XLII

ALONE in his deserted apartments the Mori sat—prince no longer, for with

other nobles and daimios he had resigned his fief into the Mikado’s

hands. The officers had long ago departed, to enter upon the new courses

the parting benefits of their leader had determined for them. Some were

already upon their way to the provinces, the offices of Mori had

procured for them, as governors appointed by the Mikado.

Toro had gone to Catzu, to govern for the Mikado the territory his

father had administered for the Shogun. Father and son had been

reunited. The Lady Evening Glory had long been dead, and Catzu was

without a mistress.

Yet Mori had detailed for Toro what he considered a greater reward.

“Toro,” said Mori, “you will deliver this order, signed by me, in person

to the Lady Hollyhock, directing her to cease forthwith her mutinous

rebellion, and to render herself as a conquered province into thy

hands.”

“But, your highness,” said Toro, “I do not desire an unwilling bride,

who yields herself but to superior command.”

Mori’s smile had within it the tinge of a satirical wisdom.

“Toro, my comrade and friend,” he said, gravely, “I do assure you that

you will not need that order. The heart of the lady is yours. Only her

coquetry holds out, and finding in my writ a convenient pretext, she

will gladly go the way the heart has long directed.”

With exuberant joy Toro had started from the apartment.

“Yet, once again, Toro,” said Mori. “While I aid you with the Lady

Hollyhock, I warn you that you will never find your complete happiness

in a woman. After the first days you must look to the faithful

administration of your province for your chief satisfaction in living.”

“I do not agree with you, your highness,” Toro replied. Then he added,

with a cheery laugh:

“But there will be some satisfaction, truly, in administering my

province, and mine ancient, rebellious sire.”

Before the officers departed, Toro, as their spokesman, had presented to

their old commander two swords, richly wrought, the usual token of the

samurai as their parting tribute.

“I do assure you,” Mori had responded, “that in giving me these swords

you have not merely given me a reminder, as your spokesman has said, of

our services for the New Japan, but you have given me as well the

conquest of a newer, higher, more happy universe. As a citizen of a

greater universe, I thank you.”

In these words, and in every act of the former Prince that day, the

officers, save the delight-blinded Toro, had observed a touch of

finality, the savoring grace of a farewell to earthly things, that,

samurai as they were, had not failed to move them. Plainly their lord

contemplated something that their order called honorable; yet they

shuddered at the thought.

Now they were all gone out of Mori’s life, into the new life he and they

had created together. The Shining Prince was left alone—alone with two

swords that lay upon a low table at his side.

The moment long waited by Mori had come. The Mikado had been restored to

his ancient sovereignty; peace was once more upon the land. The great

purpose of his efforts was attained; every thread connecting Mori with

this new order of things had gone from his opponents—from his life—save

two swords alone, which he had said were means for another conquest.

Yet in spite of the atmosphere of finality that he felt pervading his

apartments, Mori was not thinking of the termination he had set to his

activities. His thoughts carried him beyond the black period he had said

should close his sentence. Over into regions of life across finality his

imagination strayed. The Lady Wistaria came back to his memory, his

mind, his heart—occupied his whole being with the force of the magic

spell she had woven about him.

When Jiro had made his plea the day previous Mori had instantly

recognized its meaning. It came with no joy to him. His course of

thought and heart had been too long bent in one direction for the timid,

blind words of a youth to swing it abruptly.

“It is one more device, perchance, of my enemies,” he had said, dully,

in the first bitterness that came when the lad’s words had touched his

heart.

Now, when all was over, he was again, in spite of his will, weighing the

possibilities. Of course there might be truth in what Jiro had said, but

it could not be determined save in the eyes of the Lady Wistaria

herself, and now the lad Jiro had not come, as he had promised.

With a profound sigh, Mori, raising his head, caught sight again of the

two swords. Yes, they held their meaning for him. Jiro’s words were not

worthy of belief. He stretched out his hands to the swords.

“She was false—and Jiro lied!” he muttered.

His hand sought and found the hilt of one of the swords and grasped it

firmly, stiffened, and fell to his side. Suddenly the face of the Lady

Wistaria with its all-pervading purity and truth-compelling quality

arose before his vision. As he regarded the unsought vision which had

come to his uncontrolled imagination, it dawned upon him with a sudden,

great light that he had been wrong—wrong. Back to his consciousness

floated that dark night by the side of the stagnant moat, the memory of

the tortured white face that shone out from the interlacing boughs of

bushes about them, the trembling hands and the little water-soaked feet.

Were she utterly false as he had thought, would she have thus come to

him to warn him of the danger that encompassed the one she did not know

was he himself?

A great upheaval arose in Keiki. The rush of emotions ingulfed him. A

cry, a groan, escaped him, as, burying his face in his arms, he threw

from him the swords.

“She was truth itself,” he said. “It is I who have wronged her—I who

have been unworthy.”

“Too late!” a voice within his world-dulled soul said. He recalled now

the intelligence he had heard somewhere many months before. The Princess

of Mori had become a priestess of the Temple Zuiganji.

“My lord!”

The voice behind him, vaguely familiar, passed into that of the boy

Jiro.

“My lord,” repeated the soft voice, “it is I, Jiro, returned to thee.”

Mori answered:

“Alas, you come too late, my Jiro. Thou canst tell me nothing now, for I

know that she was guiltless. I was at fault. The gods alone can forgive

me.”

Again he bent over the swords. The figure behind him moved from its

position. It stood before the bending Prince now. A white robe reached

to the floor, brushing his hand and covering the swords at his feet.

Impelled by a force he could not resist, Mori raised his head.

Wistaria—Wistaria in her bridal robes, with white flowers in her

glorious hair, stood before him.

Mori started to his feet.

“Jiro—Jiro—”

He looked about the room, as though he still thought the boy within the

apartment. Was he dreaming, or had he actually heard the voice of the

boy Jiro, saying:

“It is I, Jiro, returned to thee.”

But where was Jiro, and who was this white being who had taken his

place? Not the Lady Wistaria, she who had become a priestess because of

her wrongs. Then her lips framed themselves in words that reached his

consciousness.

“If it please thee, my lord, I am Jiro.”

“Lady Wistaria!” he gasped.

“I am Wistaria,” she said.

Slowly, with the movement of one dazed, Mori moved towards her. Her

exquisite hands she held out to him. He seized them with his own. For a

moment he held them in a close, spasmodic clasp, then suddenly he sank

to the floor, burying his face in the folds of her kimono.

But the Lady Wistaria was upon her knees beside him, her hands upon his

head.

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● Transcriber’s note:

○ Missing or obscured punctuation was silently corrected.

○ Typographical errors were silently corrected.

○ Inconsistent spelling and hyphenation were made consistent only

when a predominant form was found in this book.

○ Text that was in italics is enclosed by underscores (_italics_).

The Wooing of Wistaria · 第 41 / 41 题