CHAPTER III

HOME

“Who is that yellow-frock among the yellow flowers?” asked Otto

van Helmont. “But, of course, I can guess,” he added, immediately.

“That was the parsonage we just passed. The ‘nut-brown maid’ must

be Ursula Rovers.”

“Ursula? Was she there still?” replied Gerard, flicking a fly from

the horse’s flank. “She seems to live in the garden. Doesn’t care

tuppence about her complexion.”

“She is very remarkably beautiful.”

“Do you think so? I never noticed. You see, I have known her all my

life. She is just the parson’s daughter. I suppose she reminds you

of your own Javanese.”

Otto flushed, and the two drove on, side by side, in silence.

They were very unlike to look at; there must have been, as Dominé

Rovers had said, from fifteen to twenty years’ interval between

them. The young man was spruce and slender, carelessly elegant in

appearance and attitude, the elder brother, the planter, sat square

and stalwart, with ruddy skin and tawny beard. He was coming home

for rest, weary of the jaded splendor of the tropics. As they drove

on, he turned right and left, with eager, misty eyes. The salute of

the passing peasants delighted him; he watched, in quiet ecstasy,

their long-drawn glances of inquiry or semi-acknowledgment. This

was better than the humbly crouching savages under the cocoa-trees.

This was recognition; this was home.

The avenue was home, the white house behind the trees was home, and

the clasp of his mother’s arms--no, _that_ was home. Never mind,

for one moment, the rest.

* * * * *

“You have gray hairs here and there, Otto,” said the Baroness van

Helmont, fondly. “I never knew I was an old woman before.”

Otto’s father bent down quickly and kissed her slender hand.

“My dear, you will never grow old,” he said. “You belong to the

things of beauty, and you remember what the English poet said of

_them_.”

The little porcelain lady laughed among the laces of her

morning-gown.

“Yes, but the French poet said just the reverse, and in matters of

beauty the Frenchman is the better judge.”

“Well, let Otto be umpire. He is best able to decide. Otto, do you

find that your mother has grown a day older since you left?”

The old Baron looked towards his big son with what, on his easy

features, was almost an anxious expression.

“Yes, she is older,” said Otto.

The Baroness laughed again.

“My dear,” she said, “he is as impossible as ever. Leave him. He,

at least, has not changed.”

Mynheer van Helmont dropped his eyelids with a quick movement of

vexation, and walked from the room.

Mother and son were left together. They went into the Baroness’s

little turret-chamber, a rounded _bonbonnière_, all pale flowered

silk and Dresden china, with a long window overlooking the park.

“Sit down, child,” said the Baroness. “Are you glad to be home

again?”

A lump in the strong man’s throat prevented immediate reply.

Presently he took his mother’s jewelled fingers in his own. “And

what have you been doing all this time?” he said.

“Doing? But, my dear, we have been living. What else should we do?

It is you who have shot the tigers. Nothing has happened here.”

“Grandpa is dead,” said Otto, meditatively.

“Ah, yes, grandpapa is dead. That is very sad, but he had been

childish for years. He lived up-stairs in the blue-room and never

came out of it. He did not know us. He used to mistake me for some

horrid recollection of his youth, and call me Niniche. It was very

embarrassing.”

They were both silent.

“Your father said it was a great compliment,” added the Baroness,

gravely.

“And his pension? What has become of that? How did you manage? I

have often wanted to ask.”

“Well, of course, his pension went. Your father had always said it

would make a tremendous difference. I cannot say I find it has.”

“But it must,” persisted Otto.

“Of course. My dear boy, have you still your old liking for

business? I beg of you, do not begin talking of it just yet.”

Otto smiled.

“Come, lean your head on my lap as you used to do. Wait a minute;

you will spoil my dress.”

She spread out a flimsy piece of cambric which could have protected

nothing, and sat softly stroking the dark hair from his face, as he

lay on the rug.

“You have come back heart-whole?” she said, presently, but there

was not much interrogation in her voice.

“Yes, mother.” The tone excluded doubt; not that any one ever

thought of doubting Otto.

“Gerard was always prophesying that you would bring back a

‘nut-brown’ wife.”

The words seemed to strike home strangely to Otto, like an echo.

“Gerard appears very lively,” he said. “He always had exceedingly

high spirits as a boy. But, of course, I hardly know him.”

“He is brightness itself,” said the Baroness. “He is like a

constant sunbeam. Dear boy, I hope he will make an advantageous

settlement. And you too, dear Otto, I wish you would marry

and”--her voice grew tremulous--“stay at home.”

“But, mother, I must first find a wife.” He spread out his

fingers contemplatively on the white plush beneath him, among the

gold-embroidered lilies.

“That is a woman’s work, not a man’s. It is a mother’s, and I could

easily manage it. A man should find all his loves for himself,

except the one he marries in the end.”

“But would you look for a consort, mother, or merely for a mule

with money-bags?”

“Otto, how rudely you put things! Contact with black people has

not improved you. I should look for an angel, worthy of my boy--an

angel with golden wings.” She paused, and played shyly with the

velvet at her wrist. “Indeed, I hope you will marry a little

money,” she added, looking away. “You father expects it. And,

besides, you must.”

He did not answer. “Gerard is going to,” she added, blushing

over the pink-and-white tints of her delicate cheek. “He quite

understands it is necessary. He is doing his best.”

“How commendable!” cried Otto, sitting up. “He deserves, indeed,

that his gilt-feathered seraph should bear him to a matrimonial

heaven.”

The Baroness looked placidly alarmed. “My dear,” she said, “don’t,

I beg of you, go spoiling your brother. He takes a much simpler

view of duty than you. You have always complicated existence, poor

child. You were a steel-clanging knight, Otto, in search of ogres;

he is a troubadour under Fortune’s window. And he never plays out

of tune.”

And then again there was silence between them, while she drew down

his head once more. But their thoughts were conversing still.

“Marrying for money,” he continued at last, and his voice was black

with scorn.

“Marrying money and marrying for money are two very different

things,” rejoined the Baroness, patiently, “as you know. I should

not like Gerard to marry for money, nor you. You never will. But

you can do as your father did.”

The turret-chamber was cool, yet the glowing sun from outside

seemed to penetrate to the cheeks of both mother and son.

“My father is a lucky man,” said Otto. “But supposing you had not

turned out to be _you_?”

“Then there would not have been money enough. As it is, we had

a little love and a little money; that is the best blend on the

whole, to commence housekeeping with. Both, I suppose, should go on

increasing; with us, only one has done that.”

“Nobody has ever missed the money,” interposed Otto, smiling

pitifully down on the costly rug at his feet.

“Ah, you say that! But I have often regretted that mamma’s fortune

was not larger. Papa, you remember, had squandered his share. Your

poor father might have got many things he had set his heart upon,

and which now he is compelled to go without.”

“Yes,” said Otto, “the house would have been twice as full again.”

“Exactly. For instance, he has always longed, passionately, to

possess a ‘Corot.’ He has never been able to procure one. There is

a very good ‘Daubigny’ in the small drawing-room. By-the-bye, it

is new; you must go and have a look at it presently. But the poor

man has never ventured to buy a ‘Corot.’ I cannot help feeling it

is almost my fault. Certainly grandpapa’s. Yet he was always so

considerate to grandpapa after we took him to live with us, never

reproaching him with word.”

Otto did _not_ ask, What is a ‘Corot’? He lay stroking his mother’s

hand. Presently he started to his feet and walked towards the

window.

“How beautiful it is!” he cried; “how lovely! Oh, mother, the

sun-heat across the park!”

The little lady came dancing after him. “Yes, is it not exquisite?”

she cried, standing close beside him. “Look at the patch of yellow

color there, in the break between the beeches. Why, Otto, since

when do you notice the merely beautiful? Do you see that far line

of white roof with the sun full upon it? That is the gallery round

the new Italian garden. Well, not exactly new, only you have been

away such a very long time!”

She pressed his arm. “Now go down to your father,” she added,

softly. “Ask him to show you the ‘Daubigny.’ And don’t talk to him

of business. You know he doesn’t like it.”

“A fortune for a picture,” said Otto to himself as he closed his

mother’s door, “while I was out in Java growing tea!”

He passed along a corridor which was hung with arms of all times

and nations, into the large entrance-hall, a museum of old oak and

heraldry among the masses of summer flowers.

There he found his father pacing impatiently to and fro. The

old Baron, whose life motto had been “Tout s’arrange,” was only

impatient about things of no importance. He was now eager to show

his son the acquisitions of the last twelve years. He knew that the

display would be productive of pleasure neither to himself nor to

his heir, but he remained eager all the same.

The returned exile--his heart soft with the morning’s

impressions--resolved at once to take an interest in everything.

“Mother was speaking of a new picture,” he began, “a

daub--daub-something. She said I must be sure and ask to see it.”

The Baron smiled. “The Daubigny,” he replied. “I suppose the

name has not penetrated to India yet. With us, you know, he has

made himself a little reputation.” He led the way into a small

drawing-room, but stopped before pointing to his treasure. “Do you

notice any change here?” he asked. “Anything new in the arrangement

of the whole?”

Otto hesitated. He was horribly ill at ease, and afraid of making a

fool of himself. It was the old sensation of twelve years ago. He

felt like a shy man that doesn’t know a cob from a charger suddenly

called upon to judge of a horse.

“Oh, it’s nothing,” said the Baron. “Only the ceiling’s been

painted. It was done by Guicciardi, the same who decorated the

last Loggia in the Prelli Palace just before the poor prince went

smash. That was a magnificent finale, Otto. Poor old Prince Luigi

knew that he couldn’t possibly hold out much longer--not a hundred

thousand francs to the good, I am told. And he gave a commission

to Guicciardi to paint the place with that last hundred thousand,

just finished the thing and left an immortal whole to his country,

and then--pwhit!” The Baron snapped his fingers lightly. “Pooh,”

he said, “I know you don’t care for that kind of thing. I beg your

pardon. I didn’t mean to give you offence. That is the ‘Daubigny.’”

Otto stood staring at the little golden landscape. He was seeking

hard for something sensible to say. He could not talk of art as his

brother Gerard did, while knowing nothing about it, trustful to

Fate to make his talk no greater nonsense than that of those who do

know.

“It didn’t cost me very much,” said the Baron, a little

shamefacedly. “It is not, of course, a first-rate specimen, though

I flatter myself it is by no means bad.”

“It is very pretty,” said Otto. “The sky is something like a

Javanese sunrise.”

“Really? That reminds me, I have some beautiful ivories in the west

room, if you care to see them. Japanese, but they were bought at

Batavia. What wonderful opportunities you must have had, had you

only known!” He looked wistfully at his son. “Dirt cheap, I dare

say.”

“I don’t think anything’s dirt cheap anywhere,” replied Otto. “And

dirt seems the most expensive of all--in the end.”

He shrank back, with a sudden misgiving of his own meaning; but, if

the speech were discourteous, the Baron quite misunderstood it. “I

hope you have got into no entanglements,” said the Baron, sharply.

“Although, true, it is not the expensive ones that are the most

dangerous. We expect you to marry now, Otto, and settle down. Your

mother is very anxious you should marry a little money. I sincerely

hope you will.”

“There is time still, father,” said Otto; “I’m only just back.”

“Well, I don’t know. You are nearly forty. And you have wasted a

great many years, after all. Here have you been toiling in Java,

working hard the whole time, and with what result? The same as in

Germany before. You might just as well have lived leisurely at

home, and better. Your cheeks would have been less brown, and your

manners no worse.”

He faced his son; he had been bracing himself for this, and he was

astonished to find it came so easily. “After all, I think you must

admit, Otto, that we easy-going people understand life better than

you.”

“I have no wish to deny it, sir.”

“Well?”

“Well? I have tried to do my duty--the nearest duty.”

“Java! It seems to me your duty was a very far one. Well, well, we

are heartily glad to have you back. Come into the smoking-room, and

we will smoke a really good cigar.”

My Lady Nobody: A Novel · 第 2 / 46 章