A "B. AND S." AT THE SAVOY.

[Illustration: _Sir Arthur._ "Then _Box----_"

_Sir Author._ "And _Cox----_"

_Both._ "Are satisfied!"

[_Curtain._]

A great deal is expected from the collaboration of Sir ARTHUR SULLIVAN

and Mr. F. C. BURNAND, more especially when the work is staged at the

Savoy, and is brought out under the direction of Mr. D'OYLY CARTE. The

brilliant audience that gathered on Wednesday night for the first

performance of _The Chieftain_ evidently came full of expectation, and

as evidently went away filled with satisfaction. Twenty-seven years ago,

when they were boys together, B. and S. (that sounds friendly and

refreshing) brought out an early version of the opera which they called

_The Contrabandista_. After the rehearsal of the new piece had gone

forward for some weeks, ARTHUR SULLIVAN stumbled over this rather

difficult word and sprained his ankle. Whereupon F. C. B., with

characteristic promptitude and originality, changed the name to _The

Chieftain_. That is the call-boy's narrative of events. However it be,

since the opera has been entirely re-written, enlarged and beautified,

it was natural to bestow upon it a new title. On the first night _The

Chieftain_ stormed the passes to public favour, and appears likely to

occupy them for some time. Nothing brighter in colour, fuller of life,

more musical, more mirthful, has been seen at the Savoy since its

palmiest days. Sir ARTHUR and Sir Author are perfectly mated, F. C. B.

brimming over with genuine humour, and A. S. pre-eminently displaying

his rare gift of expressing humour in musical notes. The cast is a very

strong one, which is fortunate, seeing the appetite of the audience is

insatiable, and only exceptional strength could meet the demand for

encores. Where all excel it is difficult to particularise merit. But

Miss FLORENCE ST. JOHN and Mr. COURTICE POUNDS in the French duet, Mr.

PASSMORE from first to last (especially in his Bolero dance, one of the

funniest things for a long time seen on the operatic stage), Miss EMMIE

OWEN in her graceful movements, and the sextet with its merry music and

its laughing dance, are things to see and hear.

[Illustration: "Up in the morning early."]

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Punch, or the London Charivari, Vol. 107, December 22, 1894 · 第 10 / 31 题