In the region of South Washington Square there are many ancient
dwellings which have fallen into uses which would make their original
owners, who were the solid men of old New York, turn over in their
narrow vaults in Trinity churchyard if they could know of them. Alien
peoples, swarthy of skin and picturesque of dress, occupy and surround
them, and strange industries are carried on under the roofs which once
sheltered the families of the dignified old Knickerbockers who formed
the aristocracy of the city.
In many of these transformed residences of the wealthy, after climbing
many flights of stairs, whose quaint old mahogany balustrades have
been marred by generations of careless movers, one comes to apartments
which are provided with skylights and northern windows, and these,
being classified as studios, command relatively high rents,
considering the lack of every modern convenience and comfort. They are
occupied by the younger and unknown artists, who cannot afford the
rents demanded in the more fashionable studio buildings, and the reek
of the oil stove and odor of cooking, mingling with the smell of paint
and turpentine, which pervades the hallways, indicate that they are
used as living quarters and work rooms combined.
The whole quarter abounds in cheap restaurants, places where one may
obtain a full course dinner, of sorts, and a small bottle of alleged
claret included, for an absurdly small sum; but a carton of biscuits,
a tin of sardines and a can of condensed milk are usually in evidence
on the littered tables of the studios, and, together with the odor of
stale coffee, bespeak an economy of diet which is incompatible with
the good work which comes of the well-fed body.
It was in one of these small rooms, perched at the top of the tallest
among the houses, that a girl lay on a couch, her face buried in her
hands, as the early dusk of a winter's afternoon softened the
tawdriness of the furnishings. A curtain of burlaps screened one
corner, hiding the toilet arrangements, which would have suggested
that the couch served as a bed by night; and the flowering plants at
the window, the arrangement of artistic posters and sketches on the
walls, and, above all, the neatness and orderliness of the room,
proclaimed feminine occupancy.
Her attitude was that of dejection, and she had not waited to remove
coat or hat before seeking consolation in the refuge of tears; but
there was determination in her expression and in the set of her
shoulders when she sat up and looked resentfully at the flat package
lying on the table. The imprint of a well-known publishing house was
on the wrapping paper, and in her hand was a letter from the same
firm, thanking her for the privilege of examining the sketches and
regretting that they were not fitted to their immediate needs. She
lighted a gas jet and re-read the letter, trying to derive some
comfort from the courtesy of the declination, but when she unwrapped
the sketches, she was forced to acknowledge to herself that they did
not seem so strong as when she hopefully submitted them a fortnight
before.
These two weeks had been a time of anxiety for Elizabeth Thornton, for
so much depended upon the sale of the sketches, the results of months
of labor, that she had alternately built castles in the air and
wondered what was to become of her, as her mood made her hopeful or
despondent of their acceptance. She had sold some of her work during
her three years of study in New York, but not enough to pay even her
very modest living expenses, and these, together with the fees for
tuition at the art school and the purchase of material, had diminished
almost to the vanishing point the few hundreds of dollars which she
possessed when she commenced her studies.
A knock on the door caused her to glance hastily around the room, to
be sure that evidences of domestic occupancy were not scattered about,
before opening it to the tall, good-looking young fellow who stood hat
in hand, his fur-lined coat thrown open and an expectant smile on his
face.
"I have climbed so many stairs that I am not sure whether I have
reached heaven or the studio of Miss Elizabeth Thornton," he said,
breathlessly, in a cheery voice; but the girl, whose face was in the
shadow while his was in the light, extended her hand and greeted him
warmly.
"Tom, you irreverent boy! Come inside this minute, before you
scandalize my neighbors," she exclaimed. "And now that you are in,
tell me how you found me out and how you happen to be in New York."
"In the first place, I am fortunate enough not to find you out, and,
secondly, I don't happen to be in New York; I just live here, as I
have done any time these past three years. But I didn't know that you
did until I met old Oliver, who gave me your address. I didn't know
whether it was your place of business or your dwelling; but I came on
the chance of finding you."
"And I don't think you appreciate yet that it is both," she said, an
amused expression on her face, as she saw him glance around the room.
"Do you really live here, too?" he asked. The evidence of the studio
was there, but none of the delicate and dainty traces of a feminine
bedchamber.
"Indeed I do, and when it comes 'by-low' time, there is a grand
transformation scene," she answered, laughing; and, although he joined
in her laughter, there was sadness in his heart as he realized the
import of the meager accommodations.
"I don't see a kitchen, at any rate, so I suppose there is no reason
why you can't come out to dinner with me this evening," he said.
"Nothing but your presence, which prevents me from changing my gown,"
she replied, doubtfully. "You can choose between walking the streets
and sitting on the stairs outside while I get ready."
"Don't make it as long a proceeding as in the old days, then," he
said, as he stood by the table and carelessly turned over the
sketches, and she smiled a little bitterly as she promised to hurry,
realizing how little she had to select from as compared to the days
when the choice from many gowns demanded due consideration. A flood of
recollections came to her as she made her hasty toilet, and she
appreciated, from the cheer and life which Tom Livingston's brief
presence had brought into the studio, how terribly lonely her life had
been for the past few months. Before that there had been the
companionship of her fellow students in the art school, many of the
women struggling along like herself, living on the bare necessities of
life and oftentimes knowing what it meant to lack for them, but
stimulated and kept at their work by the hope of ultimate success in
their painting.
The small glass told her that her face was still very attractive,
although it had lost much of the girlish prettiness it possessed in
the days when Tom had known and loved her; but then--thank
Heaven!--she had never cared for such things, and all she wanted was
success in her chosen profession, the one thing which she loved in
life.
And Tom, on the other side of the door, was also thinking of her
career and the visible results of her work since he had seen her; the
small, cheap studio in the dilapidated old house and the lack of
comfort in her mode of living, and he contrasted it with the home he
had known her in and the things he could have surrounded her with, had
she accepted his offer when the crash came which threw her on her own
resources. She had elected to remain independent, to devote what
little money had been saved from the wreck of her fortunes to pursuing
her studies in painting; encouraged in her decision by the praise
which her amateurish efforts had gained from sympathetic friends. But
while the studies of the daughter of John Thornton, one of the most
influential men of the city where they lived, might be praised by the
good-natured reporters of the home papers at local exhibitions, the
works of Elizabeth Thornton, of whose parentage and social position
the critics neither knew nor cared, were judged on their merits when
she asked that they be taken seriously, and they were found sadly
wanting.
Tom could imagine the girl's latter history from what he knew of the
artists' colony in New York; the years in the art school, where she
had worked hard and no one had been sufficiently ill-natured or had
cared enough for her to tell her to give it up, and then the misguided
judgment which had led her to take a studio for herself. He had
tactfully said nothing when he had looked over the sketches; but he
knew that they were bad, and his sharp eyes had not missed the traces
of tears on her face; so he easily made two, by the old process of
putting one and one together, and formed a pretty accurate guess as to
what had happened.
Elizabeth was all smiles when she joined him, and they went down the
long stairs together. The dinner was a delight to her; the well-cooked
and daintily served food, the pretty table appointments, and the music
from the balcony, all seemed like a breath from the past--from the
time before she became absorbed in what she called her "life work."
"It is so long since I have been in such a delightful place as this,
with the prospect of such a dinner, that you must not expect me to
talk," she said, when he had given the order, after due consultation
with her over the menu. "But I am a good listener, and you can tell me
about what you have been doing."
"It is neither a very long nor a very exciting narration," he replied,
laughing. "You gave me such a very decided answer, three years ago,
that I haven't had the courage to look at a woman since, and if you
can't find a woman in three years of a man's life, it is safe to say
that it has been uneventful." She looked at him apprehensively, for
there was one topic which she had determined to avoid, and here he was
rushing into it before the oysters were served.
"No, no. It isn't that which I wish to know about," she said, hastily.
"But tell me what you have been doing; what you are doing now."
"This evening I am dining with some one whom I have thought of every
day since I saw her last," he answered, gallantly. "During the day I
spend most of my time in a disagreeable office, working for money
which I do not need, because that seems to be the custom of American
men. That has been my life for half of each of these three years; the
alternate six months I have spent in Florence with my mother."
"I envy you the Florentine portion of the year," she said, looking at
him a little wistfully. "Some day, when my ship comes in, I hope to
spend a long time there."
"I go back in two months," he said, eagerly. "My mother would be
delighted to see you, if you would come over with me."
"Ah, but my ship may be delayed longer than that and----"
"There is a ship always at your disposal, now as it was three years
ago," he interrupted, but she made a gesture of protest.
"It is good to see you again, Tom; it is nice to be with you. Please
don't make it necessary for me to send you away again. Let's just be
friends, and let me feel that I have your sympathy and affection in
the struggle I am having with my life work."
"You have both, always, little girl; but is it worth it, this 'life
work'? Is it enough to repay you for sacrificing all that other women
find good in life? I wish that you would tell me about your troubles
in it; your struggles and disappointments and what you hope for." It
was no easy recital which the girl entered upon, and her pride made
her conceal a great deal; but from what Tom knew of her circumstances
before she started in, and the conclusions he had drawn from what he
had seen, he was able to read between the lines of her story.
"And so, you see, I am not able to do as good work as I should," she
faltered over the coffee. "I am 'faking' it all, because I cannot
afford to use models, and what talent I may have is in the line of
portraiture. But sitters don't flock to South Washington Square, and
it is hard to get a start."
"Have you ever done portraits?" he asked, anxious to find a way to
help her.
"No--that is, no paying ones. I have painted only two, and, like the
country storekeeper, taken my pay in kind; but they were good,
Tom--really they were, and I feel that if I could get such work to do
I could make a name for myself."
"Why not paint my portrait?" he asked, suddenly. "I have always longed
to have my phiz, labeled 'Portrait of a Gent,' staring from the wall
at an exhibition."
"I'm afraid it would be from near the skyline, if my signature were on
it," she answered, laughing. "That is, if it were accepted at all; but
you must understand, Tom, old boy, that I can't accept your offers of
help, even under the thickest of veils."
"That is the beastly part of the conventions of this miserable world,"
he answered, irritably. "Here am I, strong, healthy and with more of
its goods than I can use, and yet you can't accept from my surplus
enough to tide you over a lean year or two, because Mrs. Grundy
forbids."
"But she is a very real and very terrible person; even to bachelor
maids, Tom. If, like a sensible boy, you had married a sensible girl,
whom you could send to me for her portrait, it would be different, for
you would receive full value, and at the same time assist a struggling
young artist."
"By Jove, I have it!" he exploded. "I have not committed matrimony
myself, but a lot of my friends have, and I am going to demand payment
for all the teething rings, caudle cups and other baby truck I have
been distributing, and make 'em all send their kids to you for their
portraits."
"Oh, Tom, you are a dear, but remember the size of my studio, and let
them come one at a time," she answered, laughing at his enthusiasm.
"Remember that two babies would crowd it dreadfully, and I wouldn't
know how to get on with even one."
"Never fear, you will pick that up fast enough, Betsy, and if you can
deliver the goods, your fortune is made. What do you charge for the
life-sized portrait of a baby?"
"Why, really, I haven't a fixed price," she answered, realizing that
he was in earnest. "As I told you, I have painted but two portraits,
and the payment for the last was the making of this gown. It was my
dressmaker's picture." He looked her over critically.
"Well, it's mighty becoming. I suppose that is equivalent to about
five hundred dollars, isn't it?"
"Oh, Tom! You are a greater baby than the sitters whom you propose to
send to me," she exclaimed. "If I become famous, I may ask that much
years and years from now."
"Young woman, you are to understand that you are 'personally
conducted' in your new field, and I am your manager. It won't do to
cheapen your work by putting a small price on it. Make 'em pay, and
they will think that you are great."
"Not when they see my studio," she answered, but his enthusiasm was
comforting to her.
The little studio was not satisfying to Elizabeth as she transformed
it into a bedroom by the simple process of bringing the bedclothes out
from their place of concealment and sliding back the curtain. The
unaccustomed luxury of the dinner had awakened old memories of the
comfort and daintiness which had been unknown to her in her later
life, and the rejection of her sketches had shattered the dreams of
acquiring them again, which had comforted her when she sent them out.
And Tom, bowling up the avenue in a hansom, felt uncomfortable at the
thought of her being in such a place alone and unprotected, for the
dinner had awakened memories in his mind, too, and renewed the old
longing for Elizabeth which he thought the years of separation had
conquered.
"But she is not the kind of a woman to come to me because she has made
a failure, and, if she were, she would not be worth the winning," he
thought, bitterly, as he lighted his cigar. "A little more of the life
she is leading now, a few more disappointments, and the woman that is
in her, the part of herself which she has crushed back for the past
three years, will be annihilated. I must find some way to rescue it,
to rouse it, and when she has achieved, at least, a semblance of
success, trust to my own good fortune to make her look at things as I
want her to see them."
It was a new proposition to him, and he racked his brain to find a way
out, and by the time he reached his club he was in a mood to resort to
physical violence, if necessary, to make any one of his married
friends promise to deliver up a child for portrait purposes. But the
club was deserted, and he went to bed to spend a wakeful night in
seeking a solution of his problem.
Elizabeth smiled grimly the next day as she was preparing her frugal
luncheon. A bunch of violets, whose value represented a half month's
rent of her tiny studio, was diffusing fragrance through it, and a
basket of fruit, which would last a month, was on the table; but the
necessaries were represented by a pot of tea, a package of biscuits
and a small pat of butter. Even the last was an unwonted extravagance
at midday, but, after the dinner of the night before, she could not
descend too suddenly to dry biscuits, and, after all, Tom's confidence
had given her more courage for the future. She had even tried to work
over the rejected sketches with a certain degree of hopefulness, but
her heart was not in it, and she was gazing at one of them
disconsolately, when there was a sharp knock at the door, and Tom,
disregarding all studio ethics, burst in before she could open it. He
seized both of her hands and whirled her about the room, to the grave
peril of her modest bric-a-brac, his face beaming and his eyes
sparkling with pleasure.
"Betsy, things are coming your way; I've caught one for you," he
almost shouted, and she implored him to be quiet and tell her what he
meant.
"Why, a subject--a victim, or whatever you call people who have their
portraits painted. No end of money and fame undying--but I haven't
time to tell you about it all now. Just let me know when you can
commence, and I will have her here."
"Are you in earnest, Tom?" she asked, incredulously; for the sudden
realization of his prophecies of the night before seemed too good to
be true.
"In earnest? Well, rather. Young woman, your foot is on the first rung
of the ladder of fame, and the day is coming when I shall be proud to
know you."
"But who is it?" she persisted.
"Her name wouldn't mean anything to you, and I haven't time to tell
you the story, but I will take you out to dinner to-night and tell you
all about it."
"But how old is she, Tom? I must know what to prepare for."
"I wasn't indiscreet enough to ask the lady's age, but I should say
about four years. I can see that there is no chance of getting
anything but questions out of you; but I will make the appointment for
ten to-morrow morning, and call for you at six-thirty tonight for
dinner. Please be ready, so that I will not have to camp on those
confounded stairs."
Tom's story at dinner was as delightful as a fairy tale to her, and if
the first one had been made pleasant by anticipation, the feast of
realization transported her to the realm of air castles. The arrival
of the Italian family which had come from Florence to settle in New
York, bearing letters of introduction to Tom from his mother, just in
time to fit into his plans to make her a painter of children, seemed a
harbinger of good fortune. The father had been most enthusiastic when
Tom mentioned the "rising young artist" to him, and was anxious that
the sittings should commence immediately, before her time was all
taken up.
"There is only one drawback, Betsy," said Tom, as he finished his
story. "Little Carlotta speaks only Italian, so I will have to be
there a lot to translate."
"But won't the mother, or some one, come with her?" she asked, in
surprise.
"You would be no better off, for they can't any of 'em speak English.
I have promised to bring her and fetch her away, anyway."
"Tom, I don't know how to thank you for what you are doing for me; but
it is awful to be under such an obligation to anyone," she said, the
tears coming to her eyes.
"If you think it's any hardship to ride around in a cab with the young
lady, just wait until you see her. She is a raving, tearing beauty,"
he answered, laughing, but Elizabeth was none the less grateful.
Tom's enthusiastic description of the child was borne out by the
facts, and it was a very beautiful and very dainty little lady whom he
carried into the studio the next morning. She was typically Italian,
and the dark hair, warm, brown skin and large, soft eyes, gave her
almost an Oriental expression, in spite of the conventional frills and
furbelows in which she was dressed.
"Here she is, Betsy," said Tom, gayly, as he sat down with the
youngster on his lap. "Now tell me what you want her to do, and I will
translate for you, for I must leave her with you while I go to the
office." Elizabeth looked at the child, who was gravely inspecting the
studio with wise-looking eyes.
"But, Tom, suppose she should cry or anything; what am I to do? She
can't understand me, and I shouldn't know what to say, anyway."
"And this is what comes of being an independent woman," he said,
looking at her in disapproval. "Well, you will have to take a chance,
and get on the best you know how, but I shall have luncheon sent in
here, and come back to eat it with you, for I can't trust the child's
diet to a bachelor maid."
Carlotta was frightened when Tom left, and Elizabeth began, rather
timidly, to comfort her; but she found it an easier task than she had
imagined. The feeling of the warm young body against her breast, the
sweet perfume of the child's hair and the caressing touch of the
little hands as they crept about her neck, were grateful to the lonely
artist, and somewhere in the womanhood within her, she found words
which Carlotta could understand, although they belonged to no language
known to grownups. After the first feeling of strangeness had worn
off, the child was quite contented with her, and so comfortable and
comforting in her arms that but little progress had been made with the
portrait when a waiter brought in the luncheon which Tom had ordered
from a neighboring restaurant. Tom came back to eat it with them, and
he was entirely satisfied with the friendship which had sprung up
between the woman and the child.
"I was asked to give you this; it seems that it is an Italian custom
to pay part in advance," he said, handing her an envelope as he left
her, and when she opened it she found a crisp and substantial bank
note. He took the little girl home that night, and when he returned to
take Elizabeth out to dinner, she was so elated that she seemed to be
walking on air; but she insisted that they go to a little Italian
restaurant, where she had been in the habit of dining.
"I was getting awfully tired of it, Tom, but Carlotta has given me a
liking for everything Italian," she said, merrily, and Tom, in the
happiness which the change in her brought to him, ate the indifferent
food and drank the doubtful wine contentedly. A few days later he
heard singing when he knocked on Elizabeth's door for luncheon, and
recognized an old nursery rhyme, which he had not heard since his
childhood, and when he came in he found her seated on the floor with
Carlotta, in the midst of a collection of toys, which must have made a
decided hole in her advance payment.
"Is this the way you attend to your 'life work,' young woman?" he
asked, with mock severity, and she seemed a little shamefaced; but
when the waiter brought the luncheon, he found all three of them on
the floor, and Elizabeth not at all pleased with the fickle Carlotta's
preference for the house which Tom had built with the blocks. But
nothing could disturb Tom's good nature these days, for he realized
that Elizabeth was growing fonder of the child each day, and with it
all she seemed happier and more feminine. About a week after the
sittings commenced, he noticed that her hair was arranged in the
fluffy, loose way he had admired so much three years before, giving
her face more of the girlish expression it had lost, and a bright
ribbon at the throat relieved the somberness of her working gown.
"Why, Betsy, you are growing younger," he said, looking at her in
admiration, and she blushed in confusion.
"You mean my hair and the ribbon," she replied, with a little trace of
self-consciousness in her manner. "Well, you see, Carlotta is of a
race which likes bright colors, so I thought it would please her."
"And incidentally you have given me great pleasure," he said, smiling
at her, approvingly, and a song was in his heart as he went down the
stairs.
Sunshine is not abundant in a New York winter, and none of it enters
the northern windows of a studio; but Elizabeth's tiny apartment came
to have an entirely different atmosphere while the child spent her
days in it. The program remained the same as on the first day; but
Elizabeth employed so much of her time in petting and playing with the
child, that the portrait did not advance rapidly, although enough had
been accomplished to show that it promised to be, by far, the best
thing which she had ever done. The jolly luncheons were a joy to both
of them, and Carlotta always gave a crow of delight, which Elizabeth's
heart was beginning to echo, when Tom's merry whistle heralded his
arrival.
But on the day he had noticed the change in Elizabeth's hair, there
was a marked restraint in her manner when he came in for luncheon, and
Carlotta, with the sensitiveness which makes children so quick to
recognize the moods of their elders, was sitting on the couch, finger
in mouth, and with widely opened eyes, which threatened tears.
"Tom, I must have a talk with you," said Elizabeth, her voice
trembling a little as he looked inquiringly from one to the other.
"Have you two had a falling out?" he asked, laughing, but Elizabeth's
expression checked his merriment.
"No, but I will tell you just what has happened, and then I want an
explanation. Let me speak without interruption, and then I will hear
what you have to say." He took off his coat and sat down without
speaking, and Elizabeth faced him.
"The Italian woman who cleans this place came in this morning with her
mop and pail, and Carlotta commenced chattering with her at once, and
the woman laughed, so that I asked her what she was saying. She told
me that Carlotta said she looked like her mother, and that she had the
same kind of mop and pail. Of course, judging from the appearance and
expensive clothing of the child, she thought it was absurd; but I got
her to question Carlotta for me, and she persisted in her story, and
described their home, which seems to consist of two overcrowded rooms
on Mulberry Street." She paused, and Tom looked at her with no trace
of embarrassment.
"Well, what of it?" he asked, defiantly. "The child was telling the
truth, and there is no reason to punish her."
"Punish her!" exclaimed Elizabeth, taken aback. "It is not a question
of what she has said or done; but of your conduct. Rich Italians do
not live in two rooms on Mulberry Street, and you have deceived me and
humiliated me by using this means to give me money."
"Nothing of the sort," he replied. "I haven't deceived you; although I
will admit that you deceived yourself, and I did not set you right.
The child's father was one of my mother's gardeners in Florence, and
when he decided to bring his large family over here, she gave him a
letter to me. He came to my office the morning after we dined
together, and I went to see his family, and fell in love with Carlotta
at once. The father was delighted to have her portrait painted, and I
thought it would be better to get fresh clothes for such an important
occasion."
"But immigrants are not making advance payments which are more than I
should have charged for a half-dozen portraits, and you have done this
simply to cloak an advance of money to me," she said, indignantly. "I
suppose that you meant it in kindness, but you have put me under an
obligation which I hate and which it will take me years to repay."
"There is no question of obligation," he replied, gently. "If I, as
the child's foster father, wish a portrait of her, it is my own
business whom I get to paint it, and how much I pay for it. I have
made arrangements to care for Carlotta, and I wish you to finish the
portrait for me, so that I may have something to remember her and this
happy time by, when she grows up and leaves me."
"Oh, Tom, you must not take her away from me!" exclaimed Elizabeth, in
dismay. "If you will let me finish this portrait and exhibit it, I am
sure that it will bring me other orders, and then I can repay you and
keep her with me."
"Do what? Keep the child with you?" asked Tom, in amazement.
"Yes, if you will help that much," she faltered. "I have thought it
all out since the woman translated for me. I know that I can get other
orders from this portrait, and I will be able to keep her, if the
parents will permit it, and they have so many children that I am sure
they will. Oh, Tom, it has been so lonely here, and now I can't let
you come any more--and I want her so!" She covered her face with her
hands, and, although Tom was not a man to be amused by a woman's
tears, he smiled and winked solemnly at the frightened looking child,
before he took them and held them in his own.
"Elizabeth Thornton," he said, seriously, "I will not relinquish my
claim on Carlotta, and if you want her, you must take me, too. It is
time to stop this foolishness about 'life work,' and to remember that
you are a woman, with all the weaknesses of the sex, which we condone,
and with all of its sweetness, which we love."
Carlotta looked at them wonderingly as Elizabeth put her arms around
his neck and her head on his breast; but when he raised Elizabeth's
face and kissed her lips, she clapped her tiny hands and gave a crow
of joy; for she knew that her friends had found happiness.