XIII.--SPARKLING SAUMUR AND SPARKLING SAUTERNES.

The Sparkling Wines of the Loire often palmed off as Champagnes--

The Finer qualities Improve with Age-- Anjou the Cradle of the

Plantagenet Kings-- Saumur and its Dominating Feudal Château and

Antique Hôtel de Ville-- Its Sinister Rue des Payens and Steep

Tortuous Grande Rue-- The Vineyards of the Coteau of Saumur--

Abandoned Stone Quarries converted into Dwellings-- The Vintage in

Progress-- Old-fashioned Pressoirs-- The Making of the Wine-- The

Vouvray Vineyards-- Balzac's Picture of La Vallée Coquette-- The

Village of Vouvray and the Château of Moncontour-- Vernou with its

Reminiscences of Sully and Pépin-le-Bref-- The Vineyards around

Saumur-- Remarkable Ancient Dolmens-- Ackerman-Laurance's

Establishment at Saint-Florent-- Their Extensive Cellars, Ancient

and Modern-- Treatment of the Newly-Vintaged Wine-- The Cuvée--

Proportions of Wine from Black and White Grapes-- The Bottling and

Disgorging of the Wine and Finishing Operations-- The Château of

Varrains and the Establishment of M. Louis Duvau aîné-- His Cellars

a succession of Gloomy Galleries-- The Disgorging of the Wine

accomplished in a Melodramatic-looking Cave-- M. Duvau's Vineyard--

His Sparkling Saumur of Various Ages-- Marked Superiority of the

more Matured Samples-- M. Alfred Rousteaux's Establishments at

Saint-Florent and Saint-Cyr-- His convenient Celliers and extensive

Cellars-- Mingling of Wine from the Champagne with the finer

Sparkling Saumur-- His Vineyard at La Perrière-- M. E. Normandin's

Sparkling Sauternes Manufactory at Châteauneuf-- Angoulême and its

Ancient Fortifications-- Vin de Colombar-- M. Normandin's Sparkling

Sauternes Cuvée-- His Cellars near Châteauneuf-- High recognition

accorded to the Wine at the Concours Régional d'Angoulême.

After the Champagne Anjou is the French province which ranks next in

importance for its production of sparkling wines. Vintaged on the banks

of the Loire, these are largely consigned to the English and other

markets, labelled Crême de Bouzy, Sillery and Ay Mousseux, Cartes Noires

and Blanches, and the like, while their corks are branded with the names

of phantom firms, supposed to be located at Reims and Epernay. As a rule

these wines come from around Saumur, but they are not necessarily the

worse on that account, for the district produces capital sparkling

wines, the finer qualities of which improve greatly by being kept for a

few years. One curious thing shown to us at Saumur was the album of a

manufacturer of sparkling wines containing examples of the many hundred

labels ticketed with which his produce had for years past been sold. Not

one of these labels assigned to the wines the name of their real maker

or their true birthplace, but introduced them under the auspices of

mythical dukes and counts, as being manufactured at châteaux which are

so many "castles in Spain," and as coming from Ay, Bouzy, Châlons,

Epernay, Reims, and Verzenay, but never by any chance from Saumur.

[Illustration:

THE VINEYARDS OF THE COTEAU DE SAUMUR. (p. 141)]

Being produced from robuster growths than the sparkling wines of the

Department of the Marne, sparkling saumur will always lack that

excessive lightness which is the crowning grace of fine champagne, still

it has only to be kept for a few years instead of being drunk shortly

after its arrival from the wine-merchant for its quality to become

greatly improved and its intrinsic value to be considerably enhanced. We

have drunk sparkling saumur that had been in bottle for nearly twenty

years, and found the wine not only remarkably delicate, but, singular to

say, with plenty of effervescence.

To an Englishman Anjou is one of the most interesting of the ancient

provinces of France. It was the cradle of the Plantagenet Kings, and

only ten miles from Saumur still repose the bones of Henry, the first

Plantagenet, and Richard of the Lion Heart, in the so-called Cimetière

des Rois of the historic abbey of Fontevrault. The famous vineyards of

the Coteau de Saumur, eastward of the town and bordering the Loire,

extend as far as here, and include the communes of Dampierre, Souzay,

Varrains, Chacé, Parnay, Turquant, and Montsoreau, the last-named within

three miles of Fontevrault, and chiefly remarkable through its seigneur

of ill-fame, Jean de Chambes, who instigated his wife to lure Boissy

d'Amboise to an assignation in order that he might more surely poignard

him. Saumur is picturesquely placed at the foot of this bold range of

heights near where the little river Thouet runs into the broad and rapid

Loire. A massive-looking old château perched on the summit of an

isolated crag stands out grandly against the clear sky and dominates the

town, the older houses of which crouch at the foot of the lofty hill and

climb its steepest sides. The restored antique Hôtel de Ville, in the

pointed style, with its elegant windows, graceful belfry, and florid

wrought-iron balconies, stands back from the quay bordering the Loire.

In the rear is the Rue des Payens, whither the last of the Huguenots of

this "metropolis of Protestantism," as it was formerly styled, retired,

converting their houses into so many fortresses to guard against being

surprised by their Catholic adversaries. Adjacent is the steep tortuous

Grande Rue, of which Balzac--himself a Tourangeau--has given such a

graphic picture in his _Eugénie Grandet_, the scene of which is laid at

Saumur. To-day, however, only a few of its ancient carved timber houses,

quaint overhanging corner turrets, and fantastically-studded massive oak

doors have escaped demolition.

The vineyards of the Coteau de Saumur, yielding the finest wines, are

reached by the road skirting the river, the opposite low banks of which

are fringed with willows and endless rows of poplars, which at the time

of our visit were already golden with the fading tints of autumn.

Numerous fantastic windmills crown the heights, the summit of which is

covered with vines, varied by dense patches of woodland. Here, as

elsewhere along the banks of the Loire, the many abandoned quarries

along the face of the hill have been turned by the peasants into cosy

dwellings by simply walling-up the entrances while leaving, of course,

the necessary apertures for doors and windows. Dampierre, the first

village reached, has many of these cave-dwellings, and numbers of its

houses are picturesquely perched up the sides of the slope. The holiday

costumes of the peasant women encountered in the neighbourhood of Saumur

are exceedingly quaint, their elaborate and varied head-dresses being

counterparts of _coiffures_ in vogue so far back as three and four

centuries ago.

Quitting the banks of the river, we ascend a steep tortuous road shut in

on either side by high stone walls--for hereabouts all the best

vineyards are scrupulously inclosed--and finally reach the summit of the

heights, whence a view is gained over what the Saumurois proudly style

the grand valley of the Loire. Everywhere around the vintage is going

on. The vines are planted rather more than a yard apart, and those

yielding black grapes are trained, as a rule, up tall stakes, although

some few are trained espalier fashion. Women dexterously detach the

bunches with pruning-knives and throw them into the _seilles_--small

squat buckets with wooden handles--the contents of which are emptied

from time to time into baskets--the counterpart of the chiffonnier's

_hotte_, and coated with pitch inside so as to close all the crevices of

the wickerwork--which the _portes-bastes_ carry slung to their backs.

When white wine is being made from black grapes for sparkling saumur the

grapes are conveyed in these baskets forthwith to the underground

pressoirs in the neighbouring villages before their skins get at all

broken in order that the wine may be as pale as possible in colour.

The black grape yielding the best wine in the Saumur district is the

breton, said to be the same as the carbinet-sauvignon, the leading

variety in the grand vineyards of the Médoc. Other species of black

grapes cultivated around Saumur are the varennes, yielding a soft and

insipid wine of no kind of value, and the liverdun, or large gamay, the

prevalent grape in the Mâconnais, and the same which in the days of

Philippe-le-Hardi the _parlements_ of Metz and Dijon interdicted the

planting and cultivation of. The prevalent white grapes are the large

and small pineau blanc, the bunches of the former being of an

intermediate size, broad and pyramidal in shape, and with the berries

close together. These have fine skins, are oblong in shape, and of a

transparent yellowish-green hue tinged with red, are very sweet and

juicy, and as a rule ripen late. As for the small pineau, the bunches

are less compact, the berries are round and of a golden tint, are finer

as well as sweeter in flavour, and ripen somewhat earlier than the fruit

of the larger variety.

We noticed as we drove through the villages of Champigny and

Varrains--the former celebrated for its fine red wines, and more

especially its crû of the Clos des Cordeliers--that hardly any of the

houses had windows looking on to the narrow street, but that all were

provided with low openings for shooting the grapes into the cellar

where, when making red wine, they are trodden, but when making white

wine, whether from black or white grapes, they are invariably pressed.

Each of the houses had its ponderous porte-cochère and low narrow portal

leading into the large inclosed yard at its side, and over the high

blank walls vines were frequently trained and pleasantly varied their

dull grey monotony.

The grapes on being shot into the openings just mentioned fall through a

kind of tunnel into a reservoir adjacent to the heavy press, which is

invariably of wood and of the old-fashioned cumbersome type. They are

forthwith placed beneath the press and usually subjected to five

separate squeezes, the must from the first three being reserved for

sparkling wine, while that from the two latter, owing to its being more

or less deeply tinted, only serves for table wine. The must is at once

run off into casks in order that it may not ferment on the grape-skins

and imbibe any portion of their colouring matter. Active fermentation

speedily sets in and lasts for a fortnight or three weeks according to

whether the temperature chances to be high or low.

The vintaging of the white grapes takes place about a fortnight later

than the black grapes, and is commonly a compound operation, the best

and ripest bunches being first of all gathered just as the berries begin

to get shrivelled and show symptoms of approaching rottenness. It is

these selected grapes that yield the best wine. The second gathering,

which follows shortly after the first, includes all the grapes remaining

on the vines, and yields a wine perceptibly inferior in quality. The

grapes on their arrival at the press-house are generally pressed

immediately and the must is run off into tuns to ferment. At the

commencement these tuns are filled up every three or four days to

replace the fermenting must which has flowed over; afterwards any waste

is made good at the interval of a week, and then once a fortnight, the

bungholes of the casks being securely closed towards the end of the

year, by which time the first fermentation is over.

It should be noted that the Saumur sparkling wine manufacturers draw

considerable supplies of the white wine required to impart lightness and

effervescence to their _vin préparé_ from the Vouvray vineyards. Vouvray

borders the Loire a few miles from the pleasant city of Tours, which

awakens sinister recollections of truculent Louis XI., shut up in his

fortified castle of Plessis-lez-Tours, around which Scott has thrown the

halo of his genius in his novel of _Quentin Durward_. On proceeding to

Vouvray from Tours we skirt a succession of poplar-fringed meadows

stretching eastward in the direction of Amboise along the right bank of

the Loire; and after a time a curve in the river discloses to view a

range of vine-clad heights extending some distance beyond the village of

Vouvray. Our route lies past the picturesque ruins of the abbey of

Marmoûtier and the Château des Roches--one of the most celebrated

castles of the Loire--the numerous excavations in the soft limestone

ridge on which they are perched being converted as usual into houses,

magazines, and wine-cellars. We proceed through the village of

Rochecorbon, and along a road winding among the spurs of the Vouvray

range, past hamlets, half of whose inhabitants live in these primitive

dwellings hollowed out of the cliff, and finally enter the charming

Vallée Coquette, hemmed in on all sides with vine-clad slopes. Here a

picturesque old house, half château half homestead, was pointed out to

us as a favourite place of sojourn of Balzac, who speaks of this rocky

ridge as "inhabited by a population of vine-dressers, their houses of

several stories being hollowed out in the face of the cliff, and

connected by dangerous staircases hewn in the soft stone. Smoke curls

from most of the chimneys which peep above the green crest of vines,

while the blows of the cooper's hammer resound in several of the

cellars. A young girl trips to her garden over the roofs of these

primitive dwellings, and an old woman, tranquilly seated on a ledge of

projecting rock, supported solely by the thick straggling roots of the

ivy which spreads itself over the disjointed stones, leisurely turns her

spinning-wheel regardless of her dangerous position." The picture

sketched by the author of _La Comédie Humaine_, some forty years ago,

has scarcely changed at the present day.

At the point where the village of Vouvray climbs half-way up the

vine-crested ridge the rapid-winding Cise throws itself into the Loire,

and on crossing the bridge that spans the tributary stream we discern on

the western horizon, far beyond the verdant islets studding the swollen

Loire, the tall campaniles of Tours Cathedral, which seem to rise out of

the water like a couple of Venetian towers. Vouvray is a trim little

place, clustered round about with numerous pleasant villas in the midst

of charming gardens. The modern château of Moncontour here dominates the

slope, and its terraced gardens, with, their fantastically-clipped trees

and geometric parterres, rise tier above tier up the face of the

picturesque height that overlooks the broad fertile valley, with its

gardens, cultivated fields, patches of woodland, and wide stretches of

green pasture which, fringed with willows and poplars, border the

swollen waters of the Loire. Where the river Brenne empties itself into

the Cise the Coteau de Vouvray slopes off towards the north, and there

rise up the vine-clad heights of Vernou, yielding a similar but inferior

wine to that of Vouvray. The village of Vernou is nestled under the

hill, and near the porch of its quaint little church a venerable elm

tree is pointed out as having been planted by Sully, Henry IV.'s able

Minister. Here, too, an ancient wall, pierced with curious arched

windows, and forming part of a modern building, is regarded by popular

tradition as belonging to the palace in which Pépin-le-Bref, father of

Charlemagne, lived at Vernou.

The communes of Dampierre, Souzay, and Parnay, in the neighbourhood of

Saumur, produce still red wines rivalling those of Champigny, besides

which all the finest white wines are vintaged hereabouts--in the

Perrière, the Poilleux, and the Clos Morain vineyards, and in the

Rotissans vineyard at Turquant. Wines of very fair quality are also

grown on the more favourable slopes extending southwards along the

valley of the Thouet, and comprised in the communes of Varrains, Chacé,

St. Cyr-en-Bourg, and Brézé. The whole of this district, by the way,

abounds with interesting archæological remains. While visiting the

vineyards of Varrains and Chacé we came upon a couple of

dolmens--vestiges of the ancient Celtic population of the valley of the

Loire singularly abundant hereabouts. Brézé, the marquisate of which

formerly belonged to Louis XVI.'s famous grand master of the

ceremonies--immortalized by the rebuff he received from Mirabeau--boasts

a noble château on the site of an ancient fortress, in connection with

which there are contemporary excavations in the neighbouring limestone,

designed for a garrison of 500 or 600 men. Beyond the vineyards of

Saint-Florent, westward of Saumur and on the banks of the Thouet, is an

extensive plateau partially overgrown with vines, where may be traced

the remains of a Roman camp. Moreover, in the southern environs of

Saumur, in the midst of vineyards producing exclusively white wines,

is one of the most remarkable dolmens known. This imposing structure,

perfect in all respects save that one of the four enormous stones which

roof it in has been split in two, and requires to be supported, is no

less than 65 feet in length, 23 feet in width, and 10 feet high.

[Illustration:

DOLMEN AT BAGNEUX, NEAR SAUMUR.]

At Saint-Florent, the pleasant little suburb of Saumur, skirting the

river Thouet, and sheltered by steep hills formed of soft limestone,

offering great facilities for the excavation of extensive cellars, the

largest manufacturer of Saumur sparkling wines has his establishment.

Externally this offers but little to strike the eye. A couple of

pleasant country houses, half hidden by spreading foliage, stand at the

two extremities of a spacious and well-kept garden, beyond which one

catches a glimpse of some outbuildings sheltered by the vine-crowned

cliff, in which a labyrinth of gloomy galleries has been hollowed out.

Here M. Ackerman-Laurance, the extent of whose business ranks him as

second among the sparkling wine manufacturers of the world, stores

something like 10,000 casks and several million bottles of wine.

At the commencement of the present century, in the days when, as Balzac

relates in his _Eugénie Grandet_, the Belgians bought up entire vintages

of Saumur wine, then largely in demand with them for sacramental

purposes, the founder of the Saint-Florent house commenced to deal in

the ordinary still wines of the district. Nearly half a century ago he

was led to attempt the manufacture of sparkling wines, but his efforts

to bring them into notice failed, and he was on the point of abandoning

his enterprise when an order for one hundred cases revived his hopes,

and led to the foundation of the present vast establishment. As already

mentioned, for many miles all the heights along the Loire have been more

or less excavated for stone for building purposes, so that every one

hereabouts who grows wine or deals in it has any amount of cellar

accommodation ready to hand. It was the vast extent of the galleries

which M. Ackerman _père_ discovered already excavated at Saint-Florent

that induced him to settle there in preference to Saumur. Extensive,

however, as the original vaults were, considerable additional

excavations have from time to time been found necessary; and to-day the

firm is still further increasing the area of its cellars, which already

comprise three principal avenues, each the third of a mile long, and no

fewer than sixty transverse galleries, the total length of which is

several miles. One great advantage is that the whole are on the ordinary

level.

[Illustration:

THE CELLARS OF M. ACKERMAN-LAURANCE AT SAINT-FLORENT.

LABELLING AND PACKING SPARKLING SAUMUR. (p. 150.)]

Ranged against the black uneven walls of the more tortuous ancient

vaults which give access to these labyrinthine corridors are thousands

of casks of wine--some in single rows, others in triple tiers--forming

the reserve stock of the establishment. As may be supposed, a powerful

vinous odour permeates these vaults, in which the fumes of wine have

been accumulating for the best part of a century. After passing beneath

a massive stone arch which separates the old cellars from the new,

a series of broad and regularly-proportioned galleries are reached,

having bottles stacked in their tens of thousands on either side.

Overhead the roof is perforated at regular intervals with circular

shafts, affording both light and ventilation, and enabling the

temperature to be regulated to a nicety. In these lateral and transverse

galleries millions of bottles of wine in various stages of preparation

are stacked.

We have explained that in the Champagne it is the custom for the

manufacturers of sparkling wine to purchase considerable quantities of

grapes from the surrounding growers, and to press these themselves, or

have them pressed under their own superintendence. At Saumur only those

firms possessing vineyards make their own _vin brut_, the bulk of the

wine used for conversion into sparkling wine being purchased from the

neighbouring growers. On the newly-expressed must arriving at

M. Ackerman-Laurance's cellars it is allowed to rest until the

commencement of the ensuing year, when half of it is mixed with wine in

stock belonging to last year's vintage, and the remaining half is

reserved for mingling with the must of the ensuing vintage. The blending

is accomplished in a couple of colossal vats hewn out of the rock, and

coated on the inside with cement. Each of these vats is provided with

200 paddles for thoroughly mixing the wine, and with five pipes for

drawing it off when the amalgamation is complete. Usually the _cuvée_

will embrace 1,600 hogsheads, or 80,000 gallons of wine, almost

sufficient for half a million bottles. A fourth of this quantity can be

mixed in each vat at a single operation, and this mixing is repeated

again and again until the last gallon run off is of precisely the same

type as the first. For the finer qualities of sparkling saumur the

proportion of wine from the black grapes to that from white is generally

at the rate of three or four to one. For the inferior qualities more

wine from white than from black grapes is invariably used. Only in the

wine from white grapes is the effervescent principle retained to any

particular extent; but, on the other hand, the wine from black grapes

imparts both quality and vinous character to the blend.

The blending having been satisfactorily accomplished, the wine is stored

in casks, never perfectly filled, yet with their bungholes tightly

closed, and slowly continues its fermentation, eating up its sugar,

purging itself, and letting fall its lees. Three months later it is

fined. It is rarely kept in the wood for more than a year, though

sometimes the superior qualities remain for a couple of years in cask.

Occasionally it is even bottled in the spring following the vintage;

still, as a rule, the bottling of sparkling saumur takes place during

the ensuing summer months, when the temperature is at the highest as

this insures to it a greater degree of effervescence. At the time of

bottling its saccharine strength is raised to a given degree by the

addition of the finest sugar-candy, and henceforward the wine is

subjected to precisely the same treatment as is pursued with regard to

champagne.

It is in a broad but sombre gallery of the more ancient vaults--the

roughly-hewn walls of which are black from the combined action of

alcohol and carbonic acid gas--that the processes of disgorging the wine

of its sediment, adding the syrup, filling up the bottles with wine to

replace that which gushes out when the disgorging operation is

performed, together with the re-corking, stringing, and wiring of the

bottles, are carried on. The one or two adjacent shafts impart very

little light, but a couple of resplendent metal reflectors, which at a

distance one might fancy to be some dragon's flaming eyes, combined with

the lamps placed near the people at work, effectually illuminate the

spot.

[Illustration:

THE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.]

Another considerable manufacturer of sparkling saumur is M. Louis Duvau

aîné, owner of the château of Varrains, in the village of the same name,

at no great distance from the Coteau de Saumur. His cellars adjoin the

château, a picturesque but somewhat neglected structure of the last

century, with sculptured medallions in high relief above the lower

windows, and florid vases surmounting the mansards in the roof. In front

is a large rambling court shaded with acacia and lime trees, and

surrounded by outbuildings, prominent among which is a picturesque

dovecote, massive at the base as a martello tower, and having an elegant

open stone lantern springing from its bell-shaped roof. The cellars are

entered down a steep incline under a low stone arch, the masonry above

which is overgrown with ivy in large clusters and straggling creeping

plants. We soon come upon a deep recess to the right, wherein stands a

unique cumbersome screw-press, needing ten or a dozen men to work the

unwieldy capstan which sets the juice flowing from the crushed grapes

into the adjacent shallow trough. On our left hand are a couple of

ancient reservoirs, formed out of huge blocks of stone, with the

entrance to a long vaulted cellar filled with wine in cask. We advance

slowly in the uncertain light along a succession of gloomy galleries

with moisture oozing from their blackened walls and roofs, picking our

way between bottles of wine stacked in huge square piles and rows of

casks ranged in tiers. Suddenly a broad flood of light shooting down a

lofty shaft throws a Rembrandtish effect across a spacious and most

melodramatic-looking cave, roughly hewn out of the rock, and towards

which seven dimly-lighted galleries converge. On all sides a scene of

bustling animation presents itself. From one gallery men keep arriving

with baskets of wine ready for the disgorger; while along another

bottles of wine duly dosed with syrup are being borne off to be

decorated with metal foil and their distinctive labels. Groups of

workmen are busily engaged disgorging, dosing, and re-corking the

newly-arrived bottles of wine; corks fly out with a succession of loud

reports suggestive of the irregular fire of a party of skirmishers;

a fizzing, spurting, and spluttering of the wine next ensues, and is

followed by the incessant clicking of the various apparatus employed in

the corking and wiring of the bottles.

Gradual inclines conduct to the two lower tiers of galleries, for the

cellars of M. Duvau consist of as many as three stories. Down below

there is naturally less light, and the temperature, too, is sensibly

colder. Advantage is taken of this latter circumstance to remove the

newly-bottled wine to these lower vaults whenever an excessive

development of carbonic acid threatens the bursting of an undue

proportion of bottles, a casualty which among the Saumur sparkling wine

manufacturers ranges far higher than with the manufacturers of

champagne. For the economy of time and labour a lift, raised and lowered

by means of a capstan worked by horses, is employed to transfer the

bottles of wine from one tier of cellars to another.

The demand for sparkling saumur is evidently on the increase, for

M. Duvau, at the time of our visit, was excavating extensive additional

cellarage. The subsoil at Varrains being largely composed of marl, which

is much softer than the tufa of the Saint-Florent coteau, necessitated

the roofs of the new galleries being worked in a particular form in

order to avoid having recourse to either brickwork or masonry. Tons of

this excavated marl were being spread over the soil of M. Duvau's

vineyard in the rear of the château, greatly, it was said, to the

benefit of the vines, whose grapes were all of the black variety;

indeed, scarcely any wine is vintaged from white grapes in the commune

of Varrains.

At M. Duvau's we went through a complete scale of sparkling saumurs,

commencing with the younger and less matured samples, and ascending step

by step to wines a dozen and more years old. Every year seemed to

produce an improvement in the wine, the older varieties gaining greatly

in delicacy and softening very perceptibly in flavour.

Another sparkling saumur manufacturer of note is M. Alfred Rousteaux,

to-day the sole proprietor of the well-known brand of Morlet and

Rousteaux, a firm established for many years at Saint-Florent.

M. Rousteaux's cellars here are excavated in the tufa cliff which rises

behind the little suburban village, and are all on one level. The

galleries, though somewhat winding and irregular, are broad and roomy,

and in them about 400,000 bottles of wine undergoing the necessary

treatment are piled up in stacks or placed _sur pointe_. The original

firm had only been in existence a few years when they found that their

Saint-Florent establishment was inadequate to the requirements of a

largely-increasing business, and they started the branch establishment

of La Perrière at Saint-Cyr, near Tours, but on the opposite bank of the

Loire. Here are a handsome residence and gardens, a spacious court, and

convenient celliers where the bottling of the wine is effected, together

with extensive and well-constructed cellars in which a like quantity of

wine to that contained in the cellars at Saint-Florent is stored. With

his finer sparkling wines M. Rousteaux mixes a certain proportion of

wine from the Champagne district, and thus secures a degree of lightness

unattainable when the _cuvée_ is exclusively composed of Saumur

vintages. At La Perrière M. Rousteaux has a vineyard of upwards of sixty

acres, yielding the best wine of the district, which is noted, by the

way, for its excellent growths. Hereabouts a succession of vineyard

slopes stretch from one to another of the many historic châteaux along

this portion of the Loire, the romantic associations of which render the

Touraine one of the most interesting provinces of France. Near Tours

besides the vineyards of Saint-Cyr are those of Joué and Saint-Avertin;

the two last situate on the opposite bank of the Cher, where the little

town of Joué, perched on the summit of a hill in the midst of vineyards,

looks over a vast plain known by the country people as the Landes de

Charlemagne, the scene, according to local tradition, of Charles

Martel's great victory over the Saracens. The Saint-Avertin vineyards

extend towards the east, stretching almost to the forest of Larçay, on

the borders of the Cher, where Paul Louis Courier, the famous vigneron

pamphleteer of the Restoration, noted alike for his raillery, wit, and

satire, fell beneath the balls of an assassin. A noticeable crû in the

neighbourhood of Tours is that of Cinq Mars, the ruined château of which

survives as a memorial of the vengeance of Cardinal Richelieu, who,

after having sent its owner to the scaffold, commanded its massive walls

and towers to be razed "_à hauteur d'infamie_" as we see them now.

Finding that sparkling wines were being made in most of the

wine-producing districts of France, where the growths were sufficiently

light and of the requisite quality, Messrs. E. Normandin and Co.

conceived the idea of laying the famous Bordeaux district under

contribution for a similar purpose, and, aided by a staff of experienced

workmen from Epernay, they have succeeded in producing a sparkling

sauternes. Sauternes, as is well known, is one of the finest of white

wines, soft, delicate, and of beautiful flavour, and its transformation

into a sparkling wine has been very successfully accomplished. Messrs.

Normandin's head-quarters are in the thriving little town of

Châteauneuf, in the pleasant valley of the Charente, and within fifteen

miles of Angoulême, a famous old French town, encompassed by ancient

ramparts and crumbling corner towers, and which, dominated by the lofty

belfry of its restored semi-Byzantine cathedral, rising in a series of

open arcades, spreads itself picturesquely out along a precipitous

height, watered at its base by the rivers Anguienne and Charente.

Between Angoulême and Châteauneuf vineyard plots dotted over with walnut

trees, or simple rows of vines divided by strips of ripening maize, and

broken up at intervals by bright green pastures, line both banks of the

river Charente. The surrounding country is undulating and picturesque.

Poplars and elms fringe the roadsides, divide the larger fields and

vineyards, and screen the cosy-looking red-roofed farmhouses, which

present to the eyes of the passing tourist a succession of pictures of

quiet rural prosperity.

[Illustration]

Châteauneuf communicates with the Sauternes district by rail, so that

supplies of wine from there are readily obtainable. Vin de

Colombar--a famous white growth which English and Dutch cruisers used to

ascend the Charente to obtain cargoes of when the Jerez wines were shut

out from England by the Spanish War of Succession--vintaged principally

at Montignac-le-Coq, also enters largely into Messrs. Normandin and

Co.'s sparkling sauternes _cuvée_. This colombar grape is simply the

semillon--one of the leading varieties of the Sauternes

district--transported to the Charente. The remarkably cool cellars where

the firm store their wine, whether in wood or bottle, have been formed

from some vast subterranean galleries whence centuries ago stone was

quarried, and which are situated about a quarter of an hour's drive from

Châteauneuf, in the midst of vineyards and cornfields. The wine is

invariably bottled in a cellier at the head establishment, but it is in

these cellars where it goes through the course of careful treatment

similar to that pursued with regard to champagne.

[Illustration]

In order that the delicate flavour of the wine may be preserved the

liqueur is prepared with the finest old sauternes, without any addition

of spirit, and the dose is administered with the most improved modern

appliance, constructed of silver, and provided with crystal taps. At the

Concours Régional d'Angoulême of 1877, the jury, after recording that

they had satisfied themselves by the aid of a chemical analysis that the

samples of sparkling sauternes submitted to their judgment were free

from any foreign ingredient, awarded to Messrs. Normandin and Co. the

only gold medal given in the Group of Alimentary Products.

Encouraged, no doubt, by the success obtained by Messrs. Normandin and

Co. with their sparkling sauternes, the house of Lermat-Robert and Co.,

of Bordeaux, have recently introduced a sparkling barsac, samples of

which were submitted to the jury at the Paris Exhibition of 1878.

[Illustration:

VINTAGER OF THE CÔTE D'OR]

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