CHAPTER LXVIII.

THE LAST CONVERSATION BETWEEN GODOLPHIN AND CONSTANCE.--HIS THOUGHTS AND

SOLITARY WALK AMIDST THE SCENES OF HIS YOUTH.--THE LETTER.--THE DEPARTURE.

They had denied themselves to all the visitors who had attacked the

Priory; but on their first arrival, they had deemed it necessary to

conciliate their neighbours by concentrating into one formal act of

hospitality all those social courtesies which they could not persuade

themselves to relinquish their solitude in order singly to perform.

Accordingly, a day had been fixed for one grand fete at the Priory; it was

to follow close on the election, and be considered as in honour of that

event. The evening for this gala succeeded that which I have recorded in

the last chapter. It was with great reluctance that they prepared

themselves to greet this sole interruption of their seclusion; and they

laughed, although they did not laugh cordially, at the serious annoyance

which the giving a ball was for the first time to occasion to persons who

had been giving balls for a succession of years.

The day was remarkably still and close; the sun had not once pierced

through the dull atmosphere, which was charged with the yet silent but

gathering thunder; and as the evening came on, the sullen tokens of an

approaching storm became more and more loweringly pronounced.

"We shall not, I fear, have propitious weather for our festival to-night,"

said Godolphin; "but after a general election, people's nerves are

tolerably hardened: what are the petty fret and tumult of nature, lasting

but an hour, to the angry and everlasting passions of men?"

"A profound deduction from a wet night, dear Percy," said Constance,

smiling.

"Like our friend C----," rejoined Godolphin, in the same vein; "I can

philosophise on the putting on one's gloves, you know:" and therewith

their conversation flowed into a vein singularly contrasted with the

character of the coming events. Time fled on as they were thus engaged

until Constance started up, surprised at the lateness of the hour, to

attend the duties of the toilette.

"Wear this, dearest," said Godolphin, taking a rose from a flower-stand by

the window, "in memory of that ball at Wendover Castle, which although

itself passed bitterly enough for me, has yet left so many happy

recollections." Constance put the rose into her bosom; its leaves were

then all fresh and brilliant--so were her prospects for the future. He

kissed her forehead as they parted;--they parted for the last time.

Godolphin, left alone, turned to the window, which, opening to the ground,

invited him forth among the flowers that studded the grass-plots which

sloped away to the dark and unwavering trees that girded the lawn. That

pause of nature which precedes a storm ever had a peculiar attraction to

his mind; and instinctively he sauntered from the house, wrapped in the

dreaming, half-developed thought which belonged to his temperament.

Mechanically he strayed on until he found himself beside the still lake

which the hollows of the dismantled park embedded. There he paused,

gazing unconsciously on the gloomy shadows which fell from the arches of

the Priory and the tall trees around. Not a ripple stirred the broad

expanse of waters; the birds had gone to rest; no sound, save the voice of

the distant brook that fed the lake beside which, on the first night of

his return to his ancestral home, he had wandered with Constance, broke

the universal silence. That voice was never mute. All else might be

dumb; but that living stream, rushing through its rocky bed, stilled not

its repining music. Like the soul of the landscape is the gush of a fresh

stream; it knows no sleep, no pause; it works for ever--the life, the

cause of life to all around. The great frame of nature may repose, but

the spirit of the waters rests not for a moment. As the soul of the

landscape is the soul of man, in our deepest slumbers its course glides

on, and works unsilent, unslumbering, through its destined channel.

With slow step and folded arms Godolphin moved along. The well-remembered

scenes of his childhood were all before him; the wild verdure of the fern,

the broken ground, with its thousand mimic mounts and valleys, the deep

dell overgrown with matted shrubs and dark as a wizard's cave; the remains

of many a stately vista, where the tender green of the lime showed forth,

even in that dusky light, beneath the richer leaves of the chestnut; all

was familiar and home-breathing to his mind. Fragments of boyish verse,

forgotten for years, rose hauntingly to his remembrance, telling of wild

thoughts, unsatisfied dreams, disappointed hopes.

"But I am happy at last," said he aloud; "yes, happy. I have passed that

bridge of life which divides us from the follies of youth; and better

prospects, and nobler desires, extend before me. What a world of wisdom

in that one saying of Radclyffe's, 'Benevolence is the sole cure to

idealism;' to live for others draws us from demanding miracles for

ourselves. What duty as yet have I fulfilled? I renounced ambition as

unwise, and with it I renounced wisdom itself. I lived for pleasure--I

lived the life of disappointment. Without one vicious disposition, I have

fallen into a hundred vices; I have never been actively selfish, yet

always selfish. I nursed high thoughts--for what end? A poet in heart, a

voluptuary in life. If mine own interest came into clear collision with

that of another, mine I would have sacrificed, but I never asked if the

whole course of my existence was not that of a war with the universal

interest. Too thoughtful to be without a leading principle in life, the

one principle I adopted has been one error. I have tasted all that

imagination can give to earthly possession: youth, health, liberty,

knowledge, love, luxury, pomp. Woman was my first passion,--what woman

have I wooed in vain? I imagined that my career hung upon Constance's

breath--Constance loved and refused me. I attributed my errors to that

refusal; Constance became mine--how have I retrieved them? A vague, a

dim, an unconfessed remorse has pursued me in the memory of Lucilla; yet,

why not have redeemed that fault to her by good to others? What is

penitence not put into action, but the great fallacy in morals? A sin to

one, if irremediable, can only be compensated by a virtue to some one

else. Yet was I to blame in my conduct to Lucilla? Why should conscience

so haunt me at that name? Did I not fly her? Was it not herself who

compelled our union? Did I not cherish, respect, honour, forbear with

her, more than I have since with my wedded Constance? Did I not resolve

to renounce Constance herself, when most loved, for Lucilla's sake alone?

Who prevented that sacrifice--who deserted me--who carved out her own

separate life?--Lucilla herself. No, so far, my sin is light. But ought

I not to have left all things to follow her, to discover her, to force

upon her an independence from want, or possibly from crime? Ah, there was

my sin, and the sin of my nature; the sin, too, of the children of the

world--passive sin. I could sacrifice my happiness, but not my indolence;

I was not ungenerous, I was inert. But is it too late? Can I not yet

search, discover her, and remove from my mind the anxious burthen which

her remembrance imposes on it? For, oh, one thought of remorse linked

with the being who has loved us, is more intolerable to the conscience

than the gravest crime!"

Muttering such thoughts, Godolphin strayed on until the deepening night

suddenly recalled his attention to the lateness of the hour. He turned to

the house and entered his own apartment. Several of the guests had

already come. Godolphin was yet dressing, when a servant knocked at the

door and presented him with a note.

"Lay it on the table," said he to the valet; "it is probably some excuse

about the ball."

"Sir," said the servant, "a lad has just brought it from S----," naming a

village about four miles distant; "and says he is to wait for an answer.

He was ordered to ride as fast as possible."

With some impatience Godolphin took up the note; but the moment his eye

rested on the writing, it fell from his hands; his cheek, his lips, grew

as white as death; his heart seemed to refuse its functions; it was

literally as if life stood still for a moment, as by the force of a sudden

poison. With a strong effort he recovered himself, tore open the note,

and read as follows:

"Percy Godolphin, the hour has arrived-once more we shall meet. I summon

you, fair love, to that meeting--the bed of death. Come! Lucilla

Volktman."

"Don't alarm the countess," said Godolphin to his servant, in a very low,

calm voice; "bring my horse to the postern, and send the bearer of this

note to me."

The messenger appeared--a rough country lad, of about eighteen or twenty.

"You brought this note?"

"I did, your honour."

"From whom?"

"Why, a sort of a strange lady as is lying at the 'Chequers,' and not

expected to live. She be mortal bad, sir, and do run on awesome."

Godolphin pressed his hands convulsively together.

"And how long has she been there?"

"She only came about two hours since, sir; she came in a chaise, sir, and

was taken so ill, that we sent for the doctor directly. He says she can't

get over the night."

Godolphin walked to and fro, without trusting himself to speak, for some

minutes. The boy stood by the door, pulling about his hat, and wondering,

and staring, and thoroughly stupid.

"Did she come alone?"

"Eh, your honour?"

"Was no one with her?"

"Oh, yes! a little nigger girl: she it was sent me with the letter."

"The horse is ready, sir," said the servant; "but had you not better have

the carriage brought out? It looks very black; it must rain shortly, sir;

and the ford between this and S---- is dangerous to cross in so dark a

night."

"Peace!" cried Godolphin, with flashing eyes, and a low convulsive laugh.

"Shall I ride to that death-bed at my ease and leisure?"

He strode rapidly down the stairs, and reached the small postern door: it

was a part of the old building: one of the grooms held his impatient

horse--the swiftest in his splendid stud; and the dim but flaring light,

held by another of the servitors, streamed against the dull heavens and

the imperfectly seen and frowning ruins of the ancient pile.

Godolphin, unconscious of all around, and muttering to himself, leaped on

his steed: the fire glinted from the coursers hoofs; and thus the last

lord of that knightly race bade farewell to his father's halls. Those

words which he had muttered, and which his favourite servant caught and

superstitiously remembered, were the words in Lucilla's note--"The hour

has arrived!"

CHAPTER THE LAST.

A DREAD MEETING.--THE STORM.--THE CATASTROPHE.

On the humble pallet of the village inn lay the broken form of the

astrologer's expiring daughter. The surgeon of the place sat by the

bedside, dismayed and terrified, despite his hardened vocation, by the

wild words and ghastly shrieks that ever and anon burst from the lips of

the dying woman. The words were, indeed, uttered in a foreign tongue

unfamiliar to the leech, a language not ordinarily suited to inspire

terror; the language of love, and poetry, and music, the language of the

sweet South. But, uttered in that voice where the passions of the soul

still wrestled against the gathering weakness of the frame, the soft

syllables sounded harsh and fearful; and the dishevelled locks of the

sufferer--the wandering fire of the sunken eyes--the distorted gestures of

the thin, transparent arms, gave fierce effect to the unknown words, and

betrayed the dark strength of the delirium which raged upon her.

One wretched light on the rude table opposite the bed broke the gloom of

the mean chamber; and across the window flashed the first lightnings of

the storm about to break. By the other side of the bed sat, mute,

watchful, tearless, the Moorish girl, who was Lucilla's sole

attendant--her eyes fixed on the sufferer with faithful, unwearying love;

her ears listening, with all the quick sense of her race, to catch, amidst

the growing noises of the storm, and the tread of hurrying steps below,

the expected sound of the hoofs that should herald Godolphin's approach.

Suddenly, as if exhausted by the paroxysm of her disease, Lucilla's voice

sank into silence; and she lay so still, so motionless, that, but for the

faint and wavering pulse of the hand, which the surgeon was now suffered

to hold, they might have believed the tortured spirit was already

released. This torpor lasted for some minutes, when, raising herself up,

as a bright gleam of intelligence stole over the hollow cheeks, Lucilla

put her finger to her lips, smiled, and said, in a low, clear voice,

"Hark! he comes!"

The Moor crept across the chamber, and opening the door, stood there in a

listening attitude. She, as yet, heard not the tread of the speeding

charger;--a moment, and it smote her ear; a moment more it halted by the

inn door: the snort of the panting horse--the rush of steps--Percy

Godolphin was in the room--was by the bedside--the poor sufferer was in

his arms; and softened, thrilled, overpowered, Lucilla resigned herself to

that dear caress; she drank in the sobs of his choked voice; she felt

still, as in happier days, burning into her heart, the magic of his

kisses. One instant of youth, of love, of hope, broke into that desolate

and fearful hour, and silent and scarcely conscious tears gushed from her

aching eyes, and laved, as it were, the burthen and the agony from her

heart.

The Moor traversed the room, and, laying one hand on the surgeon's

shoulder, pointed to the door. Lucilla and Godolphin were alone.

"Oh!" said he, at last finding voice, "is it thus--thus we meet? But say

not that you are dying, Lucilla! have mercy, mercy upon your betrayer,

your----"

Here he could utter no more; he sank beside her, covering his face with

his hands, and sobbing bitterly.

The momentary lucid interval for Lucilla had passed away; the maniac

rapture returned, although in a wild and solemn shape.

"Blame not yourself," said she, earnestly; "the remorseless stars are the

sole betrayers: yet, bright and lovely as they once seemed when they

assured me of a bond between thee and me, I could not dream that their

still and shining lore could forebode such gloomy truths. Oh, Percy!

since we parted, the earth has not been as the earth to me: the Natural

has left my life; a weird and roving spirit has entered my breast, and

filled my brain, and possessed my thoughts, and moved every spring of my

existence: the sun and the air, the green herb, the freshness and glory of

the world, have been covered with a mist in which only dim shapes of dread

were shadowed forth. But thou, my love, on whose breast I have dreamed

such blessed dreams, wert not to blame. No! the power that crushes we

cannot accuse: the heavens are above the reach of our reproach; they smile

upon our agony; they bid the seasons roll on, unmoved and unsympathising,

above our broken hearts. And what has been my course since your last kiss

on these dying lips? Godolphin,"--and here Lucilla drew herself apart

from him, and writhed, as with some bitter memory,--"these lips have felt

other kisses, and these ears have drunk unhallowed sounds, and wild

revelry and wilder passion have made me laugh over the sepulchre of my

soul. But I am a poor creature; pour, poor--mad, Percy--mad--they tell me

so!" Then, in the sudden changes incident to her disease, Lucilla

continued--"I saw your bride, Percy, when your bore her from Rome, and the

wheels of your bridal carriage swept over me, for I flung myself in their

way; but they scratched me not; the bright demons above ordained

otherwise, and I wandered over the world; but you shall know not," added

Lucilla, with a laugh of dreadful levity, "whither or with whom, for we

must have concealments, my love, as you will confess; and I strove to

forget you, and my brain sank in the effort. I felt my frame withering,

and they told me my doom was fixed, and I resolved to come to England, and

look on my first love once more; so I came, and I saw you, Godolphin; and

I knew, by the wrinkles in your brow, and the musing thought in your eye,

that your proud lot had not brought you content. And then there came to

me a stately shape, and I knew it for her for whom you had deserted me:

she told me, as you tell me, to live, to forget the past. Mockery,

mockery! But my heart is proud as hers, Percy, and I would not stoop to

the kindness of a triumphant rival; and I fled, what matters it whither?

But listen, Percy, listen; my woes have made me wise in that science which

is not of heart, and I knew that you and I must meet once more, and that

that meeting would be in this hour; and I counted, minute by minute, with

a savage gladness, the days that were to bring on this interview and my

death!" Then raising her voice into a wild shriek--"Beware, beware,

Percy!-the rush of waters is on my ear-the splash, the gurgle!--Beware!--

your last hour, also; is at hand!"

From the moment in which she uttered these words, Lucilla relapsed into

her former frantic paroxysms. Shriek followed shriek; she appeared to

know none around her, not even Godolphin. With throes and agony the soul

seemed to wrench itself from the frame. The hours swept on--midnight

came--clear and distinct the voice of the clock below reached that

chamber.

"Hush!" cried Lucilla, starting. "Hush!" and just at that moment,

through the window opposite, the huge clouds, breaking in one spot,

discovered high and far above them a solitary star.

"Thine, thine, Godolphin!" she shrieked forth, pointing to the lonely orb;

"it summons thee;--farewell, but not for long!"

* * * * *

* * * * *

* * * * *

The Moor rushed forward with a loud cry; she placed her hand on Lucilla's

bosom; the heart was still, the breath was gone, the fire had vanished

from the ashes: that strange unearthly spirit was perhaps with the stars

for whose mysteries it had so vainly yearned.

Down fell the black rain in torrents; and far from the mountains you might

hear the rushing of the swollen streams, as they poured into the bosom of

the valleys. The sullen, continued mass of cloud was broken, and the

vapours hurried fast and louring over the heavens, leaving now and then a

star to glitter forth ere again "the jaws of darkness did devour it up."

At the lower verge of the horizon, the lightning flashed fierce, but at

lingering intervals; the trees rocked and groaned beneath the rain and

storm; and, immediately above the bowed head of a solitary horseman, broke

the thunder that, amidst the whirl of his own emotions, he scarcely heard.

Beside a stream, which the rains had already swelled, was a gipsy

encampment; and as some of the dusky itinerants, waiting perhaps the

return of a part of their band from a predatory excursion, cowered over

the flickering fires in their tent, they perceived the horseman rapidly

approaching the stream.

"See to yon gentry cove," cried one of the band; "'tis the same we saw in

the forenight crossing the ford above. He has taken a short cut, the

buzzard! and will have to go round again to the ford; a precious time to

be gallivanting about!"

"Pish!" said an old hag; "I love to see the proud ones tasting the bitter

wind and rain as we bear alway; 'tis but a mile longer round to the ford.

I wish it was twenty."

"Hallo!" cried the first speaker; "the fool takes to the water. He'll be

drowned; the banks are too high and rough to land man or horse yonder.

Hallo!" and with that painful sympathy which the hardest feel at the

imminent peril of another when immediately subjected to their eyes, the

gipsy ran forth into the pelting storm, shouting to the traveller to halt.

For one moment Godolphin's steed still shrunk back from the rushing tide:

deep darkness was over the water; and the horseman saw not the height of

the opposite banks. The shout of the gipsy sounded to his ear like the

cry of the dead whom he had left: he dashed his heels into the sides of

the reluctant horse, and was in the stream.

"Light--light the torches!" cried the gipsy; and in a few moments the

banks were illumined with many a brand from the fire, which the rain

however almost instantly extinguished; yet, by that momentary light, they

saw the noble animal breasting the waters, and perceived that Godolphin,

discovering by the depth his mistake, had already turned the horse's head

in the direction of the ford: they could see no more, but they shouted to

Godolphin to turn back to the place from which he had plunged; and, in a

few minutes afterwards, they heard, several yards above, the horse

clambering up the rugged banks, which there were steep and high, and

crushing the boughs that clothed the ascent. They thought, at the same

time, that they distinguished also the splash of a heavy substance in the

waves; but they fancied it some detached fragment of earth or stone, and

turned to their tent, in the belief that the daring rider had escaped the

peril he had so madly incurred. That night the riderless steed of

Godolphin arrived at the porch of the Priory, where Constance, alarmed,

pale, breathless, stood exposed to the storm, awaiting the return of

Godolphin, or the messengers she had despatched in search of him.

At daybreak his corpse was found by the shallows of the ford; and the mark

of violence across the temples, as of some blow, led them to guess that in

scaling the banks his head had struck against one of the tossing boughs

that overhung them, and the blow had precipitated him into the waters.

LETTER FROM CONSTANCE, COUNTESS OF ERPINGHAM, TO * * * .

August, 1832.

"I have read the work you have so kindly compiled from the papers

transmitted to your care, and from your own intimate knowledge of those to

whom they relate;--you have in much fulfilled my wishes with singular

success. On the one hand, I have been anxious that a History should be

given to the world, from which lessons so deep and, I firmly believe,

salutary, may be generally derived: on the other hand, I have been anxious

that it should be clothed in such disguises, that the names of the real

actors in the drama should be for ever a secret. Both these objects you

have attained. It is impossible I think, for any one to read the book

about to be published, without being impressed with the truth of the moral

it is intended to convey, and without seeing, by a thousand infallible

signs, that its spring and its general course have flowed from reality and

not fiction. Yet have you, by a few light alterations and addition,

managed to effect that concealment of names and persons, which is due no

less to the living than to the memory of the dead.

"So far I thank you from my heart: but in one point yon have utterly

failed. You have done no justice to the noble character you meant to

delineate under the name of Godolphin; you have drawn his likeness with a

harsh and cruel pencil; you have enlarged on the few weaknesses he might

have possessed, until you have made them the foreground of the portrait;

and his vivid generosity, his high honour, his brilliant intellect, the

extraordinary stores of his mind, you have left in shadow. Oh, God! that

for such a being such a destiny was reserved! and in the prime of life,

just when his mind had awakened to a sense of its own powers and their

legitimate objects! What a fatal system of things, that could for

thirty-seven years have led away, by the pursuits and dissipations of a

life suited but to the beings be despised, a genius of such an order, a

heart of such tender emotions![1] But on this subject I cannot, cannot

write. I must lay down the pen: to-morrow I will try and force myself to

resume it.

"Well, then, I say, you have not done justice to him. I beseech you to

remodel that character, and atone to the memory of one, whom none ever saw

but to admire, or knew but to love.

"Of me,--of me, the vain, the scheming, the proud, the unfeminine

cherishes of bitter thoughts, of stern designs,--of me, on the other

hand, how flattering is the picture you have drawn! In that flattery is

my sure disguise; therefore, I will not ask you to shade it into the poor

and unlovely truth. But while, with agony and shame, I feel that you have

rightly described that seeming neglectfulness of one no more, which sprang

from the pride that believed itself neglected, you have not said

enough--no, not one millionth part enough--of the real love that I

constantly bore to him: the only soft and redeeming portion of my nature.

But who can know, who can describe what another feels? Even I knew not

what I felt, until death taught it me.

"Since I have read the whole book, one thought constantly haunts me--the

strangeness that I should survive his loss; that the stubborn strings of

my heart have not been broken long since; that I live, and live, too,

amidst the world! Ay, but not one of the world; with that consciousness I

sustain myself in the petty and sterile career of life. Shut out

henceforth and for ever, from all the tenderer feelings that belong to my

sex; without mother, husband, child, or friend; unloved and unloving, I

support myself by the belief that I have done the little suffered to my

sex in expediting the great change which is advancing on the world; and I

cheer myself by the firm assurance that, sooner or later, a time must

come, when those vast disparities in life which have been fatal, not to

myself alone, but to all I have admired and loved; which render the great

heartless, and the lowly servile; which make genius either an enemy to

mankind or the victim to itself; which debase the energetic purpose; which

fritter away the ennobling sentiment; which cool the heart and fetter the

capacities, and are favorable only to the general development of the

Mediocre and the Lukewarm, shall, if never utterly removed, at least be

smoothed away into more genial and unobstructed elements of society.

Alas! it is with an aching eye that we look abroad for the only solace,

the only occupation of life,--Solitude at home, and Memory at our hearth."

THE END.

[1] The reader will acquit me of the charge of injustice to Godolphin's

character when he arrives at this sentence; it conveys exactly the

impression that my delineation, faithful to truth, is intended to

convey--the influences of our actual world on the ideal and imaginative

order of mind, when that mind is without the stimulus of pursuits at once

practical and ennobling.

Godolphin, Volume 6. · 第 10 / 10 章