OUR BOOKING-OFFICE.

A Baronite warns me thusly: In opening _The New Standard Elocutionist_,

selected by ALFRED H. MILES (HUTCHINSON & CO.), you may think there is a

mistake somewhere, as on the first page you are confronted with an

anatomical sketch of a cheerful-looking gentleman with his chest laid

open for inspection. Don't be afraid, it's all right, the gentleman's

countenance is reassuring, still, it makes me wonder if all reciters

come to that. But after reading a little of LENNOX BROWN'S chapter, we

find it is an object lesson teaching the usually inflated reciter how to

work his diaphragm as it should be worked. Perhaps its advantages may be

felt when the elocutionist wishes to rouse an admiring but slumbering

audience with a little thundering out of "Rise! sleep no more." If the

average recitation has a soporific effect, PHIL MAY'S drawings in _Fun,

Frolic and Fancy_, by BYRON WEBBER will soon wake you up. The annual of

three F's quite fulfils the "promise of May."

Though _Kitty Alone_, by S. BARING GOULD, runs through _Good Words_ this

year, edited by DONALD MACLEOD, D.D., she does it surrounded by

excellent company. Just imagine how a child's preconceived notions of

euphonious spelling will be upset by teaching _Artful Anticks_ spelt

with a _k_, by OLIVE HERFORD (GAY AND BIRD). Such a frivolous liberty to

take with any word in these days of solid moral educational principles.

There always exists a certain sneaking friendly feeling for ghosts,

especially at Christmas time, but it's nothing to the Paddies who

experience a hurtful resentment if you won't listen to their familiar

banshee yarns, and _Banshee Castle_, by ROSA MULHOLLAND is full of their

sighing and wailing; they like to make themselves heard.

_À propos_ of Christmas numbers, my Baronitess writes: _The Queen_ and

_The Gentlewoman_ present themselves beautifully "got up." They are both

decidedly smart, and, like their titles, their stories are by a very

select company. By-the-bye, in _The Gentlewoman_ the little bird says

that her New Year will open with an exciting serial, _Sons of Fire_,

from the indefatigable pen of Miss BRADDON. There is a hearty, warm

sound in it, agreeable at this time of the year.

According to the researching remarks of JOSEPH JACOBS, who has arranged

a new and selected edition of _Æsop's Fables_ (MACMILLAN & CO.), one

gathers that the "modest violet" is not in it with the retiring manner

in which every other writer of fable have hidden their worth under the

sheltering leaves of the ever green laurels of Old ÆSOP. Their number

might be termed fabulous. But SHERLOCK HOLMES has not lived in vain.

With unerring instinct the true mythical authors have been tracked, and

their deeds brought to light. The immortal genius may at last enjoy his

own wealth, which he finds fits better now that it has not to be

stretched. Quaint little pictures, done by RICHARD HEIGHWAY, adorn the

pages.

"A pretty volume of fairy tales," writes one of the Assistant Readers,

"comes from Messrs. SEELEY & CO. It is called _Lily and the Lift_, and

is not only written, but also illustrated, by Mrs. HERBERT RAILTON.

_Lily_ herself, the little heroine, who is wafted in the magic

hotel-lift through the regions of Fairyland, is a darling. Beautiful

butterflies, wonderful birds, quaint dwarfs, and lovely fairies abound

in the marvellous country visited by _Lily_. Mrs. RAILTON writes with

delightful fancy and quiet humour, and her illustrations add a great

charm to a book which is bound to please the little ones for whom it is

intended."

[Illustration]

_In Furthest Ind_ (BLACKWOOD) purports to be the narrative of Mr. EDWARD

CARLYON, of the Honourable East India Company's service, comprising his

escape from the hands of the Inquisition at Goa, his journey to the

Court of the Great Mogul, and much else. It all took place some two

hundred years ago, and was "wrote by his own hand in the Year of Grace

1697." As for Mr. SYDNEY C. GRIER, he simply "edits the narrative with a

few explanatory notes," which is very modest of him. The narrative is a

moving one, full of local colour, plastered on pictures of the outskirts

of India in John Company's day. Mr. EDWARD CARLYON is a properly

pragmatical person, with true British obstinacy knocking his head

against any wall that comes in his way. He makes my Baronite almost

think kindly of the Inquisition. And this is genial at Christmas time,

when we like to think well of everybody, "and so bless us all,

Pen-and-Inkysition included," quoth TINY TIM, alias

Punch, or the London Charivari, Vol. 107, December 22, 1894 · 第 29 / 31 题