CHAPTER XVIII

At about five o'clock the next afternoon Peter, in his hotel bedroom,

called for a pitcher of ice-water, the major portion of which he

disposed of before considering the next move.

Afternoon sunlight, entering by the single large window, mapped out a

radiant oblong of red on the heavy carpet. The long, insolent shriek

of a taxicab arose from the square. The bedroom was redolent of the

sour odor of last night's cigarette smoke. He had forgotten, for

perhaps the first time in his memory, to throw open the window upon

retiring. As he arose stiffly from the bed an empty brown bottle

bounded to the floor with a thump, and the latter riotous portion of

last evening came slowly back to him. He had decided to do something.

What had he made up his mind to do? He sat down on the edge of the bed

with his head in his hands and frowned. He remembered now.

He was going back to China!

With a throbbing head and a recurrence of the sticky feeling in his

mouth, he stripped off his pajamas, went into the bath-room, and

shivered and grunted under an icy shower for five minutes, by which

time some of the despondency which last night's affair had brought over

him was shaken, his headache was loosened a bit, his wits were more

clearly in hand, and the warm blood was shooting through him.

After a brisk rub-down he dressed quickly--he had barely had time

enough to recover his suit-cases from the San Friole baggage-room when

he had fled--and put in a call for the Marconi office.

Shortly he had the chief operator on the wire, and he explained briefly

that out-of-town business had interfered with his calling the day

before, but that he would drop around for a conference bright and early

the next morning. He added that he intended to take the _King of Asia_

back to China.

When he entered the chief operator's cubicle, the chief operator looked

into the face of a man who had aged, a white, sad face, the face of a

man who had found the sample of life he had tasted to be a bitter

mouthful.

"Back again, as I live!" he chirruped, pumping Peter's hand

exuberantly. "Where now, Peter?"

"China," said Peter; "my old love, the _King of Asia_, sails to-morrow.

Can I have her?"

"Sure thing! By the way, here's a special delivery letter for you in

the mail that hasn't been assorted--a nice square envelope. Looks to

me like a wedding invitation!"

Peter examined the square, white envelope.

A wedding invitation with a San Friole canceling stamp.

Absently he dropped it into his pocket.

Making his way to the St. Francis he found that San Toy Fong had

departed for parts unknown. So he sat down at a desk in the

writing-room, and penned a brief note, addressing it in care of Ah Sih

King. He knew that the letter would reach San Toy Fong as rapidly as a

grape-vine telegraph could deliver it to him. He knew that it would be

opened, coded and transmitted to the second coil of the vast, hidden

government, wherever he might be--from Singapore to Singapore.

The import of that note was simply that he, Peter Moore, was returning

to China, and promised to interfere in no way with the band's

activities. If he should change his mind, he added, he would file

notice of such decision with the duly accredited agents of Len Yang's

monarch at the Jen Kee Road place, in Shanghai.

The purple shoulders of the Golden Gate were sinking into the

silver-tipped waves when Peter, having despatched his clearance

message, left the tireless cabin for a look at the glorious red sunset

and a breath of the fresh Pacific air.

A room steward, who had just ascended the iron ladder, approached,

touching his cap with a deferential forefinger. "A letter addressed to

you, sir. Found it in the corridor outside your stateroom. Must have

fallen from your pocket."

The wedding invitation with a San Friole date-mark!

With nerveless fingers Peter drew out, not an envelope, but a stiff

card. And he stared at the card in the red twilight, and groaned in

pain and astonishment.

Have I said that this was St. Valentine's Day? In the color of the

dying sun, and painted carefully by hand, was a tiny heart, bleeding.

And that was the only message.

PART III

THE GREEN DEATH

CHAPTER I

"Oh! Chiang Nan's a hundred li, yet in a moment's space

I've flown away to Chiang Nan and touched a dreaming face."

--TS'EN-TS'AN.

A young man can get himself into trouble in China.

He may refuse to eat the food that is pushed into his

mouth at a Chinese banquet by the perfectly

well-intentioned man sitting beside him. In that case he will

hardly do more than arouse the contempt of his

beneficiary and his host. He simply shows that he lacks

good Chinese table manners, for at a Chinese banquet

it is proper to stuff food into your companion's mouth,

no matter how full his stomach may be.

Another way to offend the Chinese is to refuse a gift.

But these are minor things. The surest method to

arouse the suspicion, dislike and animosity of China is

deliberately to keep your affairs shrouded in mystery.

Discuss your important business secrets in loud shouts;

no one will pay the slightest attention. But whisper

mysteriously in your friend's ear, and spies will attend

you! Leave a note-book filled with precious data

plainly in view upon your dressing-table, and your

room-boy won't for the life of him peek into it. Lock

that same note-book away in a dressing-table drawer,

and your room-boy will move heaven and earth to find

out what it's all about!

The time of the day was mid-forenoon; the time of

the year was spring. The low, mournful voice of a

temple gong floated across the race of brown water.

River _fokies_, on sampans and junks, were singing their

old work song, the Yo-ho--hi-ho! of the ancient river, as

their naked, broad backs bent to the sweeps. A

pleasant breath of perspiring new earth was drifting down

the great stretch of yellow water on a light, warm wind.

Peter had taken his favorite stand on the upper-boat

deck, where the wireless shack was situated, with

one hand wrapped loosely about a davit guy, the other

thoughtfully rattling a cluster of keys in his pocket.

Spring is for youth, and Peter was young; yet he

did not reflect in any way the mood of the new season.

He felt gloomy and depressed. Life seemed an empty,

a dreary thing to Peter, because he could see himself

getting nowhere.

In spite of the sweet candor of the young spring

day, one of the first sounds that came to his ears as he

stood there, in the shadow of the life-boat, was the

brazen clamor of a death cymbal. One of China's four

hundred millions had died in the night; now his spirit

was being escorted to the seventh heaven of his blessed

forefathers, by the death cymbal, clashing with a sober

din to drive the devils away from his late abode.

The shadow of the life-boat was rather unaccountably

attenuated; Peter turned around and looked into the

bland, unsmiling face of Jen, a Chinese deck-boy.

Pig-tails were coming back in style again. About six inches

of wispy, purple-black braid extended downward from

Jen's white cap. His face was quite yellow, and his

eyes were green. An understandable light came and

flickered across their satiny surface as Peter looked

inquiringly into them.

"Wanchee my?" he asked.

The deck-boy took a cautious and all inclusive look

of the broad, gray deck, bending head to look past the

giant funnels, the first of which stood about twenty

feet forward of them.

"Stay allatime on _King Asia_?" inquired the

Chinese, moiling his hands together and bowing slightly.

Peter gave him a blue-eyed, indolent stare.

"Maybe. Maybe not," he said. "What's on your mind, Jen?"

"You tell me what going do," replied the yellow

one meaningly. "Can do?"

"Mebbe can do," replied Peter, folding his hands.

"You run up to the place on Jen Kee Road as soon as

you catchee sampan. Tell man-man if I decide to do

anything I will drop in and tell him. You don't know,

Jen, but he knows that my word is good. If I decide to

go up-river I'll tell man-man. If I decide to do

nothing, I'll say nothing to man-man."

"Allee light, allee light," said Jen, backing away a

few steps. "You tell man-man, eh?"

As Peter watched the retreating skinny shoulders

bob up and down as they went away from him toward

the after ladder, he felt just a little more undecided than

he had five minutes earlier. He went into the wireless-room,

to straighten up the apparatus before locking the

door for the visit in Shanghai.

As he was locking the tool-box--the Chinese river

thieves would steal anything they could lay hands

on--he heard his name called in a silvery voice accompanied

by a man's pleasant laugh, and he went out on deck to

find that Mr. Andover, with the twins in tow, was all

dressed up for a trip ashore.

The twins and Anthony Andover were passengers,

bound on a sight-seeing trip through the East, and as

Peter Moore was a very impressionable young man, it

is only natural that the twins be discussed first, in

virtue of their loveliness.

Peter had first contemplated Peggy and Helen

Whipple in the _King of Asia's_ dining-room. It would

have been a rather impossible thing not to see Peggy and

Helen Whipple, if you were young, and with fair eyesight.

At the first dinner after leaving the Golden Gate

Peter had gone into the dining-room rather early, as

he skipped tiffin (by reason of an empty pocket) and

was ravenously hungry.

He had looked up over his first spoonful of

mulligatawny a la Capron to meet the clear, undistilled,

brown-eyed gaze of Peggy Whipple, who had seated

herself at the captain's table. In that liquid,

brown-eyed gaze had lurked a sparkle of mischief, a slightly

arrogant look of inquisitive scrutiny, and perhaps a

playful invitation.

As Peggy Whipple gave him that mischievous, liquid-brown

glance when he was in the act of lifting a level

soupspoonful to his lips, he did not, as a man might

do under the circumstances, spill the soup upon the

tablecloth, or back into the dish; nor did he pause in

the work of lifting the liquid to his mouth.

He did not have to look at the spoon to guide its

passage to his mouth. Without spilling a drop, he

captained the spoon to its destination, maintaining his

clear, deep-blue eyes upon the beautiful brown ones of

the young passenger. And, without lowering his eyes

once, he lifted the loaded spoon up twice in succession.

This skillful management brought a smile to the

pretty face of the girl. Perhaps she had expected him

to spill the soup under her glance; it was to be

expected; more than probably the thing had happened in

past episodes of Peggy, for she was distractingly fair

to look upon, and her turned-up nose should have

disarmed any man.

Her hair was golden and sleek and drawn back

straight from her low, white forehead and knotted

together in the back, calling attention to a neck that was

slim and beautifully proportioned. Pink and white and

gold described her. She seemed to bristle with a sort

of fidgety energy, as if she had so much youth and

loveliness stored up in her that she had a tremendous time

keeping it all within bounds.

After Peter had slowly, but not at all insolently or

impudently, taken all of this in, in the time required to

stow away three heaping spoonfuls of mulligatawny a

la Capron, by dead reckoning, she looked away from

him with a little pout.

Peter followed her glance. He had not noticed the

other girl before. It was evident that they were of the

same blood, but the other girl seemed older. She, too,

had sprung from a brown-eyed ancestry, and she, too,

was blond and pink and lovely, with the prettiest

fingers and finger-nails Peter had seen for some time.

Her glance, arising to meet his, was brown and very

calm; unlike her sister, she appeared to be grave, more

of the deliberate, thoughtful type.

It was in the shop of a Japanese silk merchant on

Motomatchi Chome that he had met them for the first

time. Several times on the trip across he had passed

them on the deck, always escorted by proud young men.

They were the most popular girls on shipboard.

Beauty rarely travels in pairs; these were unusual

twins.

Once, as Peter was swinging down the ladder from

topside, he came upon Peggy alone, looking rather blue.

It may have been that she was simply in repose; and

the contrast gave him that impression. Her eyes

dreamingly encountered his, and the mischievous light

flickered in them and instantly went out.

She ran her eyes down the white uniform with the

gold emblems of his profession at the lapels, dropped

her eyelids demurely, and seemed to wait. He hesitated,

and she stood still; but he passed on, leaving her

staring after him with a little pout. Obviously the

twins had traveled much!

CHAPTER II

It was on the night that the _King of Asia_ cleared Nagasaki for the

short run across the Yellow Sea into the flow of the Yangtze-Kiang that

Peter was sought out by that pleasant young man, Anthony Andover.

Ordinarily passengers were not allowed in the sacred quarters of the

wireless house. However, those who possessed daring spirits came up

anyway. Peggy Whipple came up there soon after that meeting on deck,

with permission from nobody, and Peter gave her about fifteen minutes

of his extremely important time on the average of nine times a day,

permitting her to adorn the extra chair in the wireless shack, where

she unconsciously revealed in her sudden and unexpected shiftings of

posture, several inches of adorable silken ankle. I think Peggy was

sadly in need of an elderly chaperone, and I am somehow under the

impression that Peggy very badly wanted Peter to make love to her. How

he resisted her speaks volumes for his quaint, mid-Victorian views

regarding woman.

And at the end of the fifteen minutes, after regaling her with tales of

the lands she was about to visit, he dismissed her, kindly but with

great firmness, and she was as obedient as a lamb.

Anthony Andover, who knew more about plows perhaps than the Egyptians,

gave him something else to think about. He looked up from his

instruments that evening to see a young man of medium height, slim of

build, and rather pale and sharp of mien.

"My name is Anthony Andover," he said in a brisk and business-like

voice. "I wonder if I could have a talk with you."

Peter told him to sit down, and he removed the heavy nickeled

head-pieces from his ears. He expected an important radio from the

Shanghai Station; but that could wait. He wondered what Anthony

Andover might have on his mind.

"Mr. Moore, I'm in something of a devil of a fix, and I think you're

the man who can get me out of it."

"Shoot," said Peter, lighting a yellow cigarette and passing the box.

"Chinks?" Trouble to Peter always meant Chinks; they were his symbol

of danger.

"No, no! You see, all of my life I've been--well, a city man. The

biggest adventure I ever had was a fist fight with my foreman. Now----"

"Did you lick him?" asked Peter with concern.

Anthony nodded reminiscently. "Blacked his eyes and busted his nose!"

"Good for you! Go ahead with your story."

"I've met a girl on the steamer, and according to her way of looking at

things, I lack about five thousand different parts of being a hero.

You know the girl. That's why I'm bothering you like this."

"Not bothering me a bit. Who's the girl?"

"Peggy." Anthony caressed the word as if it were honey. "Peggy

Whipple. Of course, the first thing I want to make sure of is, am I

stepping on anybody's toes? If I am, I'll just go ahead, and play my

own game my own way. If it's to be a case of a fight----"

"Hold on a moment," interrupted Peter. "I don't quite follow you.

Whose toes do you think you're stepping on?"

"Well, Peggy comes up here to the wireless shack so much, that I--I----"

"Oh, not a bit of it, old man. Peggy's a nice girl. I like her.

That's all."

"I--I'm mighty glad," said Anthony earnestly. "You know, she's pretty

mad about you, but as long as you're not interested the way I am,

well----" He bit his lip nervously, and went on: "I think you'd agree

with me that it would be rather foolish of her, and very disappointing

and disillusioning later on for her to marry the kind of a man she

thinks she wants to marry. She has a notion that the man she marries

must be a cross between Adonis, and--and Diamond Dick! She wants a man

who carries six-shooters in all his pockets, and who fears neither God,

man, nor the devil!"

"A regular hell buster!"

"That's it! Down in her heart I think she cares for me a little bit.

But I'm nothing but a plain, ordinary business man. I never did

anything devilish in my life. There's nothing romantic about me. Look

at this necktie! Did you ever see a hero wearing a plain black

four-in-hand? Never! Did you ever see a hero wearing nice tan oxfords

without a spot of mud on them? If I can somehow manage to make her

think for a few minutes that I've got heroic stuff in me, she may

listen to a little sense. She tells me--rather she threw it in my

face--that you are going to take Helen and her on a sight-seeing trip

into some of the darkest holes in Shanghai. You know the ropes, and

there's no danger, of course."

"None at all," said Peter.

"Well, I want to know if you'll let me go along. I'll stand every

expense; I've got money to burn! Let me in on it, and----"

"But there isn't going to be a chance for anybody to be a hero. I'm

going to take those girls to the safest place in Shanghai. A New

England church would be a cavern of iniquity alongside of it!"

Anthony laid his fingers along his knees.

"Well, couldn't you stir up something? That's my idea. I'll leave it

to you to crack up some danger, not real danger, of course--we can't

let those girls get near any real danger. But we can start a fake

fight--or something--and give me a chance to play the hero, to rescue

Peggy in my arms; that sort of stuff, you know." He looked at Peter

foolishly.

Peter stroked his nose. "It might be done," he said. "I'll see what I

can do."

Anthony arose, extended his hand, and said: "Of course, I'll need a

revolver."

"Load it with blanks," advised Peter. "You know, some people think

it's bad luck to kill a Chink."

Anthony was eyeing him curiously. "Do you?" he asked.

Peter nodded his head slowly. "Sometimes," he said.

CHAPTER III

Anthony and the twins called for Peter as soon as they could tear

themselves away from the many fascinating incidents attendant upon

coming to an anchorage in the Whang-poo-Kiang.

It was late in the afternoon when the first company tug came down-river

from Shanghai for passengers. And it was nearly dusk, the golden-brown

evening of China, when they were decanted upon the public landing stage

at the International Concession.

Anthony was for going directly to the Hotel Astor for dinner, but at

Peter's suggestion he and the twins boarded a street-car for the ride

to Bubbling Wells.

Peter stood for a number of moments in indecision as the Bubbling Wells

tram went up the bund with the slow flood of victorias, rickshaws, and

wheelbarrows. It was now about seven o'clock, with the sun hidden

under a horizon of dull bronze. Street lights were coming on,

twinkling in a long silver serpent along the broad thoroughfare, rising

in a grotesque hump over the Soochow bridge, and becoming lost in the

American quarter.

He would meet Anthony and the twins in the dining-room. Whoever got

there first would wait. He expected to be there long before his three

friends came back from Bubbling Wells.

A rickshaw coolie was wheedling him at his elbow but he paid no

attention. His eyes were searching the street. It took him several

seconds to reconcile himself to the fleeting apparition. What was this

girl doing in Shanghai?

The rickshaw had passed, proceeding at unabated speed in the direction

of Native City.

The rickshaw boy was still making guttural sounds, softly plucking at

his sleeve. The shafts of the rickshaw were close to his feet. But

Peter was still undecided.

"Allee right," said Peter, briskly. "French concession."

That was the direction in which the other rickshaw was headed.

He climbed aboard, and they veered out into the north-bound traffic.

The girl in the rickshaw was about one block in the lead, and had no

intention evidently of accelerating her coolie's pace or of turning

back. She had left all decision to him, and his decision was to ask

her a few questions.

His coolie trotted heavily, looking neither to the right nor left, with

his pigtail snapping from side to side, as his head bent low.

"Follow _lan-si_ veil--savvy?"

"My savvy," returned the coolie, heading toward the narrow alley of

filth and sputtering oil _dongs_, breathing the odor of refuse, of

cooking food.

Peter's heart was beginning to respond to the excitement. Did she have

some message to convey to him that she could not trust to the openness

of the bund at the jetty?

Suddenly the rickshaw ahead swerved sharply to the right into an alley

that was perfectly dark. Its single illumination was a pale-blue light

which burned before a low building set apart from the others at the far

end.

Here the first rickshaw stopped. A ghostly figure seemed to float to

the ground. There was a clink of coins. A door opened, letting out a

wide shaft of orange light which spattered across the paving,

flattening itself against the grim wall of the building across the way.

Peter caught the bronze glint of wires on the roof under a pale moon.

He knocked sharply on the door, and stood to one side. It was a habit

he had learned from long experience--that trick of stepping to one side

when he knocked at a suspicious door. The door moved outward a few

inches. A long, yellow face, with a thick, projecting under lip,

peered out. Peter pushed the man aside and entered.

He found himself in a low corridor of smoked wood, with fat candles

disposed along the walls at intervals of several yards, on a narrow,

lacquered rail. One of three doors was open.

A match was struck, the head glowing in a semi-circle of sputtering

iridescence before the wood itself kindled. The hand holding the match

was trembling; the weak flame fluttered to such an extent that he was

denied momentarily a glimpse of the owner of the hand.

A whisper was conveying an order to him. "Please shut the door, Mr.

Moore."

He reached for the door and closed it firmly in the face of the man who

had let him into this place.

When he turned, the trembling hand was applying the match flame to the

wick of an open lamp, a rather ornate _dong_. As the flame rose

higher, casting its steady, mild luminance, he caught a glitter of

metal, of polished rubber; one end of the room was almost filled with

machinery.

"Romola Borria!"

She seemed to have undergone a great change. The beautiful face that

had lured him once into the jaws of death was dominated now by a

wistful and tender sadness, as though this girl had gone through an

epoch of self-torture since they had last been together.

Yet she was still beautiful; it was as if her beauty had been refined

in an intense fire. Her mouth was sad, her great brown eyes glowed

with an inexpressible sadness, and her face, once oval and proud,

seemed narrower, whiter, and, by many degrees, of a finer mold.

She was examining him broodingly; there was a reluctant timidity in her

eyes; it was such a look as you may see years afterward in the woman

you once have cast aside for some other, perhaps not quite so worthy.

"Well, you have found me, Peter," she said in a faint and tired voice,

coming slowly toward him.

"Yes," he admitted, lamely: "I saw you passing the jetty. I

followed--naturally. I have just come from America."

"Oh." Her voice expressed no surprise. "You came for me, Peter?"

"I thought you were dead," he confessed.

"Well, I am a hard one to kill!" A tiny smile flickered across her

fine lips. "You are not married--to Eileen?"

"No--and never!" he said dully.

"But you must be in love! You are always in love--with some one."

"I am in love with no one."

"Not even----"

"I am in love with no one."

"Nor am I," said Romola Borria quietly. It seemed to come from her as

a vast and reluctant confession. "I loved only one man, and my love

for him is quite dead. If I should rake over the embers--oh, but I

have raked them over, Peter, many, many times--and I have found not one

single small ember glowing! When love dies, you know, it requires a

great fire to rekindle it. Oh, I have suffered!"

"He--is dead?"

She smiled again, rather ironically. "Can a man live with a bullet in

his heart?"

"I--I saw. I thought--but what does it matter what I thought?" He was

trying to inject some of his old spirit into his voice. It was rather

difficult, this business of laughing at the funeral of love. "Romola,

you are more beautiful!"

"I have suffered," she said, in the same restrained voice.

He turned away with a shrug. He, too, had suffered, but in a somewhat

different light. He was examining with a professional eye the heap of

apparatus which was arranged in splendid order along the back of the

small room.

"I am studying. You see, Peter," she explained, in the same rather

recriminatory tones, "I was rather fond of you at one time----"

"Romola, please----"

"And because it was your profession I became interested in it. I heard

the message you sent last night--to--to the place on Jen Kee Road. I

was quite worried for a while."

"That was why you happened along the bund about the time the boat came

up-river?"

"Perhaps." She smiled vaguely.

"You wanted to find out if I still cared enough for you to----"

"Follow me? Yes, Peter; I think that was why."

"Then you didn't know I was on my way to China?"

"No, Peter, I knew nothing."

"Aren't you connected with my good friend, the man with the sea-lion

mustaches, in Len Yang?"

Romola gave a short gasp. "I never was connected with him."

"But you told me you were--back there on the _Persian Gulf_!"

She shook her head slowly, with a gentle firmness.

"No. I did not tell you that. I have seen him; yes. But I was never

in his employ. It was Emiguel Borria, my late and--may I say?--my

unlamented husband, who made me do those things. Peter----"

Her attitude seemed to undergo some sort of subtle change, as if she

were bitterly amused. "You say you are not in love. Then what of the

little golden-haired girl--the two little golden-haired girls--you left

this afternoon on the bund?"

"They and the young man are passengers on the _King of Asia_. I

brought them ashore to give them an insight into China-as-it-really-is."

"They are in very capable hands, then, Peter. Aren't you running some

risk, though? Isn't there some chance that the men in the Jen Kee Road

place may take it into their heads----"

"I am on my word of honor, Romola. I have come back to China, not to

start trouble, but simply because--well, why are you in China?"

"Because I haven't the will to leave, perhaps. I stay here in the same

spirit that a man or a woman lingers before a dreadful oil painting,

like the shark picture of Sorolla; it is terrible, but it is

fascinating. I cannot leave. If I did, I would come back, as you come

back, time after time. Is that why you've come back?"

"Exactly."

"And you imagine you're running no risk with the two golden-haired

maids in tow?"

Peter shook his head thoughtfully. "Perhaps I shouldn't have exposed

them to danger. But they were determined, and it's partly to help the

young man. Anthony is a plain American business man. He's in love

with the youngest. And she, a hero worshipper. He wants to

demonstrate himself."

She interrupted in a whisper. "Peter, tell me, why is it? What have

you ever done? What do you say? Why--why is it?"

Peter the Brazen was looking at her blankly.

She made a gesture of resignation with her beautiful white hands.

"Well, never mind. Tell me more about Anthony."

"Anthony believes that if he can demonstrate his valor to Peggy, she

will come to his arms. He really is a fine, upstanding fellow. I had

intended bringing them to Ching Tong's place out Bubbling Wells way,

harmless enough and watched by the police of nine nations. Ching Tong,

being a friend who will put himself out for me, will play the part of a

very bad villain. Anthony's revolver is loaded with blanks. Mine

isn't, but that's just my cowardly nature. You can never tell what

might turn up, you know."

"Naturally. Go on."

"I intend to have Ching Tong stage a very realistic fight down in his

cellar, in which Anthony can overpower eight or ten Chink giants,

escape out of the window with the fainting Peggy in his arms,

and--and----"

"Simple enough," admitted Romola, with a mild frown. She drew him to a

broad, low bench. "Somehow," she went on, "your idea rather appeals to

me, too. I liked Anthony's looks--what I saw of him. And I rather

liked the two little girls--twins, aren't they?"

Peter nodded. "The heavenly twins!"

"I think I'd quite agree with that plan, Peter, if you didn't happen to

be in such disrepute in this neighborhood. You must realize that the

Gray Dragon's men are watching you. Of course, you didn't recognize

your rickshaw coolie. He is one of the Gray Dragon's men--naturally.

Don't you think you are exposing those two nice girls unnecessarily to

danger?"

Peter lighted two cigarettes, and passed one of them to Romola. She

accepted it with an air of abstraction and puffed slowly, blowing out a

thin stream of pale smoke.

"But circumstances are changed now. You see, I am on the

fence--perfectly safe."

"They are still anxious for you to come with them?"

"That's it. They sent a representative last trip all the way to San

Francisco."

"Of course you refused? Peter----" Her soft, white hand was resting

on his; her red lips were very close to his face. "Why don't you join

them? You and I!"

"You and I?"

She nodded earnestly.

Peter drew back a few inches. "I said 'no' when you asked me that

before. No, I'll have nothing to do with that band--never! Going out

into the wilderness, up into the mountains on some of their risky

errands--with you--might have appealed to me. Not now!"

"Peter, I am afraid I still love you!"

"And yet, Romola, I'm not afraid of falling in love with you--again!

But let's not speak of joining that man in Len Yang. What you're

offering is--too tempting. I might give in! You are altogether too

fascinating!"

"Am I?"

"I've told you that before."

"Then you will go up-river with me?"

"No--never! Why, you almost make me suspect that you're still in that

beast's employ."

"I never was. I told you that."

"You've said many things that didn't stand the acid, Romola."

He stood up, looking down at her with whimsical tenderness. She was

very beautiful, and when she took on that forlorn air she had the

appearance of a helpless, small girl. He wondered if he would ever

regret his refusal.

"Ching Tong must have time to make arrangements, and I have a dinner

engagement at the Astor House with Anthony and the heavenly twins.

Can't you and I have tea to-morrow afternoon?"

Romola came to him and put her two hands on his shoulders. "No," she

said. "We must not be seen together. It may mean danger for you.

I've been thinking over your plan to convert Anthony into an

adventurer. Why not bring them all here. I have seven servants, all

Chinese, and they would give their lives for me. Let me see----" She

bit her upper lip thoughtfully.

"You can tell them that this place is--well, the heart of the Chinese

smuggling trade. It's ridiculous, but it will appeal to them. I will

dress up as a Chinese woman--oh, I've done it dozens of times in the

past--and I shall be very mysterious. That will seem much more

romantic to Peggy than a mere opium den. And it will be safer. I know

Ching Tong's shop. It might do, if you were an ordinary person, Peter,

but such an adventure should be provided with at least five times as

many exits! I have them here."

Peter looked at her doubtingly, although the idea appealed to him.

Outriding his admiration of the idea, however, was a recurrence of his

old impression of Romola Borria. He knew that he never had been a

match for her cunning, her esoteric knowledge of China.

"I have plenty of make-up pots. I'll paint up these _fokies_ to look

like bandits! I'll have knives in their belts. And I'll plan the

rehearsal before you come. Everything will be arranged." She seemed

to hesitate. "You--you won't bring that dreadful automatic revolver of

yours loaded--will you?"

Peter smiled faintly.

CHAPTER IV

A light spring rain was drizzling down when Peter ordered four

rickshaws of the proud Sikh who stood guard over the porte cochere of

the Astor House. Long bright knives of light slithered across the wet

pavement from the sharp arc lights on the Soochow bridge. The ghostly

superstructure of a large and silent junk was thrown in silhouette

against the yellow glow of a watchman's shanty across the dark canal,

as it moved slowly in the current toward the Yellow Sea.

It was a desolate night. The streets were deserted except for an

occasional rickshaw with some mysterious bundled passenger, the

footfalls of the coolies sounding with a faint squashing as of drenched

sandals, slimy with the heavy sludge of the back-village streets. The

world was lonely and awash.

Peter busied himself with Peggy's comfort when the first rickshaw,

dripping and wet, rattled up. He drew the waterproof robe up under her

chin and fastened the loops, then tucked it in under her feet. Her

cheeks were glowing with the pink of her excitement.

Anthony meanwhile gave similar attention to the other twin.

Peter glanced at his watch as they climbed in. He wondered how Anthony

might be taking his first and relatively unimportant lap of their

adventure, and he instructed his coolie, in "pidgin," to drop behind.

Clear gray eyes shone with a confident reassurance.

"You mustn't hit too hard, and be careful if you shoot your revolver to

discharge it in the air. At close range even the wads from the blank

cartridges are rather deadly."

Anthony's clear voice came across to him: "Of course."

They stopped at length before the rambling structure which was the

abode of Romola Borria. The lamp was extinguished, probably beaten out

long before by the pelting rain. Only a pale glow emanated from the

place, this from a tiny upstairs window, covered over with oiled paper,

and the only sounds were the ceaseless drip of the rain and the low

gibberings of the coolies as they examined the coins given them in the

greasy light of the rickshaw lanterns.

Peggy, slipping her arm through Peter's and hugging him close to her,

trembled with the excitement of anticipation.

"We must not be separated," he warned them in a whisper. "Whatever

happens--Peggy and Helen--stand close to us. In case of trouble, each

of you stand behind whichever of us is nearest. Don't scream. Don't

show any money. Peggy, put your pocketbook in your shirt-waist.

Now--ready?"

"Yes!" came the threefold whispering chorus.

He raised his knuckles, and brought them down sharply--three times

rapidly, twice slowly. Silence followed, the bristling silence of an

aroused house.

Slowly the door gave way, and a villainous-looking old Chinese in black

beckoned with a long snake-like finger for them to enter.

Only two candles now were burning on the lacquered rail in the smoky

corridor. Curtains at the rear parted; there was a sweep of heavy

silken garments, and a white-faced and beautiful woman made her way

toward them.

Deft employment of the make-up pot and painstaking searchings through a

great number of trunks had blended a picture that was all but

melodramatic.

Romola Borria's wonderful dark hair was arranged in a great heap which

sloped backward from her head. Her face was chalk white, from a bath

in rice powder; her fine lips were curled in the most sinister of

smiles; and her eyes glowed with a splendid abandon. She looked

wicked; she radiated cruelty.

And the twins gasped in sweet horror. It is probable that twin

trickles of icy excitement chased up and down their twin spines.

Anthony gaped, and his gray eyes expressed an unbounded infatuation.

With a gracious stealth she moved beyond them, not once lowering her

magnificent eyes, and shot a huge brass bolt in the door.

They formed an expectant, a worshipful semicircle. In a low voice

Peter made the introductions, dwelling at fastidious length upon the

tremendous villainy of this slender sorceress, who swept him all the

time with a proud and disdainful fire. She nodded stiffly at intervals.

"The Princess Meng Da Tlang has a word to say to you." He bowed

profoundly.

"It is only this," said Romola Borria in tones as rich as the Kyoto

temple gong, "what you have thus far seen, and what you are about to

gaze upon, must always--forever--remain a secret within your hearts.

Follow me." Romola, or the Princess Meng Da Tlang, floated down the

dim corridor with a further silken rustle of skirts, and drew back the

curtain at the far end.

The quartette filed into a large and lofty room, flickering under the

pallid flames of candles. The wax dripping from some of these hung

like icicles or stalactites from the shallow bronze cups, and they

illuminated a scene that was bizarre.

The walls were burdened with heavy rugs which responded with a waxen

sheen to the mystic light of the candles, and they were of the sombre

hues of the China that passed its zenith many centuries ago. They

served to give this place a solemn air of vast dignity and richness.

Along the inner wall, placed so that it squarely commanded the doorway,

grinned a huge green image of Buddha, surrounded by a clutter of brass

candlesticks and mounted on a splendid throne of brass filigree

underneath which red flames were burning.

The odor of costly incense was heavy and sweet, the smoke from a

brazier arising in a thin, motionless blue spar which, when it had

climbed up through the air for a distance of about four feet, broke

into a sort of turquoise fan and this drifted on up to the ceiling in

heavy wisps. The incense pot was very old, of black lacquer and brass,

greened with blotches of erosion.

And above the green image of Buddha, before which the Princess Meng Da

Tlang was now kneeling and moaning in a faint voice, reposed a very

realistic skull and cross-bones. Across the forehead of this hideous

reminder of the hereafter was a deep green notch, attesting in all

probability to the cause of the luckless owner's death.

"Please be seated--there," Romola requested.

Her graceful, ivory-white arm indicated with a queenly gesture a

heavily carved ebony bench, and her guests filed expectantly to this

seat.

Peggy, with a long sigh, dragged Peter into the corner. "I'm almost

scared. Oh, oh, isn't this simply romantic!" she whispered.

Helen and Anthony gravely occupied the space on the other side of them.

The Princess Meng Da Tlang was moving gracefully toward the doorway

through which they had entered.

"I--I'm really a little afraid!" whispered Peggy, with her lips so

close to Peter's ear that he could feel her warm breath against his

neck. "Put your arms around me--please!" Peter slipped his arm behind

her and around her. He squeezed her. "Oh," sighed Peggy, "this is

grand!"

Helen gave her a sidelong look of surprise. "Peggy, I think you're

hardly discreet."

"Let me die while I'm happy!" grinned Peggy. She turned a wistful face

to Peter. "Did you ever put your arm around another woman before?" she

whispered.

"Heaven forbid!" groaned Peter. "Don't I act like an amateur?"

"No; you don't!"

Romola was holding back the curtains while a troop of four men, muddy

and wet, as if from long travel, moved silently into the large room.

"Mongolian smugglers," Peter whispered.

The four large men crossed the room with dignified tread, depositing

four small bundles wrapped in blue silk at the altar of Buddha. Then

they removed straw-matting rainproofs which dangled from their broad

shoulders to their muddy sandals. They were garbed in black silk and

fastened at the belt of each was a kris, curved and flashing where the

golden candle light skimmed along the whetted steel.

After depositing their slight burdens they bowed low before the altar,

muttered deep in their throats, arose and salaamed gravely, until the

four pigtails flapped on the heavy blue rug at Romola's bare feet. She

wore no sandals, which was probably the custom among pirate princesses.

When the men were gone, Romola drew back a rug which hung close to the

altar, revealing a small cupboard flush with the wall. Even Anthony

looked at the black door and the brass hasp with his gray eyes round in

wonder and interest.

After disposing of the four silken parcels, Romola addressed them in a

mysterious voice: "Those packages contain gems; diamonds, rubies,

pearls from the Punjab, from Bengali, from Burma."

"Can we see them?" pleaded Helen in rapt tones.

"Aw, please!" inserted Peggy in an angelic whisper.

Romola raised both of her hands as if in horror. "They would tempt

even a saint," she muttered.

"Be careful," warned Peter, laying his lips to Peggy's pink ear, "the

princess has a terrible temper. She has been known to strangle a man

for less than that!"

"I don't believe it!" retorted Peggy. "I think the princess is just

too sweet for anything."

Romola gave Peter a look of indolent inquiry. She arose abruptly.

"You must have some of my spiced wine. It is really delicious.

_P'eng-yu_ Moore, we won't bother the servants; won't you help me?"

Peggy folded her hands demurely in her lap. "I hope it isn't

intoxicating," she murmured.

Romola had moved graciously across the room, where in a bronze

jardiniere protruded the dusty, slender necks of tall bottles. She

knelt before this. "Nearer," she whispered, as he followed suit.

"Peter, tell me----"

"Yes, Romola?"

"What does this little girl mean to you?"

Peggy's clear voice sounded: "Peter, my throat is dusty!"

"In a minute, Peggy," he called back. Lowering his voice again: "She's

merely a child. But why----"

"Peter, I've gone to more trouble to-night than you realize,

perhaps----"

"What do you want me to do?"

"I want you to stop making love to that innocent child."

The innocent child's sweet voice was clamoring again. "Peter, the

Sahara Desert is a flowing river compared with my throat!"

"All right, Peggy; in a minute."

"You said once that you--loved me."

"I still stand by my guns. But I don't love any one now. You're a

temptress, Romola. Why, you are a princess! I never saw you more

beautiful than to-night!"

"Peter, can't you realize what a dreary life I've led since that night

you ran away from me in Hong Kong? Won't you--for me--because I want

it--because I want _you_--reconsider, won't you stop, and think,

and----"

"We're getting back to forbidden grounds, Romola."

"Oh, God! I know, I know! But what is there left in my life? Why,

what is there left in yours? Perhaps you are the best operator on the

whole Pacific Ocean; you've had that reputation now--how long--five

years? But it is aimless! Where are you drifting? What will become

of you as the years pass? You must be nearly thirty now, Peter. I? I

am younger, but I have suffered more. The only happiness I have known

has been with you."

Peggy's voice became petulant. "Peter, is that cork _awfully_

obstinate?"

"In a minute," he said absently.

"Do you remember those wonderful days and evenings we spent together on

the Java Sea, on the old _Persian Gulf_? Do you remember those

evenings, Peter, under the moon and the Southern Cross?"

"I remember a great deal of treachery!"

"But there is to be no more treachery," she said passionately. "Think,

Peter, think! You are penniless--I have only a little money; it will

not last long. What follows? Do you know what happens to white women

when they are stranded, penniless, friendless, in this country?" She

shivered. "And it would be such a simple thing to do---to go with

me--to him. We would be together forever then--you and I! Tibet! The

Punjab! The merchant's trail into Bengal! You and I with our

caravan--in the blue foot-hills!"

"I'm sorry," confessed Peter sadly.

Romola hung her head with a bitter sigh.

Peggy pitched her voice: "Smash the neck, Peter; I don't mind a little

broken glass!"

Romola was pushing two silver cups along the floor to him.

He spilled an amount of the sparkling golden liquid on the carpet,

where it formed a dark, round stain. With slightly unsteady hands he

conveyed the cups across the room, and Peggy, without another word,

following a rather vexed: "Thank you, m'lord," emptied the cup in a

single swallow. She licked her lips daintily, and her eyes were

sparkling.

As Peter moved into the seat beside her, he saw the curtain over the

doorway slowly drawn back by an unseen hand. He looked smilingly

toward Romola, and her eyes were fixed on the moving curtain, her face

rigid in surprise and concern. The thing seemed to puzzle her.

White metal flashed coldly. A lean hand and arm appeared, and a short,

fat knife, the haft sparkling with drops that resembled blood, was

projected into the room, point down, quivering, in the wood, not five

feet from Romola's lacquered bench!

CHAPTER V

"Is this a part----" began Peter.

"No, it is not."

Romola's face seemed thin with her growing anxiety. Obviously the

tossed knife was not a part of the evening's performance.

"A part of what?" Peggy was inquiring.

"Oh, another joke of the Mongolian smugglers," he explained.

There was a sudden and astounding explosion in the midst of them. The

flame of a revolver bathed the whole room in reddish-yellow for an

instant. Smoke was rising, the pungent, pale-blue, nitrous smoke of

so-called smokeless powder. Anthony Andover had arisen, had delivered

his shot at the waving curtain.

Peter gave a grunt of disapproval. "Why did you do that----"

"Look!"

The candle directly above the curtains had flickered out; in fact, on

closer examination Peter discovered that the candle had been split in

crude halves, one of the white fragments lying on the rug not far from

the incense burner. This proved one point conclusively. Anthony

Andover had put real bullets, not blank cartridges, into the six

chambers of his revolver. He had reseated himself calmly beside Helen,

who was staring at him with eyes like pools.

Peggy found her voice first. "Gracious! Why did you do that? It was

only in fun--that dagger, I mean. Why, you might have killed somebody!"

Anthony shrugged his shoulders. "I'm not so sure about that."

"This is really a most dangerous spot," added the Princess Meng Da

Tlang in a mysterious voice. But she was looking at Peter with

deliberate meaning.

He accepted what he supposed was intended to be a cue, crossed to the

far side of the room, and approached the curtains prudently. He drew

the nearest one back inch by inch until the wall of the corridor was

given back to them blankly. So far it was quite empty.

Dropping his hand leisurely into his coat-pocket, he sauntered into the

hall. As he dropped the curtains behind him, glancing swiftly up and

down the apparently deserted hallway, he heard the familiar sound again

of a gently closed door.

The sound seemed to originate from the direction of the street. He

looked about for the old watchman, and he nearly stumbled over him in

the half-darkness as he approached.

Peter struck a match, and a gasp of horror came from his lips. The man

was dead--stabbed!

Was this killing a part of an elaborate plan? He would not have

permitted himself to walk with such apparent innocence into a snare if

he had not relied upon the word of that band. His experience had been

that their code was a peculiar one whose foundation was the word of

honor. For the first time that evening he began to regret a little his

arrogance in defying the request of their messenger to report his

intentions immediately upon landing to the men in the place on Jen Kee

Road.

He dragged the body into the darkest corner, where he covered it with a

mat.

Laboring above his keen anxiety regarding the intention of the band was

an eagerness to keep away from the two girls the sense of death, of

danger, which seemed to pervade this house.

A way would have to be found to break through the line outside; perhaps

they would be compelled to wait for daylight. Again sliding the bolt

which had been pushed back by the last trespasser, Peter slowly paced

the length of the hall in the meditation of active and acute worry. He

was still undecided when he pulled back the rug which cloaked the

entrance into the large room.

The room was in total darkness!

CHAPTER VI

An eye, red like the play of fire about a distant volcano crater,

glowed a number of paces in front of him. But not a candle, of the

dozens that had been burning when he last went out of this room, was

now lighted.

The scarlet glow he took to be the illumination under the altar of

Buddha. He heard a long sigh, a vague murmur of voices.

"Light the candles," he ordered angrily.

"What is the matter?" This was Anthony's voice; it sounded very drowsy.

A tiny flame appeared as if suspended by an unseen cord and moved to

the candle rail. One wick glowed; another; then another.

"Moore--Moore----" This was again the sleepy voice of Anthony.

A garish, gray figure arose and stumbled into the candle-light. It was

Anthony. His eyes were half shut. He seemed desperately sleepy, and

gibbering as if in a dream.

Peter turned savagely upon the girl. She seemed to cower away from

him, half lifting her hands as though in fear that he would strike her.

"Romola! Damn you----"

"Peter, I--I----" Her faint voice trickled off into a sigh of anguish.

"Drugs?" he demanded.

She shook her head anxiously.

"No, no. I--I----"

"What have you done to these people? What have you----"

She lifted up her head imperiously. "You are forgetting----" she began.

He had the fingers of her left hand between his, crushing them. She

dropped her head. Her fine lips were quivering. "What am I

forgetting?"

Anthony had grasped his elbow. "It's not right, Moore; not right to

talk to the princess like this. She's really noble. She's fine!"

"You're drunk, Anthony!"

"No, no, no," he babbled. "Sleepy; that's all. Oh, that wine!

Perfectly fine! Makes you feel like climbing a moonbeam!"

"So it appears. Where are the girls?"

"Over here. Say--say, Moore, when does the fight start? I--I'm just

itching to get at somebody!"

"You'll have your chance in a moment. And it isn't in fun.

Understand?"

"Of course I understand! Isn't my gun loaded with bullets? Are we in

a trap?"

"We are! And according to my calculations there's exactly one way out.

I think you and the girls will have no difficulty in breaking through.

Make a dash for it. Run for all you're worth!"

"Hold on there," remonstrated Anthony, as his eyes lost a trifle of

their sleepy look. "What's to become of you? Going to make a break

for it, too?"

Peter shook his head. "It's me they're after. I can look out for

myself, Anthony; this business isn't quite a novelty in my line. You

must get out--and get quick!"

"And leave you behind? Not Anthony! I stick!"

Anthony was flashing a length of highly polished gunmetal in his fist.

Romola with a trembling hand was applying a taper to the other candles.

Peter, observing that the twins were, to all appearances, sound asleep,

approached her.

She paused in her work, holding the taper above her head, so that its

gaunt rays flickered on his face. "Because you loved me so?"

Her shoulders drooped, and her head rolled backward slightly, as though

she were very tired. She nipped her lower lip between pearl-white

teeth.

"Because I love you so?" she repeated dully.

"In some respects," he said bitterly, "you are like a certain snake in

India. You can't lock those damned snakes up! They can always find a

tiny hole, a slit in the cage, and--out they slip!"

"Ah, Peter----" Romola dropped the taper to the bronze altar, where it

flickered a moment and went out. She fondled his reluctant hand

between cold fingers. Her face became utterly miserable, and there

were sparkling tears in her eyes. "My heart is your heart. I have

given my love to you. I would give my life for you!"

He drew away from her slowly, turning his head to avoid the anguish in

her eyes.

He went on briskly: "If my death is arranged for to-night----"

He stopped to watch her. She was fumbling at her waist. A little

silver of light appeared. The thing was a slim stiletto. Her teeth

were clicking as she extended the handle toward him. Their eyes met.

In hers was shining a brute command. In his slowly came shock,

amazement. She placed her fingers slowly over her heart; her hand

slipped down and fell again at her side.

"There!" she murmured.

"Is--is my end so close?" he whispered.

She nodded slowly. "You are in great danger. This may be your final

opportunity. See? I am offering no resistance. Why--why do you

hesitate?"

With the tiny blade lying like a flame of pure silver across the palm

of his hand, Peter experienced a moment troubled and exceedingly

awkward. That threat, perhaps, was hardly more than the spilling out

of bitterness which she had created in him.

In silence he handed the thing back to her almost furtively; and she

accepted it without removing her shining gaze from his. Somehow she

seemed to have come out victorious in a conflict that had had nothing

to do with knives, with broken promises. And with the restoration of

the dagger the spell seemed to be swept aside.

Turning abruptly, with a slight straightening of his shoulders, he

walked away from her.

Anthony was like a guardian angel, a statue gravely symbolic of

protection, standing over the golden heads, with the revolver dangling

from his hand and shooting out metallic gleams. Their eyes were

tightly closed; the twins were sleeping as if drugged.

They heard a low, hushed scream.

"Peter--_ni kan_!"

Peter turned quickly, searching both entrances. At first he was

conscious of no intrusion. Then a yellow face, long, narrow, with a

stub of purple-black hair protruding behind, and which for a moment he

took to be a part of the curtain, slowly withdrew, arising

upward--vanishing!

The phantom was not unlike the wisps of yellow smoke from a green-wood

fire, despatched by a lazy dawn wind. The face of Jen, the deck

steward!

CHAPTER VII

Apparently Anthony had not observed this specter.

Peter seized his arm, the left one. "We must start. Wake them up."

Anthony shook a nervous negative. "I've tried. That wine!"

"_Arracka_. Comes from Java. Tastes like May wine, and is stronger

than cognac." He was tilting Peggy's chin, shaking her head. No

response. He tried the same experiment with Helen, and begot identical

results.

Romola Borria had vanished.

Peter stepped out first, supporting his limp freight with his left arm,

and in his right brandishing a revolver. He hoped it wouldn't be

necessary and he was sure that underneath the splendid varnish of

Anthony's fine bravado larked the belief that this entire evening was

nothing more than an exciting romantic game.

In the pinch, would Anthony react after the fashion of

heroes-to-the-manner-born, or would the sight and smell of blood, if it

Was written that blood be shed, unnerve him, make him out to be what he

was at heart, the secretary of a prosperous and peaceful plow company?

On his part, Anthony was still babbling incoherently but earnestly,

impressing upon Peter the undeniable virtues of the golden wine. He

was not prepared, although the nickeled revolver still flashed in his

unoccupied hand, for the tumultuous event which was being shaped for

the two of them around the corner.

They did not attain the outer door. Out of the drab recesses leaped

dusky shadows. There seemed to be a large number of jostling men;

perhaps only three or four were at hand by actual count; the

insufficient lighting and their shocking and determined appearance lent

them plurality.

A sparkling flame roared from the hand of the foremost of these before

Peter could bring his hand out of his pocket.

Anthony's nickeled revolver went off twice, from his hip, and the giant

faltered, going back shapelessly among the shadows from which he had

emerged.

Peter's original scheme to hack a way through the line underwent hasty

revision. Escape would have to be made by different channels, and his

only choice was the device nearest at hand. It was a long chance, an

aimless one, perhaps, fraught with new, dangers and complications. But

he did not hesitate.

Beating off a hand that pawed for his shoulder, he flung open the door

which faced the dwelling's entrance, and pushed the reluctant Anthony

inside.

Peter locked the door, throwing a bench across it for temporary

barricade, then lit candles, wondering if any one would have had enough

foresight to disconnect the aerial wires. He dropped his burden to the

divan against the side wall, and examined Anthony, who had gone very

pale. He was shaking, and his gray eyes seemed to have climbed half

way out of his head. He propped Peggy tenderly beside her sister, and

laid an unsteady hand upon Peter's shoulder. He seemed to be fighting

down a very definite fear.

Peter was backing toward the apparatus. "Watch the door. If any one

tries to break in, shoot straight at the sound! You're not hurt, are

you? Did that fellow get you?"

Anthony shivered all over. "Christ!" he muttered. His lips were

white. "That man! I shot him! He's dead! Dead!"

"And we are still alive," said Peter quietly.

He sat down at the instrument table, fixed silvery disks to his ears,

twanged the detector wire and made a few quick alterations in

connections. Fortunately his inspection of the equipment earlier in

the day had given him a grasp of its arrangement. In an instant he had

the tuner adjusted, was listening, with those keen ears of his focussed

for the ethereal voices which might be abroad at this untimely hour.

Distant splashes of heat lightning occurred faintly, like the quivering

of sensitive metal.

Casting a glance over his shoulder, to make sure that Anthony was

following instructions, he rearranged levers and lowered the heavy

switch which drew upon the storage batteries underneath the table.

He tapped the large brass key experimentally. A hissing blue spark

lighted up the walls and his features in a ghostly glow. Tightening

the vibrator at the terminus of the rubber-covered coil, he spelled out

an inquiry in the International Code. Any station within hearing would

answer that call.

He wondered if the Shanghai station was closed up for the night, or if

by any chance his assistant on the _King of Asia_ would be on the job.

Peter waited for several anxious moments, with no sound in the

telephones other than the faint spattering of the lightning down the

coast. Then his inquiry was given a response, startlingly harsh and

close.

The station might have been across the street, the signals were beating

in his ears so loudly. The operator was having some difficulty

adjusting his spark; it was rough, ragged, like the drumming of

hailstones on a metal roof.

A series of test letters followed, exasperatingly slow.

"V--V--V--V---- What station is that? This is the _Madrusa_."

Peter hesitated, although interference was unlikely. He felt

tremendously relieved. The _Madrusa's_ rough spark meant more to him

than help close by. He knew the _Madrusa_ well; a gray, swift gunboat,

lying close to the water, whose purpose was to sweep the lower

Whang-poo and Yangtze clear of pirates. She could spit streams of

bullets for hours without let-up. And the knowledge of her closeness

to this death-trap keyed him up, not entirely because she was manned by

British sailors who would rather fight than eat. His hand reached out

for the key.

"Who is on watch? This is Peter Moore. That you, Johnny Driggs?"

If the man at the _Madrusa's_ key did happen to be Jonathan Driggs, he

could afford to breathe more easily. Driggs was another man who had

found in China the irresistible attraction, and who for some years had

sat behind the radio machines of many ships that plied these yellow

waters.

"Yes! Yes! Yes!" roared the _Madrusa's_ spark. "Where are you? What

are you doing up at this time of night playing with a baby coil?"

For the next three minutes the spitting blue spark flared and jumped as

Peter spelled out his plight. He sketched their predicament by

abbreviated code, and he impressed upon his friend the necessity for

utter secrecy, hoping that the night had no other ears.

"Damn it!" replied the quick fingers of the gunboat's operator. "Damn

it! But I can't get shore leave! Impossible--you can guess why! Our

gunnery officer, Lieutenant Milton Raynard, is jumping to go! He'll

fetch you five or six sailors. He knows the lay of the land, and I've

sketched him a map of the locality from your description. Cinch!

They'll be off at once, soon as they can get the engine started in the

launch. Don't give up the ship, old boy! Don't----"

Peter dropped the receiver, walked over to the divan and endeavored to

awaken the girls, slapping their hands, shaking them. They did not

appear to be drugged. Evidently they had underestimated the power of

the smooth, yellow _arracka_. Faint color glowed in their cheeks, and

under the treatment Peggy slowly opened one very sleepy brown eye.

It drooped again. She muttered something that was not intelligible.

It had something to do with a princess, and even that word was

indistinct.

Anthony lifted a cautioning hand. "Some one's outside," he whispered.

Slowly, as they watched it, the knob described a single revolution.

Anthony lifted his revolver. "Who is there?"

"Let me in!" It was Romola Borria.

"Open the door," said Peter quietly, stepping aside.

Anthony removed the bench, twisted the key.

"You must not go with them," Romola whispered.

"Shut the door--put the bench back," directed Peter. He followed

Romola across the room.

Evidently she had read the spark. "Let these people go--yes! But you

remain. You will--or won't you?"

Peter looked skeptical. "Why should I? I've decided that life is

pretty sweet, after all! Why haven't Jen and his gang broken in here?

Why is he waiting? Have you told him help is coming?"

She shrugged impatiently. "I have not seen Jen. I have talked with no

one."

"Then you will stay in this room until we leave?"

"But why did you send for them? It was foolish! How will you explain?"

"They are friends. Such men ask no questions."

"But there was no need!" She made a despairing gesture with her hands.

"Your friends could have gone safely. Jen has no interest in--_them_!"

Peter nodded indifferently. "But my ship sails."

"Very good. But you must not leave this house until sunrise."

"When the sailors come from the _Madrusa_ I shall walk out of here----"

"And into the arms of death, Peter!"

Peter lighted a cigarette and puffed thoughtfully in silence. Romola's

gaze was upon his lips, as though the next words he would utter meant

to her the difference between life and death.

And what he might have said was forestalled by a heavy battering at the

outer door. These deep vibrations seemed on the sudden to stir Peggy

out of her sleep. She sat upright, digging fists into tired eyes.

"Gracious! Where's everybody?"

The hammering ceased, and a high-pitched crash followed an instant of

hush.

"The men from the _Madrusa_!" cried Anthony. He dragged the bench

away; flung the door open with a grand gesture.

And into the room strode a blandly smiling Chinese, magnificent in gold

and blue and red. He was flanked by three large and watchful coolies,

armed with clubs.

"Mr. Moore; I am the man from the Jen Kee Road place!" He radiated a

splendid calm.

Peggy cowered against her sister, with a look of sleepy mystification,

while Anthony, glancing to Peter for command, was fingering his

revolver in anxious indecision. Already one of the coolies was sidling

toward him.

"You were a deck coolie this morning," Peter replied.

The Chinese took a step toward him. Peter felt Romola cringe at his

side. He wondered at this.

"Shall we wait until sunrise, or----"

A sudden babble of men's voices on the other side of the partition

checked the Chinese, while a look of misunderstanding came over his

bland countenance.

"Moore! Moore! Where are you?" These were the rich tones of a man

accustomed to command.

And instantly the small room seemed to be overflowing with the white

and blue of uniforms.

Peggy stood straight up with a wondering gasp. Confronting her was a

tall and handsome youth with the gold-and-black epaulets of his

majesty's service at the shoulder-straps of his splendid white uniform.

A cutlass in a nickeled case hung from a polished leather belt, and

depending from it also was an empty leather holster. Gripped

threateningly in his right hand was a blue revolver.

The shrill voice of the man from the Jen Kee Road place rose sharply

above the momentary tumult.

In this quick confusion a pale, obnoxious odor, like opium fresh from

the poppy, yet with the savor of almonds, flooded Peter's throat. He

was vaguely aware of a fumbling in his coat-pocket. Explosions sounded

as from afar and a vast redness settled down and encompassed the world.

The interval of dark was surprisingly short-lived. Swimming in and out

of his distorted vision was a face. He was conscious for a while of no

other impression. The face reeled, came closer--danced away from him!

Bright eyes sparkled, leaped, and hung motionless.

He inhaled a new perfume, deliciously like flowers in a summer meadow.

It injected fresh life into him. His hands found power, and he

clutched at a soft wrist. The owner of this face was talking eagerly.

"We are alone--alone!"

With great effort he found he could incline his head a little. He was

struggling. Hot vapors clogged his brain. Where were the girls,

Anthony, the young lieutenant from the _Madrusa_?

"Where are they?"

"Safe."

He could recognize the features now distinctly; yet they stirred up in

him no longer a feeling of repugnance, but a vague longing.

"Romola!"

"Yes, Peter. You are feeling stronger?"

"What am I doing here? What is this place?"

"We are in the cellar."

It was very dim, with an odor of moldy dampness. The rock foundation,

the walls, and floor were perspiring whitely.

Peter's brain became clogged again. The voice came to him softly but

quite distinctly, with each word clear and emphatic:

"He is waiting outside. They will not dare come into my house again!"

"I am dizzy. Who will not dare? Who is outside?" he demanded feebly.

"The man from the Jen Kee Road place. He is waiting outside that

window. No, No! He cannot see. It is covered with silk."

Peter fell back against the arm. "What does he want?"

"Your answer. I told him to wait. I promised him; I will hold the

candle to the window."

"But I am dizzy," he groaned. "I do not understand."

"Once--means 'yes.' Twice--means 'no.'"

He delivered every ounce of his mental energy against the drug in his

brain; it was like struggling against the tide. "Once--means 'yes?'

Twice--means 'no?'" The meaning suddenly became clear to him. "The

up-river trip?"

She nodded slowly, anxiously. "And twice--means death, also, Peter!"

He tried to drag himself erect, tried to twist his head, and he sank

back with a bitter groan. "You drugged me!"

"There was no other way. I could not let you go into the night--into

death!"

A bitter smile came to his white lips. "I am quite powerless?"

"I--I am afraid you are, Peter."

"If I decide yes--or if I decide no--how can I defend myself?"

"You are quite helpless," she confessed in a whisper. "No. You cannot

defend yourself." Her expression showed an inward struggle. "You are

in my hands. You are in my arms! Yes! What have you to say?"

The smile of bitterness came and flickered again over his pale lips.

He tried to throw back his head, but the redness was settling down upon

him again. "What shall I say?" he muttered. "I say--two lights! I

say--no! _No_!"

The fingers at his neck were icy. Gently he was lowered to the

pavement.

Romola had taken the candle down from the rafter, and she went swiftly

to the tiny window. She raised her hand, once, then pinched out the

flame between her fingers.

CHAPTER VIII

Foggy consciousness. A roaring like that of the ocean on a rockbound

coast. He seemed to be floating in a medium of ice. Once his dragging

arm scraped a wet, slippery timber. The journey seemed to be taking

him down--down--into the earth, and slowly he began to rise.

Gradually he became aware of innumerable pinpoints of light in a shield

of purple darkness. These might have been stars, or the lights of a

great city. Next he heard the low gurgle of water, as of a stream

splashing through wilderness.

He felt very faint, but the vapor clouds in his brain were beginning to

clear away. Next he was badly shaken up, yet he was conscious of no

pain. Remorseful eyes stared into his from the face of a candle-white

spectre, and in the background a tall, half-naked giant swayed from

side to side in a pink glow.

Where, then, were Jen and his Chinese?

He vaguely sensed the dawn; it came to him as an old experience, a sort

of groping memory out of a gloriously romantic past. And the swaying

giant he decided in a moment of rare clarity to be a sampan coolie.

The pink glow increased, became pale yellow, while a deep blueness

figured in it. A swollen sun came and paved a bloody path across a

lake of roiled brown, and the water hissed with a white foam.

His jaws were aching; a queer emptiness in his chest caused him long

and perplexing speculation. There were shouting voices aloft, and a

gleaming black wall slowly took form above him. He made out the

pointed heads of rivets.

"Are you awake?" The voice, low and sibilant, emerged from the

candle-white face.

He had been dreaming, too, during this fantastic journey. Once he had

plainly distinguished a field of waving corn. He seemed to be back in

California.

"Eileen," he murmured, surprised at the feebleness of his voice.

"No, no," came the reply. "It is Romola. I--I am leaving you!"

"Ah! Where is Jen?"

Bellowing inquiry came down to them: "Who is that? What do you want?"

The girl called back: "The wireless operator. He is sick. Drop the

ladder. Send down some one to carry him."

The sampan was swinging about, and the coolie was paddling like mad.

"River boat--for Ching-Fu?" Peter gasped.

"No. The _King of Asia_. Peter--can you understand? I am leaving

you! This is good-by! I--I--we will never see each other again. I--I

couldn't turn you over to that man!"

"But the candle----" Peter was miserably confused. "You raised

it--once! I said no!"

Romola seemed to become rather hysterical. "I tricked them, Peter!

Oh, won't you understand? I do love you, Peter! I couldn't give you

to them!"

"No," he muttered; "I don't understand. I--I'm dizzy."

The voice was bellowing again.

"Is that Peter Moore? What's happened to him?"

"He's sick--sick! Send down a watchman. Hurry! This tide is carrying

us away!"

Something bounded into the sampan. A brown coil was flattened against

the gleaming black wall.

But Peter could not understand. He was back again in the cellar under

Romola's house, mumbling insanely about a candle-light. Perhaps he

dreamed that hot lips were pressed lingeringly against his own. Over

and over he heard a fading voice; it was saying: "Good-by!--_Ch'ing_!"

The glaring sun was in his face. He shut his eyes. The lips seemed to

be torn from his in a cry of anguish. Strong arms encircled his waist,

and he was no longer aware of the motion of the sampan.

It was late in the day when Peter opened his eyes again, closed them,

and stared at the mattress and springs of a bunk over his head. He was

lying on his back in his stateroom. Smoky afternoon sunlight,

reflected from a shimmering surface, sparkled and bubbled against the

white enameled wall.

His head was aching a little, and there were numerous jumping pains in

various parts of his body. He had been dreaming. All of these things

that had come and gone with the fading of the night were figments of a

slumbering brain. The last portion of the dream which he could

visualize distinctly was his act of arising from a wireless machine in

a house that had gone mad, to confront a tall Chinese who wore a

ridiculously stubby pigtail, like that of Jen, the deck-steward.

Peter the Brazen: A Mystery Story of Modern China · 第 18 / 19 章