The happiness of the duchess was perfected by the blessings granted to

her in her family. In 1770 the birth of her eldest son George, long

beloved in Scotland whilst the Marquis of Huntley, took place. Doctor

Beattie describes him as "the best and most beautiful boy that ever was

born." He proved to be one of the most popular of the young nobility of

that period. Doctor Beattie strongly advised the duchess to engage an

English tutor, a clergyman, for him, recommended either by the

Archbishop of York, or by the Provost of Eton. When it afterward became

a question whether the young heir should go to Oxford or to Cambridge,

the doctor, who seems to have been a universal authority, allowed that

Cambridge was the best for a man of study, whilst Oxford had more dash

and spirit in it: so little are matters altered since that time.

Fifteen years appear to have elapsed before the birth of a second son,

Alexander. Both these scions of this ducal house became military men:

the young marquis was colonel of the Scots Fusileer Guards, and served

in the Peninsular war, and was eventually Governor of Edinburgh Castle.

Long was he remembered by many a brother officer, many an old soldier,

as a gallant, courteous, gay-hearted man; with some of the faults and

all the virtues of the military character. He married late in life

Elizabeth, daughter of Alexander Brodie, Esq., of Arnhall, N. B., who

survived him. Lord Alexander Cordon died unmarried; but five daughters

added to the family lustre by noble and wealthy alliances.

Wraxall remarks "that the conjugal duties of the Duchess of Gordon

pressed on her heart with less force than did her maternal solicitudes."

For their elevation she thought, indeed, no sacrifice too great, and no

efforts too laborious. In the success of her matrimonial speculations

she has been compared to Sarah, Duchess of Marlborough, who numbered

among her sons-in-law two dukes and three earls. But the daughters of

the proud Sarah were, it has been observed, the children of John

Churchill, and on them were settled, successively, Blenheim and the

dukedom. The Ladies Gordon were portionless, and far less beautiful than

their mother. To her skilful diplomacy alone were these brilliant

fortunes owing.

Lady Charlotte, the eldest, was eighteen years of age when her mother

first entertained matrimonial projects for her, and chose for their

object no less a personage than Pitt, then prime minister. Her schemes

might have proved successful had not Pitt had that sure impediment to

maternal management,--a friend. This friend was the subtle Henry Dundas,

afterward Lord Melville; one of those men who, under the semblance of

unguarded manners and a free, open bearing, conceal the deepest designs

of personal aggrandisement. Governing India, governing Scotland, the

vicegerent in Edinburgh for places and pensions, Dundas was looking

forward to a peerage, and kept his eye steadily on Pitt, whom he guided

in many matters, adapting his conduct and his conversation to the

peculiar tone of the minister's mind. Flattery he never used--dictation

he carefully avoided; both would have been detrimental to his influence

with the reserved statesman.

Pitt was by no means calculated to win the affection of a blooming girl

of eighteen, who, whatever Wraxall may have thought, lived to be one of

the most beautiful and graceful women of her time. Many years ago,

during the life of Sir Thomas Lawrence, his portrait of the Duchess of

Richmond, formerly Lady Charlotte Cordon, was exhibited at Somerset

House. So exquisite were the feminine charms of that lovely face, so

elegant the form he had portrayed, that all crowded to look upon that

delineation of a woman no longer young; whilst beauties in the bloom of

youth were passed by as they hung on the walls in all the glowing

colours of girlhood.

On most intimate terms with the duchess, Pitt seems to have been touched

with the attractions of Lady Charlotte, and to have paid her some

attentions. He was one of the stiffest and shyest of men, finely formed

in figure, but plain in face; the last man to be fascinated, the last to

fascinate. Drives to Dundas's house at Wimbledon when Pitt was there;

evenings at home, in easy converse with these two politicians; suppers,

at which the premier always finished his bottle, as well as the hardier

Scotchman, failed to bring forward the reserved William Pitt. The fact

was, that Dundas could not permit any one, far less the Duchess of

Gordon, to have the ascendency over the prime minister that so near a

relationship would occasion. He trembled for his own influence. A

widower at that time,--his wife, a Miss Rennie of Melville, who had been

divorced from him, being dead,--he affected to lay his own person and

fortune at Lady Charlotte's feet. Pitt instantly retired, and the

sacrifice cost him little; and Dundas's object being answered, his

pretensions also dropped through. Two years afterward, Lady Charlotte

became the wife of Colonel Lennox, afterward Duke of Richmond, and in

the course of years the mother of fourteen children; one of whom, Henry

Adam, a midshipman, fell overboard from the _Blake_ in 1812, and was

drowned. According to Wraxall, the Duke of Richmond had to pay the

penalty of what he calls "this imprudent, if not unfortunate marriage,"

being banished to the snowy banks of St. Lawrence under the name

of governor.

In modern times, our young nobility of promise have learned the

important truth, ably enforced by Thomas Carlyle, that work is not only

man's appointed lot, but his highest blessing and safeguard. The rising

members of various noble families have laid this axiom to heart; and,

when not engaged in public business, have come grandly forward to

protect the unhappy, to provide for the young, to solace the old. The

name of Shaftesbury carries with it gratitude and comfort in its sound;

whilst that of him who figured of old in the cabal, the Shaftesbury of

Charles II's time, is, indeed, not forgotten, but remembered with

detestation. Ragged schools; provident schools; asylums for the aged

governess; homes in which the consumptive may lay their heads in peace

and die; asylums for the penitent; asylums for the idiot; homes where

the houseless may repose,--these are the monuments to our Shaftesbury,

to our younger sons. The mere political ascendency--the garter or the

coronet--are distinctions which pale before these, as does the moon when

dawn has touched the mountains' tops with floods of light. As lecturers

amid their own people, as the best friends and counsellors of the

indigent, as man bound to man by community of interests, our noblemen in

many instances stand before us--Catholic and Protestant zealous alike.

"Jock of Norfolk" is represented by a descendant of noble impulses.

Elgin, Carlisle, Stanley--the Bruce, the Howard, the Stanley of former

days--are our true heroes of society, men of great aims and

great powers.

The Duchess of Gordon was indefatigable in her ambition, but she could

not always entangle dukes. Her second daughter, Madelina, was married

first to Sir Robert Sinclair; and secondly, to Charles Fyshe Palmer,

Esq., of Luckley Hall, Berkshire. Lady Madelina was not handsome, but

extremely agreeable, animated, and intellectual. Among her other

conquests was the famous Samuel Parr, of Hatton, who used to delight in

sounding her praises, and recording her perfections with much of that

eloquence which is now fast dying out of remembrance, but which was a

thing _à part_ in that celebrated Grecian. Susan, the third daughter of

the duke and duchess, married William, Duke of Manchester, thus becoming

connected with a descendant of John, Duke of Marlborough.

Louisa, the fourth daughter, married Charles, second Marquis Cornwallis,

and son of the justly celebrated Governor of India; and Georgiana, the

fifth and youngest, became the wife of John, the late Duke of Bedford.

Such alliances might have satisfied the ambition of most mothers; but

for her youngest and most beautiful daughter, the Duchess of Bedford,

the Duchess of Cordon had even entertained what she thought higher

views. In 1802, whilst Buonaparte was first consul, and anticipating an

imperial crown, the Duchess of Gordon visited Paris, and received there

such distinctions from Napoleon Bonaparte, then first consul, as excited

hopes in her mind of an alliance with that man whom, but a few years

previously, she would probably have termed an adventurer!

Paris was then, during the short peace, engrossed with fêtes, reviews,

and dramatic amusements, the account of which makes one almost fancy

oneself in the year 1852, that of the _coup d'état_, instead of the

period of 1802. The whirlwinds of revolution seemed then, as now, to

have left all unchanged; the character of the people, who were still

devoted to pleasure, and sanguine, was, on the surface, gay and buoyant

as ever. Buonaparte holding his levées at the Tuileries, with all the

splendour of majesty, reminds one of his nephew performing similar

ceremonies at the Élysée, previously to his assuming the purple. All

republican simplicity was abandoned, and the richest taste displayed on

public occasions in both eras.

Let us picture to ourselves the old, quaint palace of the Tuileries on a

reception day then; and the impression made on the senses will serve for

the modern drama; be it comedy, or be it tragedy, which is to be played

out in those stately rooms wherein so many actors have passed and

repassed to their doom.

It is noon, and the first consul is receiving a host of ambassadors

within the consular apartment, answering probably to the "_Salle des

Maréchaux_" of Napoleon III. Therein the envoys from every European

state are attempting to comprehend, what none could ever fathom, the

consul's mind. Let us not intermeddle with their conference, but look

around us, and view the gallery in which we are waiting until he, who

was yesterday so small, and who is to-day so great, should come forth

amongst us.

How gorgeous is the old gallery, with its many windows, its rich roof,

and gilded panels! The footmen of the first consul, in splendid

liveries, are bringing chairs for the ladies who are awaiting the

approach of that schoolmaster's son; they are waiting until the weighty

conference within is terminated. Peace-officers, superbly bedizened, are

walking up and down to keep ladies to their seats and gentlemen to the

ranks, so as to form a passage for the first consul to pass down. Pages

of the back stairs, dressed in black, and with gold chains hanging

around their necks, are standing by the door to guard it, or to open it

when he on whom all thoughts are fixed should come forth.

But what is beyond everything striking is the array of Buonaparte's

aids-de-camp,--fine fellows, war-worn,--men such as he, and he alone,

would choose; and so gorgeous, so radiant are their uniforms, that all

else seem as if in shadow in comparison.

The gardens of the Tuileries meantime are filling with troops whom the

first consul is going to review. There are now Zouaves there; but these

are men whom the suns of the tropics hate embrowned; little fellows,

many of them, of all heights, such as we might make drummers of in our

stalwart ranks; but see how muscular, active, full of fire they are;

fierce as hawks, relentless as tigers. See the horse-soldiers on their

scraggy steeds; watch their evolutions, and you will own, with a young

guardsman who stood gazing, fifty years afterward, on the troops which

followed Napoleon III into Paris, that "they are worth looking at."

The long hour is past; the pages in black are evidently on the watch;

the double door which leads into the _Salle des Maréchaux_ is opened

from within; a stricter line is instantly kept by the officers in the

gallery. Fair faces, many an English one among them, are flushed. Anon

he appears, whilst an officer at the door, with one hand raised above

his head and the other extended, exclaims, "_Le Premier Consul_."

Forth he walks, a firm, short, stolid form, with falling shoulders

beneath his tight, deep-blue frock. His tread is heavy rather than

majestic,--that of a man who has a purpose in walking, not merely to

show himself as a parade. His head is large, and formed with a

perfection which we call classic; his features are noble, modelled by

that hand of Nature which framed this man "fearfully," indeed, and

"wonderfully." Nothing was ever finer than his mouth--nothing more

disappointing than his eye; it is heavy, almost mournful. His face is

pale, almost sallow, while--let one speak who beheld him--"not only in

the eye, but in every feature, care, thought, melancholy, and meditation

are strongly marked, with so much of character, nay, genius, and so

penetrating a seriousness, or rather sadness, as powerfully to sink into

an observer's mind."

It is the countenance of a student, not of a warrior; of one deep in

unpractical meditation, not of one whose every act and plan had then

been but a tissue of successes. It is the face of a man wedded to deep

thought, not of the hero of the battle-field, the ruler of assemblies;

and, as if to perfect the contrast, whilst all around is gorgeous and

blazing, he passes along without a single decoration on his plain dress,

not even a star to mark out the first consul. It is well; there can but

be one Napoleon in the world, and he wants no distinction.

He is followed by diplomatists of every European power, vassals, all,

more or less, save England; and to England, and to her sons and

daughters, are the most cherished courtesies directed. Does not that

recall the present policy?

By his side walks a handsome youth whom he has just been presenting to

the Bavarian minister,--that envoy from a strange, wild country, little

known save by the dogged valour of its mountaineers. The ruler of that

land, until now an elector, has been saluted king by Napoleon

the powerful.

On the youth, who addresses him as _mon pèr_, a slight glance is allowed

even from those downcast eyes which none may ever look into too full.

Eugène Beauharnais, his stepson, the son of his ever-loved Josephine,

has a place in that remorseless heart. "All are not evil." Is it some

inkling of the parental love, is it ambition, that causes the first

consul to be always accompanied by that handsome youth, fascinating as

his mother, libertine as his stepfather, but destitute at once of the

sensibilities of the former and of the powerful intelligence of

the latter?

It is on him--on Eugène Beauharnais--that the hopes of the proud Duchess

of Gordon rest. Happily for her whom she would willingly have given to

him as a bride, her scheme was frustrated. Such a sacrifice was

incomplete.

Look now from the windows of that gallery; let your gaze rest on the

parade below, in the Rue de Rivoli, through which Buonaparte is riding

at the head of his staff to the review. He has mounted a beautiful white

horse; his aids-de-camp are by his side, followed by his generals. He

rides on so carelessly that an ordinary judge would call him an

indifferent equestrian. He holds his bridle first in one hand, then in

another, yet he has the animal in perfect control; he can master it by a

single movement. As he presents some swords of honour, the whole bearing

and aspect of the man change. He is no longer the melancholy student;

stretching out his arm, the severe, scholastic mien assumes instantly a

military and commanding air.

Then the consular band strike up a march, and the troops follow in grand

succession toward the Champs Élysées. The crowds within the gallery

disappear; I look around me: the hedges of human beings who had been

standing back to let the hero pass, are broken, and all are hurrying

away. The pages are lounging; the aids-de-camp are gone; already is

silence creeping over that vast gallery of old historic remembrances. Do

not our hearts sink? Here, in this centre window, Marie Antoinette

showed her little son to the infuriated mob below. She stood before

unpitying eyes. Happier had it been for him, for her, had they died

then. Will those scenes, we thought, ever recur? They have--they have!

mercifully mitigated, it is true; yet ruthless hands have torn from

those walls their rich hangings. By yon door did the son of Égalité

escape. Twice has that venerable pile been desecrated. Even in 152, when

crowds hastened to the first ball given by Napoleon III., he traces of

the last revolution were pointed out to the dancers. They have darkened

the floors; all is, it is true, not only renovated, but embellished, so

as to constitute the most gorgeous of modern palaces; yet for how long?

It is, indeed, in mercy that many of our wishes are denied us. Eugène

Beauharnais was even then, destined to a bride whom he had never seen,

the eldest daughter of that Elector of Bavaria to whom Buonaparte had

given royalty; and the sister of Ludwig, the ex-King of Bavaria, was the

destined fair one. They were married; and she, at all events, was fond,

faithful, nay, even devoted. He was created Duke of Leuchtenberg, and

Marie of Leuchtenberg was beautiful, majestic, pious, graceful; but she

could not keep his heart. So fair was she, with those sweet blue eyes,

that pearl-like skin, that fine form, made to show off the _parures_ of

jewels which poor Josephine bequeathed to her--so fair was she, that

when Buonaparte saw her before her bridal, he uttered these few words,

"Had I known, I would have married her myself." Still she was but

second, perhaps third, perhaps fourth ('tis a way they have in France)

in his affections; nevertheless, when he died,--and it was in his youth,

and Thorwaldsen has executed a noble monument of him in the Dom Kirche

at Munich,--when that last separation came, preceded by many a one that

had been voluntary on his part, his widow mourned, and no second bridal

ever tempted her to cancel the remembrance of Eugène Beauharnais.

For Lady Georgiana Gordon, a happier fate was reserved. She married, in

1803, John, the sixth Duke of Bedford, a nobleman whose character would

have appeared in a more resplendent light had he not succeeded a brother

singularly endowed, and whose death was considered to be a public

calamity. Of Francis, Duke of Bedford, who was summoned away in his

thirty-seventh year, Fox said: "In his friendships, not only was he

disinterested and sincere, but in him were to be found united all the

characteristic excellencies that have ever distinguished the men most

renowned for that virtue. Some are warm, but volatile and inconstant; he

was warm too, but steady and unchangeable. Where his attachment was

placed, there it remained, or rather there it grew.... If he loved you

at the beginning of the year, and you did nothing to lose his esteem, he

would love you more at the end of it; such was the uniformly progressive

state of his affections, no less than of his virtue and friendship."

John, Duke of Bedford, was a widower of thirty-seven when he married

Georgiana, remembered as the most graceful, accomplished, and charming

of women. The duke had then five sons, the youngest of whom was Lord

John Russell, and the eldest Francis, the present duke. By his second

duchess, Georgiana, the duke had also a numerous family. She survived

until 1853. The designs formed by the duchess to marry Lady Georgiana to

Pitt first, and then to Eugène Beauharnais, rest on the authority of

Wraxall, who knew the family of the Duke of Gordon personally; but he

does not state them as coming from his own knowledge. "I have good

reason," he says, "for believing them to be founded in truth. They come

from very high authority."

Notwithstanding the preference evinced by the Prince of Wales for the

Duchess of Devonshire, he was at this time on very intimate terms with

her rival in the sphere of fashion, and passed a part of almost every

evening in the society of the Duchess of Gordon. She treated him with

the utmost familiarity, and even on points of great delicacy expressed

herself very freely. The attention of the public had been for some time

directed toward the complicated difficulties of the Prince of Wales's

situation. His debts had now become an intolerable burden; and all

applications to his royal father being unavailing, it was determined by

his friends to throw his Royal Highness on the generosity of the House

of Commons. At the head of those who hoped to relieve the prince of his

embarrassments were Lord Loughborough, Fox, and Sheridan. The

ministerial party were under the guidance of Pitt, who avowed his

determination to let the subject come to a strict investigation.

This investigation referred chiefly to the prince's marriage with Mrs.

Fitzherbert, who, being a Roman Catholic, was peculiarly obnoxious both

to the court and to the country, notwithstanding her virtues, her

salutary influence over the prince, and her injuries.

During this conjuncture the Duchess of Gordon acted as mediator between

the two conflicting parties, alternately advising, consoling, and even

reproving the prince, who threw himself on her kindness. Nothing could

be more hopeless than the prince's affairs if an investigation into the

source of his difficulties took place; nothing could be less desired by

his royal parents than a public exposure of his life and habits. The

world already knew enough and too much, and were satisfied that he was

actually married to Mrs. Fitzherbert. At this crisis, the base falsehood

which denied that union was authorised by the prince, connived at by

Sheridan, who partly gave it out in the House, and consummated by Fox. A

memorable, a melancholy scene was enacted in the House of Commons on the

8th of April, 1787,--a day that the admirers of the Whig leaders would

gladly blot out from the annals of the country. Rolle, afterward Lord

Rolle, having referred to the marriage, Fox adverted to his allusion,

stating it to be a low, malicious calumny. Rolle, in reply, admitted the

legal impossibility of the marriage, but maintained "that there were

modes in which it might have taken place." Fox replied that he denied it

in point of fact, as well as of law, the thing never having been done in

any way. Rolle then asked if he spoke from authority. Fox answered in

the affirmative, and here the dialogue ended, a profound silence

reigning throughout the House and the galleries, which were crowded to

excess. This body of English gentlemen expressed their contempt more

fully by that ominous stillness, so unusual in that assembly, than any

eloquence could have done. Pitt stood aloof; dignified, contemptuous,

and silent. Sheridan challenged from Rolle some token of satisfaction at

the information; but Rolle merely returned that he had indeed received

an answer, but that the House must form their own opinion on it. In the

discussions which ensued, a channel was nevertheless opened for mutual

concessions--which ended eventually in the relief of the prince from

pecuniary embarrassments, part of which were ascribed to the king's

having appropriated to his own use the revenues of the duchy of

Cornwall, and refusing to render any account of them on the prince's

coming of age. It was the mediation of the Duchess of Gordon that

brought the matter promptly to a conclusion, and through her

representations, Dundas was sent to Canton House, to ascertain from the

prince the extent of his liabilities; an assurance was given that

immediate steps would be taken to relieve his Royal Highness. The

interview was enlivened by a considerable quantity of wine; and after a

pretty long flow of the generous bowl, Dundas's promises were

energetically ratified. Never was there a man more "malleable," to use

Wraxall's expression, than Harry Dundas. Pitt soon afterward had an

audience equally amicable with the prince.

Mrs. Mary Robinson, Written by Herself, With the lives of the Duchesses of Gordon and Devonshire · 第 13 / 16 段