2. Troll Dance

This is the most graphic of all the numbers, and is sometimes called “In

the Hall of the Mountain King.” The _troll_ seems to be the Scandinavian

mountain spirit, but more of the nature of gnomes, kobolds, and goblins

than of the gentle elves and fairies of English lore. After deserting

the unfortunate Ingrid in the forest, Peer fled still deeper into the

rugged fastnesses, where he was surrounded at nightfall by a pack of

trolls, who alternately teased and entertained him with their pranks and

antics, until scattered at dawn by the sound of church-bells in the

distance.

The grotesque character of this movement admirably depicts the uncanny

mood and nature of the trolls. The opening measures are light and weird,

fantastically suggesting the stealthy footsteps of the gathering pack of

trolls, emerging on tiptoe from the mists and shadows of the night, and

cautiously surrounding their uninvited guest. Little by little the

movement becomes more impetuous, as the hilarity and excitement

increase, until toward the close it grows to an incoherent whirl and

rush, above which ring out sharply the gruesome shrieks of the

infuriated goblins, balked of the continuance of their vindictive

delight in tormenting their victim, by the approach of dawn.

Descriptive Analyses of Piano Works For the Use of Teachers, Players, and Music Clubs · 第 67 / 82 题