CHAPTER XXIII.

MARGARET HAS HER WARNING.

NEXT evening, I believe, Cleve saw Margaret Fanshawe, by favour of that

kindest of chaperons, Miss Anne Sheckleton, at the spot where by chance

they had met before--at the low bank that fences the wood of Malory,

near the steep road that descends by the old church of Llanderris.

Here, in the clear glow of sunset, they met and talked under the old

trees, and the good old spinster, with her spectacles on, worked at her

crochet industriously, and often peered over it this way and that, it

must be confessed, nervously; and with a prudence with which Cleve would

gladly have dispensed, she hurried this hazardous meeting to a close.

Not ten minutes later Margaret Fanshawe stood alone at the old refectory

window, which commands through the parting trees a view of the sea and

the distant headland, now filmed in the aerial lights of the sunset. I

should not wonder if she had been drawn thither by the fanciful hope of

seeing the passing sail of Cleve Verney's yacht--every sign and relic

grows so interesting! Now is with them the season of all such things:

romance has sent forth her angels; the woods, the clouds, the sea, the

hills, are filled with them. Now is the play of fancy and the yearning

of the heart--and the aching comes in its time.

Something sadder and gentler in the face than ever before. Undine has

received a soul, and is changed. The boat has passed, and to catch the

last glimpse of its white wing she crosses to the other side of the

window, and stretches, with a long, strange gaze, till it is gone--quite

gone--and everything on a sudden is darker.

With her hand still on the worn stone-shaft of the window, she leans and

looks, in a dream, till the last faint tint of sunset dies on the gray

mountain, and twilight is everywhere. So, with a sigh, a vague trouble,

and yet a wondrous happiness at her heart, she turns to leave the

stone-floored chamber, and at the head of the steps that lead down from

its door she is startled.

The pale old woman, with large, earnest eyes, was at the foot of this

stone stair, with her hand on the rude banister. It seemed to Margaret

as if she had been waiting for her. Her great vague eyes were looking

into hers as she appeared at the door.

Margaret arrested her step, and a little frown of fear for a moment

curved her eyebrows. She did fear this old Rebecca Mervyn with an odd

apprehension that she had something unpleasant to say to her.

"I'm coming up to you," said the old woman, sadly, still looking at her

as she ascended the steps.

Margaret's heart misgave her, but somehow she had not nerve to evade the

interview, or rather, she had felt that it was coming and wished it

over.

Once or twice in passing, the old woman had seemed to hesitate, as if

about to speak to her, but had changed her mind and passed on. Only the

evening before, just at the hour when the last ray of the sun comes from

the west, and all the birds are singing their last notes, as she was

tying up some roses, on the short terrace round the corner of the old

mansion, she turned and raised her eyes, and in the window of the old

building called the "Steward's House," the lattice being open, she saw,

looking steadfastly upon her, from the shadows within, the pale face of

this old woman. In its expression there was something ominous, and when

she saw Margaret looking straight at her, she did not turn away, but

looked on sadly, as unmoved as a picture, till Margaret, disconcerted,

lowered her eyes, and went away.

As this old woman ascended the stairs, Margaret crossed the floor to the

window--light is always reassuring--and leaning at its side, looked

back, and saw Rebecca Mervyn already within the spacious chamber, and

drawing near slowly from the shadow.

"You wish to speak to me, Mrs. Mervyn?" said the young lady, who knew

her name, although now for the first time she spoke to her.

"Only a word. Ah!--yes--you _are--very_ beautiful," she said, with a

deep sigh, as she stood looking at her, with a strange sadness and

compassion in her gaze, that partook of the past, and the prophetic.

A little blush--a little smile--a momentary gleam of that light of

triumph, in beauty so beautiful--showed that the fair apparition was

mortal.

"Beauty!--ah!--yes! If _it_ were not here, neither would _they_. Miss

Margaret!--poor thing! I've seen him. I knew him, although it is a great

many years," said old Rebecca. "The moment my eyes lighted on him, I

knew him; there is something about them all, peculiar--the Verneys, I

mean. I should know a Verney anywhere, in any crowd, in any disguise.

I've dreamt of him, and thought of him, and watched for him, for--how

many years? God help me, I forget! Since I was as young as you are.

Cleve Verney is handsome, but there were others, long before--oh! ever

so much more beautiful. The Verney features--ah!--yes--thinking always,

dreaming, watching, burnt into my brain; they have all some points

alike. I knew Cleve by that; he is more like that than to his younger

self; a handsome boy he was--but, I beg pardon, it is so hard to keep

thoughts from wandering."

This old woman, from long solitude, I suppose, talked to others as if

she were talking to herself, and rambled on, flightily and vaguely. But

on a sudden she laid her hand upon Margaret's wrist, and closing it

gently, held her thus, and looked in her face with great concern.

"Why does he come so stealthily? _death_ comes so, to the young and

beautiful. My poor sister died in Naples. No one knew there was danger

the day before she was sent away there, despaired of. Well may I say the

angel of death--beautiful, insidious--that's the way they

come--stealthily, mysterious--when I saw his handsome face about here--I

shuddered--in the twilight--in the dark."

Margaret's cheek flushed, and she plucked her wrist to disengage it from

the old woman's hand.

"You had better speak to my cousin, Miss Sheckleton. It is she who

receives Mr. Verney when he comes. She has known him longer than I; at

least, made his acquaintance earlier," said the young lady. "I don't, I

confess, understand what you mean. I've been trying, and I can't;

perhaps _she_ will?"

"I must say this; it is on my mind," said the old woman, without letting

her hand go. "There is something horrible in the future. You do not know

the Verneys. They are a _cruel_ race. It would be better to suffer an

evil spirit into the house. Poor young lady! To be another _innocent

victim_! Break it off--expel him! Shut out, if you can, his face from

your thoughts and memory. It is one who knows them well who warns you.

It will not come to good."

In the vague warning of this old woman, there was an echo of an

indefinite fear that had lain at her own heart, for days. Neither,

apart, was anything; but one seconding the other was ominous and

depressing.

"Let me go, please," she said, a little brusquely; "it is growing dark,

and I _must_ go in. I'm sure, however, you mean what you say kindly; and

I thank you for the intention--thank you very much."

"Yes--go--I shall stay here; from here one can see across to Pendillion,

and the sea there; it _will_ come again, I know it will, some day or

night. My old eyes are weary with watching. I should know the sail

again, although it is a long, long time--I've lost count of the years."

Thus saying, she drew near the window, and without a word of farewell to

Margaret, became absorbed in gazing; and Margaret left her, ran lightly

down the steps, and in a minute more was in the house.

The Tenants of Malory, Volume 1 · 第 23 / 25 章