at the door. She had on a very long brown cloak, and a very white cap,
without bonnet. Her face was brown, but it had plainly once been fair.
She led a little barefooted child about two years old by the hand, and
said her husband, who was a tinker, was gone before with the other
children. I gave her a piece of bread. Afterwards, on my road to
Ambleside, beside the bridge at Rydal, I saw her husband sitting at
the roadside, his two asses standing beside him, and the two young
children at play upon the grass. The man did not beg. I passed on, and
about a quarter of a mile farther I saw two boys before me, one about
ten, the other about eight years old, at play, chasing a butterfly.
They were wild figures, not very ragged, but without shoes and
stockings. The hat of the elder was wreathed round with yellow
flowers; the younger, whose hat was only a rimless crown, had stuck it
round with laurel leaves. They continued at play till I drew very
near, and then they addressed me with the begging cant and the whining
voice of sorrow. I said, 'I served your mother this morning' (the boys
were so like the woman who had called at our door that I could not be
mistaken). 'O,' says the elder, 'you could not serve my mother, for
she's dead, and my father's in at the next town; he's a potter.' I
persisted in my assertion, and that I would give them nothing. Says
the elder, 'Come, let's away,' and away they flew like lightning. They
had, however, sauntered so long in their road that they did not reach
Ambleside before me, and I saw them go up to Mathew Harrison's house
with their wallet upon the elder's shoulder, and creeping with a
beggar's complaining foot. On my return through Ambleside I met, in
the street, the mother driving her asses, in the two panniers of one
of which were the two little children, whom she was chiding and
threatening with a wand with which she used to drive on her asses,
while the little things hung in wantonness over the pannier's edge.
The woman had told me in the morning that she was of Scotland, which
her accent fully proved, and that she had lived (I think at Wigtown);
that they could not keep a house, and so they travelled."
This was one of the "Poems of the Imagination."--Ed.
She had a tall man's height or more;
Her face from summer's noontide heat
No bonnet shaded, but she wore
A mantle, to her very feet
Descending with a graceful flow, 5
And on her head a cap as white as new-fallen snow. [1]
Her skin was of Egyptian brown:
Haughty, as if her eye had seen
Its own light to a distance thrown,
She towered, fit person for a Queen [2] 10
To lead [3] those ancient Amazonian files;
Or ruling Bandit's wife among the Grecian isles.
Advancing, forth she stretched her hand
And begged an alms with doleful plea
That ceased not; on our English land 15
Such woes, I knew, could never be; [4]
And yet a boon I gave her, for the creature
Was beautiful to see--a weed of glorious feature. [B]
I left her, and pursued my way;
And soon before me did espy 20
A pair of little Boys at play,
Chasing a crimson butterfly;
The taller followed with his hat in hand,
Wreathed round with yellow flowers the gayest of the land. [5]
The other wore a rimless crown 25
With leaves of laurel stuck about;
And, while both [6] followed up and down,
Each whooping with a merry shout,
In their fraternal features I could trace
Unquestionable lines of that wild Suppliant's face. [7] 30
Yet _they_, so blithe of heart, seemed fit [8]
For finest tasks of earth or air:
Wings let them have, and they might flit
Precursors to [9] Aurora's car,
Scattering fresh flowers; though happier far, I ween, 35
To hunt their fluttering game o'er rock and level green.
They dart across my path--but lo, [10]
Each ready with a plaintive whine!
Said I, "not half an hour ago
Your Mother has had alms of mine." 40
"That cannot be," one answered--"she is dead:"--
I looked reproof--they saw--but neither hung his head. [11]
"She has been dead, Sir, many a day."--
"Hush, boys! you're telling me a lie; [12]
It was your Mother, as I say!" 45
And, in the twinkling of an eye,
"Come! come!" cried one, and without more ado,
Off to some other play the joyous Vagrants flew! [13] [C]
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1845.
She had a tall Man's height, or more;
No bonnet screen'd her from the heat;
A long drab-colour'd Cloak she wore,
A Mantle reaching to her feet:
What other dress she had I could not know;
Only she wore a Cap that was as white as snow. 1807.
Before me as the Wanderer stood,
No bonnet screened her from the heat;
Nor claimed she service from the hood
Of a blue mantle, to her feet
Depending with a graceful flow;
Only she wore a cap pure as unsullied snow. 1827.
Before my eyes a Wanderer stood;
Her face from summer's noon-day heat
Nor bonnet shaded, nor the hood
Of that blue cloak which to her feet
Depended with a graceful flow;
Only she wore a cap as white as new-fallen snow. 1832.
No bonnet shaded, nor the hood
Of the blue cloak ... 1836.
She had a tall man's height or more;
And while, 'mid April's noontide heat,
A long blue cloak the vagrant wore,
A mantle reaching to her feet,
No bonnet screened her lofty brow,
Only she wore a cap as white as new-fallen snow. C.
She had a tall man's height or more;
A garment for her stature meet,
And for a vagrant life, she wore
A mantle reaching to her feet.
Nor hood, nor bonnet screened her lofty brow, C.]
[Variant 2:
1827.
In all my walks, through field or town,
Such Figure had I never seen:
Her face was of Egyptian brown:
Fit person was she for a Queen, 1807.
Such figure had I never seen
In all my walks through field or town,
Fit person seemed she for a Queen, C.]
[Variant 3:
1836.
To head ... 1807.]
[Variant 4:
1845.
Before me begging did she stand,
Pouring out sorrows like a sea;
Grief after grief:--on English Land
Such woes I knew could never be; 1807.
Her suit no faltering scruples checked;
Forth did she pour, in current free,
Tales that could challenge no respect
But from a blind credulity; 1827.
She begged an alms; no scruple checked
The current of her ready plea,
Words that could challenge ... 1832.
Before me begging did she stand
And boldly urged a doleful plea,
Grief after grief, on English land
Such woes I knew could never be. C.]
[Variant 5:
1807.
With yellow flowers around, as with a golden band. C.]
[Variant 6:
1827.
And they both ... 1807.]
[Variant 7:
1820.
Two Brothers seem'd they, eight and ten years old;
And like that Woman's face as gold is like to gold. 1807.]
[Variant 8: This stanza was added in the edition of 1827.]
[Variant 9:
1836.
Precursors of ... 1827.]
[Variant 10:
1827.
They bolted on me thus, and lo! 1807.]
[Variant 11:
1827.
"Nay but I gave her pence, and she will buy you bread." 1807.]
[Variant 12:
1845.
"Sweet Boys, you're telling me a lie; 1807.
... Heaven hears that rash reply; 1827.
The text of 1807 was resumed in 1836.]
[Variant 13:
1827.
... they both together flew. 1807.
... the thoughtless vagrants flew. C.]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: The spot is easily identified, as the quarry still
exists.--Ed.]
[Footnote B: In the MS. of this poem (1807) the words, "a weed of
glorious feature," are placed within inverted commas. The quotation is
from Spenser's 'Muiopotmos' ('The Fate of the Butterflie'), stanza 27;
and is important, as it affects the meaning of the phrase. It is curious
that Wordsworth dropped the commas in his subsequent editions.--Ed.]
[Footnote C: In Wordsworth's letter to Barron Field, of 24th October
1828 (see the volumes containing his correspondence), a detailed account
is given of the reasons which had led him to alter the text of this
poem.--Ed.]
* * * * *
SEQUEL TO THE FOREGOING,
COMPOSED MANY YEARS AFTER
Composed 1817.--Published 1827
In the edition of 1840 the year assigned to this Sequel is 1817. It does
not occur in the edition of 1820, but was first published in 1827. It
was one of the "Poems of the Imagination."--Ed.
Where are they now, those wanton Boys?
For whose free range the dædal earth
Was filled with animated toys,
And implements of frolic mirth;
With tools for ready wit to guide; 5
And ornaments of seemlier pride,
More fresh, more bright, than princes wear;
For what one moment flung aside,
Another could repair;
What good or evil have they seen 10
Since I their pastime witnessed here,
Their daring wiles, their sportive cheer?
I ask--but all is dark between!
[1]
They met me in a genial hour,
When universal nature breathed 15
As with the breath of one sweet flower,--
A time to overrule the power
Of discontent, and check the birth
Of thoughts with better thoughts at strife,
The most familiar bane of life 20
Since parting Innocence bequeathed
Mortality to Earth!
Soft clouds, the whitest of the year,
Sailed through the sky--the brooks ran clear;
The lambs from rock to rock were bounding; 25
With songs the budded groves resounding;
And to my heart are still endeared
The thoughts with which it then was cheered; [2]
The faith which saw that gladsome pair
Walk through the fire with unsinged hair. 30
Or, if such faith [3] must needs deceive--
Then, Spirits of beauty and of grace, [A]
Associates in that eager chase;
Ye, who within the blameless mind
Your favourite seat of empire find--35
Kind Spirits! may we not believe
That they, so happy and so fair
Through your sweet influence, and the care
Of pitying Heaven, at least were free
From touch of _deadly_ injury? 40
Destined, whate'er their earthly doom,
For mercy and immortal bloom?
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
Spirits of beauty and of grace!
Associates in that eager chase;
Ye, by a course to nature true,
The sterner judgment can subdue;
And waken a relenting smile
When she encounters fraud or guile;
And sometimes ye can charm away
The inward mischief, or allay,
Ye, who within the blameless mind
Your favourite seat of empire find!
The above is a separate stanza in the editions of 1827 and 1832. Only
the first two and the last two lines of this stanza were retained in the
edition of 1836, and were then transferred to the place they occupy in
the final text.--Ed.]
[Variant 2:
1836.
And to my heart is still endeared
The faith with which ... 1827.]
[Variant 3:
1836.
... such thoughts ... 1827.]
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: This and the three following lines were placed here in the
edition of 1836. See note to the previous page.--Ed.]
* * * * *
TO A BUTTERFLY (#1)
Composed March 14, 1802.--Published 1807
[Written in the Orchard, Town-end, Grasmere. My sister and I were parted
immediately after the death of our mother, who died in 1778, both being
very young.--I. F.]
One of the "Poems referring to the Period of Childhood."--Ed.
Stay near me--do not take thy flight!
A little longer stay in sight!
Much converse do I find in thee,
Historian of my infancy!
Float near me; do not yet depart! 5
Dead times revive in thee:
Thou bring'st, gay creature as thou art!
A solemn image to my heart,
My father's family!
Oh! pleasant, pleasant were the days, 10
The time, when, in our childish plays,
My sister Emmeline [A] and I
Together chased the butterfly!
A very hunter did I rush
Upon the prey:--with leaps and springs 15
I followed on from brake to bush;
But she, God love her! feared to brush
The dust from off its wings.
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: In the MS. for the edition of 1807 the transcriber (not W.
W.) wrote "Dorothy." This, Wordsworth erased, putting in
"Emmeline."--Ed.]
The text of this poem was never changed. It refers to days of childhood
spent at Cockermouth before 1778. "My sister Emmeline" is Dorothy
Wordsworth. In her Grasmere Journal, of Sunday, March 14, 1802, the
following occurs:
"While we were at breakfast he" (William) "wrote the poem 'To a
Butterfly'. He ate not a morsel, but sate with his shirt neck
unbuttoned, and his waistcoat open when he did it. The thought first
came upon him as we were talking about the pleasure we both always
felt at the sight of a butterfly. I told him that I used to chase them
a little, but that I was afraid of brushing the dust off their wings,
and did not catch them. He told me how he used to kill all the white
ones when he went to school, because they were Frenchmen. Mr. Simpson
came in just as he was finishing the poem. After he was gone, I wrote
it down, and the other poems, and I read them all over to him....
William began to try to alter 'The Butterfly', and tired himself."
Compare the later poem 'To a Butterfly' (#2) (April 20), p. 297.--Ed.
* * * * *
THE EMIGRANT MOTHER
Composed March 16th and 17th, 1802.--Published 1807
[Suggested by what I have noticed in more than one French fugitive
during the time of the French Revolution. If I am not mistaken the lines
were composed at Sockburn when I was on a visit to Mary and her
brothers.--I. F.]
In the editions of 1807 and 1815, this poem had no distinctive title;
but in the Wordsworth circle, it was known from the year 1802 as 'The
Emigrant Mother', and at least one copy was transcribed with this title
in 1802. It was first published under that name in 1820. It was revised
and altered in 1820, 1827, 1832, 1836, and more especially in 1845.
In Dorothy Wordsworth's Journal the following entries occur:
"Tuesday (March 16).--William went up into the orchard, and wrote a
part of 'The Emigrant Mother'."
"Wednesday.--William went up into the orchard, and finished the
poem.... I went and sate with W., and walked backwards and forwards in
the orchard till dinner-time. He read me his poem."
This poem was included among those "founded on the Affections."--Ed.
Once in a lonely hamlet I sojourned
In which a Lady driven from France did dwell;
The big and lesser griefs with which she mourned,
In friendship she to me would often tell.
This Lady, [1] dwelling upon British [2] ground, 5
Where she was childless, daily would [3] repair
To a poor neighbouring cottage; as I found,
For sake of a young Child whose home was there.
Once having seen her clasp with fond embrace
This Child, I chanted to myself a lay, 10
Endeavouring, in our English tongue, to trace
Such things as she unto the Babe might say: [4]
And thus, from what I heard and knew, or guessed, [5]
My song the workings of her heart expressed.
I "Dear Babe, thou daughter of another, 15
One moment let me be thy mother!
An infant's face and looks are thine
And sure a mother's heart is mine:
Thy own dear mother's far away,
At labour in the harvest field: 20
Thy little sister is at play;--
What warmth, what comfort would it yield
To my poor heart, if thou wouldst be
One little hour a child to me!
II "Across the waters I am come, 25
And I have left a babe at home:
A long, long way of land and sea!
Come to me--I'm no enemy:
I am the same who at thy side
Sate yesterday, and made a nest 30
For thee, sweet Baby!--thou hast tried,
Thou know'st the pillow of my breast;
Good, good art thou:--alas! to me
Far more than I can be to thee.
III "Here, little Darling, dost thou lie; 35
An infant thou, a mother I!
Mine wilt thou be, thou hast no fears;
Mine art thou--spite of these my tears.
Alas! before I left the spot,
My baby and its dwelling-place; 40
The nurse said to me, 'Tears should not
Be shed upon an infant's face,
It was unlucky'--no, no, no;
No truth is in them who say so!
IV "My own dear Little-one will sigh, 45
Sweet Babe! and they will let him die.
'He pines,' they'll say, 'it is his doom,
And you may see his hour is come.'
Oh! had he but thy cheerful smiles,
Limbs stout as thine, and lips as gay, 50
Thy looks, thy cunning, and thy wiles,
And countenance like a summer's day,
They would have hopes of him;--and then
I should behold his face again!
V "'Tis gone--like dreams that we forget; 55
There was a smile or two--yet--yet [6]
I can remember them, I see
The smiles, worth all the world to me.
Dear Baby! I must lay thee down;
Thou troublest me with strange alarms; 60
Smiles hast thou, bright [7] ones of thy own;
I cannot keep thee in my arms;
For they confound me;--where--where is
That last, that sweetest smile of his? [8]
VI "Oh! how I love thee!--we will stay 65
Together here this one half day.
My sister's child, who bears my name,
From France to sheltering England came; [9]
She with her mother crossed the sea;
The babe and mother near me dwell: 70
Yet does my yearning heart to thee
Turn rather, though I love her well: [10]
Rest, little Stranger, rest thee here!
Never was any child more dear!
VII "--I cannot help it; ill intent 75
I've none, my pretty Innocent!
I weep--I know they do thee wrong,
These tears--and my poor idle tongue.
Oh, what a kiss was that! my cheek
How cold it is! but thou art good; So 80
Thine eyes are on me--they would speak,
I think, to help me if they could. [11]
Blessings upon that soft, warm face, [12]
My heart again is in its place!
VIII
"While thou art mine, my little Love, 85
This cannot be a sorrowful grove;
Contentment, hope, and mother's glee, [13]
I seem to find them all in thee: [14]
Here's grass to play with, here are flowers;
I'll call thee by my darling's name; 90
Thou hast, I think, a look of ours,
Thy features seem to me the same;
His little sister thou shalt be;
And, when once more my home I see,
I'll tell him many tales of Thee." 95
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1807.
This Mother ... MS.]
[Variant 2:
1845.
... English ... 1807.]
[Variant 3:
1827.
... did ... 1807.]
[Variant 4:
1845.
Once did I see her clasp the Child about,
And take it to herself; and I, next day,
Wish'd in my native tongue to fashion out
Such things as she unto this Child might say: 1807.
Once did I see her take with fond embrace
This Infant to herself; and I, next day,
Endeavoured in my native tongue to trace
Such things as she unto the Child might say: 1820.
Once, having seen her take with fond embrace
This Infant to herself, I framed a lay,
Endeavouring, in my native tongue, to trace 1827.]
[Variant 5:
1845.
And thus, from what I knew, had heard, and guess'd, 1807.]
[Variant 6:
1820.
'Tis gone--forgotten--let me do
My best--there was a smile or two, 1807.]
[Variant 7:
1827.
... sweet ... 1807.]
[Variant 8:
1836.
For they confound me: as it is,
I have forgot those smiles of his. 1807.
For they bewilder me--even now
_His_ smiles are lost,--I know not how! 1820.
By those bewildering glances crost
In which the light of his is lost. [a] 1827.]
[Variant 9:
1827.
From France across the Ocean came; 1807.]
[Variant 10:
1845.
My Darling, she is not to me
What thou art! though I love her well: 1807.
But to my heart she cannot be 1836.]
[Variant 11:
1807.
And I grow happy while I speak,
Kiss, kiss me, Baby, thou art good. MS.]
[Variant 12:
1820.
... that quiet face, 1807.]
[Variant 13:
1807.
A Joy, a Comforter thou art;
Sunshine and pleasure to my heart;
And love and hope and mother's glee, MS.]
[Variant 14:
1807.
My yearnings are allayed by thee,
My heaviness is turned to glee. MS.]
* * * * *
SUB-FOOTNOTE ON THE TEXT
[Sub-Footnote a: In a letter to Barron Field (24th Oct. 1828),
Wordsworth says that his substitution of the text of 1827 for that of
1807, was due to the objections of Coleridge.--Ed.]
* * * * *
TO THE CUCKOO
Composed 1802.--Published 1807
[Composed in the Orchard at Town-end, 1804.--I.F.]
One of the "Poems of the Imagination."--Ed.
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice? [A]
While I am lying on the grass 5
Thy twofold shout I hear,
From hill to hill it seems to pass,
At once far off, and near. [1]
Though babbling only to the Vale,
Of sunshine and of flowers, 10
Thou bringest unto me a tale [2]
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing, [3] 15
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky. 20
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet; 25
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessed Bird! the earth we pace
Again appears to be 30
An unsubstantial, faery place;
That is fit home for Thee!
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1845.
While I am lying on the grass,
I hear thy restless shout:
From hill to hill it seems to pass,
About, and all about! 1807.
Thy loud note smites my ear!--
From hill to hill it seems to pass,
At once far off and near! 1815.
Thy loud note smites my ear!
It seems to fill the whole air's space,
At once far off and near! 1820.
Thy twofold shout I hear,
That seems to fill the whole air's space,
As loud far off as near. [a] 1827.]
[Variant 2:
1827.
To me, no Babbler with a tale
Of sunshine and of flowers,
Thou tellest, Cuckoo! in the vale 1807.
I hear thee babbling to the Vale
Of sunshine and of flowers;
And unto me thou bring'st a tale 1815.
But unto me .... 1820.]
[Variant 3:
1836.
No Bird; but an invisible Thing, 1807.]
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A:
"_Vox et praterea nihil_. See Lipsius 'of the Nightingale.'"
Barron Field.--Ed.
* * * * *
SUB-FOOTNOTE ON THE TEXT
[Sub-Footnote a: Barron Field remonstrated with Wordsworth about this
reading, and he agreed to restore that of 1820; saying, at the same
time, that he had "made the change to record a fact observed by
himself."--Ed.]
In the chronological lists of his poems, published in 1815 and 1820,
Wordsworth left a blank opposite this one, in the column containing the
year of composition. From 1836 to 1849, the date assigned by him was
1804. But in Dorothy Wordsworth's Journal the following occurs under
date Tuesday, 22nd March 1802:
"A mild morning. William worked at the Cuckoo poem.... At the closing
in of day, went to sit in the orchard. William came to me, and walked
backwards and forwards. W. repeated the poem to me. I left him there;
and in 20 minutes he came in, rather tired with attempting to write."
"Friday (March 25).--A beautiful morning. William worked at 'The
Cuckoo'."
It is therefore evident that it belongs to the year 1802; although it
may have been altered and readjusted in 1804. The connection of the
seventh stanza of this poem with the first of that which follows it, "My
heart leaps up," etc., and of both with the 'Ode, Intimations of
Immortality' (vol. viii.), is obvious.--Ed.
* * * * *
"MY HEART LEAPS UP WHEN I BEHOLD"
Composed March 26, 1802.--Published 1807
[Written at Town-end, Grasmere.--I.F.]
One of the "Poems referring to the Period of Childhood." In 1807 it was
No. 4 of the series called "Moods of my own Mind."--Ed.
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old, 5
Or let me die!
The Child is father of the Man; [A]
And I could wish my days to be
Bound each to each by natural piety.
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: Compare Milton's phrase in 'Paradise Regained' (book iv. l.
220):
'The childhood shews the man,
As morning shews the day.'
Dryden's 'All for Love', act IV. scene I:
'Men are but children of a larger growth.'
And Pope's 'Essay on Man', Ep. iv. l. 175:
'The boy and man an individual makes.'
Also Chatterton's 'Fragment' (Aldine edition, vol. 1. p. 132):
'Nature in the infant marked the man.'
Ed.]
"March 26, 1802.--While I was getting into bed he" (W.) "wrote 'The
Rainbow.'"
"May 14th.--... William very nervous. After he was in bed, haunted
with altering 'The Rainbow.'"
(Dorothy Wordsworth's Grasmere Journal.) This poem was known familiarly
in the household as "The Rainbow," although not printed under that
title. The text was never changed.
In 'The Friend', vol. i. p. 58 (ed. 1818), Coleridge writes:
"Men laugh at the falsehoods imposed on them during their childhood,
because they are not good and wise enough to contemplate the past in
the present, and so to produce that continuity in their
self-consciousness, which Nature has made the law of their animal
life. Men are ungrateful to others, only when they have ceased to look
back on their former selves with joy and tenderness. They exist in
fragments."
He then quotes the above poem, and adds:
"I am informed that these lines have been cited as a specimen of
despicable puerility. So much the worse for the citer; not willingly
in _his_ presence would I behold the sun setting behind our
mountains.... But let the dead bury their dead! The poet sang for the
living.... I was always pleased with the motto placed under the figure
of the rosemary in old herbals:
'Sus, apage! Haud tibi spiro.'"
Compare the passage in 'The Excursion' (book ix. l. 36) beginning:
'... Ah! why in age
Do we revert so fondly, etc.'
also that in 'The Prelude' (book v. l. 507) beginning:
'Our childhood sits.'
* * * * *
WRITTEN IN MARCH, WHILE RESTING ON THE BRIDGE AT THE FOOT OF BROTHERS
WATER
Composed April 16, 1802.--Published 1807
[Extempore. This little poem was a favourite with Joanna Baillie.--I.F.]
One of the "Poems of the Imagination."--Ed.
The Cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter,
The green field sleeps in the sun; 5
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one! 10
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The Ploughboy is whooping--anon--anon: [A] 15
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone! 20
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: This line was an afterthought.--Ed.]