THE SOLILOQUY OF THE SOOTHSAYER.--AN EPISODICAL MYSTERY, INTRODUCED AS A
TYPE OF THE MANY THINGS IN LIFE THAT ARE NEVER ACCOUNTED FOR.--GRATUITOUS
DEVIATIONS FROM OUR COMMON CAREER.
In Leicester Square there is a dim old house, which I have but this
instant visited, in order to bring back more vividly to my recollection
the wild and unhappy being who, for some short time, inhabited its
old-fashioned and gloomy chambers.
In that house, at the time I now speak of, lodged the mysterious Liehbur.
It was late at noon, and she sat alone in her apartment, which was
darkened so as to exclude the broad and peering sun. There was no trick,
nor sign of the fallacious art she professed, visible in the large and
melancholy room. One or two books in the German language lay on the table
beside which she sat: but they were of the recent poetry, and not of the
departed dogmas, of the genius of that tongue. The enthusiast was alone;
and, with her hand supporting her chin, and her eyes fixed on vacancy, she
seemed feeding in silence the thoughts that flitted to and fro athwart a
brain which had for years lost its certain guide; a deserted mansion,
whence the lord had departed, and where spirits not of this common life
had taken up their haunted and desolate abode. And never was there a
countenance better suited to the character which this singular woman had
assumed. Rich, thick, auburn hair was parted loosely over a brow in which
the large and full temples would have betrayed to a phrenologist the great
preponderance which the dreaming and the imaginative bore over the sterner
faculties. Her eyes were deep, intense, but of the bright and wandering
glitter which is so powerful in its effect on the beholder, because it
betokens that thought which is not of this daily world and inspires that
fear, that sadness, that awe, which few have looked on the face of the
insane and not experienced. Her features were still noble, and of the
fair Greek symmetry of the painter's Sibyl; but the cheeks were worn and
hollow, and one bright spot alone broke their marble paleness; her lips
were, however, full, and yet red, and by their uncertain and varying play,
gave frequent glimpses of teeth lustrously white; which, while completing
the beauty of her face, aided--with somewhat of a fearful effect--the
burning light of her strange eyes, and the vague, mystic expression of her
abrupt and unjoyous smile. You might see when her features were, as now,
in a momentary repose, that her health was broken, and that she was not
long sentenced to wander over that world where the soul had already ceased
to find its home; but the instant she spoke, her colour deepened, and the
brilliant and rapid alternations of her countenance deceived the eye, and
concealed the ravages of the worm that preyed within.
"Yes," said she, at last breaking silence, and soliloquising in
the English tongue, but with somewhat of a foreign accent; "yes, I am in
his city; within a few paces of his home; I have seen him, I have heard
him. Night after night--in rain, and in the teeth of the biting winds, I
have wandered round his home. Ay! and I could have raised my voice, and
shrieked a warning and a prophecy, that should have startled him from his
sleep as the trumpet of the last angel! but I hushed the sound within my
soul, and covered the vision with a thick silence. O God! what have I
seen, and felt, and known, since he last saw me! But we shall meet again;
and ere the year has rolled round, I shall feel the touch of his lips and
die! Die! what calmness, what luxury in the word! The fiery burthen of
this dread knowledge I have heaped upon me, shuffled off; memory no more;
the past, the present, the future exorcised; and a long sleep, with bright
dreams of a lulling sky, and a silver voice, and his presence!"
The door opened, and a black girl of about ten years old, in the costume
of her Moorish tribe, announced the arrival of a new visitor. The
countenance of Madame Liehbur changed at once into an expression of cold
and settled calmness; she ordered the visitor to be admitted; and
presently, Stainforth Radclyffe entered the room.
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"Thou mistakest me and my lore," said the diviner; "I meddle not with the
tricks and schemes of the worldly; I show the truth, not garble it."
"Pshaw!" said Radclyffe, impatiently; "this jargon cannot deceive me. You
exhibit your skill for money. I ask one exertion of it, and desire you to
name your reward. Let us talk after the fashion of this world, and leave
that of the other to our dupes."
"Yet, thou hast known grief too," said the diviner, musingly, "and those
who have sorrowed ought to judge more gently of each other. Wilt thou try
my art on thyself, ere thou askest it for others?"
"Ay, if you could restore the dead to my dreams."
"I can!" replied the soothsayer, sternly.
Radclyffe laughed bitterly. "Away with this talk to me; or, if you would
convince me, raise at once the spectre I desire to see!"
"And dost thou think, vain man," replied Liehbur, haughtily, "that I
pretend to the power thou speakest of? Yes; but not as the impostors of
old (dull and gross, appealing to outward spells, and spells wrought by
themselves alone) affected to do. I can bring the dead before thee, but
thou thyself must act upon thyself."
"Mummery! What would you drive at?"
"Wilt thou fast three days, and for three nights abstain from sleep, and
then visit me once again?"
"No, fair deluder; such a preliminary is too much to ask of a Neophyte.
Three days without food, and three nights without sleep! Why, you would
have to raise myself from the dead!"
"And canst thou," said the diviner, with great dignity, "canst thou hope
that thou wouldst be worthy of a revelation from a higher world--that for
thee the keys of the grave should unlock their awful treasure, and the
dead return to life, when thou scruplest to mortify thy flesh and.
loosen the earthly bonds that cumber and chain the spirit? I tell thee,
that only as the soul detaches itself from the frame, can its inner and
purer sense awaken, and the full consciousness of the invisible and divine
things that surround it descend upon its powers."
"And what," said Radclyffe, startled more by the countenance and voice
than the words themselves of the soothsayer; "what would you then do,
supposing that I perform this penance?"
"Awaken to their utmost sense, even to pain and torture, the naked nerves
of that Great Power thou callest the Imagination; that Power which
presides over dreams and visions, which kindles song, and lives in the
heart of Melodies; which inspired the Magian of the East and the Pythian
voices--and, in the storms and thunder of savage lands originated the
notion of a God and the seeds of human worship; that vast presiding Power
which, to the things of mind, is what the Deity is to the Universe
itself--the creator of all. I would awaken, I say, that Power from its
customary sleep where, buried in the heart, it folds its wings, and lives
but by fits and starts, unquiet, but unaroused; and by that Power thou
wouldst see, and feel, and know, and through it only thou wouldst exist.
So that it would be with thee, as if the body were not: as if thou wert
already all-spiritual, all-living. So thou wouldst learn in life that
which may be open to thee after death; and so, soul might now, as
hereafter, converse with soul, and revoke the Past, and sail prescient
down the dark tides of the Future. A brief and fleeting privilege, but
dearly purchased: be wise, and disbelieve in it; be happy, and reject it!"
Radclyffe was impressed, despite himself, by the solemn novelty of this
language, and the deep mournfulness with which the soothsayer's last
sentence died away.
"And how," said he, after a pause, "how, and by what arts would you so
awaken the imaginative faculty?"
"Ask not until the time comes for the trial," answered Liebhur.
"But can you awaken it in all?--the dull, the unideal, as in the musing
and exalted?"
"No! but the dull and unideal will not go through the necessary ordeal.
Few besides those for whom fate casts her great parts in life's drama,
ever come to that point when I can teach them the Future."
"Do you mean that your chief votaries are among the great? Pardon me, I
should have thought the most superstitious are to be found among the most
ignorant and lowly."
"Yes; but they consult only what imposes on their credulity, without
demanding stern and severe sacrifice of time and enjoyment, as I do. The
daring, the resolute, the scheming with their souls intent upon great
objects and high dreams-those are the men who despise the charms of the
moment, who are covetous of piercing the far future, who know how much of
their hitherward career has been brightened, not by genius or nature, but
some strange confluence of events, some mysterious agency of fate. The
great are always fortunate, and therefore mostly seekers into the decrees
of fortune."
So great is the influence which enthusiasm, right or wrong, always
exercises over us, that even the hard and acute Radclyffe-who had entered
the room with the most profound contempt for the pretensions of the
soothsayer, and partly from a wish to find materials for ridiculing a
folly of the day, partly, it may be from the desire to examine which
belonged to his nature--began to consider in his own mind whether he
should yield to his curiosity, now strongly excited, and pledge himself to
the preliminary penance the diviner had ordained.
The soothsayer continued:--
"The stars, and the clime, and the changing moon have power over us--why
not? Do they not have influence over the rest of nature? But we can only
unravel their more august and hidden secrets, by giving full wing to the
creative spirit which first taught us their elementary nature, and which,
when released from earth, will have full range to wander over their
brilliant fields. Know in one word, the Imagination and the Soul are one,
one indivisible and the same; on that truth rests all my lore."
"And if I followed your precepts, what other preliminaries would you
enjoin?"
"Not until thou engagest to perform them, will I tell thee more."
"I engage!"
"And swear?"
"I swear!"
The soothsayer rose--and----
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