XII.

Five times had Johan, the player's boy, met young Lindley at the edge

of the Ogilvie woods. Five times he had reported nothing of any

interest concerning Mistress Judith Ogilvie, or, rather, the sum of

the five reports had amounted to naught. Once he said that Mistress

Judith was, if anything, quieter than usual. Again he told that her

maids had said that she had been in a fine rage when Master Lindley

had braved her wrath by appearing at her home and demanding an

interview with her. But when her father had taxed her with her

rudeness in refusing to descend and speak with her cousin, she had

merely shrugged her shoulders and said that Master Lindley was of too

little consequence even to discuss. She had been little with the

players. Johan himself had had much trouble in gaining any interviews

with her. She had spent more time than usual sewing with the maids.

She had spent more time with her father, giving as an excuse that she

could not ride abroad because her horse was lame. But Johan averred

that he had seen one of the stable lads exercising Star and there had

been nothing wrong with the horse.

On the sixth night Johan, peering up at Lindley from under his black

curls, asked if any inference could be gathered from aught that he had

reported and Lindley was obliged to confess that he saw none. The

shadows of the trees fell all about them.

"If Mistress Judith knew that I was watching her to make report to

you," hazarded the lad, "it might almost seem as though she were

playing some part for your benefit, so different is all this from her

former ways, but----"

"But she does not know," Lindley concluded the sentence.

"Nay, how could she know?" the lad asked. "If she knew she would but

include me in her hatred of you. She would deny me all access to her,

and that I could not bear. 'Tis all of no use, my master. Mistress

Judith is quite outside of all chance of your winning her. So little

have I done that I'll gladly release you from your bargain if you'll

but give up all hope of winning her."

"I've no faint heart, boy," answered Lindley. "Your Mistress Judith

will come to my call yet, you'll see."

"I'm not so sure I'd like to see that day, my master," answered the

lad, in a whimsical tone. "But, in all honesty, I should tell you--I

mean I'm thinking----" He hesitated.

"Well, boy, you're thinking what?" questioned Lindley, impatiently.

"Though I offered not to pay you for your thoughts."

"No, I give you my thoughts for no pay whatsoever." Johan's voice was

still full of a restrained mirth. "And you must remember, too, that I

told you at the first that I myself was a lover of Mistress Judith

Ogilvie. That, perhaps, gives me better understanding of the maid.

That, perhaps, makes my thoughts of value."

"Well, and what do you think?" demanded Lindley.

"I--I was going to say"--the boy spoke slowly--"it seems to me

that--that Mistress Judith may already be in love."

"In love!" echoed Lindley. "And with whom, pray you, might Mistress

Judith be in love? Whom has she seen to fall in love with? Where has

she been to fall in love? It was only last week that you told me that

Mistress Judith had sworn that she would never be in love with any

man--that she would never be won by any man."

"Ay, but maids--some maids--change their minds as easily as their

ribbons, my master," quoth the boy, somewhat sententiously.

"What reason have you for your opinion that Mistress Judith may be in

love?" Lindley's question broke a short silence, and he bit his lip

over the obnoxious word.

"I--why, it seems to me that her docility might prove it, might it

not? I--it's a lover's heart that speaks to you, remember--a heart

that loves mightily, a heart that yearns mightily. But is not docility

on a maid's part a sign of love? Might it not be? It seems to me that

if I were a maid and I'd fallen desperately and woefully in love, I'd

be all for gentleness and quiet, I'd sew with my maids and dream of

love, I'd give all of my time to my father from whom love was so soon

to take me. That's what I should think a maid would do, and that is

what Mistress Judith has done for a week past. And then to-day, as I

hung about outside her windows, I heard her rating her maids. Mistress

Judith's voice can be quite high and shrill when she is annoyed, you

may remember; and the one complete sentence that I heard was this: 'Am

I always to be buried in a country house, think ye, and what would

town folk think of stitches such as those if they could see them? But

see them they'll not, for you'll have to do some tedious ripping here,

my girls, and some better stitches.' Now"--the boy's lips curled

dolorously--"does not that sound to you as though Mistress Judith were

contemplating some change in her estate, as though she had already

given her heart to some town gallant?"

Lindley's brows were black and his lips, too, were curled. But curses

were the rods that twisted them.

"What devil's work is the girl up to now?" he demanded, savagely.

"She's doubtless met some ne'er-do-well unbeknown to Master Ogilvie. I

must see Mistress Judith at once, on the very instant, and have it out

with her."

"Oh, no, no!" cried Johan, the player's boy. "You'll but drive her on

in any prank she's bent on."

"Then it's Master Ogilvie I'll see," declared Lindley. "Where have all

your eyes been that the girl could have met a lover; that she could

have seen anyone with whom to fall in love? She must not fall in love

with anyone save me. Do you hear, boy? I love her. I love her."

"Ah, then it is your heart that's engaged in this matter," commented

Johan. "I thought, perhaps--why, perhaps it was merely Mistress

Judith's defiance of her father's wishes that led you on to wish to

marry her. You--you really do love Mistress Judith, for herself?

Really love her as a lover ought to love?"

"You're over curious, my lad," growled Lindley. "And yet 'tis my own

fault, I suppose. I've given you my confidence."

"But how know you that you love Mistress Judith?" persisted the boy.

"I love her--I love her because I've loved her always," answered

Lindley, passionately. "I loved her when I was ten, when she was six,

when her golden head was no higher than my heart."

"'Tis somewhat higher now, I think." The boy's words were very low.

"More like her heart would match to yours. Her eyes are as high above

the ground as your own. Her lips would not be raised to meet your

lips."

Lindley's face had grown scarlet.

"Be silent, boy," he cried. "You speak over freely of sacred things."

The lad, backing away from under Lindley's upraised arm, still

murmured, echoing Lindley's words: "Sacred things!" and added:

"Mistress Judith's heart! Her eyes! Her lips!"

What Lindley's answer might have been from lips and hand the lad never

knew. It was checked by a sudden onslaught from behind. Out from the

low bushes that hedged the woods sprang two figures in hoods and

cloaks. The foremost was tall and burly, though agile enough. The

second seemed but a clumsy follower. In an instant Lindley's sword was

engaged with that of the leader. For only an instant Johan hesitated.

Drawing a short sword from under his cloak, he sprang upon the second

of the highwaymen. Their battle was short, for the fellow's clumsiness

made him an easy victim for the slender youth. Pinked but slightly in

the arm, he gave vent to an unearthly howl and, turning away, he fled

through the dark aisles of the woods, his diminishing shrieks denoting

the speed and length of his flight.

But Johan's victory came not a second too soon, for just at that

moment Lindley's sword dropped from his hand, the blood spurting from

a deep wound in his shoulder. With a low snarl of victory, the

highwayman drew back his arm to plunge his sword into his victim's

breast, but Johan, springing forward and picking Lindley's weapon from

the ground, hurled himself upon their assailant.

"Not so fast, my friend," he cried, and in another second blades were

again flashing. Lindley, who for a moment had been overwhelmed by the

shock of his wound, raised a useless voice in protest. Johan's own

voice drowned every sound as he drove his antagonist now this way, now

that, quite at his own will.

The moon, in its last quarter, was just rising above the trees, and

the narrow glade was lighted with its weird, fantastic glow. From one

side of the road to the other, the shadowy figures moved, the steel

blades flashing in the glinting light, Johan's short, sharp cries

punctuating the song of the swords. Lindley could hear the ruffian's

heavy breathing as Johan forced him up the bank that edged the road.

He heard his horse's nervous whinny as the fight circled his flanks.

But Lindley was so fascinated by the brilliancy of the lad's fighting

that he had no thought of the outcome of the fray until he heard a

sudden sharp outcry. Then he saw Johan stagger back, but he saw at the

same instant that the highwayman had fallen, doubled over in a heap,

upon the ground. He saw, too, that Johan's sword, trailing on the

ground, was red with blood.

"You're hurt, lad!" Lindley, faint from loss of blood, staggered

toward the boy.

"Ay, ay, hurt desperately," moaned Johan. His voice seemed weak and

faltering.

"But how? But where? I did not see him touch you!" Lindley's left arm

encircled the lad, his right hung limp at his side.

Johan's head sank for an instant onto Lindley's shoulder.

"No, he did not touch me, 'tis no bodily hurt," he moaned; "but

I've--I've killed the man."

Lindley's support was withdrawn instantly and roughly.

"After such a fight, are you fool enough to bemoan a victory?" His

words, too, were rough. "Why, man, it was a fight to the death! You'd

have been killed if you had not killed. Did you think you were

fighting for the fun of it? You're squeamish as a woman."

Johan tried to recover his voice. He tried to stand erect.

"I did it well, did I not?" An unsteady laugh rang out. "The play

acting, I mean. You forget, Master Lindley, that I'm a player, that in

my parts I'm more often a woman than a man. And we actors are apt to

grow into the parts we oftenest counterfeit." Suddenly he staggered

and the sword clattered from his hand. But again he straightened

himself. "Would I gain applause as a woman, think you?"

"If it's play acting, have done with it," growled Lindley, whose wound

was hurting; who, in reality, was almost fainting from loss of blood.

"You've saved my life as well as your own, Johan. But we'll touch on

that later. There's no fear, is there, that your dead man will come to

life?"

The boy for the first time raised his eyes to Lindley's face. Even in

the darkness he could see that it was ghastly white and drawn with

pain. A nervous cry burst from his lips, and he stretched both arms

toward Lindley.

"Da--damn your play acting, boy," sputtered Lindley. "Nay, I mean not

to be so harsh. I'll--I'll not forget the debt I owe you either. But

you must help me to The Jolly Grig, where Marmaduke has skill enough

to tend my wound until I can reach London."

"But Master Ogilvie has skill in the care of wounds," cried Johan.

"Surely we are nearer Master Ogilvie's than The Jolly Grig. And

Mistress Judith will----"

"Nay, I'll not force myself on Mistress Judith in this way," answered

Lindley, petulantly.

"You are over considerate of Mistress Judith's feelings, even for a

lover," returned the boy.

"Ah, it's not Mistress Judith's feelings I'm considerate of," replied

Lindley. "She's capable of saying that I got the wound on purpose to

lie in her house, on purpose to demand her care."

Here Johan's unsteady laugh rang out once more.

"Indeed she's capable of that very thing, my master," he said, and as

he spoke he began to tear his long coat into strips.

"What are you doing that for?" demanded Lindley, leaning more and more

heavily against his horse's side.

"It's a bandage and a sling for your arm," answered the boy. "If you

will persist in the ride to The Jolly Grig, your arm must be tied so

that it will not bleed again."

"'Twill be a wonder if you do not faint away like a woman when you

touch the blood," scoffed Lindley.

"'Twill be a wonder, I'm thinking myself," answered the boy,

unsteadily.

And then, the bandage made and adjusted, Johan offered his shoulder to

assist the wounded man into the saddle. But Lindley, pressing heavily

yet tenderly against the lad, said gently:

"I've been rough, Johan, but believe me, this night's work will stand

you in good stead. Hereafter your play acting may be a matter of

choice, but never again of necessity."

"Heaven grant that the necessity will never again be so great!"

murmured Johan, indistinctly.

"I--I did not understand," faltered Lindley, reaching the saddle with

difficulty.

"I said--why I said," stammered Johan, "Heaven be praised that there

would be no more necessity for play acting."

Arrived at The Jolly Grig, Master Marmaduke Bass' perturbed face boded

ill for his surgical skill.

"Hast heard the news, my master?" he cried, before he saw the

condition of his guest. "Ah, Mr. Lindley, 'tis about a friend of your

own, too--a friend who was with you here not a week ago."

"I--I care not for your news, whatever it may be, whomever it may be

about," groaned Lindley, who was near the end of his endurance.

"Master Lindley's met with highwaymen," interrupted Johan. "Perchance

'tis the Black Devil himself. He's wounded and has need of your skill,

not of your news."

"Met with my Lord Farquhart!" cried honest Marmaduke. "But that's

impossible. My Lord Farquhart's been in prison these twelve hours and

more, denounced by his cousin, the Lady Barbara Gordon!"

It would have been hard to say which was the whiter, Master Lindley or

Johan, the player's boy. It would have been difficult to distinguish

between their startled voices.

"Lord Farquhart! In prison!"

"Ay, Lord Farquhart. The Black Devil. The Black Highwayman. Denounced

at a festival at my Lord Grimsby's by the Lady Barbara Gordon."

Ainslee's, Vol. 15, No. 6, July 1905 · 第 15 / 106 题