BOOK II

MRS. HAMMOND

JANUARY, 1914--SEPTEMBER, 1915

XIV

Against the car the wind hurled the challenge of a thousand angry

spears of rain. With blow after blow they assailed the leather hood,

only to break and fall helplessly to the streaming road.

"What a night for a dance," groaned Mrs. Hammond. "If I had known what

it was going to be like, I really shouldn't have come, though I hate

to disappoint you."

But even if she had known, she must still have come, and not only

because she hated to disappoint the girls. For matters at Miller's

Rise were growing desperate. Morning after morning Mrs. Hammond had

come downstairs to find her daughters confronting her like the outward

and visible sign of an inward and spiritual failure, Connie always

bored and restless, Muriel becoming yearly more prim and silent. It

was 1914 already, and nothing done. Adelaide Waring's husband at York

earned £2,000 a year. Nancy Cartwright was now Nancy Buchanan, and

even Daisy Parker, as Daisy Weathergay, lived in a little corner house

along the Avenue, and kept a nice little maid, and paid calls, and

shopped down the village street with one of those painted wicker

baskets on her arm.

Of course there was Dr. McKissack. Surely, surely he must mean

something. If only one were more certain of Connie. If only that queer,

reckless strain in her nature would not make her do unconventional

things that men disliked. She was so like Arthur, and yet in a woman,

somehow, it did not do to be like Arthur. In the darkness of the

car, Mrs. Hammond's face grew weary, thinking of bitter things. Her

troubles were not confined to the spinsterhood of her daughters.

The car lurched and jolted round a corner into the mean street that

crouched before the Kingsport thoroughfares.

"Muriel, I do wish that you would not tread on my shoe," complained

Connie. "You know that they're my best ones. It isn't as if I could

get a new pair any day."

"I'm sorry. I didn't see."

"No. You never do see. Mother, why can't we have an allowance? I'm

sick of this beastly dependence upon Father. It's all to gratify his

vanity. He'll take us in to Kingsport to buy a rotten hat, like when

he bought my velour before Christmas, and I was simply pining for new

furs. It's just to hear us say thank you, and to feel how generous he

is."

"Oh, Connie, I've told you before that I have done my best. Don't let

us start the discussion all over again."

"It's all very well, but if you'd only let me go on that chicken farm

with Hilda there wouldn't have been any need to discuss it."

"And you wouldn't have been going to a dance to-night either. You know

quite well that you would never have made it pay. We don't want to

start all that again, surely."

They were passing through the main streets now, and the lamps looked

through into the warm stuffiness of the car.

"At any rate," said Mrs. Hammond, calling up her courage, "it is going

to be a nice dance." She had said that so many times. "You did say

that the doctor was coming, didn't you, Connie?"

"He said he might." Connie's manner was off-hand, but in the darkness

her face softened, and her brown eyes glowed with expectation.

She didn't care twopence for the little Scotch doctor, she told

herself; but she was sick, sick, sick of Miller's Rise. She was sick

of dressing up her fine young body, which nobody cared to see. She was

sick of living through the long months of the year all on top of

Muriel and her mother, sick of scenes with her father, because he

would neither let her go away nor give her the allowance that she

considered necessary. And she was sick of her mother's fretful hints

and of her father's stupid chaffing. She was weary of cinema romances,

where true love always triumphed. She was weary of Marshington reality

where her school friends and neighbours smirked at her above their

diamond half-hoops, or simpered at her over piles of trousseau

_lingerie_. At twenty-one she had smiled when other girls talked about

proposals; at twenty-two she had blushed and answered irritably; at

twenty-three she had lied shamelessly and shrieked her noisy, jolly

laugh. At twenty-four she would have no further need to lie.

She pushed back a curl of springing hair, and tried to imagine married

life with Hugh McKissack. The wind enfolded the car in the fierce

caress of brushing wings, tumultuous as love, as love, thought Connie.

"Love," she whispered to herself, "Love, love, love," as though by an

incantation she could call it to her.

There was a sentence in _The Romance of Emmeline_ by Sylvia Carlton,

that had sung itself into her seeking mind.

". . . And as he approached her, her heart beat faster. In all that

crowded room they were alone. He only took her hand, but his eyes

caressed her, and youth and spring, sweet with laughter, clamorous

with birdsong, leapt from the loneliness to meet them. Their formal

greeting sang like a passionate poem, and in the shadows of her eyes

he saw the amorous darkness of the perfumed night."

"Hugh McKissack," thought Connie, remembering the way in which his

kind, short-sighted eyes peered through his glasses. Could men ever

make you feel like that? Godfrey Neale, Freddy Mason, Captain

Lancaster whom they had met at Broadstairs. She let a procession of

"possibles" pass through her mind. At least if Hugh loved her he would

take her away. "Let now thy servant depart in peace," thought Connie

foolishly, "according to thy word. For my reproach hath been taken

away from me. . . ." She felt strangely happy and yet urged by a

strong desire to cry.

"Muriel, just see if that window is quite shut. There is such a

draught."

"We're just there," said Muriel, peering through the rain-smeared

glass, and wondering if she would be able to catch Mrs. Cartwright in

the cloak-room to ask about the nursing subscriptions. Muriel's life

had centred largely round the Nursing Club, ever since Mrs. Potter

Vallery had taken up the Fallen Girls' Rescue Work, and Mrs. Hammond

had abandoned the Club for her committee.

"Is there an awning up? I do hope that there is. Where is my bag,

girls?"

The cars crawled forward, spilling their burdens of satin and furs and

gleaming shirt fronts on to the damp red felt below the awning. As the

Hammonds passed, a girl in a rain-soaked hat trimmed with wilting

plumes called from the dingy group watching on the pavement:

"Good evening, Mrs. 'Ammond, 'opes you enjoy yourself!"

"Who was that girl?" asked Muriel, slipping off her cloak.

Her mother frowned. "One of the girls who used to be at St. Catherine's.

They have no business to come and waste their time watching the people

arriving at a dance. We got her into a decent situation too."

Muriel, who liked to see pretty things herself, thought, "Now that is

just the sort of thing that I should have thought that those girls

would have liked to do." For the streets of Kingsport on a winter

evening were curiously devoid of colour, and the procession of pink

and mauve and lemon-coloured cloaks gleamed like the lights from a

revolving lantern down the pavement.

Connie murmured with a hairpin in her mouth, "What awful cheek."

Being unconventional in her own behaviour at times through lack of

self-control, she had little patience for other people who had

suffered from an aggravation of the same offence. Muriel, whose

behaviour was always scrupulously regulated, had more sympathy to

spare for the exceptional. All the same, she did not know very much

about St. Catherine's. Her mother would never let her go near the

Home. It was not nice that unmarried girls should know about these

things. Muriel, whose mind was singularly incurious, accepted without

question the convention that only substantially married women could

safely touch their fallen sisters. Her mother, Muriel heard, was most

zealous in their cause, so firm, so sensible, so economical upon the

House Committee. It had been her work upon that committee that had

brought her to the notice of the Bishop. There was no doubting her

ability. Better leave such work to her, thought Muriel; yet, as she

clasped a bangle over her white glove in the cloak-room, the girl's

eyes haunted her, mocking from the rain. Beyond this room with its

cosy fire, beyond the decorous safety of Miller's Rise, lay a world of

tears and darkness, of sudden joy and hopeless ruin. Muriel shivered,

then followed Connie and her mother from the room. It was, at least,

another world.

In the door-way they met Mrs. Waring, still slim and elegant in pale

grey satin.

"Ah, I'm so glad that you were able to come," she smiled. "And the

girls. How nice; Adelaide has brought a few friends of Sydney's from

York. I must introduce them to you. There's an Eric Fennington and

Tony Barton, such dear boys and devoted to Adelaide. She's so popular

in York, you know. Naughty girl, I tell her that Sydney will be

jealous if she always has a trail of young men following her about.

And then, what will the unmarried girls do if staid matrons like her

monopolize all the men?"

Mrs. Hammond smiled gently. "Ah, well, you know. There are still

just a few men left in Marshington. We are not all as adventurous

as Adelaide, going to York. But then, of course, a different

generation----" She glanced across the room to the goodly paunch and

receding hair of Sydney Rutherford, who was earning £2,000 a year and

who looked every penny of it. Then she broke off. "Oh, there is Mrs.

Potter Vallery. I promised to keep her in countenance as the only

woman here in a last year's dress."

Only since her acquaintance with Mrs. Potter Vallery had Mrs. Hammond

dared to say nasty things to the Marshington ladies. The relief, after

so many years of restraint, was immense. She crossed the room, leaving

Mrs. Cartwright, whom Muriel had just released from contemplation of

the Nursing Club, Class A. Subscribers, to keep Mrs. Waring company

near the door.

"Poor Rachel Hammond is growing quite thin, isn't she?"

"Yes," murmured Mrs. Waring into her fan. "Running after Honourables

is hard work. And then, of course, they say"--Mrs. Waring dropped her

voice--"that Arthur Hammond----" She shrugged her shoulders.

"Well, poor woman! poor woman! I hope it's not true. I dare say that

she feels Marshington relaxing." Mrs. Cartwright's good humour led

her always to attribute human trouble to the defects of impersonal

locality. It saved her from having to blame people. "I'm sure that I

haven't been well all this winter. I did think of going to Buxton in

the spring, but Mrs. Marshall Gurney says that it didn't do her a

scrap of good."

"But I don't think that it was for a change of air so much as a change

of scene that Annabelle went to Buxton."

"Scene?"

"Scene. For Phyllis and for herself. An exclusive view of the Weare

Grange becomes a little tiring after a time. I dare say that Mrs.

Hammond may try for a change soon, but I rather think that she has the

more staying power." Having tried the waiting game herself and

abandoned it, Mrs. Waring felt that she had a right to find amusement

in a contest that had once engaged almost the whole of Marshington,

but which had now, she considered, been reduced to the final round.

Meanwhile, having secured her smile from Mrs. Potter Vallery, Mrs.

Hammond reviewed her daughters' programmes. She had grown accustomed

to these early arrivals, followed by a determined search for partners,

while she shepherded stray young men gently up to her waiting girls.

She did it well, and also contrived to achieve a reputation for

introducing men to other people's daughters; this was one of her more

clever strokes of statesmanship. To-night she felt that her burden

might be easier. For some time things had been working up to a climax.

Well, if Connie went before Muriel, what matter?

"Let me see, Muriel, was it the first waltz or the fifth that you were

going to have with Godfrey Neale? The fifth? That's right. And Connie,

let me see, where was it you said that Dr. McKissack promised to meet

us?"

"He never exactly said," Connie began.

"He's over there, talking to that girl in green. They've just come

in," said Muriel.

"I expect that he's waiting for us; I'll go and tell him that we've

come." As Mrs. Hammond crossed the room, she was thinking, "Dickie

Weathergay proposed to Daisy at the Tennis Dance . . . Hugh McKissack,

Dr. McKissack, my son-in-law. A very old Scotch family. I only hope

that Connie keeps her hair tidy for once. A doctor. A professional

man." But when the tender smile curved her lips as she approached the

young man, it was because she had thought for a moment of her husband.

Dr. McKissack turned with a slight flush to face her greeting. Being

not entirely shameless, the memory of many Sunday night suppers

oppressed him. But he was a Scotchman, and wanted to marry, and had

no private means, and cold saddle of mutton had been welcome.

"Ah, Mrs. Hammond, good, good. And how are ye? Glad you were able to

come." Seeing her pretty, waiting face, he felt more nervous than was

reasonable. But he was a man of courage. Had he not been, he never

could have enjoyed his saddle of mutton. "I want to introduce you to

my fiancée. I think that you know Miss Hemmingway."

Mrs. Hammond, who did not know the daughter of a retired grocer,

bowed. She even continued to smile. "Of course. I am so pleased to

meet you at last. Naturally I remember having seen you at dances and

things for years, haven't I? But we've never really managed to meet."

She was even able to search out Mrs. Cartwright, and to remark

casually:

"Seen the latest couple? That Hemmingway girl and Dr. McKissack? He's

just told me that they are engaged."

Mrs. Cartwright nodded comfortably. "Yes, it's been coming on for a

long time, I understand. I'm so glad for her sake, poor girl. People

haven't been very nice to her."

"Well, I had never come across her before, but, considering who

she is, I thought that she seemed quite a nice sort of girl. Most

suitable, I think. I know the doctor a little. Used to entertain him

when he first came here."

"Yes. I know how good you always are to the boys," Mrs. Cartwright

said without irony. Because she had a charitable mind, Mrs. Hammond

found her restful; but when she had left the shelter of her disarming

simplicity, and found herself surrounded again by Warings, Parkers and

their friends, her courage almost failed her. She had needed it so

often lately. The infamy of it! The graceless, wicked ingratitude! All

that cold chicken and salmon, and the saddles of mutton. Besides, she

had liked the little man. She had thought that he liked her. She

could have sworn that he liked her. Connie. Her small, tightly gloved

hands locked round her fan. She felt tired and suddenly old; but there

could be no respite for her. Already the orchestra was groaning and

wailing before the first dance. The girls must have partners. Connie

must be told without being upset. It was difficult to tell with

Connie. She rather liked to make a scene, like Arthur, but without his

faculty for success. Mrs. Hammond drew the soft feathers of her fan

across her aching forehead, and went into the ball-room.

Adelaide Rutherford was leading her young men across the floor. Now if

only Connie were sensible and had a fairly full programme, she might

still carry things off. She certainly looked well to-night, and one of

Adelaide's young men from York, while talking to Gertrude Larkinton,

seemed continually to be watching Connie's gay blue dress. Supposing

that Connie, unconscious of the doctor's perfidy, were keeping dances

for him? She must be told, and told quickly. Muriel, who did not mind,

would do it best, but Muriel was talking to Rosie Harpur. That was one

of Muriel's irritating habits. People might begin to think of them

together, as poor Rosie Harpur and poor Muriel Hammond. Failure is so

contagious.

"Muriel, dear, just a moment."

"Yes, Mother?"

"Is she--do you know whether she has been keeping any dance for Dr.

McKissack?"

"Several, I think."

"You've got to tell her, now, that he's engaged to that Hemmingway

girl." Her voice quivered fiercely. "It's disgraceful. Disgraceful."

Muriel's mouth twisted into a small, cold smile. "It's not the first

time that it's happened. Are you surprised?" Being used to these

reverses, she was hardly interested. The little doctor was just one of

the many men who had come to their house, and gone. Then she saw that

her mother had been surprised. Pity as usual froze her to stiff

shyness, though she wanted then to carry Mrs. Hammond away home

and kiss her better, for she had looked for a moment as small and

defenceless as a hurt child. But Mrs. Hammond was not a hurt child.

She braced herself for battle.

"We must tell Connie." She had seen the young man from York leave

Gertrude Larkinton to ask Adelaide some question, looking all the time

in the direction of Connie's blue dress. If only Connie could have

this little piece of flattery to soothe her directly she had been told

about the doctor, like a chocolate after the dose, it might just save

the situation. Mrs. Hammond hurried to her daughter.

"Connie, you'll never guess." They must take it lightly. "_Such_ a

piece of news, isn't it, Muriel?"

"Oh, I suppose so. Dr. McKissack and that Hemmingway girl are going to

be married," remarked Muriel without enthusiasm.

Adelaide was leading the young man across the room. Connie started and

looked up.

"How did you hear?" she asked quickly.

"He told me now. She's here. In the green dress."

They waited for a time that seemed to be years long, while the first

notes of "The Pink Lady" summoned couples from their seats. Then

Connie's shrill laugh rang out.

"So you've only just heard? You know, he told me days ago."

Adelaide was there with her young man.

"Hullo, Addie, how's the world with you?"

"I am very fit, thanks, and I want to introduce you to Mr. Fennington,

or rather, he wants to be introduced to you. He's been pestering me

all the evening."

Adelaide smiled indulgently. Out of her plenty she could afford to

throw an occasional partner to the Hammond girls.

Mrs. Hammond and Muriel withdrew, well pleased.

"No partner for this one, dear? Oh, well, that's that. I wonder why

she never told us, though? She'll be all right this evening, I think.

That young man meant business. And what about you?"

"Oh, I'm all right. Don't worry about me."

What need to worry about her, about anyone? Muriel sat against the

wall, her brooding eyes fixed on the kaleidoscope of colour before

her. Two years ago, she would have smiled uncomfortably over her fan,

pretending to wait for a non-existent partner. But now she was tired

of pretence. The world was like that. There were always some people

who danced and some who sat by the wall, watching until the candles

guttered in their sockets, until the dancers wearied of encircling

arms, until the bleak, grey light peered through the curtained window.

Muriel was just one of those. That was all.

Connie passed, dancing with the young man from York, her red head

high, her eyes bright. Which was Connie, one of the dancers, or one of

those who watched? It was hard to tell about Connie. Nobody might ask

her to dance, and yet, and yet, Muriel could not somehow picture

Connie sitting by the wall. But to go forward on one's own was

against the rules of the game. And never was game more hedged about

with rules than this which women played for contentment or despair.

These were silly thoughts. Nobody was asking Muriel to be contented or

desperate. She was simply being sentimental because the little Scotch

doctor, who was nothing to the Hammonds, had become engaged. Her next

partner, Mr. Mullvaney from the Bank of England, had come across the

room to claim her.

The dance passed much as other dances. Muriel's partners were

scattered but reliable. Connie seemed to be more than usually happy.

Everywhere that Mrs. Hammond looked, she seemed to see the bright hair

and laughing face of her younger daughter. Then, after supper, the

strange thing happened.

Muriel's waltz with Godfrey Neale had come, the waltz that he

unfailingly offered her. Godfrey liked regularity and tradition. They

had waltzed sedately, and now sat on a plush-covered sofa in the

corridor, silent as usual, for they had little enough to say to one

another. Even the excitement of thinking that she really was dancing

with Godfrey Neale had left Muriel. He had been too long the goal of

Marshington maidenhood.

She wished that the passage were not so draughty, and that she did not

feel so dumb.

Suddenly from behind a screen along the passage, rang out a clear,

shrill laugh. A resounding kiss shattered the silence more boldly than

a cannon shot. There followed the sound of a slap--bare flesh on

flesh. A voice called, broken with laughter, "Oh, you naughty boy!"

Muriel and Godfrey sat up. Such things simply did not happen in

Marshington ball-rooms.

Muriel always remembered the stiffening of Godfrey's figure. He hated

so emphatically all that sort of thing. And yet, she herself shuddered

with fear. For she thought that she had recognized the voice.

In another moment the orchestra would play. The next dance would

begin. Probably the couple might emerge from behind the screen. It

couldn't have been Connie. She was sometimes rather silly, but she

would never do a thing like that. All the same, it was not safe to

wait until she was sure.

Muriel never knew whether she ran away because she did not want

Godfrey Neale to know, or because she did not want to know herself.

She always tried to hide unpleasant truths for as long as possible.

"Isn't there rather a draught here?" she asked. "Shall we be strolling

back?"

They went, and Muriel thrust misgivings from her mind.

As she undressed that night, her mother came to her.

"I think that Connie's all right now, don't you?"

The misgivings returned. Had Connie cared?

"Oh, quite all right, I think, mother."

What business had Muriel with misgivings? Mrs. Hammond was pitifully

tired and needed to be reassured.

"Well, good night, then, dear. We needn't have worried, need we?

Really, I'm very glad that it has turned out like this. He _is_ rather

a commonplace young man."

"Oh, I never thought that there was anything in it."

The memory of Connie's face before she had laughed returned to Muriel.

Yet she could not have cared for him, not Connie, for that little man.

"Well, then, it all went off very nicely."

"Very. Good night."

The door closed. Her mother's soft slippers padded away down the

passage, and Muriel went to bed. But through the early morning

darkness her thoughts strayed in drowsy confusion, and she saw again

the glittering ball-room, and heard that horrible laugh from behind

the screen, and saw, though she had forgotten them during the curious

evening, the mocking eyes of a girl in the rain-dark street.

XV

It had all happened so quickly that Muriel found no time to readjust

her thoughts to the hurried sequence of events, Delia's engagement,

Connie's queerness about it, and the invitation to tea at the

Vicarage.

"Go by all means," Connie had said. It was a wet day, and she could

not even play golf, and nobody had asked her out, and she was bored.

"If you like to be patronized all over about this Twentieth Century

Reform League, or whatever it is that Delia runs, go by all means.

But don't expect me."

"Didn't Mrs. Cartwright say that he was quite a distinguished man?"

Mrs. Hammond murmured dreamily. It was hard that Delia should not

only have defied Marshington, but have defied it with success, moving

steadily from college to a secretaryship in London, and from this to

the organization of the Twentieth Century Reform League. Mrs. Hammond

could not approve of the Reform League, but she had to admit that the

list of Vice-Presidents impressed her. And now, here was this Martin

Elliott added to Delia's triumphal procession through life. She

sighed, aware that she had never thought before of Delia with such

toleration. The girl might be unpleasant, but she was not negligible.

Perhaps Muriel had been wise to maintain with her that queer, half

wistful, half antagonistic friendship.

"His book, _Prosperity and Population_, is supposed to have

revolutionized sociology," said Muriel.

"The warden of a slum settlement," Connie sneered. "She's welcome to

him. Still, it's surprising really that she's caught anything. She

must be over thirty, and that skinny figure of hers and then all those

stories about her being a suffragette, and going to prison. It's just

the kind of thing that all nice men hate."

So Connie, in spite of Mrs. Hammond's protests, had refused Delia's

half-smiling invitation to meet Mr. Elliott at tea at the Vicarage,

and Muriel found herself walking down the road alone. She felt

strangely excited, because of the absurd though insistent feeling that

there existed between her and Delia some tie. It was as though Delia

in her London office, looking up from the work which her brilliant,

courageous mind directed, might think of Muriel in Marshington, living

her drab ineffectual life among tea-parties, and nursing accounts and

faded dreams, and might say to herself, "There, but for the grace of

God, goes Delia Vaughan." Most successful people, thought Muriel

sadly, have a shadow somewhere, a personality sharing their desires,

and even part of their ability, but without just the one quality that

makes success.

"All the same, I was right," she told herself fiercely. "I had to look

after Mother. I had no choice. It was not my fault, but theirs. People

don't choose."

She stopped to unfasten the bars of the big Vicarage gate. It had been

wet all day, and the garden was musical with the manifold noises of

the rain, of the murmuring runnels through the clean washed pebbles of

the drive, of the ceaseless rustle of water in the branches. All the

spring garden sang with youth and promise. The crocus chalices had

overflowed. Here and there the wind had overturned their brimming

cups, showering their burden to the grass below, in a mystical

communion of earth and rain.

Muriel stood by the gate, listening and looking. As though this were

the last hour that she would look on beauty, she opened her heart

eagerly to scent and sound and colour. The deep significance of the

spring oppressed her. Beyond the sodden trees, a firelit window glowed

like a jewel of warm liquid light. Undoubtedly that was where Delia

now sat with her lover.

Muriel had no part in the silent movement of nature's slow regeneration.

Delia, who had striven in the artificial world of books and men and

jangling rules of government, was now to be akin to wind and water,

obedient to an older law than man's. She had won the best from both

worlds, because she had been selfish. Wise, fortunate, beloved Delia!

Was there no justice in life's scheme of things?

Muriel, who had neither success nor love, nor any great emotion, moved

forward slowly, a small grey figure beneath the dripping trees.

Delia opened the door for her.

"Did you get wet? You must be washed away." She was a new creature,

thought Muriel, gentler, saner, with an indefinable bloom of happiness

that lent to her real charm. "If I had known that you were going to

walk, I should have told that idle creature Godfrey Neale to call for

you with his car."

"Father does not like us to use our car when it's wet. I did not know

that Godfrey Neale was coming." She had not met him since that dance

in Kingsport when the girl had laughed. She did not want to meet him

now, when she had intended to forget everything except her sympathy

with Delia's happiness.

They entered the comfortable, book-lined room, splashed with liquid

firelight. The chairs and tables and people seemed to float as in a

fiery sea. She could see nothing clearly until Delia followed her with

a lamp.

"Father, Martin, Miss Hammond. Muriel, this is Martin. Godfrey Neale

you know."

The room seemed to be full of books, tea-cups, and men. Mr. Vaughan

smiled blandly through his spectacles. Godfrey rose and bowed

beautifully. Then Muriel found herself shaking hands with Martin

Elliott.

He was not at all as she had expected him to be, ironic, lean and

scholarly. She stared openly at the short, stocky man, dressed like

the shabbier kind of farmer, and smiling at her from a broad humorous

face. His untidy hair stood up on end, his tie was crooked, giving a

curious effect below his unexpectedly pugnacious mouth and chin, so

that he always looked as though he had just emerged from a street row,

which indeed, more frequently than most people, he had. Altogether

the effect of him was so surprising that Muriel forgot her manners.

He bore her scrutiny for a moment. Then he turned to Delia.

"Delia, she doesn't like me. She doesn't like me a bit."

"I'm not surprised. You look like a perfect hooligan. Have you been

arguing with Father again? Muriel, don't mind them. Clear some books

off that seat and sit down."

"But I do like him," exploded Muriel, not sitting down, because she

found nowhere to sit, except a pile of formidable looking volumes

crowned by an ink-pot.

"Delia, you are a shocking hostess," remarked the vicar mildly,

handing Muriel his own plate and a half-eaten scone with the

well-intentioned vagueness that characterized his dealings with all

such mundane objects as tea-things and collar-studs.

"Sorry, Muriel. It's all right, Father." Delia quietly transferred the

scone to its rightful owner, cleared a seat for Muriel and passed her

a clean plate. "Muriel's used to me. I scandalized her years ago, when

I told her that she was wasted in Marshington, and she came prepared

for an uncomfortable afternoon."

"My dear, how arrogant of you to say such things to Miss Hammond,"

reproved the vicar, stirring his tea absently. "That's so like all

these strenuous young people who call themselves reformers, isn't it,

Neale? They think all activity except their own a waste of time. They

forget that if every one thought as they did, they would be out of

work."

"Think, think!" cried Delia, laughing. "We don't expect them to think

at all. That would be hoping for too much."

"Delia wants to teach people so many things," continued the vicar

calmly. "She is certain that human nature can be rendered perfectible

by parliamentary institutions. I am an old man. And I have written

three standard textbooks upon parliamentary institutions. And I should

hesitate to put into the minds of my parishioners anything but some

simple and final expression of wisdom like the Gospels."

"Of course you are right as far as you go, sir," broke in Martin

Elliott, obviously resuming some hot but interrupted argument. "My

contention was simply that in a district like the Brady Street area in

Bethnal Green people cannot understand the Gospels; and in a case like

that to sell all that you have and give it to the poor simply is

unsound economics. Don't you agree with me, Neale?"

"I'm afraid it's not much in my line." Godfrey was sitting upright in

his chair, glowering a little, as he always did if the conversation

passed beyond his sphere of interest.

"Muriel is the person to argue with on economics--and on morals,"

interposed Delia. "Try her, Martin. She has the mind of a mathematician.

She ought to have been on the staff of the _Statistician_ instead of

giving sewing-classes in Marshington."

Martin Elliott crossed to Muriel's side. "How much am I to take

seriously from that madwoman? Do you really take sewing-classes? I

think that must be rather interesting, because all teaching is rather

fun, I think, don't you? If only one's pupils are kind to one; but

sewing must be more satisfactory than most things, because you can

actually see the work growing under your fingers."

"I know what you mean. But I don't really do much sewing."

"You read then?"

"Not much now. I used to, but the books in the Kingsport libraries are

all so much alike, and one gets out of the way of ordering other

things."

She spoke diffidently. It was incredible that a man should really want

to talk to her about herself. Men talked about motors, or their own

insides, or hunting.

Martin Elliott smiled at her. "Have you found that too? Don't you

think about the books in most circulating libraries that they are

nearly all the wrong way round. Short stories with happy endings and

long stories with sad ones. Quite wrong."

"Why that?"

"Ah, surely the short story should end with tragedy, for only sorrow

swoops upon you with a sudden blow. But happiness is built up from

long years of small delightful things. You can't put them into a short

story."

It was true. Muriel looked across at Delia sitting by the tea-table in

her red dress. She thought, "This is what he means. Years of sitting

by Delia in a firelit room full of books and talking pleasant

nonsense. Friends who know what you mean and speak your own language.

Rain-washed gardens when the birds call. Work that's fine and hard

and reaches somewhere. Marriage, such as theirs will be. Children,

perhaps, and laughter that they share. You can't put all those into

a short story."

She felt cold and dull, shut out from a world of small delightful

things. She made no answer, sitting with her chin on her hand, while

the talk flowed round her, talk of books, and socialism, and plays,

and people that they knew, and what you ought to take on a walking

tour, and whether Sir Rabindranath Tagore should have won the Nobel

prize, and school care committees. (They weren't really any use, Mr.

Vaughan said.) And all the time she felt herself being drawn to Martin

Elliott by surprised delight. She was at home at last, among people

who spoke her own language, even though the things of which they spoke

were strange. She felt as though after many years she had returned to

her own country. But she never spoke.

Then she became aware that her thoughts had slipped away from the

conversation altogether, and that Delia was teasing Godfrey, and that

he was protesting, half uncomfortable, half amused, because he could

never become really angry with the vicar's daughter.

"Now, look here, D--Delia. That's not true."

An impish spirit had seized upon Delia.

"Oh, yes, it is, isn't it, Muriel? Godfrey's never yet proposed to any

girl because he knows that he'd be accepted, and if he had to marry

that would upset his habits. Godfrey dear, you don't realize how much

you hate to be upset."

"You know t--that's untrue."

"No, no, no. You're afraid that you won't be able to afford both a

wife and hunters, and you prefer the hunters. Martin, Godfrey is one

of those people who pretend to cultivate the earth in order that they

may destroy its creatures. He is that odious relic of barbarism, a

sporting farmer."

"I--I'm not a farmer," stammered Godfrey.

It was a shame, thought Muriel. Delia had no right to tease him so.

How he must hate being chaffed in front of her.

"Then if you aren't a farmer, you are simply a social parasite, and

your existence would not be tolerated in any ordinary, sane society.

Oh, I don't mean that you aren't very much tolerated to-day, because

this society is neither ordinary nor sane. But when Martin and I and

the Twentieth Century Reform League have been at work for a score of

years or so, say seventy-five . . ."

She rattled on, foolishly, happily, teasing him with the kindest smile

in the world on her thin face. But Godfrey was not happy. His sense of

humour had become atrophied from want of use. He did not understand

Delia's fooling, and to him the incomprehensible was the unpleasant.

He passed from boredom to indignation, and yet felt too much his old

debt of friendship to show indignation before Delia's lover. He was

not going to have the fellow think him jealous.

Muriel watched him and, as she watched, she too grew indignant with

Delia. It was unlike the vicar's daughter to go so far, but she had

always said that Godfrey needed teasing. All the same, it wasn't fair.

She took him at a disadvantage, and he really hated it. Muriel leaned

forward, quiet but resourceful.

"Delia," she interposed unexpectedly, "I do wish you'd tell me, for we

hear nothing up here, what do they really think in London about the

Irish Question?"

Now Godfrey really did know something about the Irish Question. He had

once been asked to stand as the Conservative member for the Leame

Valley Division, and although he had rejected the offer, as he always

rejected the unknown at this time, yet a faintly political flavour

still clung to his mental palate.

He drew a deep breath, like a diver emerging from the sea, then,

slowly, with solemnity, he began to contradict Delia's picturesque but

unorthodox opinion on the Irish Question.

Not, however, until he was seated again in his small covered car

driving back to the Weare Grange did he recover his usual composure.

Muriel had been tucked in at his side by Delia, to be dropped at the

gates of Miller's Rise. The familiar feel of brakes and wheel, and

the smooth running of the little car, reminded Godfrey that there was

a sane and ordinary world in which to live. He sighed comfortably.

"I don't think that that fellow Elliott has improved Delia much. She

tries to show off a bit, I think."

"Oh, no. It isn't that. She's just happy, and when Delia's happy she

talks nonsense."

"All very well for her to be happy at other people's expense," Godfrey

grumbled. He was enjoying himself now. The car responded to his touch,

and the Hammond girl responded to his mood. The world was all right.

"Oh, I know that she teases. But one doesn't mind, because you know

all the time what a splendid person she is. I do hope that Mr. Elliott

will make her happy. But I think that he will."

Godfrey liked girls who stuck up for one another. She had her wits

about her too, the little mouse of a thing. The Irish Question! He had

given Delia as good as she gave about the Irish Question. Delia was a

clever woman, but when women got on to politics it just showed. Now

Muriel Hammond showed her good sense by keeping quiet when there was a

subject which she did not understand. On the whole, he liked quiet

girls. Besides, there was another reason why he should feel rather

tenderly towards Muriel Hammond.

"You've not been to see us for a long time," he said.

"No. It is a long time," said Muriel dreamily, thinking of Martin

Elliott, and what life might be like, if one could meet such men as

he. "Not since that time Clare stayed with us, and Connie tried to

ride your horse, and it ran away with her."

"No." The car jerked forward under Godfrey's hands. He did remember,

ah, how he remembered, the turn of her head, the laughter in her eyes,

her clear, triumphant voice. "Yes. I remember, of course. Clare

Duquesne." He liked to say her name again. "By Jove, what years ago,

and what kids we were!" He turned the car carefully in to the winding,

elm-shadowed drive of Miller's Rise. "Do you ever hear from her now,

at all?"

"No. I haven't heard for years. She married, you know. A Spaniard.

They went to live in South America. I have not heard since, but I

should think that the life there would suit her. She loved warmth and

sunshine and gaiety. He was rich, I believe, and musical too. I don't

know much more, but I should think that she would be happy. You

somehow can't imagine Clare unhappy."

"No. You can't." He was bringing the car to the circle of gravel

before the door. She could not see his face, but something told her

that he had been profoundly moved. She became immensely sorry for him

and yet glad that he had loved Clare, glad that he had not forgotten.

His faithfulness belonged to her romantic dreams of him, when she had

been a child, and had worshipped with the rest of Marshington. "If by

any chance you should see her again, or be writing," he said very

slowly, trying to control his stammer, "you might remember me to her,

and say that I--I hope that she's very happy."

The car had stopped before the pillars of the porch. Muriel unwrapped

herself from the rugs.

"If I ever am writing, I will," she said. "Thank you for the ride. The

car runs beautifully."

"Yes, she's not a bad old perambulator, is she? Are you keen on cars?

Would you care to come out for a spin in her in better weather?"

"Thank you. I should like it very much."

It was the first time that a man had asked her to come for a ride in

his car. She felt the occasion to be immense.

As they shook hands in the rain, he held her small glove for just the

fraction of an inch longer than was necessary. She forgot to ask if he

would care to come inside.

"Good-bye, and thank you."

"So long, and we must fix up a day for a run, a fine day."

She passed into the house.

"Well, dear," said Mrs. Hammond, "did you have a nice party?"

"Yes."

"You're back early, aren't you? Did I hear a car just now?"

"Yes. Godfrey Neale brought me back."

"Oh." Mrs. Hammond smiled. She was tired, and the day had been

difficult for many reasons. Muriel knew this. She felt the passion of

admiring pity for her mother, which was always her strongest emotion

over any person.

"He has asked me to go for a ride in his new car, some day soon," she

remarked indifferently.

Mrs. Hammond threaded the needle that she was holding.

"Well, dear, that will be nice, won't it?" was all that she said, but

as Muriel turned to leave the room she looked at her, and for a moment

they waited, smiling a little at each other.

XVI

The War came to Marshington with the bewildering irrelevance of all

great catastrophes. It came also at a most upsetting time for Mrs.

Hammond. Really, it was vexatious when everything was just going so

nicely. Connie had settled down with quite good grace to the prospect

of calling upon Mrs. McKissack, _née_ Hemmingway. Two visits to old

school friends at Buxton and Harrogate had sufficed to cure her

wounded vanity. As for Muriel, of course it was too early to say

anything definite, but Mrs. Hammond had confided in poor Beatrice that

really, you know, Godfrey Neale was showing her an uncommon amount of

attention. Ever since April, or was it March? those motor rides, that

party at the Weare Grange, all spoke of possibilities.

"After all, he is really quite young yet, only about thirty. And with

his temperament and his social position he would naturally go slowly.

That was the mistake that Mrs. Marshall Gurney made. She would hurry

him, and he grew frightened. By the way, I hear that she is taking

Phyllis to Germany to learn music or something. Very wise, I think."

Aunt Beatrice nodded, approving Mrs. Marshall Gurney's double wisdom.

Music was a sovereign remedy for broken hearts, and foreign travel

would add distinction to an already pretty and taking girl. Her

absence, however, would leave the field clear for Mrs. Hammond, by a

process of elimination. Well, that did not show that she was stupid,

but only that she knew when she had been fairly beaten. Rachel had

been wonderful again, but then Rachel always was. It was impossible to

believe that in the end she ever could be beaten.

And then the War came, right into the very middle of the tennis

tournament.

Of course, as it happened, the tournament was not going to be quite

such an event as usual, for Godfrey Neale had gone camping with the

Territorials at Kaling Moor, and Connie had sprained her wrist and

could not play. But still it was the Annual Tennis Tournament and that

was no small thing.

The day after it had opened was the 3rd of August, and people began

to feel uneasy. Just as the Hammonds were preparing for supper, Mr.

Hammond rang up from Kingsport to say that he was waiting for the

last train to pick up any more news that might be coming through.

"Particularly trying of him to-night," said his wife, "because I've

got such a nice little duck." After all, every one knew that nothing

really would happen. There had been scares before.

The evening was close and, even up at Miller's Rise, oppressive.

"Wouldn't it be rather nice to walk down to the village after supper

and see if we could buy a paper?"

So, after supper, they went.

Aunt Beatrice said that she never had liked Germans, so stuffy, that

sleeping with the feather beds on top of them, and then the way they

bought all that cooked meat and sausage stuff at shops.

All the way down to the village, she said that she had always known

that the Parkers' German governess had been a spy.

The village street was strangely unfamiliar in the half light of the

summer evening. Unexpected shadows and whisperings moved and rustled

in the quiet air. Little knots of people stood round the open doorways

of shops that should have been shut long ago. Noises, from down the

road, the horn of a motor-car, the call of children at their play,

broke in upon the stillness. With significant reiteration, a dog in a

far-off farm-house barked persistently.

"Go into the Ackroyds', Muriel, and see if you can get an evening

paper. I want to talk to Mrs. Cartwright. There's that bazaar on the

4th."

The paper shop was small and very crowded. It smelt of paraffin from

the swinging lamp above the counter. Muriel watched two great moths

flapping with unbelievable clumsiness against its flyblown globe.

She pushed her way to the counter. The proprietor, a meek little man

with a fierce black moustache, stood shaking his head nervously. "The

ultimatum expires to-night at midnight," he said hoarsely. "That's a

very serious thing. A very serious thing." Then he saw Muriel. "Good

evening, Miss Hammond."

"Have you any papers left?"

"I'm sorry, miss, I'm very sorry. I always like to oblige anyone from

Miller's Rise. You might get one at the station perhaps."

He bobbed with forlorn little curtsies, pulling at his moustache,

apologizing for the inconvenience of a European situation for which

he, as the agent through which Marshington must see the world, felt a

personal responsibility.

"Oh, well." Muriel turned to go.

An old woman in a man's cap, who for some inexplicable reason had

planted herself on a chair by the counter, looked up at her.

"War's bloody hell," she remarked mildly. "Ah'm telling you God's

truth. Two o' my lads went i' South Africa. Bloody hell. That's what

it is."

She rose and hiccoughed unsteadily from the shop, the little crowd

making way for her ungainly figure.

Unaccountably stirred by this brief encounter, Muriel left the shop,

her mind wounded and yet quickened by the old woman's words. It was as

though in her obscenity, she had been a foretaste of something to

come, something sinister and violent.

The village street lay wrapped in the grey twilight of a dream.

Bloody hell. Bloody hell. She saw the hell of a child's picture book,

gleaming with livid flame. The blood smell faintly nauseating, like

a butcher's shop on a hot day. Across the road, Connie and her mother

talked to Mrs. Cartwright. "It's all over the village," Mrs.

Cartwright was saying. "Mr. Marshall Gurney has telegraphed, and

telegraphed, and can't get any answer through. They say that he is

nearly mad with anxiety. If the war is declared against us, they're

sure to be murdered."

"Nonsense," said Mrs. Hammond. "You don't murder people nowadays, even

if there is a war on. The Marshall Gurneys will be all right, though I

always did say that it was a mistake to go off abroad like that. It

doesn't somehow belong to those kind of people."

Muriel looked at the four of them, and at their eager absorbed faces

as they talked about the Marshall Gurneys. Yet somehow she felt as

though her mother were not anxious so much as jealous, jealous because

it was Mrs. Marshall Gurney and not herself who was enjoying the

unique distinction of becoming involved in a European crisis. That

Kaiser, whom every one in England was reviling, might turn Mrs.

Marshall Gurney's failure into victory.

XVII

Mrs. Hammond was right.

The ultimatum expired. Great Britain and Germany assumed a state of

war; and the Marshall Gurneys, miraculously unmurdered, returned to

Marshington in triumph. The news of their escape through Switzerland

outrivalled, at hurried and informal tea-parties, the problem of food

shortage, the departure of the Territorials to join the camp near

Scarborough, and the possibility of a German invasion. It was even

rumoured that Phyllis had received a letter from Godfrey Neale

congratulating her upon their escape, and that she, with the glamour

of adventure like a bloom upon her youth, might yet warm up the tepid

interest that her charms had once inspired.

After a spring and summer of reviving hope, Mrs. Hammond found herself

facing the autumn of 1914 from much the same position as she had faced

it in 1913.

Oh, when one was young and success was one's own to make or lose, then

life was easy! But for a wife and mother whose success depended upon

other people, then came the heart-breaking years. Of course the War

must be over soon, and things would settle down to their normal

condition, but meanwhile it was hard to see Mrs. Marshall Gurney

becoming President of the Belgian Refugee Committee, while Phyllis,

who had nothing like Muriel's ability for handling figures, was made

treasurer of the Junior Red Cross Association, and went daily into

Kingsport in her becoming uniform.

At the end of November they stood in the gloom of the unlit station,

watching the 5th Yorkshire Guards entrain for Aldershot--well, if it

was not Aldershot, it was somewhere in the South and so much nearer

to the German guns. There was no particular reason why the Hammonds

should have gone to see them. They knew no one besides Dickie

Weathergay, Daisy's husband, and the station was cold and draughty.

Mr. Hammond had stayed in late at the Kingsport Club as usual, but

Mrs. Hammond was determinedly patriotic. In spite of discomfort she

stood now with her girls among a crowd of curious, laden figures,

distorted by their burdens out of all semblance to the human form. It

was the world of a dream, when even the corporeal presence of such

everyday people as Dr. and Mrs. Parker and Colonel Cartwright became

part of a dim and dreamlike darkness. The crowd shuffled and jolted,

appearing unexpectedly from the dense shadows into a circle of faint

lamplight that flickered intermittently on bayonets and badges.

Mrs. Hammond was suffering from indigestion, the result of fragmentary

and scrambled meals. The meals at Miller's Rise had not been hurried

because nobody had time to eat them slowly, but because it hardly

seemed to be patriotic in those days to sit down comfortably to enjoy

them. Mrs. Hammond, dreading the secret murmurings about her husband,

dreading the pity which could destroy more effectively than enmity the

position which she had won, determined to kill pity by admiration for

her patriotism. She stood in the darkness, while passing soldiers

lurched into her, and knocked sideways her fur-trimmed toque. This

must all be endured as part of the campaign. She felt her courage,

born from her supreme passion, riding triumphantly above fatigue and

pain.

"It would be nice if there were somewhere to sit down," she murmured,

but without complaint. "Is that Daisy over there?"

Muriel, who had been standing all day in the newly instituted Red

Cross Depot, shifted her weight from one aching foot to the other,

and remarked:

"I'm so sorry. There are no seats," as though it were her fault. She

added, "Yes, that's Daisy, in the blue cloak."

Daisy Weathergay stood just within the circle of lamplight. She was

not travelling South with her husband because her baby was expected in

December, but she had come to the station to say good-bye to him, and

stood beside the 1st class carriage. Her small, flower-like face was

upturned. Her close-fitting hat shaded her eyes, but the light fell on

her soft little nose, and the sensitive outline of the mouth and chin.

"Isn't she splendid?" murmured little Miss Dale, who had burrowed her

way to Muriel's side through the crowd like a small mole. "So brave!

Not a tear! Like all these splendid, heroic women, whom one reads

about in the papers. I never knew what it was to be so proud of my

country before."

The wind uplifted for a moment Daisy's brave, blue cloak. She seemed

to float, borne high upon a wave of heroism. Dickie's red, comely face

leaned towards her from the carriage window.

"A symbol of Womanhood," murmured Miss Dale tearfully.

The whistle blew. A feeble, fragmentary cheer rose from the watchers

on the platform as the train moved slowly, cleaving a line between the

moving faces at the windows, and the crowd that stood below. And still

Daisy waited, her small figure bent sturdily against the wind, looking

at Dickie, while all Marshington looked at her. It was her moment.

Then she was no longer Daisy Weathergay of the neat little house in

the Avenue. She had become a symbol of womanhood, patient and heroic

as the patient heroism of Nature itself.

"And there's dear Phyllis Marshall Gurney," continued Miss Dale. "She

does look nice in her uniform, doesn't she? So splendid of her to have

taken on this work in Kingsport, isn't it? But of course, after her

terrible experiences in Germany----"

The train swept round the corner into the darkness. The tension of the

watching crowd snapped suddenly. Muriel became aware of Connie at her

side. Connie's eyes were fixed in front of her. Her breath came in

low, gasping sobs. Her cheeks had flamed from white to crimson, and

the hand that held her handkerchief was quivering.

"Connie," whispered Muriel. "They are only going to Aldershot."

A sudden suspicion seized her lest Connie's mercurial affection should

have lighted for the moment upon Dickie Weathergay. But Connie laughed

softly.

"Look at the little fool, Daisy! I bet she isn't half enjoying

herself. Knows that she makes a pretty picture and that half

Marshington is watching her. Thinks she's the only girl interested

in this war." Her voice was thick and fierce.

Muriel watched her with wonder. But, then, Connie was always giving

way to unaccountable emotions, and to-night Muriel also felt weary and

sad, because her heart ached where it had no right to ache, for this

was Daisy's war. Daisy to-night was the symbol of those heroic women

who all over Europe were giving their men to die for an ideal, and

suffering a thousandfold all the possibilities of suffering in war.

Muriel, who could dream at night of unimaginable horrors, whose

thoughts followed to Belgium the fleeting whispers of atrocity, who

heard hammering through her tired brain the old woman's words, "War's

bloody hell," Muriel had no right nor claim upon this war. She envied

those wives and sisters with that envy of suffering which can burn

most potently of all.

But if Connie was absorbed by finding relief in her emotions, and

Muriel troubled by physical and mental weariness, Mrs. Hammond was

fully alive to the possibilities of the situation. She, too, as both

her daughters in their different ways had seen it, realized that

Muriel and Connie were out of it in this war. She had seen the

admiring group of friends round Daisy Weathergay, and the becoming

uniform of Phyllis Marshall Gurney, but they summoned her like a call

to arms. She wasted no time on tears nor vague repining. She drew

her fur coat closer round her small, plump figure.

"Poor dears," she sighed appropriately. "Poor dears, this awful war!"

Then, having disposed of her duty as a patriot, she continued,

"Muriel, I've been thinking that since Aunt Rose has been so ill, and

keeps on asking for some of us to go and see her, you and I might both

go for a week to Scarborough before Christmas. What do you think?"

Muriel did not think anything much. Scarborough or Marshington was all

the same to her, in a world where nothing ever happened in peace or

war to draw her closer to the fullness of life which other people

found and which her youth had promised. She stumbled along the sodden

wood steps over the railway lines, having even forgotten that Godfrey

Neale with the 1st Yorkshire Rangers was in camp three miles from

Scarborough.

"Oh, I don't mind," she said, with the indifference that so much

disheartened her poor mother; and splashed on, thinking of the cold,

flat ham sandwiches and sugarless coffee awaiting them in the

dining-room of Miller's Rise.

XVIII

Because Aunt Rose was not yet well, breakfast at 199 The Esplanade,

Scarborough, was postponed until nine o'clock. Uncle George, of

course, kept to his usual punctuality of half-past eight. Muriel at

half-past seven that morning could hear him whistling cheerily as he

trotted along to the bathroom.

She lay between linen sheets that felt chill and smooth. Her hot-water

bottle had grown cold as a dead fish. Drowsily she moved it to the

edge of the bed with her feet. She seemed to have lain like this all

night, waiting for the maid to bring her water, and thinking sleepily

of Godfrey Neale.

It had been such a funny evening. She and her mother and Uncle George

had met him at the Princess Royal Hotel, and had dined together. A

queer self-possession alien to her nature had seized upon Muriel.

She remembered looking at her slim figure in the long glass of the

corridor and thinking that she ought all her life to have worn that

vivid cherry colour instead of blues and greys. It gave her a strange

courage and merriment, so that she had laughed and talked, conscious

of the flame of her bright dress, and feeling like a princess in a

fairy tale suddenly released from her enchantment.

She had seen things about Godfrey too that she had never seen before.

Most dearly she remembered how, when they were sitting in the lounge

after dinner, his lean brown fingers had pressed the charred end of

his cigarette into the saucer of his coffee-cup, and she had thought,

"He is like that. When he has finished with a thing, he crushes it

like that without thinking. He is not cruel, nor ungrateful, only a

little stupid and lacking in imagination." She remembered the stories

that Marshington told of his flirtations with Gladys Seton, and the

Honourable Lucy Leyton, and then Phyllis Marshall Gurney. He had

meant nothing. He simply had never given a thought to what they might

have dreamed to be his meaning. She had felt old and very wise and

disillusioned.

Then the orchestra played, and he had looked up suddenly, twisting his

head and frowning and beating time against the arm of his chair. He

said to Muriel:

"What is this tune? I seem to know it?"

"It's Mignon's song, 'Kennst du das Land.' Have you heard Mignon?"

"No," he said. A shadow of discomfort crossed his face. He struggled

to remember something. Muriel, knowing what he sought, remembered the

day in spring when he had driven her home from the Vicarage. "No. I

can't say I have. Yet I heard that tune . . ."

"At our house," said Muriel. "The first time that you ever came. Had

you forgotten?"

He looked at her then, and seeing that she offered him simple

friendliness he said, speaking deliberately:

"No. I have not forgotten. I think, whatever happens, that I shall

never forget."

And she had nodded, understanding him. And for the first time she had

been aware that some day he might ask her to marry him simply because

she would not ask him to forget.

As they walked home, wrapped in furs, along the Esplanade, Mrs.

Hammond had murmured happily:

"Well, dear, did Godfrey suggest meeting us again?"

"Yes, he wants me to go to the Pictures with him on Monday afternoon.

We could have tea at the new Pavilion place first."

The wind blew from the darkness against them. It lashed Muriel's hair

against her eyes, and rushed against her, as though it were forcing

her back along the road to Godfrey.

Mrs. Hammond seemed to be quite sure now. Muriel lay wondering. Until

that night, she had never believed it to be possible, but now she saw

that it was almost likely, for nobody else would ask from him so

little, and he, she realized it at last, had not been proud but

humble, aware how little there was for him to give. She had never

liked him so well as now when she knew that he had been true to his

idea of Clare. He was conceited. He was sure of himself. He was

terribly limited and arrogant and complacent, but he was wistful,

too, for something quite beyond his comprehension, and just because

of that he might ask Muriel to marry him. There were, of course, other

reasons, and to Godfrey they would be important, for nine-tenths of

him was just the practical country squire, devoted to his estate

and his position. The Hammonds had money. In spite of her father's

recklessness, he was himself too able, and Old Dickie Hammond had been

too cautious, to allow the business once built up to crumble. With the

Hammond money Godfrey could keep hunters. He would not upset Mrs.

Neale, who wanted to have a grandson, and who cared little for the

smart young women from the county families. Arthur Hammond's daughter

would present to her no insurmountable obstacle, because Muriel was

also Rachel Bennet's daughter, and the Bennets had once been as good a

stock as any in the East Riding. Muriel too, was all Bennet and no

Hammond. She was not like Connie, with the coarse strain that gave her

vitality hardly curbed by Bennet gentleness.

If he asked her to marry him, she would, of course, accept. It would

be a splendid triumph, the end of her long years of waiting and

feeling that she was a complete failure. It would be the consummation

of her duty to her mother, of her success as a woman. She would be the

mistress of the Weare Grange, the mother of its heir. She would be

mistress then of Marshington, and of her own rich destiny.

Strange, it seemed to her, that her body lay limp and unresponsive

between the cold sheets, that the word marriage conveyed to her, not a

picture of Godfrey but of the Wears Grange, that she shrank from the

thought of further intimacy with his bodily perfection and his limited

mind. He was nice, far nicer than she had thought. There was even that

little unexpected strain of the romantic in him. She was sure that she

could love him. "I _have_ loved him all my life," said Muriel, and

lay, waiting to feel the glow of love warming her coldness.

"This is not as it should be," she felt. But nothing ever was as it

should be in a world where the best conclusion was a compromise. She

turned her face into the pillow and thought of Martin Elliott, and the

happiness that glowed about Delia's swift mind. "Well, if Godfrey had

been like Martin Elliott," she thought.

Crash!

As though the fury of a thousand thunderbolts had hurled, crashing

against the house, the noise shattered the morning and then ceased.

So swiftly the quietness closed in again, it seemed as though the

sound were but a jagged rent across the silence, letting into the

world for a moment the roaring of the spheres. Yet, though this one

blow crashed and then was still, Muriel felt as though such violence

must last for ever, and silence became the incredible thing.

She lay quite still, her limbs relaxed in the flat darkness of the

bed, her arms lying beside her, heavy with sleep. She did not believe

that the sound had really happened. Her thoughts returned to their

path. If Godfrey had been a man like Martin Elliott, someone in whom

one could seek companionship of mind, with whom one could feel as much

at home as with one's own thoughts . . .

Crash! Crash! Crash!

It really had happened then.

It was not an illusion. She drew one hand across her forehead that

felt damp and cold.

Of course this was what Uncle George had said would happen. The noise

was the noise of guns, big guns firing. This was what the little

pamphlets had told them to prepare for. This was the War. Only it

had no business to happen so early in the morning before they were

properly awake.

Crash! Crash!

Huge sounds, flat and ugly, dropped into the silence of the room.

Slowly she turned and sat up in bed. Her curtains were drawn aside,

but she could see nothing through her window. The panes looked as

though they had been painted grey. Solid and opaque, the fog blotted

out the sea.

It seemed absurd that this blinding, shattering immensity of sound

should yet convey no impression to the eye.

She lay back in bed, her mind completely calm and rather listless, but

she could feel the perspiration from her armpits soaking her nainsook

nightgown. That was curious.

"Muriel! Muriel!"

In an interval of silence her mother's voice called to her. The door

opened. Mrs. Hammond in her dressing-gown of padded lilac silk stood

by the bed.

"Muriel, are you there? Are you all right?"

"Yes. Of course I am all right. What is it?"

She wished that her mother would go away and let her lie there

quietly.

"Get up, get up. Come to my room. You mustn't lie there, facing the

sea." There was a sharp note of anxiety in her mother's voice.

Facing the sea. Why shouldn't she face the sea? Slowly Muriel thrust

her feet out of bed, her toes twitching in the cold air as she felt

for her slippers along the carpet.

"Quick, quick, never mind your slippers. Ah!"

Another sound broke about them, sharper than any before, as though the

whole world had splintered into fragments round them. Muriel still

fumbled below the bed.

"I can't find my slippers," she said stupidly.

"Look!" gasped Mrs. Hammond.

Muriel looked at the window. The shattered edges of the panes still

shivered in their wooden frame. On the floor below broken glass lay

scattered. The noise had become visible at last.

After that, a series of odd and ridiculous things all happened very

quickly. Uncle George appeared in his shirt-sleeves, with one side of

his face lathered for shaving.

"I'm going to the Garbutts'. Their car must take Rose. Get her ready."

Mrs. Hammond and Muriel hurried to Aunt Rose's room. Muriel always

remembered afterwards kneeling by her aunt's bed and drawing cashmere

stockings, two pairs, over those fat legs, where blue veins ran

criss-cross below the tight-stretched skin. It seemed to her a

fantastic sort of nightmare that could bring her to such close

contemplation of her aunt's legs. Then Uncle George returned, and

they all bundled Aunt Rose's shawls downstairs into the car, hoping

that she was still inside them, for they could see nothing of her.

As the door opened, and Muriel saw the blank wall of fog along the

Esplanade, she felt as though she were standing on the world's edge,

staring into the din of chaos. All the time the vast noise pounded on

above them.

Then they were all running, Uncle George, her mother and herself, down

a grey funnel with tall looming sides. They stumbled in a little

tripping run as one runs in a dream. Muriel tried to tell herself,

"This is an immense adventure. The Germans are landing at Cayton Bay

under cover of the fog. Or they are on the foreshore. This noise is a

bombardment from battleships to cover the landing, and we are running

for our lives to Seamer Valley. This grey funnel is a street leading

to Mount Road. I am running for my life and I am not afraid."

The noise crashed above them through the fog, as though a grey curtain

of sound had shut out the light. Little knots of people in peculiar

attire appeared from the grey mists, and blew like wandering smoke

along the alley, only to vanish again into vapour.

"In another moment," Muriel told herself, "we may all be dead." But

she could not make herself feel really interested in anything except

her stockings, which were sliding to her ankles, and felt most

uncomfortable. She would have liked to stop and fasten them, but she

felt that it would somehow not be etiquette, to stop to fasten one's

stockings in the middle of a race for life. "I was not brought up to

adventures," she told herself. "I don't yet know the way to manage

them."

Then her mother stopped. "I--I can't--run--any--more," she panted. Her

small fat figure in its fur coat had been bouncing along in little

hops, like an India-rubber ball. Now she stumbled and clung on to a

railing for support. "You--go--on. I'll come."

"Draw a deep breath, Rachel, and count three," said Uncle George

solemnly. He performed Sandow's exercises every morning before

breakfast and was therefore an athletic authority.

Muriel watched them, while the running figures stumbled past, quiet

beneath a canopy of sound.

"You--go--on," Mrs. Hammond repeated.

"Now, Rachel, go steady. Breathe as I count. One, two."

They were not afraid, any of them. They had a strange, courageous

dignity, these two comical little people, standing beneath the

desolation of deafening clamour and breathing deeply. "Mother,"

thought Muriel, "is thinking of Father." Uncle George was thinking of

Aunt Rose. Muriel was thinking about herself, and the strangeness of

it all, and how she was not afraid. For there was something that made

each one of them feel stronger than the fear of death.

A woman rushing along the pavement with her perambulator pushed it

into Muriel and nearly knocked her over. She sobbed as she ran and

the two babies in the perambulator were crying.

"This is real," said Muriel to herself. "This is a really great

adventure, and none of us know this minute where we shall be to-morrow

and nothing matters like success or failure now, but only courage.

This must be why the soldiers sing when they go to the trenches. It's

all so beautifully simple." She wanted to die then, when life was

simple, rather than face Marshington again and the artificial

complications that entangled her life there.

An elation possessed her. She could have sung and shouted. She

stumbled down the rough road again, holding her mother's arm and

talking to her foolishly about what they would have for breakfast

when they awoke from this strange dream. She remembered saying that

she would have kippers, although she knew that she really hated them

and rarely ate more than toast and marmalade. But then she didn't run

for her life every morning before breakfast. She saw Seamer as some

goal of human endeavour, very far away in the distance. It did not

seem to be an ordinary place at all.

Suddenly from their feet, the Mere stretched, flat and lifeless beyond

tall reeds, clouded like a looking-glass on which somebody has

breathed. The noise grew louder. Somebody called, "Turn to your right.

Your right. They're firing straight in front."

And even then, Muriel was not frightened. They wandered in a vague,

irrelevant place among heaps of garbage, and cabbage stalks, and

teapot lids, and torn magazine covers. Just to their left rose a

little hovel, the crazy sort of shelter that allotment holders erect

to hold their tools. She looked at it, blinking through the mist and

noise, and then, suddenly, it was not there. It just collapsed and

sank quietly down in a little cloud of smoke, hardly denser than the

fog. It seemed appropriate to the absurd nightmare of the whole affair

that a board on a post should grin to them out of the mist, saying,

"Rubbish may be shot here."

"Ha, ha!" laughed Uncle George. "They're shooting rubbish, and no

mistake."

And Mrs. Hammond pushed back her hair feebly with one free hand and

laughed too.

The Crowded Street · 第 3 / 7 章