CHAPTER V

GULMARG

What will be one day known as the playground of India, and what is

known to the Kashmiris as the "Meadow of Flowers," is situated

twenty-six miles from Srinagar, half-way up the northward-facing

slopes of the Pir Panjal. There is no other place like Gulmarg.

Originally a mere meadow to which the Kashmiri shepherds used to bring

their sheep, cattle, and ponies for summer grazing, it is now the

resort of six or seven hundred European visitors every summer. The

Maharaja has a palace there. There is a Residency, an hotel, with a

theatre and ball-room, post office, telegraph office, club, and more

than a hundred "huts" built and owned by Europeans. There are also

golf links, two polo grounds, a cricket ground, four tennis courts,

and two croquet grounds. There are level circular roads running all

round it. There is a pipe water-supply, and maybe soon there will be

electric light everywhere. And yet for eight months in the year the

place is entirely deserted and under snow.

Like Kashmir generally, Gulmarg also is said by those who knew it in

the old days to be now "spoilt." With the increasing numbers of

visitors, with the numerous huts springing up year by year in every

direction, with the dinners and dances, it is said to have lost its

former charms, and it is believed that in a few years it will not be

worth living in. My own view is precisely the opposite. I knew Gulmarg

nineteen years ago, and it certainly then had many charms. The walks

and scenery and the fresh bracing air were delightful. Where now are

roads there were then only meandering paths. What is now the polo

ground was then a swamp. The "fore" of the golfer was unknown. All was

then Arcadian simplicity. Nothing more thrilling than a walk in the

woods, or at most a luncheon party, was ever heard of.

And, doubtless, this simplicity of life has its advantages. But it had

also its drawbacks. Man cannot live for ever on walks however charming

and however fascinating his companion may be. His soul yearns for a

ball of some kind whether it be a polo ball, a cricket ball, a tennis

ball, a golf ball, or even a croquet ball. Until he has a ball of some

description to play with he is never really happy.

So now that a sufficient number of visitors come to Gulmarg to supply

subscriptions enough to make and keep up really good golf links, polo

grounds, etc., I for my part think Gulmarg is greatly improved. I

think, further, that it has not yet reached the zenith of its

attractions. It is the Gulmarg of the future that will be the really

attractive Gulmarg, when there is money enough to make the second

links as good as the first, to lay out good rides down and around the

marg, to make a lake at the end, to stock it with trout, and to have

electric light and water in all the "huts," and when a good hotel and

a good club, with quarters for casual bachelor visitors, have been

built.

[Illustration: ON THE CIRCULAR ROAD, GULMARG]

All this is straying far from the original Arcadian simplicity, but

those who wish for simplicity can still have it in many another valley

in Kashmir--at Sonamarg, Pahlgam, or Tragbal, and numerous other

places, and the advantage of Gulmarg is that the visitor can still if

he choose be very fairly simple. He can go about in a suit of

puttoo. He need not go to a single dance, or theatrical performance,

or dinner-party, or play a single game. He need not speak to a soul

unless he wants to. He can pitch his tent in some remote end of the

marg, and he can take his solitary walks in the woods; _but_, if after

a while he finds his own society is not after all so agreeable as he

had thought, if he feels a hankering for the society of his fellows,

male or female, and if he finds the temptation to play with some ball

is irresistible, then just under his nose is every attraction. He can

indulge his misanthropic inclinations at will, and at a turn in those

inclinations he can plunge into games and gaiety to his heart's

content.

The main charm of Gulmarg will, however, always remain the beauty of

its natural scenery and the views of the great peak, Nanga Parbat,

26,260 feet above sea-level, and 80 miles distant across the valley.

The marg or meadow itself is a flowery, saucer-shaped hollow under a

mountain 13,000 feet high, and bounded by a ridge directly overhanging

the main valley of Kashmir. It is 8500 feet above sea-level, open and

covered with flowers and soft green turf, but on all sides it is

surrounded by forests of silver fir interspersed with spruce, blue

pine, maple, and a few horse-chestnuts, and the great attraction is

that through this forest of stately graceful firs the most superb

views may be had, first over the whole length and breadth of the vale

of Kashmir, then along the range of snowy mountains on the north, and

as a culminating pleasure, to the solitary Nanga Parbat, which stands

out clear and distinct above and beyond all the lesser ranges, and

belonging, so it seems, to a separate and purer world of its own. And

there is the further attraction in the Gulmarg scenery that it is ever

changing--now clear and suffused in brilliant sunlight, now the

battle-ground of monsoon storms, and now again streaked with soft

fleecy vapours and bathed in haze and colour. No two days are alike,

and each point of view discloses some new loveliness.

Round the outside of the ridge runs what is known as the circular

road. It has the advantage of being perfectly level, and is fit for

riding as well as walking. Except the road through the tropical

forests near Darjiling, along which I rode on my way to and from

Tibet, and which runs for miles through glorious tropical vegetation,

by immense broad-leaved trees with unknown names, all festooned with

creepers and lighted with orchids; by great tree ferns, wild

bananas, and a host of other treasures of plant life, and through

which glimpses of the mighty Kinchinjanga, 28,250 feet, could be

caught,--except that I know of no other more beautiful road than this

along the ridge of Gulmarg.

[Illustration: IN THE FOREST]

From it one looks down through the wealth of forest on to the valley

below, intersected with streams and water-channels, dotted over with

wooded villages, and covered with rice-fields of emerald green; on to

the great river winding along the length of the valley to the Wular

Lake at its western end; on to the glinting roofs of Srinagar; on to

the snowy range on the far side-valley; and, finally, on to Nanga

Parbat itself.

And never for two days together is this glorious panorama exactly the

same. One day the valley will be filled with a sea of rolling clouds

through which gleams of sunshine light up the brilliant green of the

rice-fields below. Above the billowy sea of clouds long level lines of

mist will float along the opposite mountain-sides. Above these again

will rise the great mountains looking inconceivably high. And above

all will soar Nanga Parbat, looking at sunset like a pearly island

rising from an ocean of ruddy light.

On another day there will be not a cloud in the sky. The whole scene

will be bathed in a bluey haze. Through the many vistas cut in the

forest the eye will be carried to the foot-hills sloping gradually

towards the river, to the little clumps of pine wood, the village

clusters of walnut, pear, and mulberry, the fields of rice and maize,

to the silvery reaches of the Jhelum, winding from the Wular Lake to

Baramula, to the purply blue of the distant mountains, then on to the

bluey white of Nanga Parbat, sharply defined, yet in colour nearly

merging into the azure of the sky, and showing out in all the greater

beauty that we see it framed by the dark and graceful pines in which

we stand.

And this forest has no mean attractions of its own, of which to my

little girl the chief were the white columbines. Here also are found

purple columbines, delphiniums, what are known as white slipper

orchids, yellow violets, balsams, mauve and yellow primulas,

potentillas, anemones, Jacob's ladder, monkshood, salvias, many

graceful ferns, and numerous other flowers of which I do not pretend

to know the name.

[Illustration: FROM THE CIRCULAR ROAD, GULMARG]

The Residency is situated on the summit of the ridge above the

circular road, and from it can be seen not only Nanga Parbat (through

a vista cut in the trees) and the main valley, but also a lovely

little side-valley known as the Ferozepur nulla. Looking straight down

two thousand feet through the pine trees we see a mountain torrent

whose distant rumbling mingles soothingly with the sighing of the

pines. Brilliant green meadows, on which a few detached pine trees

stand gracefully out here and there, line the river banks. Steep

hill-sides, mostly clad in gloomy forest, rise on either hand, but

relieved by many patches of grassy sun-lit slope. The spurs become a

deeper and deeper purple as they recede. The openings in the forests

become wider higher on the mountain-side where the avalanches have

scoured them more frequently. Higher still the forest-line is passed,

and the little stream is seen issuing from its source among the

snow-fields and flowing over enticing grassy meadows. Above the

glistening snow-fields rises a rugged peak of the Pir Panjal which,

when it is not set against a background of intense blue sky, is the

butt of raging storm-clouds.

The most beautiful time in Gulmarg is in September, when the rains are

over and the first fresh autumn nip is in the air. Then from the

summer-house in our garden, in the early morning, to feast my eyes on

Nanga Parbat was a perpetual delight. It was the very emblem of

purity, dignity, and repose. Day after day it would appear as a vision

of soft pure white in a gauze-like haze of delicate blue. Too light

and too ethereal for earth, but seemingly a part of heaven; a vision

which was a religion in itself, which diffused its beauty throughout

one's being, and evoked from it all that was most pure and lovely.

The foreground in this autumn month was also worthy of the supreme

subject of the picture. Through the pines the touches of sunlit

meadow, fresh and green, with long shadows of the trees thrown here

and there across them and intensifying the effect of the sunlight; the

groups of cattle; the horizontal streaks of mist floating on the edge

of the woods; the cheerful twittering of the birds; the soothing hum

of the bees and insects; the crowing of cocks; the rippling sound of

running water; and then, looking towards Aparwat, the brilliant

sunshine brightening the emerald grass of the marg; the patches of

yellow flowers; the little meandering stream; the pretty chalet huts

peeping out from the edge of the trees; the background of dark firs

and pines getting lighter as they merge into the bluey haze of the

distance; the fresh green meadows over the limit of the pines; the

snow-fields; the rocky peaks, and above all the clear blue liquid

sky,--all this gave a setting and an atmosphere which fitly served as

an accompaniment to this most impressive of Nature's works.

Kashmir, described by Sir Francis Younghusband, painted by Major E. Molyneux · 第 5 / 14 章