A narrow girdle of rough stones and crags,

A rude and natural causeway, interposed

Between the water and a winding slope

Of copse and thicket, leaves the eastern shore

Of Grasmere safe in its own privacy: [A] 5

And there myself and two belovèd Friends,

One calm September morning, ere the mist

Had altogether yielded to the sun,

Sauntered on this retired and difficult way.

--Ill suits the road with one in haste; but we 10

Played with our time; and, as we strolled along,

It was our occupation to observe

Such objects as the waves had tossed ashore--

Feather, or leaf, or weed, or withered bough,

Each on the other heaped, along the line 15

Of the dry wreck. And, in our vacant mood,

Not seldom did we stop to watch some tuft

Of dandelion seed or thistle's beard,

That skimmed the surface of the dead calm lake,

Suddenly halting now--a lifeless stand! 20

And starting off again with freak as sudden; [1]

In all its sportive wanderings, all the while,

Making report of an invisible breeze

That was its wings, its chariot, and its horse,

Its playmate, rather say, its moving soul. [2] 25

--And often, trifling with a privilege

Alike indulged to all, we paused, one now,

And now the other, to point out, perchance

To pluck, some flower or water-weed, too fair

Either to be divided from the place 30

On which it grew, or to be left alone

To its own beauty. Many such there are,

Fair ferns and flowers, and chiefly that tall fern, [3]

So stately, of the queen Osmunda named;

Plant lovelier, in its own retired abode 35

On Grasmere's beach, than Naiad by the side

Of Grecian brook, or Lady of the Mere,

Sole-sitting by the shores of old romance.

--So fared we that bright [4] morning: from the fields,

Meanwhile, a noise was heard, the busy mirth 40

Of reapers, men and women, boys and girls.

Delighted much to listen [5] to those sounds,

And feeding thus our fancies, we advanced [6]

Along the indented shore; when suddenly,

Through a thin veil of glittering haze was seen [7] 45

Before us, on a point of jutting land,

The tall and upright figure of a Man

Attired in peasant's garb, who stood alone,

Angling beside the margin of the lake. [8]

"Improvident and reckless," we exclaimed, 50

"The Man must be, who thus can lose a day [9]

Of the mid harvest, when the labourer's hire

Is ample, and some little might be stored

Wherewith to cheer him in the winter time."

Thus talking of that Peasant, we approached 55

Close to the spot where with his rod and line

He stood alone; whereat he turned his head

To greet us--and we saw a Man worn down

By sickness, gaunt and lean, with sunken cheeks

And wasted limbs, his legs so long and lean 60

That for my single self I looked at them,

Forgetful of the body they sustained.--

Too weak to labour in the harvest field,

The Man was using his best skill to gain

A pittance from the dead unfeeling lake 65

That knew not of his wants. I will not say

What thoughts immediately were ours, nor how

The happy idleness of that sweet morn,

With all its lovely images, was changed

To serious musing and to self-reproach. 70

Nor did we fail to see within ourselves

What need there is to be reserved in speech,

And temper all our thoughts with charity.

--Therefore, unwilling to forget that day,

My Friend, Myself, and She who then received 75

The same admonishment, have called the place

By a memorial name, uncouth indeed

As e'er by mariner was given to bay

Or foreland, on a new-discovered coast;

And POINT RASH-JUDGMENT is the name it bears. 80

* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1815. (Compressing five lines into three.)

... thistle's beard,

Which, seeming lifeless half, and half impell'd

By some internal feeling, skimm'd along

Close to the surface of the lake that lay

Asleep in a dead calm, ran closely on

Along the dead calm lake, now here, now there, 1800.]

[Variant 2:

1820.

Its very playmate, and its moving soul. 1800.]

[Variant 3:

1802.

... tall plant ... 1800.]

[Variant 4:

1827.

... sweet ... 1800.]

[Variant 5:

1800.

... with listening ... C.]

[Variant 6:

1820.

And in the fashion which I have describ'd,

Feeding unthinking fancies, we advanc'd 1800.]

[Variant 7:

1827.

... we saw 1800.]

[Variant 8:

1800.

... a lake. 1802.

The text of 1815 returns to that of 1800.]

[Variant 9:

1827.

... the margin of the lake.

That way we turn'd our steps; nor was it long,

Ere making ready comments on the sight

Which then we saw, with one and the same voice

We all cried out, that he must be indeed

An idle man, who thus could lose a day 1800.

Did all cry out, that he must be indeed

An Idler, he who thus ... 1815.]

* * * * *

FOOTNOTE ON THE TEXT

[Footnote A: A new road has destroyed this retirement. (MS. footnote in

Lord Coleridge's copy of the edition of 1836.)--Ed.]

The text of this poem reached its final state in the edition of 1827.

The same is true of the poem which follows, 'To M. H.', with the

exception of a single change.

In Wordsworth's early days at Grasmere, a wild woodland path of quiet

beauty led from Dove Cottage along the margin of the lake to the "Point"

referred to in this poem, leaving the eastern shore truly "safe in its

own privacy"--a "retired and difficult way"; the high-way road for

carriages being at that time over White Moss Common. The late Dr.

Arnold, of Rugby and Foxhowe, used to name the three roads from Rydal to

Grasmere thus: the highest, "Old Corruption"; the intermediate, "Bit by

bit Reform"; the lowest and most level, "Radical Reform." Wordsworth was

never quite reconciled to the radical reform effected on a road that

used to be so delightfully wild and picturesque. The spot which the

three friends rather infelicitously named "Point Rash-Judgment" is

easily identified; although, as Wordsworth remarks, the character of the

shore is changed by the public road being carried along its side. The

friends were quite aware that the "memorial name" they gave it was

"uncouth." In spite of its awkwardness, however, it will probably

survive; if not for Browning's reason

'The better the uncouther;

Do roses stick like burrs?'

at least because of the incident which gave rise to the poem.

The date of composition is fixed by Dorothy Wordsworth's

Journal,

"10th Oct. 1800, Wm. sat up after me, writing 'Point

Rash-Judgment.'"

Ed.

* * * * *

TO M. H.

Composed 1800.--Published 1800

[To Mary Hutchinson, two years before our marriage. The pool alluded to

is in Rydal Upper Park.--I.F.]

Our walk was far among the ancient trees:

There was no road, nor any woodman's path;

But a [1] thick umbrage--checking the wild growth

Of weed and sapling, along soft green turf [2]

Beneath the branches--of itself had made 5

A track, that [3] brought us to a slip of lawn,

And a small bed of water in the woods.

All round this pool both flocks and herds might drink

On its firm margin, even as from a well,

Or some stone-basin which the herdsman's hand 10

Had shaped for their refreshment; nor did sun,

Or wind from any quarter, ever come,

But as a blessing to this calm recess,

This glade of water and this one green field.

The spot was made by Nature for herself; 15

The travellers know it not, and 'twill remain

Unknown to them; but it is beautiful;

And if a man should plant his cottage near,

Should sleep beneath the shelter of its trees,

And blend its waters with his daily meal, 20

He would so love it, that in his death-hour

Its image would survive among his thoughts:

And therefore, my sweet MARY, this still Nook,

With all its beeches, we have named from You! [4]

* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1836.

But the ... 1800.]

[Variant 2:

1827.

... on the soft green turf 1800.

... smooth dry ground MS.]

[Variant 3:

1827.

... which ... 1800.]

[Variant 4:

1800.

... for You. 1802.

The text of 1815 returns to that of 1800.]

To find the pool referred to in the Fenwick note, I have carefully

examined the course of Rydal beck, all the way up to the foot of the

Fell. There is a pool beyond the enclosures of the Hall property, about

five hundred feet above Rydal Mount, which partly corresponds to the

description in the poem, but there is no wood around it now; and the

trees which skirt its margin are birch, ash, oak, and hazel, but there

are no beeches. It is a short way below some fine specimens of ice-worn

rocks, which are to the right of the stream as you ascend it, and above

these rocks is a well-marked moraine. It is a deep crystal pool, and has

a "firm margin" of (artificially placed) stones. This may be the spot

described in the poem; or another, within the grounds of the Hall, may

be the place referred to. It is a sequestered nook, beside the third

waterfall as you ascend the beck--this third cascade being itself a

treble fall. Seen two or three days after rain, when the stream is full

enough to break over the whole face of the rock in showers of snowy

brightness, yet low enough to shew the rock behind its transparent veil,

it is specially beautiful. Trees change so much in eighty years that the

absence of "beeches" now would not make this site impossible. In a MS.

copy of the poem (of date Dec. 28, 1800), the last line is

'With all its poplars, we have named from you.'

Of the circular pool beneath this fall it may be said, as Wordsworth

describes it, that

'... both flocks and herds might drink

On its firm margin, even as from a well;'

and a "small slip of lawn" might easily have existed there in his time.

We cannot, however, be confident as to the locality, and I add the

opinion of several, whose judgment may be deferred to. Dr. Cradock

writes:

"As to Mary Hutchinson's pool, I think that it was not on the beck

anywhere, but some detached little pool, far up the hill, to the

eastwards of the Hall, in 'the woods.' The description does not well

suit any part of Rydal beck; and no spot thereon could long 'remain

unknown,' as the brook was until lately much haunted by anglers."

My difficulty as to a site "far up the hill" is, that it must have been

a pool of some size, if "both flocks and herds might drink" all round

it; and there is no stream, scarce even a rill that joins Rydal beck on

the right, all the way up from its junction with the Rothay. The late

Mr. Hull of Rydal Cottage, wrote:

"Although closely acquainted with every nook about Rydal Park, I have

never been able to discover any spot corresponding to that described

in Wordsworth's lines to M. H. It is possible, however, that the

'small bed of water' may have been a temporary rain pool, such as

sometimes lodges in the hollows on the mountain-slope after heavy

rain."

Mr. F. M. Jones, the agent of the Rydal property, writes:

"I do not know of any pool of water in the Upper Rydal Park. There are

some pools up the river, 'Mirror Pool' among them; but I hardly think

there can ever have been 'beech-trees' growing near them."

There are many difficulties, and the place cannot now be identified.

Wordsworth's own wish will doubtless be realised,

'The travellers know it not, and 'twill remain

Unknown to them.'

Ed.

* * * * *

THE WATERFALL AND THE EGLANTINE

Composed 1800.--Published 1800

[Suggested nearer to Grasmere, in the same mountain track as that

referred to in the following note. The Eglantine remained many years

afterwards, but is now gone.--I.F.]

Included among the "Poems of the Fancy."--Ed.

I "Begone, thou fond presumptuous Elf,"

Exclaimed an angry Voice, [1]

"Nor dare to thrust thy foolish self

Between me and my choice!"

A small Cascade fresh swoln with snows 5

Thus threatened a poor Briar-rose, [2]

That, all bespattered with his foam,

And dancing high and dancing low,

Was living, as a child might know,

In an unhappy home. 10

II "Dost thou presume my course to block?

Off, off! or, puny Thing!

I'll hurl thee headlong with the rock

To which thy fibres cling."

The Flood was tyrannous and strong; [A] 15

The patient Briar suffered long,

Nor did he utter groan or sigh,

Hoping the danger would be past;

But, seeing no relief, at last,

He ventured to reply. 20

III "Ah!" said the Briar, "blame me not;

Why should we dwell in strife?

We who in this sequestered spot [3]

Once lived a happy life!

You stirred me on my rocky bed--25

What pleasure through my veins you spread

The summer long, from day to day,

My leaves you freshened and bedewed;

Nor was it common gratitude

That did your cares repay. 30

IV "When spring came on with bud and bell, [B]

Among these rocks did I

Before you hang my wreaths [4] to tell

That gentle days were nigh!

And in the sultry summer hours, 35

I sheltered you with leaves and flowers;

And in my leaves--now shed and gone,

The linnet lodged, and for us two

Chanted his pretty songs, when you

Had little voice or none. 40

V "But now proud thoughts are in your breast--

What grief is mine you see,

Ah! would you think, even yet how blest

Together we might be!

Though of both leaf and flower bereft, 45

Some ornaments to me are left--

Rich store of scarlet hips is mine,

With which I, in my humble way,

Would deck you many a winter day, [5]

A happy Eglantine!" 50

VI What more he said I cannot tell,

The Torrent down the rocky dell

Came thundering loud and fast; [6]

I listened, nor aught else could hear;

The Briar quaked--and much I fear 55

Those accents were his last.

* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1836.

... a thundering Voice, 1800.]

[Variant 2:

1820.

A falling Water swoln with snows

Thus spake to a poor Briar-rose, 1800.]

[Variant 3:

1820.

... in this, our natal spot, 1800.]

[Variant 4:

1815.

... wreath ... 1800.]

[Variant 5:

1836.

... Winter's day, 1800.]

[Variant 6:

1840.

The stream came thundering down the dell

And gallop'd loud and fast; 1800.

The Torrent thundered down the dell

With unabating haste; 1815.

With aggravated haste; 1827.

The Stream came thundering down the dell 1836.]

* * * * *

FOOTNOTES ON THE TEXT

[Footnote A: Compare 'The Ancient Mariner' (part I. stanza II.):

And now the Storm-blast came, and he

Was tyrannous and strong.

Ed.]

[Footnote B: Compare 'A Farewell', p. 325, l. 17.--Ed.]

The spot referred to in this poem can be identified with perfect

accuracy. The Eglantine grew on the little brook that runs past two

cottages (close to the path under Nab Scar), which have been built since

the poet's time, and are marked Brockstone on the Ordnance Map.

"The plant itself of course has long disappeared: but in following up

the rill through the copse, above the cottages, I found an unusually

large Eglantine, growing by the side of the stream."

(Dr Cradock to the editor, in 1877.) It still grows luxuriantly there.

The following extract from Dorothy Wordsworth's Journal illustrates both

this and the next poem:

"Friday, 23rd April 1802.--It being a beautiful morning, we set off at

eleven o'clock, intending to stay out of doors all the morning. We

went towards Rydal, under Nab Scar. The sun shone and we were lazy.

Coleridge pitched upon several places to sit down upon; but we could

not be all of one mind respecting sun and shade, so we pushed on to

the foot of the Scar. It was very grand when we looked up, very stony;

here and there a budding tree. William observed that the umbrella

Yew-tree that breasts the wind had lost its character as a tree, and

had become like solid wood. Coleridge and I pushed on before. We left

William sitting on the stones, feasting with silence, and I sat down

upon a rocky seat, a couch it might be, under the Bower of William's

'Eglantine,' 'Andrew's Broom.' He was below us, and we could see him.

He came to us, and repeated his Poems, while we sat beside him. We

lingered long, looking into the vales; Ambleside Vale, with the

copses, the village under the hill, and the green fields; Rydale, with

a lake all alive and glittering, yet but little stirred by breezes;

and our own dear Grasmere, making a little round lake of Nature's own,

with never a house, never a green field, but the copses and the bare

hills enclosing it, and the river flowing out of it. Above rose the

Coniston Fells, in their own shape and colour, ... the sky, and the

clouds, and a few wild creatures. Coleridge went to search for

something new. We saw him climbing up towards a rock. He called us,

and we found him in a bower,--the sweetest that was ever seen. The

rock on one side is very high, and all covered with ivy, which hung

loosely about, and bore bunches of brown berries. On the other side,

it was higher than my head. We looked down on the Ambleside vale, that

seemed to wind away from us, the village lying under the hill. The fir

tree island was reflected beautifully.... About this bower there is

mountain-ash, common ash, yew tree, ivy, holly, hawthorn, roses,

flowers, and a carpet of moss. Above at the top of the rock there is

another spot. It is scarce a bower, a little parlour, not enclosed by

walls, but shaped out for a resting-place by the rocks, and the ground

rising about it. It had a sweet moss carpet. We resolved to go and

plant flowers, in both these places to-morrow."

This extract is taken from the "Journal" as originally transcribed by me

in 1889. When it appears in this edition it will be greatly

enlarged.--Ed.

* * * * *

THE OAK AND THE BROOM

A PASTORAL

Composed 1800.--Published 1800

[Suggested upon the mountain pathway that leads from Upper Rydal to

Grasmere. The ponderous block of stone, which is mentioned in the poem,

remains, I believe, to this day, a good way up Nab-Scar. Broom grows

under it, and in many places on the side of the precipice.--I.F.]

One of the "Poems of the Fancy."--Ed.

I His simple truths did Andrew glean

Beside the babbling rills;

A careful student he had been

Among the woods and hills.

One winter's night, when through the trees 5

The wind was roaring, [1] on his knees

His youngest born did Andrew hold:

And while the rest, a ruddy quire,

Were seated round their blazing fire,

This Tale the Shepherd told. 10

II "I saw a crag, a lofty stone

As ever tempest beat!

Out of its head an Oak had grown,

A Broom out of its feet.

The time was March, a cheerful noon--15

The thaw wind, with the breath of June,

Breathed gently from the warm south-west:

When, in a voice sedate with age,

This Oak, a giant and a sage, [2]

His neighbour thus addressed:--20

III "'Eight weary weeks, through rock and clay,

Along this mountain's edge,

The Frost hath wrought both night and day,

Wedge driving after wedge.

Look up! and think, above your head 25

What trouble, surely, will be bred;

Last night I heard a crash--'tis true,

The splinters took another road--

I see them yonder--what a load

For such a Thing as you! 30

IV "'You are preparing as before

To deck your slender shape;

And yet, just three years back--no more--

You had a strange escape:

Down from yon cliff a fragment broke; 35

It thundered down, with fire and smoke,

And hitherward pursued its way; [3]

This ponderous block was caught by me,

And o'er your head, as you may see,

'Tis hanging to this day! 40

V "'If breeze or bird to this rough steep

Your kind's first seed did bear;

The breeze had better been asleep,

The bird caught in a snare: [4]

For you and your green twigs decoy 45

The little witless shepherd-boy

To come and slumber in your bower;

And, trust me, on some sultry noon,

Both you and he, Heaven knows how soon!

Will perish in one hour. 50

VI "'From me this friendly warning take'--

The Broom began to doze,

And thus, to keep herself awake,

Did gently interpose:

'My thanks for your discourse are due; 55

That more than what you say is true, [5]

I know, and I have known it long;

Frail is the bond by which we hold

Our being, whether young or old, [6]

Wise, foolish, weak, or strong. 60

VII "'Disasters, do the best we can,

Will reach both great and small;

And he is oft the wisest man,

Who is not wise at all.

For me, why should I wish to roam? 65

This spot is my paternal home,

It is my pleasant heritage;

My father many a happy year,

Spread here [7] his careless blossoms, here

Attained a good old age. 70

VIII "'Even such as his may be my lot.

What cause have I to haunt

My heart with terrors? Am I not

In truth a favoured plant!

On me such bounty Summer pours, 75

That I am covered o'er with flowers; [8]

And, when the Frost is in the sky,

My branches are so fresh and gay

That you might look at me [9] and say,

This Plant can never die. 80

IX "'The butterfly, all green and gold,

To me hath often flown,

Here in my blossoms to behold

Wings lovely as his own.

When grass is chill with rain or dew, 85

Beneath my shade, the mother-ewe

Lies with her infant lamb; I see

The love they to each other make,

And the sweet joy which they partake,

It is a joy to me.' 90

X "Her voice was blithe, her heart was light;

The Broom might have pursued

Her speech, until the stars of night

Their journey had renewed;

But in the branches of the oak 95

Two ravens now began to croak

Their nuptial song, a gladsome air;

And to her own green bower the breeze

That instant brought two stripling bees

To rest, or [10] murmur there. 100

XI "One night, my Children! from the north

There came a furious blast; [11]

At break of day I ventured forth,

And near the cliff I passed.

The storm had fallen upon the Oak, 105

And struck him with a mighty stroke,

And whirled, and whirled him far away;

And, in one hospitable cleft,

The little careless Broom was left

To live for many a day." 110

* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1820.

... thundering, ... 1800.]

[Variant 2:

1815.

... half giant and half sage, 1800.]

[Variant 3:

1820.

It came, you know, with fire and smoke

And hither did it bend its way. 1800.

And hitherward it bent its way. 1802.]

[Variant 4:

1836.

The Thing had better been asleep,

Whatever thing it were,

Or Breeze, or Bird, or fleece of Sheep,

That first did plant you there. 1800.

Or Breeze, or Bird, or Dog, or Sheep, 1802.]

[Variant 5:

1820.

That it is true, and more than true, 1800.]

[Variant 6:

1827.

... be we young or old, 1800.]

[Variant 7:

1836.

Here spread ... 1800.]

[Variant 8:

1815.

The Spring for me a garland weaves

Of yellow flowers and verdant leaves, 1800.]

[Variant 9:

1802.

... on me ... 1800.]

[Variant 10:

1827.

To feed and ... 1800.

To rest and ... 1815.]

[Variant 11:

1815.

One night the Wind came from the North

And blew a furious blast, 1800.]

The spot is fixed within narrow limits by the Fenwick note. It is,

beyond doubt, on the wooded part of Nab-Scar, through which the upper

path from Grasmere to Rydal passes. There is one huge block of stone

high above the path, which answers well to the description in the second

stanza. Crabb Robinson wrote in his 'Diary' (Sept. 11, 1816):

"The poem of 'The Oak and the Broom' proceeded from his" (Wordsworth)

"beholding a tree in just such a situation as he described the broom

to be in."

Ed.

* * * * *

"'TIS SAID, THAT SOME HAVE DIED FOR LOVE"

Composed 1800.--Published 1800

One of the "Poems founded on the Affections."--Ed.

'Tis said, that some have died for love:

And here and there a church-yard grave is found

In the cold north's unhallowed ground,

Because the wretched man himself had slain,

His love was such a grievous pain. 5

And there is one whom I five years have known;

He dwells alone

Upon Helvellyn's side:

He loved--the pretty Barbara died;

And thus he makes his moan: 10

Three years had Barbara in her grave been laid

When thus his moan he made:

"Oh, move, thou Cottage, from behind that oak!

Or let the aged tree uprooted lie,

That in some other way yon smoke 15

May mount into the sky!

The clouds pass on; they from the heavens depart:

I look--the sky is empty space;

I know not what I trace;

But when I cease to look, my hand is on my heart. 20

"O! what a weight is in these shades! Ye leaves,

That murmur once so dear, when will it cease?

Your sound my heart of rest bereaves,

It robs my heart of peace. [1]

Thou Thrush, that singest loud--and loud and free, 25

Into yon row of willows flit,

Upon that alder sit;

Or sing another song, or choose another tree.

"Roll back, sweet Rill! back to thy mountain-bounds,

And there for ever be thy waters chained! 30

For thou dost haunt the air with sounds

That cannot be sustained;

If still beneath that [2] pine-tree's ragged bough

Headlong yon waterfall must come,

Oh let it then be dumb! 35

Be anything, sweet Rill, but that which thou art now.

"Thou Eglantine, so bright with sunny showers,

Proud as a rainbow spanning half the vale, [3]

Thou one fair shrub, oh! shed thy flowers,

And stir not in the gale. 40

For thus to see thee nodding in the air,

To see thy arch thus stretch and bend,

Thus rise and thus descend,--

Disturbs me till the sight is more than I can bear."

The Man who makes this feverish complaint 45

Is one of giant stature, who could dance

Equipped from head to foot in iron mail.

Ah gentle Love! if ever thought was thine

To store up kindred hours for me, thy face

Turn from me, gentle Love! nor let me walk 50

Within the sound of Emma's voice, nor [4] know

Such happiness as I have known to-day.

* * * * *

VARIANTS ON THE TEXT

[Variant 1:

1836.

... Ye leaves,

When will that dying murmur be suppress'd?

Your sound my heart of peace bereaves,

It robs my heart of rest. 1800.]

[Variant 2:

1800.

... yon ... MS.]

[Variant 3:

1836.

Thou Eglantine whose arch so proudly towers

(Even like a rainbow ... 1800.

... the rainbow ... 1802.

The text of 1815 returns to that of 1800.]

[Variant 4:

1836.

... or ... 1800.]

If the second, third, and fourth stanzas of this poem had been published

without the first, the fifth, and the last, it would have been deemed an

exquisite fragment by those who object to the explanatory preamble, and

to the moralising sequel. The intermediate stanzas suggest Burns's

'Ye banks and braes o' bonnie Doon,

How can ye bloom sae fresh and fair!

How can ye chant, ye little birds,

An' I sae weary, fu' o' care!'

and Browning's 'May and Death':

'I wish that when you died last May,

Charles, there had died along with you

Three parts of spring's delightful things;

Ay, and, for me, the fourth part too.'

This mood of mind Wordsworth appreciated as fully as the opposite, or

complementary one, which finds expression in the great 'Ode, Intimations

of Immortality' (vol. viii.), l. 26.

'No more shall grief of mine the season wrong,'

and which Browning expresses in other verses of his lyric, and

repeatedly elsewhere. The allusion in the last stanza of this poem is to

Wordsworth's sister Dorothy.--Ed.

* * * * *

THE CHILDLESS FATHER

Composed 1800.-Published 1800 [A]

[Written at Town-end, Grasmere. When I was a child at Cockermouth, no

funeral took place without a basin filled with sprigs of boxwood being

placed upon a table covered with a white cloth in front of the house.

The huntings on foot, in which the old man is supposed to join as here

described, were of common, almost habitual, occurrence in our vales when

I was a boy, and the people took much delight in them. They are now less

frequent.--I.F.]

One of the "Poems founded on the Affections."--Ed.

"Up, Timothy, up with your staff and away!

Not a soul in the village this morning will stay;

The hare has just started from Hamilton's grounds,

And Skiddaw is glad with the cry of the hounds."

The Poetical Works of William Wordsworth — Volume 2 (of 8) · 第 10 / 27 段