Just now the
solitude of the grave prevailed, save for that everlasting "tick-a-tick"
behind the wall.
When Jerry Swaim gripped her hands on the plow handles, there would be
no looking back. She persuaded herself that she wasn't going to die of
the jiggermaroos in the empty nothingness here. It would be very
different at New Eden, she was sure of that. And this York Macpherson
must be a nice old man, honest and easy-going, because he had never
realized any income from her big Kansas estate. She pictured York
easily--a short, bald-headed old gentleman with gray burnsides and
benevolent pale-blue eyes behind gold-rimmed glasses, driving a fat
sorrel nag to an easy-going old Rockaway buggy, carrying a gold-headed
cane given him by the Sunday-school. Jerry had seen his type all her
life in the business circles of Philadelphia and among the better-to-do
country-dwellers around "Eden."
At last it was only fifteen minutes till the Sage Brush train would be
due; then she could find comfort in her Pullman berth. She wondered what
Aunt Jerry and Eugene were doing now. She had slipped away from "Eden"
on her wild adventure in the early dawn. She had taken leave of Aunt
Jerry the night before. Old women need their beauty sleep in the
morning, even if foolish young things are breaking all the laws by
launching out to hunt their fortunes. Eugene had been hurriedly sent
away on Darby estate matters without the opportunity of a leave-taking,
two days before Jerry was ready to start for Kansas. Everything was
prearranged, evidently, to make this going a difficult one. So, without
a single good-by to speed her on her quest, the young girl had gone out
from a sheltering Eden of beauty and idleness. But the tears that had
dimmed her eyes came only when she left the lilac walk to the station to
slip around by Uncle Cornie's grave beside the green-coverleted
resting-places of Jim and Lesa Swaim.
"Maybe mother would glory in what I am doing, and father might say I had
the right stuff in me. And Uncle Cornie--'If a man went right with
himself'--Uncle Cornie might have said 'if a woman went right with
herself,' too. I'm going to put that meaning into his words, even if he
never seemed to think much of women. Oh, father! Oh, mother! You _lived_
before you died, anyhow, and I'm going to do the same. Uncle Cornie died
before he ever really lived."
Jerry stretched out her hands to the one good-by in "Eden" coming to her
from these silent ripples of dewy green sod. Then youth and the June
morning and the lure of adventure into new lands came with their triple
strength to buoy her up to do and dare. Behind her were her lover to
be--for Eugene must love her--her home ties, luxury, dependent
inactivity. Before her lay the very ends of the earth, the Kansas end
especially. The spirit of Sir Galahad, of Robinson Crusoe, of Don
Quixote, combined with the spirit of a self-willed, inexperienced girl,
but dimly conscious yet of what lay back of her determination to go
forth--_because she wanted to go_.
Chicago and Kansas City offered easy ports for clearing. And the Kaw
Valley, unrolling its broad acres along the way, gave larger promise
than Jerry had yet dared to dream of for the New Eden farther west. The
train service, after the manner of a Pacific Coast limited, had been
perfect in every appointment. And then--this junction episode.
Two eternity-long hours before the Sage Brush branch could take her to
New Eden were almost ended.
"It's not so terrifying, after all." Jerry was beginning to "see things
again." "It's all in the game--and I am going to be as 'game' as the
thing I am playing. Things always come round all right for me. _They
must._"
The square white chin was very much a family feature just now. And the
shapely hands had no hint of weakness in their grip on the iron arms of
the station seat.
The door which the wind had slammed shut was slammed open again as three
prospective passengers for the Sage Brush train slammed through it laden
with luggage. At the same time the sealed-up ticket-window flew open,
showing the red, grinning face of the tick-tick man behind its iron
bars. If Jerry had never paid the slightest heed to the bunch of grubs
on the Winnowoc branch, except as they kept down the ventilation, or
crowded their odors of Limburger on her offended senses, the Sage Brush
grubs were a thousandfold less worthy of her consideration. As the
three crowded to the ticket-window, laughing among themselves, she
stared through the doorway, unconsciously reading the names on the cars
of a freight-train slowly heaving down alongside the station. Who
invented freight-cars, anyhow? The most uninteresting and inartistic
thing ever put on wheels by the master mechanic of the unbeautiful,
created mainly to shut off the view of mankind from what is really worth
looking at. Jerry read the dulled lettering mechanically: "Santa Fe"
with its symbol of a fat cross in a circle, "Iron Mountain," "Great
Northern," "Rock Island," "Frisco," "Union Pacific," "Grand Trunk," came
creeping by. "New York Central," "Lehigh Valley," "Pennsylvania Line."
These took her back to "Eden" and the Winnowoc country. The station
building shook; the ugly old cars slam-banged a bit faster back and
forth; the engine, with the breath almost knocked out of it, was puffing
down by the switch, and the whole body behind it quivered to a
standstill. But Jerry Swaim's tear-blurred eyes were seeing only the
green fields of the Darby country-place and the rose-arbor and Eugene
Wellington. A voice loud, but not unpleasant, and a laugh, a merry,
catching, giggling guffaw, drove the picture of "Eden" and all that
belonged to it into "viewless air" that went flapping and flaring across
the Kansas landscape.
"You don't mean it! He, he! Haw!" Everybody must smile now. "The old
Sage Brush local is locoed 'way up toward S'liny. Engine shortage, car
shortage, common sense shortage. He, he! And we must ride in that
sunflower de luxe limited standing out there. Come on, Thelmy. You can
take lower nothin', car one-half. We'll soar in now while the soarin's
good."
Jerry looked at the bunch of grubs for the first time. One had to see
where that big gloom-chasing giggle came from. Thelma was a spotlessly
clean, well-made country product, wherein the girl had easily given
place to the woman, erect, full-bosomed, strong of frame. The hazel eyes
were arched over by heavy brown brows. There was no rosebud curve to the
rather wide mouth that showed a set of magnificent white teeth. The
brown hair wound braid on braid about the head was proof of the glory of
Saint Paul's scriptural decree. Not that Jerry Swaim really noted any of
these features. She merely saw a country girl--a not offensive native.
The native's comrade, he with the big-laugh fixtures, was short and
stout, with a round face on the front side of a round head, set on top
of a tight-built body. Grub though he was, Jerry involuntarily smiled
with him. That far the fat little man controlled everybody. But the
funny little strut in his gait as he walked was irresistible. The third
passenger, the grubbiest of the three grubs, was a nondescript of whose
presence Jerry was not even aware until she heard his voice. It was a
thin, high, unused voice, and its pitch wabbled up and down.
"Be you goin' on the Sage Bresh train, lady?"
The questioner had turned back after the country girl and the fat man
had passed out.
Jerry looked at him without taking his question to herself. His shoes,
draped with wrinkled-down hose, were very much worn. His overalls
flapping around his legs, his shirt and neck and face and hair and hat,
were all of one complexion, a fuzzy, yellow brown.
"Be you goin' on this train, too?"
It was a humble, kindly voice, and the scaly old hand holding the door
open against the high prairie wind was only a fisherman's hand. The
deep-set eyes in the yellow-brown old face were trained to read the
river; the patient mouth set to wait for the catch of lines and nets.
Jerry had never in her life spoken to such a creature. So far as she was
concerned, he did not exist.
"This is the only train on the Sage Bresh to-day, lady. The reg'lar
train's busted through a culbert out yander," the high, quavering voice
persisted.
A sharp tooting from the engine down the line emphasized the statement,
and Jerry saw the grinning red-faced tick-tick man hastily wheeling
mail-sacks and sundry other parcels by the door. In a bewildered way she
rose and passed out, giving no recognition to the shabby old man who had
been thoughtful of her ignorance.
"We gotta go to the last car down yander, lady," the old man squeaked
out, as he started down the cinder-paved way with a bearlike, shuffling,
sidewise sort of gait.
Jerry followed him slowly to "the last car down yander."
A plain day coach, the sixtieth and last vertebra in this long
mechanical spine, was already crowded with a bunch of grubs, none of
whom could belong to Jerry Swaim's sphere. Moreover, they were all
tightly packed in and wedged down so that it was impossible to detect
the leaving off of the full-fare passenger and the beginning of
suit-cases, old-style telescopes, baskets, bundles, boxes, half-fare
children, bags of fruit, lunch-crates, pieces of farming tools, babes in
arms, groceries--everything to cabbages and kings. Jerry wondered where
all these _things_ came from. Every object in that car, human being or
salt pork, crying baby or kingbolt, was a _thing_ to Jerry Swaim. And
all of them were very warm and nervously tense, as if the hot June wind
had blown them all inside, that the hot June sun, through the closed
windows, might stew them stinkily; or, through the open windows, grime
their sweaty faces with hot dust off the hot prairie. There was only one
vacant seat left. It was on the shady side, facing the rear of the car,
and was half occupied already by the humble grub of the squeaky voice.
The girl, Thelma, and the fat little man had taken the seat opposite
him. As Jerry entered the car the little man was on his feet, bowing and
strutting and insisting that a woman with a babe in arms should exchange
seats with him, putting her on the cool side, while he took her place in
the sun across the aisle from Thelma. In the transfer he did not see
Jerry, who was looking in vain for an opening in that mass of "human
various." It was the humble grub who saw her standing there. Evidently
his little yellow-green eyes took her measure at a glance, but he did
not spread out his effects and stare out of the window as some other men
were doing, nor gather himself and his into his own half of the seat to
make room for her beside him. He rose, and in a shrill little quaver he
bade her take his place. It did not occur to Jerry to tell him that
there was room for two, as she saw him shuffle down the aisle with a
queer, limping hitch. In the same impersonal way she watched him through
the open door, sitting on the rear platform during the long afternoon,
humpbacked against the cinders and dust that beat upon him, swaying with
the rocking car, jerked along over a sun-baked, treeless prairie at the
tail of a long jerky freight-train. He meant nothing to this dainty city
product; his kind had never entered her world; no more had the
red-faced, tow-headed young mother, with white eyebrows and hat knocked
rakishly aslant, with her big, restless, bald-headed baby rolling over
her in waves, sprawling about Thelma, and threatening to bump its head
off as it overflowed all the narrow space, aimlessly and persistently.
But if Jerry Swaim felt out of her element in this company, her
fellow-passengers felt much more embarrassed by her presence. Thelma's
neat gingham dress became limp and mussy and common. The tired mother's
yellow lawn was rumpled into a dish-rag. And with every jerk of the
train she lost a hair-pin from her tow hair that was already stringing
down in long wisps on her neck. The baby, really a happy, white,
blue-veined infant, became a fussy flushed impossibility.
All this, it seemed, just because of the presence of a faultlessly
dressed, fair-faced stranger who awed everybody by not seeing them, but
whose very daintiness and beauty drew them hungrily to her. Nobody could
be in Jerry Swaim's presence and not feel the spell of her inherent
magnetism.
The laughter and complaints of the passengers dulled down to endurance.
Only the face of the short man wore a smile. But his mouth was made with
that kind of a curve, and he couldn't help it. Breathing deeply and
perspiring healthfully, he sat against the heat streaming into his side
of the car, and forgot his troubles in his unbreakable good nature. For
a long time he and Thelma had talked across the aisle above and through
the train's noises. Their talk was all of Paul and Joe's place, and the
crops; of how glad Thelma was to be at home again on Paul's account; and
how long it would take her yet if the alfalfa and wheat turned out well.
Jerry heard it all without knowing it, as she looked at the monotonous
landscape without knowing it. And then the dry prairies began to deepen
to a richer hue. Yellow wheat-fields and low-growing corn and stretches
of alfalfa broke into the high plains where cattle grazed. And then came
the gleam of a river, sometimes shallow along sandy levels, sometimes
deep, with low overhanging brush on either side. And there were
cottonwood-trees and low twisted elms and scrubby locust and oak
saplings, and the faint, fresh scent of moisture livening the air.
The train jerked itself to a standstill, thought better of it, and
hunched along again for a rod or two, then jostled itself quiet again.
Jerry was very drowsy now, but she was conscious of hearing the fat man
calling out, cheerfully:
"Home at last, Thelmy. There's Paul waiting for you. Well, good-by."
And of Thelma's "Good-by" in a louder tone than was necessary. Of more
strutting and bowing and no end of luggage clearing itself away.
Through the window Jerry caught sight of a tall, fair-haired boy, who
looked like Thelma, except that in his white face was the pathos of the
life-cripple. She saw Thelma kiss him, and then the two started down the
sunny, cindery side-track together. In the distance, close to the river,
there was a small plain house under a big cottonwood-tree. The glimpse
of red about a little porch meant that the crimson ramblers were in
bloom there. Oh, the roses of "Eden," and the cool rose-arbor! Jerry
must have dreamed then, for "Eden" was about her again. Through it the
limping grub came humbly to claim his sundry own from behind and under
the seat. Even in "Eden" she thought how much like a clumsy bear his
gait was. And when the little man called him "Teddy" she knew he was not
a fisherman sort of creature, but a real bear in yellow-brown overalls,
and that the general fuzziness of his make-up was fur, and that his
stubby, scaly hands were claws. He dropped off somewhere when the
freight took a siding very near the river. It was the Sage Brush, but it
ran through the "Eden" grounds and Uncle Cornie was throwing his discus
beside it. The rose-arbor was just across the aisle. The little fat man
was sitting in its doorway, with a new moon of a smile on the smooth
side of his round head where his face was, a half-quizzical,
half-sympathetic smile with no guile in it. Jerry really liked him for
that kind of a smile. It belonged to him. The rose-arbor was very warm,
for the man was sweating more copiously than ever.... Uncle Cornie was
gone. The limping Teddy Bear was gone.... It was very, very hot and
sunny in "Eden." The big maples and cool lilacs were gone.... "Eden" was
gone. In its stead came the art exhibit in the cool gallery in the city.
And that yellow-gray desert landscape with the flaming afterglow and
purple mists. The flames seemed almost real, and the yellow gray almost
real, and the art-gallery was getting warmer as "Eden" had done. It was
positively hot.... And then the Sage Brush freight was laboring slowly
and painfully through a desert with clack and roar and cloud of cindery
dust.... Jerry sat up, wide awake, and looked up at the fat stranger who
was looking at her, the smile on the inside of his face, as it were,
showing only in the eyes.
Outside, the river was gone, taking with it all the cool-breathing
alfalfa, and elm and cottonwood shade, and leaving in their stead only
bare earth-ridges and low dunes. As far as Jerry could see, there was
nothing but a hot yellow plain, wrinkled here and there in great barren
folds, with wave and crest and hollow of wind-shifted sand crawling
endlessly back and forth along the face of the landscape. A few spiny
green shrubs struggled through at intervals, but their presence only
intensified the barrenness about them.
The train was entering a deep wrinkle not unlike that cut beyond the
third crossing of the Winnowoc. Jerry remembered the day she had watched
that other train from the bluff road, and her exultation in pounding her
big car up the steep way instead of crawling through, as Eugene was
doing. Later she had found out that Eugene really preferred that to the
more daring climb. Jerry involuntarily gripped the car seat with a
subconscious longing to get out and drive over the whole thing. Across
the aisle, the smile on the fat man's face was coming outside as he
watched the stranger passenger.
They were deep in now--a valley-like thing that was hotter than any
other inch of the whole way they had come. On either side tall slabs of
timber, planted upright, closed in the right of way. They were barely
moving through this narrow lane. The engine was gasping for breath, and
the cars dragged themselves after it by inches. Then all came to a dead
stop.
"Everybody turn out and help," somebody in uniformed authority called
through the car door, and all the men passengers stirred to action.
"_The_ dickens!" the short fat man exclaimed to everybody. "Stuck in a
sand-drift in that danged blowout. That's what comes of letting this
wind go all day. I told 'em up at the junction to stop it, but they
wouldn't listen to me. Now we've got to soar out of here and shovel for
our lives."
When he laughed everybody else had to laugh, too, and it was a really
good-natured company of men that piled down from the train to help the
cause of railway transportation.
The fat man had been last to leave the car.
"Let me close all these windows," he urged, strutting from seat to seat.
"It'll be hot with 'em shut, but you'll be buried in sand in here if we
leave 'em open, and we men don't want to dig you and the engine all out
in one day. We mightn't find all the children, you know, and leave some
of 'em in here covered up. He, he! Haw!" He struggled with the last
windows until they were sealed down, then turned away to lend his aid in
a good cause.
The tow-headed woman and her little perpetual-motion baby, who had been
sleeping wearily for a few miles, roused at the jolly man's loud laugh.
"It's the blowout," the mother said, as Jerry looked at her for the
first time. "Them timbers is driv in to keep out all that sand. See how
it's heaped up ag'in' 'em on the outside. On awfully windy days it blows
over and fills the tracks and stops the train, and then the men all get
out and help to shovel it off. Gee whiz! but it's hot in here! We'd be
just smothered in sand if we left the windows open, though. There!
There!"
The last to the big baby, stirring uneasily, whom the mother patted off
to slumber again.
Jerry walked to the rear door and looked out at the narrow space walled
in by palisades, and at glimpses of sand waves on either side of the
road beyond them; at the little hot-looking green shrubs clinging for
life to their shifting depths, and the heat-quivering air visible above
them. In all her life she had never felt so uncomfortable as now; never
realized what it means to _endure_ physical misery. She had seen the
habitable globe features--lake-shore, and seaside, and mountain resorts;
big navigable rivers; big forests; narrow little valleys; sheer cliffs
and wonderful waterfalls. She didn't know that the world held such a
place as this that anybody but a Hottentot was supposed to inhabit.
Through a long hour and a half the train was held back by the sand of
what Jerry heard was a "blowout." She did not know nor care what the
term meant. _She wanted to get_ out of it and go on, and what Jerry
Swaim _wanted_ she had always had the right to have.
The sun was getting low in the west when the local freight labored up
the Sage Brush Valley to its terminal in the yards at New Eden. All of
the passengers except Jerry tumbled out, much as tired boys rush from
the church door after a long doctrinal sermon. The car was stopped at
the freight-station, some distance down the line from the
passenger-station, which was itself a long way out from New Eden, after
the manner of Western small towns. The middle '80's, when railroad
branch lines were building, found road directors and town councils
falling out over technicalities, with the result that the railroad
seldom secured the ground it wanted and the town was seldom given a
convenient station site.
The buses filled rapidly, and the mail and express wagons were rattling
off ahead of buses and foot passengers, and still the young stranger sat
in the car. A sudden sense of loneliness had enveloped her like a cloud.
She was not a novice abroad. She had gone to strange towns alone before.
She knew all the regulations of hotel service. She knew why she had come
here and what she had to do, and she had abundant means for all her
needs. But with all these points in her favor a helplessness swept over
her, and the "what next" for the moment perplexed her. The engine was
getting restless again. However long it may require a local freight to
get from one given point to another, the engine, like an ill-broken
colt, will keep stepping up or pulling back through every halt of the
train. Jerry sat inside, watching the last bus, loaded and hung-on-to,
swinging off down the dusty road toward the town, a full half-mile
across the prairie from the station. Life was getting a trifle too
interesting in this foreign clime, and when the short man appeared in
the doorway, even the full-moon face and half-moon smile, the profound
bow and comical strut, could not out-weigh the genuine comfort his
presence seemed to bring.
"Pardon me, Miss--Miss--"
"Miss Swaim," Jerry informed him, sure of herself and unafraid again.
"Oh, Miss Swaim! My name is Ponk--Junius Brutus Ponk. Pardon again if I
seem to intrude. This is the Sage Brush terminal. Excuse me if I say
thank the Lord for the end of _this_ day's journey! The buses are all
gone. May I take you to your destination here in my little gadabout? You
want to stop somewhere in New Eden overnight, anyhow."
"Thank you very much."
Jerry looked at him gratefully, even if he was only one of the bunch of
grubs she had been forced to ride with all this long afternoon, she who
had once repudiated the Winnowoc train and all trains without Pullman
accommodations. "The smile on her face was mightily winsome," Ponk
declared afterward, "and just took all my ramparts and citadels and
moats and drawbridges at one fell swoop."
He gathered up her bags and helped her off the car pompously, saying:
"Here she is, Miss Swaim. Step right in." And then with a flourish of
arms he had Jerry and her belongings stored inside a shiny gray runabout
and was off down the grassy road with a dash.
"Where shall I take you to, Miss Swaim?" he inquired, when the little
car had glided gracefully around the lumbering buses and rattling
wagons.
"To the best hotel, please," Jerry replied. "Do you know which one that
is?"
"Yes'm. There isn't but one. The Commercial Hotel and Gurrage. I'm the
proprietor, so I know." The smile that broke around the face of the
speaker was too good-natured to make his words seem presumptuous.
Jerry smiled, too, finding herself in the grasp of a strange and
complete confidence in the pompous little unknown chauffeur.
"Do you know an old gentleman here named York Macpherson, a Mortgage
Company man?" she asked, looking at him directly for the first time.
Ponk seemed to gulp down a smile before he replied: "Ye-es, I do know
York very well. He's prob'bly older than he looks. His office is right
across the street from the Commercial Hotel and Gurrage."
Afterward he declared: "From the minute that girl turned her eyes full
on me and I saw how blue them orbs were, I begun to wish I had a gold
button instead of a bone one in the back of my collar. I knew she could
see that cheap bone thing right through my neck and I was willing right
then to lay down and play dead if she wanted me to, and I'm never going
to recover, never."
"Would you do--me a favor?" Jerry asked, hesitatingly.
Asking favors was a new line for her and she followed it prettily.
"Wouldn't I!" Mr. Ponk exclaimed. "Try me."
"Even his voice has a strut in it," Jerry thought. Aloud she said: "I
have business with this old gentleman and I would be much obliged if you
would tell him that Miss Geraldine Swaim is in the city and would like
to meet him."
"Why, I'll soar right over there as soon as we get to the hotel and
gurrage."
Junius Brutus Ponk looked slyly at the face of his companion as he
spoke. What he was thinking just then it would have been hard to guess.
With a flourish and curve that were wholly Ponkish the fat little man
swung the gray car up to the brick-paved porch of the "Commercial Hotel
and Gurrage."
"Why, there's York now, reading his mail! I'll go right over and tell
him," Mr. Ponk declared. "Here, George, tell Georgette to give Miss
Swaim number seven."
George assisted Miss Swaim to the hotel register and Georgette led her
to room No. 7. Georgette wanted to linger a minute, for this guest was
so unlike the usual commercial-traveler kind of ladies who sold books,
or canvassed for extracts, or took orders for crayon portraits enlarged
from little photographs; but Miss Swaim's manner gave no excuse for
lingering. Alone, Jerry closed her door and turned, with a smile on her
lips, to face her surroundings. The room was clean and cool, with a big
window overhanging the street. Jerry sat down before it, realizing how
weary the long journey had made her. Across the street, the sign of the
Macpherson Mortgage Company in big gold letters hung above a plate-glass
window. Mr.
Ponk, who had just "soared" across, was sitting in his car before it.
Jerry saw a man inside at a desk very much like Uncle Cornie's in the
Philadelphia banking-house where Eugene Wellington was busy now helping
Aunt Jerry to settle things. This man was reading letters when the Ponk
car tooted before the big window. He waved a hand to the tooter, then
put his letters away and came leisurely outside. Jerry saw a tall,
finely proportioned man, the set of whose clothes had a city air, and
there was something in his whole manner that would have distinguished
him from every other man in New Eden.
The fat little man talked earnestly, with a flourish of the hand now and
then toward the room where Jerry sat watching the two. York Macpherson
rested one foot on the running-board, and leaned his arms on the side of
the car, listening intently to what Mr. Ponk was saying.
"So that is this York Macpherson who was never responsible for my estate
not making any returns. And I called him an old man. The hotel
proprietor must be telling him that now." Jerry laughed as she saw the
two men chuckling together. "Well, I hope the pompous little fellow
tells him I'm an old woman. It would even things up wonderfully."
Ten minutes later Jerry was shaking hands with York Macpherson and
promising him to go to his home and meet his sister as soon as she had
cleared her eyes of dust sufficiently to see anybody.
It must have been the dust in her eyes, Jerry thought, that made York
Macpherson appear so unlike the benevolent, inefficient old gentleman
she had pictured to herself. The hotel parlor was in twilight shadows,
which helped a little to conceal the surprise of these two when they met
there. Jerry knew what she had been anticipating. Whether York
Macpherson knew or not, he was clearly not expecting what he found in
the hotel parlor.
"I'll soar down to your shack with the lady as soon as she has had her
supper and got herself rightly in hand," Ponk declared to York when he
came into the hotel office. "You see, we got stuck in that danged,
infernal blowout, and it was as hard on the womenkind who had to sit
inside and swelter as on us men who nobly dug. 'Specially this Miss
Swaim. She must have 'wept to see such quantities of sand,' same as them
oysters and walruses and carpenters. We'll be along by and by, though.
Have a cigar. What do you make of her, anyhow, York?"
"I don't make anything. I leave that job to you," York replied, with a
smile, as he turned abruptly and left the hotel.
"Unless you see eight per cent. interest coming your way, I see. There
might be a bigger interest in this investment than any you ever made in
your life," Ponk called after him.
But York only waved off the words without looking back. Outside, the
sunset's splendor was filling the western sky--the same old prairie
sunset that he had seen many a time in his years in Kansas. And yet, on
this evening it did not seem quite the same; nor were the sunsets, New
Eden, and the Sage Brush Valley from this evening ever quite as they had
been before, to York Macpherson.
V
NEW EDEN'S PROBLEM
Because of a broken "culbert" out toward "S'liny" the afternoon train on
the Sage Brush branch was annulled for the day. Because of this
annulment the mail for the Sage Brush Valley was brought up on the local
freight, which is always behind time when it reaches its terminal, which
accounted for the late delivery of the mail at the New Eden post-office,
which made York Macpherson's dinner late because of a big batch of
letters to be read, and an important business call at the Commercial
Hotel following the reading and the delivery of Mr. Ponk's message.
Purple shadows were beginning to fold down upon the landscape, while
overhead the sky was still heliotrope and gold, but York Macpherson,
walking slowly homeward, saw neither the shadows nor the glory that
overhung them. It was evident to his sister Laura, who was waiting for
him in the honeysuckle corner of the big front porch, that his mind was
burdened with something unusual to-night.
York Macpherson was a "leading citizen" type of the Middle West.
Wholesome, ruggedly handsome, prosperous, shrewd to read men's minds,
quick to meet their needs, full of faith in the promise of the Western
prairies, with the sort of culture no hardship of the plains could ever
overcome--that was York. Although he was on the front edge of middle
life in years, with a few gray streaks in his wavy brown hair, he had
the young-looking face, the alert action, and vigorous atmosphere of a
young-hearted man just entered into his full heritage of manhood.
"The train was delayed down the river on account of sand drifted over
the track by the south wind, and that made the mail late," York
explained, when he reached the porch. "I'll bet you have had the house
shut up tight as wax and have gone about all day with a dust-cloth in
your hand. Given a south wind and Laura Macpherson, and you have a home
industry in no time. Let's hurry up the dinner" (it was always dinner to
the Macphersons and supper to the remainder of New Eden) "and get
outside again as soon as possible. I can't think in shut-up rooms."
"When there is a south wind it makes little difference whether or not
one does any thinking. I postpone that job to the cool of the evening,"
Laura Macpherson declared, as she led the way to the dining-room.
When the two came outside again the air off the prairie was delicious,
and there was promise of restfulness later in the black silence of the
June night that made them forget the nervous strain of the windy day.
The Macphersons had no problems that they could not talk over in the
shadowy stillness of that roomy porch on summer evenings.
York had been a bachelor boarder at the "Commercial Hotel and Garage"
for some years before the coming of his sister Laura, who was at once
his housekeeper, companion, and counselor. When he first went to the
hotel New Eden was in its infancy, and the raw beginnings of things were
especially underdone in this two-dollars-a-day, one-towel-a-week
establishment. It was through York that Junius Brutus Ponk had given up
an unprofitable real-estate business to become proprietor of the
Commercial Hotel--"and Gurrage" was added later with the advent of
automobiles, the "Gurrage" part being a really creditably equipped
livery for public service. By this change of occupation for Ponk, the
Macpherson Mortgage Company accomplished several things. It got rid of
an inefficient competitor whose very inefficiency would have made him a
more disagreeable enemy than a successful man would have been. Further,
it placed the ambitious little man where his talents could flourish
(flourish is the right word for J. B. Ponk), and it put into the growing
little town of New Eden a hotel with city comforts that brought business
to the town and added mightily to its reputation and respectability.
York Macpherson's business had grown with the town he had helped to
build. Long before other towns in this part of Kansas had dreamed it
possible for them, New Eden was lighted with electricity. Water-works
and a sewer system fore-ran cement sidewalks and a mile of paving, not
including the square around the court-house. And before any of these had
come the big stone school-house on the high ridge overlooking the Sage
Brush Valley for miles. That also was York Macpherson's task, which he
had carried out almost single-handed, and had the satisfaction of
bringing desirable taxpaying residents to live in New Eden who would
never have come but for the school advantages. Then Junius Brutus Ponk,
who had learned to couple with York, got himself elected to the board of
education and began to pay higher salaries to teachers than was paid by
any other town in the whole Sage Brush Valley; to the end that better
schools were housed in that fine school-building, and a finer class of
young citizens began to put the good name of New Eden above everything
else. The hoodlum element was there, of course, but it was not the
leading element. Boys stuck to the high-school faithfully and followed
it up with a college course, even though a large per cent. of them
worked for every dollar that the course cost them. Girls went to
college, too, until it became a rare thing to find a teacher in the
whole valley who had not a diploma from some institution of higher
learning.
It was only recently that Laura Macpherson had come to New Eden to make
her home with her brother. An accident a few years before had shortened
one limb, making her limp as she walked. She was some years older than
York, with a face as young and very much like her brother's; a comely,
companionable sort of woman, popular alike with men and women, young
folks and children.
Some time before her coming York had bought the best building-site in
New Eden, a wooded knoll inside the corporation limits, the only natural
woodland in the vicinity, that stood directly across the far end of
Broad Avenue, the main business street, whose mile of paving ended in
York's driveway. In one direction, this site commanded a view far down
Sage Brush Valley; in the other, it overlooked the best residence and
business portion of New Eden. Here York had, as he put it, "built a
porch, at the rear of which a few rooms were attached." The main glory
of the place, however, was the big porch.
York had named their home "Castle Cluny," and his big farm joining it
just outside the town limits "Kingussie," after some old Macpherson-clan
memories. There were no millionaires in the Sage Brush Valley, and this
home was far and away the finest, as well as the most popular, home in a
community where thrift and neatness abounded in the homes, and elegance
was very much lacking, as was to be expected in a young town on the far
edge of the Middle West.
"Joe Thomson came in to-day to see me about putting a mortgage on his
claim this side of the big blowout. Looks like a losing game for Joe.
His land is about one-third sand now," York commented, thoughtfully, as
he settled himself comfortably in his big porch chair.
"Well, why not let the sand have its own third, while he uses the other
two-thirds himself? They ought to keep him busy," Laura suggested.
The country around New Eden was still new to her. Although she
overflowed the town with her sunny presence, her lameness had kept her
nearer to "Castle Cluny" than her brother had comprehended. She did not
understand the laws, nor lawlessness, of what her brother called the
"blowout," nor had she ever seen the desolation that marked its
broadening path.
"A blowout is never satisfied until it has swallowed all the land in the
landscape," York explained. "I remember a few years ago there was just a
sandy outcrop along a little draw below Joe's claim, the line of some
prehistoric river-bed, I suppose. That was the beginning of the thing
Joe is fighting to-day. Something started the sand to drifting. It
increased as the wind blew away the soil; the more wind, the more sand;
the more sand, the more wind. They worked together until what had been a
narrow belt spread enormously, gradually overlapping Joe's claim, making
acres of waste ground. I hate to see Joe shoulder a mortgage to try to
drive back that monstrous thing. But Joe is one of those big,
self-contained fellows who takes the bit in his teeth and goes his own
gait in spite of all the danger signals you wigwag at him."
"Why do you loan him money if you know he can't succeed?" Laura
inquired.
"Making farm loans is the business of the Macpherson Mortgage Company.
That's how we maintain our meager existence," York replied, teasingly.
"Joe wants to fight back the blowout creeping over his south border
farther and farther each year. Our company gets its commission while he
fights. See?"
"Oh, you grasping loan shark! If I didn't know how easy it is for you to
lie I'd disown you," Laura declared, flinging a chair pillow at her
brother, who was chuckling at her earnestness.
But York was serious himself in the next minute.
"Our company doesn't want the prairie; it wants prosperity. A foreclosed
mortgage is bad business. It brings us responsibility and ill-will. What
we want is good-will and interest money. I have put the thing up to Joe
just as it is. Man is a free agent to choose or let alone. I have a
bigger problem than Joe to handle now. I had a letter this evening from
Miss Geraldine Swaim, of Philadelphia. Do you remember her, Laura? She
used to come up to Winnowoc when she was a little girl."
"I remember little Jerry Swaim, Jim and Lesa's only child," York's
sister declared. "She was considerably younger than I. I pushed her in
her baby-cab when I wasn't very big myself. When I went away to college
she was a little roly-poly beauty of ten or eleven, maybe. Wasn't she
named for her father's rich sister, Mrs. Darby? I never knew that Mrs.
Darby's name was Geraldine."
"It wasn't; it was Jerusha; and Jim's name was Jeremiah; and Lesa's was
plain Melissa," York explained. "But Lesa changed all of their names to
make them sound more romantic. Romance was Lesa's strong suit. She
called her daughter 'Jerry,' to please Mrs. Darby, but the child was
christened Geraldine--never Jerusha. Lesa wouldn't stand for that."
"And now what does this Geraldine want from my respected brother?" Laura
inquired, leaning back on the cushions of her chair to listen.
York's face was hidden by the darker shadows of the porch, but his
sister knew by his grave tone, when he spoke again, that something
deeper than a business transaction lay back of this message from
Philadelphia.
"It's an old story, Laura. The story of parents rearing a child in
luxury and then dying poor and leaving this child unprovided for and
unfitted to provide for herself. Jim Swaim was as clear-headed as his
wife was soft-hearted and idealizing. Every angle of his was a right
angle, even if he did grow a bit tight-fisted sometimes for his family's
sake. But a leech of a fellow, a sort of relative by marriage, got his
claws into Jim some way, and in the end got him, root and branch. Then
Lesa contracted pneumonia and died after a short illness. And just when
Jim was most needed to hold up his business interests and tide things
over, as well as look after his daughter, they found him dead in his
office one morning. Heart failure, the doctors said, the kind that gets
a brain-fagged business man. The estate has been in litigation for two
years. Now it is settled, and all that is left for Geraldine is a claim
her father held out here in the Sage Brush Valley. She thinks she is
going to live on that. She came in on the afternoon train and is
stopping at the Commercial Hotel. I called to see her a minute on my way
home. That was why I ate a cold dinner this evening. I asked her to come
here at once, but she refused. Some one from the hotel will bring her
over later. That means Ponk, of course. He's the whole Commercial Hotel
'and Gurrage.' We must have her here to stay with us awhile, of course."
"York Macpherson!" his sister fairly gasped. "Coming to call this
evening! Will stay with us awhile, of course. All right. I'm willing
she should stay with us awhile, but how can _she_ live on a Sage Brush
claim? Why doesn't her rich aunt Darby provide for her? What does she
look like?"
"I don't know," York drawled, provokingly. Then he added: "Mrs. Darby
also writes, saying that she hopes we will look after Jerry while she is
here, but that she herself can do nothing for her niece, because a
relative of her dear deceased husband, an artist of merit but no means,
is dependent on her, and she owes it to her dear deceased's memory to
look after this young man. I've a notion that there is something back of
both letters, but I haven't had time to read behind the lines yet."
"Turns out her own flesh and blood, a girl, too, to shift for herself,
and coddles this man, this artist thing, for her dear deceased's sake.
What _do_ you think of that?" Laura burst out.
"I don't think of that," York replied. "Not really knowing any woman but
my sister, I can't judge them by the sample. Besides, this 'girl thing'
may have elected to come to the Sage Brush herself; that would be like
Jim Swaim. Or she may be making a lark of the trip; that's her mother's
child. And, anyhow, she has property in her own name, you see."
"Property, bosh! Where is this precious claim that is to sustain this
luxuriously reared child?" Laura Macpherson insisted.
"It is an undeveloped claim down the Sage Brush, in a part of the
country you haven't seen yet. That is what this child of luxury has come
out for to live upon," York said, with a minor chord of anxiety in his
voice.
Then a silence fell, for Laura Macpherson felt that something tragical
must be bound up in the course of coming events.
It was the poet's hour of "nearly dark." The "high lights" were
beginning to gleam from the cupola of the court-house and high-school,
and station tower out across the open stretch that lay between it and
the town. New Eden was unusually well lighted for its size. York
Macpherson had forced that provision into the electric company's
franchise. But New-Edenites were still rural in their ways, and never
burned up the long summer twilight with bug-alluring street lights.
Homes, too, were mostly shadowy places, with the dwellers resting in
porch swings or lawn chairs. Moreover, although there was a little
leakage somewhere through which things disappeared occasionally, nobody
in town except bankers, postmasters, and mortgage companies locked their
doors. The jail was usually empty on the Saturday night, and the
churches were full on Sunday, as is the normal condition of Middle West
towns in a prohibition state.
"The wind is in the east. It will rain to-morrow," York said, after a
pause. "I had planned to go to the upper Sage Brush country for a
couple of days. I'll wait till after Sunday now."
Laura Macpherson did not know whether the last meant relief or anxiety.
York was not readable to-night.
"What are you staring at?" York asked, presently, from his
vine-sheltered angle, as he saw his sister looking intently down into
the street.
"Humans," Laura replied, composedly.
"Not the Big Dipper, I hope. Isn't the town big enough without her
ranging all over 'Kingussie'?"
"Oh, York, you will call Mrs. Bahrr 'the Big Dipper' to her face some
day, if you don't quit your private practice," Laura declared.
"Well, her name is Stella Bahrr. 'Stellar,' she calls it, and she
pronounces her surname just plain 'Bear.' If that isn't starry enough I
don't know my astronomy. And she is always dipping into other folks's
business and stirring up trouble with a high hand. Laura, once and for
all, never tie up with that little old hat-trimmer. She'll trim you if
you do."
"Don't be uneasy about our getting chummy. I'm positively rude to her
most of the time. She isn't coming here. She has veered off toward the
Lenwells'. But look who is coming, York."
York shifted his chair into line with the street.
"It's the fair Philadelphian and her pompous gentleman in waiting," York
declared.
"Look at little Brother Ponk strut, would you? 'A charge to keep I
have.' But, York, Miss Swaim appears a bit too Philadelphian for our New
Eden scenery!" Laura exclaimed.
"She is a type all her own, I would say. Jim Swaim's determined chin and
Lesa's dreamy eyes. She will be an interesting study, at least. I wonder
which parent will win in her final development," York replied, as the
two approached the house.