CHAPTER V.

NURSERY TALES.

The tales we have thus far given, although they may count many young

people among their auditors, are not distinctly children's stories. The

few that follow are, and it is greatly to be regretted that their number

is not larger. That many more exist, cannot be doubted; but collectors

have probably overlooked this interesting class. Even Pitre in his large

collection gives but eleven (Nos. 130-141), and those in the other

collections are mostly parallels to Pitre's.

We will begin with those that are advantages taken of children's love

for stories. The first is from Venice (Bernoni, Punt. II. p. 53) and is

called:

LXXIV. MR. ATTENTIVE.

"Do you want me to tell you the story of Mr. Attentive?"

"Tell me it."

"But you must not say 'tell me it,' for it is

The story of Mr. Attentive,

Which lasts a long time,

Which is never explained:

Do you wish me to tell it, or relate it?"

"Relate it."

"But you must not say 'relate it,' for it is

The story of Mr. Attentive,

Which lasts a long time,

Which is never explained:

Do you wish me to tell it, or relate it?"

"But come! tell me it."

"But you must not say," etc., etc.[1]

* * * * *

The following are intended to soothe restless children, and are so short

that they may be given entire.

LXXV. THE STORY OF THE BARBER.

Once upon a time there was a barber.... Be good and I will tell it to

you again.[2]

* * * * *

The next is from the same source.

Once upon a time there was a king, a pope, and a dwarf.... This king,

this pope, and this dwarf....

(Then the story-teller begins again).

* * * * *

But it is time to give some of the stories that are told to the good

children. The first is from Pitre (No. 130) and is called:

LXXVI. DON FIRRIULIEDDU.

Once upon a time there was a farmer who had a daughter who used to take

his dinner to him in the fields. One day he said to her: "So that you

may find me I will sprinkle bran along the way; you follow the bran, and

you will come to me."

By chance the old ogre passed that way, and seeing the bran, said: "This

means something." So he took the bran and scattered it so that it led to

his own house.

When the daughter set out to take her father his dinner, she followed

the bran until she came to the ogre's house. When the ogre saw the young

girl, he said: "You must be my wife." Then she began to weep. When the

father saw that his daughter did not appear, he went home in the

evening, and began to search for her; and not finding her, he asked God

to give him a son or a daughter.

A year after, he had a son whom they called "_Don Firriulieddu_." When

the child was three days old it spoke, and said: "Have you made me a

cloak? Now give me a little dog and the cloak, for I must look for my

sister." So he set out and went to seek his sister.

After a while he came to a plain where he saw a number of men, and

asked: "Whose cattle are these?" The herdsman replied: "They belong to

the ogre, who fears neither God nor the saints, who fears _Don

Firriulieddu_, who is three days old and is on the way, and gives his

dog bread and says: 'Eat, my dog, and do not bark, for we have fine

things to do.'"

Afterwards he saw a flock of sheep, and asked: "Whose are these sheep?"

and received the same answer as from the herdsman. Then he arrived at

the ogre's house and knocked, and his sister opened the door and saw the

child. "Who are you looking for?" she said. "I am looking for you, for I

am your brother, and you must return to mamma."

When the ogre heard that _Don Firriulieddu_ was there, he went and hid

himself up-stairs. _Don Firriulieddu_ asked his sister: "Where is the

ogre?" "Up-stairs." _Don Firriulieddu_ said to his dog: "Go up-stairs

and bark, and I will follow you." The dog went up and barked, and

_Firriulieddu_ followed him, and killed the ogre. Then he took his

sister and a quantity of money, and they went home to their mother, and

are all contented.

* * * * *

Certain traits in the above story, as the size of the hero and the bran

serving to guide the girl to her father, recall somewhat faintly, it is

true, our own "Tom Thumb." It is only recently that a Tuscan version of

"Tom Thumb" has been found.[3] It is called:

LXXVII. LITTLE CHICK-PEA.[L]

Once upon a time there was a husband and wife who had no children. The

husband was a carpenter, and when he came home from his shop he did

nothing but scold his wife because she had no children, and the poor

woman was constantly weeping and despairing. She was charitable, and

had festivals celebrated in the church; but no children. One day a woman

knocked at her door and asked for alms; but the carpenter's wife

answered: "I will not give you any, for I have given alms and had masses

said, and festivals celebrated for a long time, and have no son." "Give

me alms and you will have children." "Good! in that case I will do all

you wish." "You must give me a whole loaf of bread, and I will give you

something that will bring you children." "If you will, I will give you

two loaves." "No, no! now, I want only one; you can give me the other

when you have the children." So she gave her a loaf, and the woman said:

"Now I will go home and give my children something to eat, and then I

will bring you what will make you have children." "Very well."

[Footnote L: _Cecino_, dim. of _Cece_, chick-pea.]

The woman went home, fed her children, and then took a little bag,

filled it with chick-peas, and carried it to the carpenter's wife, and

said: "This is a bag of peas; put them in the kneading-trough, and

to-morrow they will be as many sons as there are peas." There were a

hundred peas, and the carpenter's wife said: "How can a hundred peas

become a hundred sons?" "You will see to-morrow." The carpenter's wife

said to herself: "I had better say nothing about it to my husband,

because if by any mischance the children should not come, he would give

me a fine scolding."

Her husband returned at night and began to grumble as usual; but his

wife said not a word and went to bed repeating to herself: "To-morrow

you will see!" The next morning the hundred peas had become a hundred

sons. One cried: "Papa, I want to drink." Another said: "Papa, I want to

eat." Another: "Papa, take me up." He, in the midst of all this tumult,

took a stick and went to the trough and began to beat, and killed them

all. One fell out (imagine how small they were!) and ran quickly into

the bedroom and hid himself on the handle of the pitcher. After the

carpenter had gone to his shop his wife said: "What a rascal! he has

grumbled so long about my not having children and now he has killed them

all!" Then the son who had escaped said: "Mamma, has papa gone?" She

said: "Yes, my son. How did you manage to escape? Where are you?" "Hush!

I am in the handle of the pitcher; tell me: has papa gone?" "Yes, yes,

yes, come out!" Then the child who had escaped came out and his mamma

exclaimed: "Oh! how pretty you are! How shall I call you?" The child

answered: "Cecino." "Very well, bravo, my Cecino! Do you know, Cecino,

you must go and carry your papa's dinner to him at the shop." "Yes, you

must put the little basket on my head, and I will go and carry it to

papa."

The carpenter's wife, when it was time, put the basket on Cecino's head

and sent him to carry her husband's dinner to him. When Cecino was near

the shop, he began to cry: "O papa! come and meet me; I am bringing you

your dinner."

The carpenter said to himself: "Oh! did I kill them all, or are there

any left?" He went to meet Cecino and said: "O my good boy! how did you

escape my blows?" "I fell down, ran into the room, and hid myself on the

handle of the pitcher." "Bravo, Cecino! Listen. You must go around among

the country people and hear whether they have anything broken to mend."

"Yes."

So the carpenter put Cecino in his pocket, and while he went along the

way did nothing but chatter; so that every one said he was mad, because

they did not know that he had his son in his pocket. When he saw some

countrymen he asked: "Have you anything to mend?" "Yes, there are some

things about the oxen broken, but we cannot let you mend them, for you

are mad." "What do you mean by calling me mad? I am wiser than you. Why

do you say I am mad?" "Because you do nothing but talk to yourself on

the road." "I was talking with my son." "And where do you keep your

son?" "In my pocket." "That is a pretty place to keep your son." "Very

well, I will show him to you;" and he pulls out Cecino, who was so small

that he stood on one of his father's fingers.

"Oh, what a pretty child! you must sell him to us." "What are you

thinking about! I sell you my son who is so valuable to me!" "Well,

then, don't sell him to us." What does he do then? He takes Cecino and

puts him on the horn of an ox and says: "Stay there, for now I am going

to get the things to mend." "Yes, yes, don't be afraid; I will stay on

my horn." So the carpenter went to get the things to mend.

Meanwhile two thieves passed by, and seeing the oxen, one said: "See

those two oxen there alone. Come, let us go and steal them." When they

drew near, Cecino cried out: "Papa, look out! there are thieves here!

they are stealing your oxen!" "Ah! where does that voice come from?" And

they approached nearer to see; and Cecino, the nearer he saw them come,

the more he called out: "Look out for your oxen, papa; the thieves are

stealing them!"

When the carpenter came the thieves said to him: "Good man, where does

that voice come from?" "It is my son." "If he is not here, where is he?"

"Don't you see? there he is, up on the horn of one of the oxen." When he

showed him to them, they said: "You must sell him to us; we will give

you as much money as you wish." "What are you thinking about! I might

sell him to you, but who knows how much my wife would grumble about it!"

"Do you know what you must tell her? that he died on the way."

They tempted him so much that at last he gave him to them for two sacks

of money. They took their Cecino, put him in one of their pockets, and

went away. On their journey they saw the king's stable. "Let us take a

look at the king's stable and see whether we can steal a pair of

horses." "Very good." They said to Cecino: "Don't betray us." "Don't be

afraid, I will not betray you."

So they went into the stable and stole three horses, which they took

home and put in their own stable.

Afterwards they went and said to Cecino: "Listen. We are so tired! save

us the trouble, go down and give the horses some oats." Cecino went to

do so, but fell asleep on the halter and one of the horses swallowed

him. When he did not return, the thieves said: "He must have fallen

asleep in the stable." So they went there and looked for him and

called: "Cecino, where are you?" "Inside of the black horse." Then they

killed the black horse; but Cecino was not there. "Cecino, where are

you?" "In the bay horse." So they killed the bay horse; but Cecino was

not there. "Cecino, where are you?" But Cecino answered no longer. Then

they said: "What a pity! that child who was so useful to us is lost."

Then they dragged out into the fields the two horses that they had cut

open.

A famished wolf passed that way and saw the dead horses. "Now I will eat

my fill of horse," and he ate and ate until he had finished and had

swallowed Cecino.[M] Then the wolf went off until it became hungry again

and said: "Let us go and eat a goat."

[Footnote M: It appears from this that Cecino had been in one of the

horses all the time, but the thieves had not seen him because he was so

small.]

When Cecino heard the wolf talk about eating a goat, he cried out:

"Goat-herd, the wolf is coming to eat your goats!"

[The wolf supposes that it has swallowed some wind that forms these

words, hits itself against a stone, and after several trials gets rid of

the wind and Cecino, who hides himself under a stone, so that he shall

not be seen.]

Three robbers passed that way with a bag of money. One of them said:

"Now I will count the money, and you others be quiet or I will kill

you!" You can imagine whether they kept still! for they did not want to

die. So he began to count: "One, two, three, four, and five." And

Cecino: "One, two, three, four, and five." (Do you understand? he

repeats the robber's words.) "I hear you! you will not keep still. Well,

I will kill you; we shall see whether you will speak again." He began to

count the money again: "One, two, three, four, and five." Cecino

repeats: "One, two, three, four, and five." "Then you will not keep

quiet! now I will kill you!" and he killed one of them. "Now we shall

see whether you will talk; if you do I will kill you too." He began to

count: "One, two, three, four, and five." Cecino repeats: "One, two,

three, four, and five." "Take care, if I have to tell you again I will

kill you!" "Do you think I want to speak? I don't wish to be killed." He

begins to count: "One, two, three, four, and five." Cecino repeats:

"One, two, three, four, and five." "You will not keep quiet either; now

I will kill you!" and he killed him. "Now I am alone and can count by

myself and no one will repeat it." So he began again to count: "One,

two, three, four, and five." And Cecino: "One, two, three, four, and

five." Then the robber said: "There is some one hidden here; I had

better run away or he will kill me." So he ran away and left behind the

sack of money.

When Cecino perceived that there was no one there, he came out, put the

bag of money on his head, and started for home. When he drew near his

parents' house he cried: "Oh, mamma, come and meet me; I have brought

you a bag of money!"

When his mother heard him she went to meet him and took the money and

said: "Take care you don't drown yourself in these puddles of

rain-water." The mother went home, and turned back to look for Cecino,

but he was not to be seen. She told her husband what Cecino had done,

and they went and searched everywhere for him, and at last found him

drowned in a puddle.[4]

* * * * *

The next story is one that has always enjoyed great popularity over the

whole of Europe, and is a most interesting example of the diffusion of

nursery tales. It is also interesting from the attempt to show that it

is of comparatively late date, and has been borrowed from a people not

of European extraction.[5] The story belongs to the class of what may be

called "accumulative" stories, of which "The House that Jack built" is a

good example. It is a version of the story so well known in English of

the old woman who found a little crooked sixpence, and went to market

and bought a little pig. As she was coming home the pig would not go

over the stile. The old woman calls on a dog to bite pig, but the dog

will not. Then she calls in turn on a stick, fire, water, ox, butcher,

rope, rat, and cat. They all refuse to help her except the cat, which

promises help in exchange for a saucer of milk. "So away went the old

woman to the cow. But the cow said to her: 'If you will go to yonder

hay-stack and fetch me a handful of hay, I'll give you the milk.' So

away went the old woman to the hay-stack; and she brought the hay to the

cow. As soon as the cow had eaten the hay, she gave the old woman the

milk; and away she went with it in a saucer to the cat.

"As soon as the cat had lapped up the milk, the cat began to kill the

rat; the rat to gnaw the rope; the rope began to hang the butcher; the

butcher began to kill the ox; the ox began to drink the water; the water

began to quench the fire; the fire began to burn the stick; the stick

began to beat the dog; the dog began to bite the pig; the little pig in

a fright jumped over the stile, and so the old woman got home that

night."[6]

The Italian versions may be divided into two classes: first, where the

animals and inanimate objects are invoked to punish some human being;

second, where all the actors are animals. The first version of the first

class that we shall give is from Sicily, Pitre, No. 131, and is called:

LXXVIII. PITIDDA.

Once upon a time there was a mother who had a daughter named Pitidda.

She said to her: "Go sweep the house." "Give me some bread first." "I

cannot," she answered. When her mother saw that she would not sweep the

house, she called the wolf. "Wolf, go kill Pitidda, for Pitidda will not

sweep the house." "I can't," said the wolf. "Dog, go kill the wolf,"

said the mother, "for the wolf will not kill Pitidda, for Pitidda will

not sweep the house." "I can't," said the dog. "Stick, go kill the dog,

for the dog will not kill the wolf, for the wolf won't kill Pitidda, for

Pitidda won't sweep the house." "I can't," said the stick. "Fire, burn

stick, for stick won't kill dog, for dog won't kill wolf, for wolf won't

kill Pitidda, for Pitidda won't sweep the house." "I can't," said the

fire. "Water, quench fire, for fire won't burn stick, for stick won't

kill dog, for dog won't kill wolf, for wolf won't kill Pitidda, for

Pitidda won't sweep the house." "I can't." "Cow, go drink water, for

water won't quench fire, for fire won't burn stick, for stick won't kill

dog, for dog won't kill wolf, for wolf won't kill Pitidda, for Pitidda

won't sweep the house." "I can't," said the cow. "Rope, go choke cow,"

etc.

[Then the mother calls on the mouse to gnaw the rope, the cat to eat the

mouse, and the story ends.]

The cat runs and begins to eat the mouse, the mouse runs and begins to

gnaw the rope, the rope to choke the cow, the cow to drink the water,

the water to quench the fire, the fire to burn the stick, the stick to

kill the dog, the dog to kill the wolf, the wolf to kill Pitidda,

Pitidda to sweep the house, and her mother runs and gives her some

bread.[7]

* * * * *

The Italian story, it will be seen, has a moral. The animals, etc., are

invoked to punish a disobedient child. In the Neapolitan version a

mother sends her son to gather some fodder for the cattle. He does not

wish to go until he has had some macaroni that his mother has just

cooked. She promises to keep him some, and he departs. While he is gone

the mother eats up all the macaroni, except a small bit. When her son

returns, and sees how little is left for him, he begins to cry and

refuses to eat; and his mother calls on stick, fire, water, ox, rope,

mouse, and cat to make her son obey, and eat the macaroni.[8] The

disobedient son is also found in two Tuscan versions, one from Siena,

and one from Florence, which are almost identical.[9]

In the Venetian version, a naughty boy will not go to school, and his

mother invokes dog, stick, fire, water, ox, butcher, and soldier.[10]

The Sicilian story of "The Sexton's Nose" (Pitre, No. 135) will serve as

the connecting link between the two classes above mentioned. Properly

speaking, only the second part of it belongs here; but we will give a

brief analysis of the first also.

LXXIX. THE SEXTON'S NOSE.

A sexton, one day in sweeping the church, found a piece of money (it was

the fifth of a cent) and deliberated with himself as to what he would

buy with it. If he bought nuts or almonds, he was afraid of the mice; so

at last he bought some roasted peas, and ate all but the last pea. This

he took to a bakery near by, and asked the mistress to keep it for him;

she told him to leave it on a bench, and she would take care of it. When

she went to get it, she found that the cock had eaten it. The next day

the sexton came for the roast pea, and when he heard what had become of

it, he said they must either return the roast pea or give him the cock.

This they did, and the sexton, not having any place to keep it, took it

to a miller's wife, who promised to keep it for him. Now she had a pig,

which managed to kill the cock. The next day the sexton came for the

cock, and on finding it dead, demanded the pig, and the woman had to

give it to him. The pig he left with a friend of his, a pastry-cook,

whose daughter was to be married the next day. The woman was mean and

sly, and killed the pig for her daughter's wedding, meaning to tell the

sexton that the pig had run away. The sexton, however, when he heard it,

made a great fuss, and declared that she must give him back his pig or

her daughter. At last she had to give him her daughter, whom he put in a

bag and carried away. He took the bag to a woman who kept a shop, and

asked her to keep for him this bag, which he said contained bran. The

woman by chance kept chickens, and she thought she would take some of

the sexton's bran and feed them. When she opened the bag she found the

young girl, who told her how she came there. The woman took her out of

the sack, and put in her stead a dog. The next day the sexton came for

his bag, and putting it on his shoulder, started for the sea-shore,

intending to throw the young girl in the sea. When he reached the shore,

he opened the bag, and the furious dog flew out and bit his nose. The

sexton was in great agony, and cried out, while the blood ran down his

face in torrents: "Dog, dog, give me a hair to put in my nose, and heal

the bite."[N] The dog answered: "Do you want a hair? give me some

bread." The sexton ran to a bakery, and said to the baker: "Baker, give

me some bread to give the dog; the dog will give a hair; the hair I will

put in my nose, and cure the bite." The baker said: "Do you want bread?

give me some wood." The sexton ran to the woodman. "Woodman, give me

wood to give the baker; the baker will give me bread; the bread I will

give to the dog; the dog will give me a hair; the hair I will put in my

nose, and heal the bite." The woodman said: "Do you want wood? give me a

mattock." The sexton ran to a smith. "Smith, give me a mattock to give

the woodman; the woodman will give me wood; I will carry the wood to the

baker; the baker will give me bread; I will give the bread to the dog;

the dog will give me a hair; the hair I will put in my nose, and heal

the bite." The smith said: "Do you want a mattock? give me some coals."

The sexton ran to the collier. "Collier, give me some coals to give the

smith; the smith will give me a mattock; the mattock I will give the

woodman; the woodman will give me some wood; the wood I will give the

baker; the baker will give me bread; the bread I will give the dog; the

dog will give me a hair; the hair I will put in my nose, and heal the

bite." "Do you want coals? give me a cart." The sexton ran to the

wagon-maker. "Wagon-maker, give me a cart to give the collier; the

collier will give me some coals; the coals I will carry to the smith;

the smith will give me a mattock; the mattock I will give the woodman;

the woodman will give me some wood; the wood I will give the baker; the

baker will give me bread; the bread I will give to the dog; the dog will

give me a hair; the hair I will put in my nose, and heal the bite."

[Footnote N: As with us the hair of a dog is supposed to heal the bite

the same dog has inflicted.]

The wagon-maker, seeing the sexton's great lamentation, is moved to

compassion, and gives him the cart. The sexton, well pleased, takes the

cart and goes away to the collier; the collier gives him the coals; the

coals he takes to the smith; the smith gives him the mattock; the

mattock he takes to the woodman; the woodman gives him wood; the wood he

carries to the baker; the baker gives him bread; the bread he carries to

the dog; the dog gives him a hair; the hair he puts in his nose, and

heals the bite.[11]

* * * * *

The second class contains the versions in which all the actors are

animals or personified inanimate objects. The first example we shall

give is from Avellino in the Principato Ulteriore (Imbriani, p. 239),

and is called:

LXXX. THE COCK AND THE MOUSE.

Once upon a time there was a cock and a mouse. One day the mouse said to

the cock: "Friend Cock, shall we go and eat some nuts on yonder tree?"

"As you like." So they both went under the tree and the mouse climbed up

at once and began to eat. The poor cock began to fly, and flew and flew,

but could not come where the mouse was. When it saw that there was no

hope of getting there, it said: "Friend Mouse, do you know what I want

you to do? Throw me a nut." The mouse went and threw one and hit the

cock on the head. The poor cock, with its head broken and all covered

with blood, went away to an old woman. "Old aunt, give me some rags to

cure my head." "If you will give me two hairs, I will give you the

rags." The cock went away to a dog. "Dog, give me some hairs; the hairs

I will give the old woman; the old woman will give me rags to cure my

head." "If you will give me a little bread," said the dog, "I will give

you the hairs." The cock went away to a baker. "Baker, give me bread; I

will give the bread to the dog; the dog will give hairs; the hairs I

will carry to the old woman; the old woman will give me rags to cure my

head." The baker answered: "I will not give you bread unless you give me

some wood!" The cock went away to the forest. "Forest, give me some

wood; the wood I will carry to the baker; the baker will give me some

bread; the bread I will give to the dog; the dog will give me hairs; the

hairs I will carry to the old woman; the old woman will give me rags to

cure my head." The forest answered: "If you will bring me a little

water, I will give you some wood." The cock went away to a fountain.

"Fountain, give me water; water I will carry to the forest; forest will

give wood; wood I will carry to the baker; baker will give bread; bread

I will give dog; dog will give hairs; hairs I will give old woman; old

woman will give rags to cure my head." The fountain gave him water; the

water he carried to the forest; the forest gave him wood; the wood he

carried to the baker; the baker gave him bread; the bread he gave to the

dog; the dog gave him the hairs; the hairs he carried to the old woman;

the old woman gave him the rags; and the cock cured his head.[12]

* * * * *

There are other versions from Florence (_Nov. fior._ p. 551), Bologna

(Coronedi-Berti, X. p. 16), and Venice (Bernoni, Punt. III. p. 74),

which do not call for any detailed notice. In the Florentine version a

cock gives a peck at a mouse's head and the mouse cries out: "Where must

I go to be cured?" Then follow the various objects which are almost

identical with those in the other versions. The mouse, however, is

killed by the ox, to which he goes last. The Venetian version is the

most elaborate; in it the cock and mouse go nutting together, and while

the former flies up into the tree and throws the nuts down, the mouse

eats them all up. When the cock comes down he flies into a passion and

gives the mouse a peck at his head. The mouse runs off in terror, and

the rest of the story is as above until the end. The last person the

mouse calls on is a cooper, to make him a bucket to give to the well, to

get water, etc. The cooper asks for money, which the mouse finds after a

while. He gives the money to the cooper and says: "Take and count it;

meanwhile I am going to drink, for I am dying of thirst." As he is going

to drink he sees Friend Cock coming along. "Ah, poor me," says he to

himself, "I am a dead mouse!" The cock sees him and goes to meet him

and says: "Good day, friend, are you still afraid of me? Come, let us

make peace!" The mouse then takes heart and says: "Oh, yes, yes! let us

make peace!"

So they made peace, and Friend Mouse said to Friend Cock: "Now that you

are here you must do me the favor to hold me by the tail while I hang

over the ditch to drink, and when I say _slapo, slapo_, pull me back."

The cock said: "I will do as you wish."

Then the mouse went to the ditch and Friend Cock held him by the tail.

After the mouse had drunk his fill, he said: "Friend, _slapo, slapo_!"

The cock answered: "Friend, and I let you go by the tail!" And in truth

he did let go his tail, and the poor mouse went to the bottom and was

never seen or heard of more.[13]

The following story from Sicily (Pitre, No. 132) belongs also to a class

of tales very popular and having only animals for its actors. It is

called:

LXXXI. GODMOTHER FOX.[O]

Once upon a time there was Godmother Fox and Godmother Goat.[P] The

former had a little bit of a house adorned with little chairs, cups, and

dishes; in short, it was well furnished. One day Godmother Goat went out

and carried away the little house. Godmother Fox began to lament, when

along came a dog, barking, that said to her: "What are you crying

about?" She answered: "Godmother Goat has carried off my house!" "Be

quiet. I will make her give it back to you." So the dog went and said to

Godmother Goat: "Give the house back to Godmother Fox." The goat

answered: "I am Godmother Goat. I have a sword at my side, and with my

horns I will tear you in pieces." When the dog heard that, he went away.

[Footnote O: _Cummari Vurpidda_ (diminutive of Fox).]

[Footnote P: _Cummari Crapazza_ (diminutive of Goat).]

Then a sheep passed by and said to the little fox: "What are you crying

about?" and she told her the same thing. Then the sheep went to

Godmother Goat and began to reprove her. The goat made the same answer

she had made the dog, and the sheep went away in fright.

In short, all sorts of animals went to the goat, with the same result.

Among others the mouse went and said to the little fox: "What are you

crying about?" "Godmother Goat has carried off my house." "Be still. I

will make her give it back to you." So the mouse went and said to

Godmother Goat: "Give Godmother Fox her house back right away." The goat

answered: "I am Godmother Goat. I have a sword at my side, and with my

fist and with my horns I will smash you!" The mouse answered at once: "I

am Godfather Mouse. By my side I have a spit. I will heat it in the fire

and stick it in your tail."

* * * * *

The inference of course is that Godmother Goat gave back the house. The

story does not say so, but ends with the usual formula:

Story told, story written,

Tell me yours, for mine is said.

Pitre (No. 133) gives another version in which a goat gets under a nun's

bed and she calls on her neighbors, a dog, pig, and cricket, to put the

goat out. The cricket alone succeeds, with a threat similar to that in

the last story.

In the Neapolitan version (Imbriani, _Dodici Conti Pomiglianesi_, p.

273) an old woman, in sweeping the church, found a piece of money and,

like the sexton in the story of "The Sexton's Nose," did not know what

to buy with it. At last she bought some flour and made a hasty-pudding

of it. She left it on the table and went again to church, but forgot to

close the window. While she was gone a herd of goats came along, and one

smelled the pudding, climbed in at the window, and ate it up. When the

old woman came back and tried to open the door, she could not, for the

goat was behind it. Then she began to weep and various animals came

along and tried to enter the house. The goat answered them all: "I am

the goat, with three horns on my head and three in my belly, and if you

don't run away I will eat you up." The mouse at last replied: "I am

Godfather Mouse, with the halter, and if you don't run away, I will tear

your eyes out." The goat ran away and the old woman went in with

Godfather Mouse, whom she married, and they both lived there together.

The Florentine version (_Nov. fior._ p. 556) is called "The Iron Goat."

In it a widow goes out to wash and leaves her son at home, with orders

not to leave the door open so that the Iron Goat, with the iron mouth

and the sword tongue, can enter. The boy after a time wanted to go after

his mother, and when he had gone half way he remembered that he had left

the door open and went back. When he was going to enter he saw there the

Iron Goat. "Who is there?" "It is I; I am the Iron Goat, with the iron

mouth and the sword tongue. If you enter I will slice you like a

turnip." The poor boy sat down on the steps and wept. A little old woman

passed by and asked the cause of his tears; he told her and she said she

would send the goat away for three bushels of grain. The old woman

tried, with the usual result, and finally said to the boy: "Listen, my

child. I don't care for those three bushels of grain; but I really

cannot send the goat away." Then an old man tried his luck, with no

better success. At last a little bird came by and promised for three

bushels of millet to drive the goat away. When the goat made its usual

declaration, the little bird replied: "And I with my beak will peck your

brains out." The goat was frightened and ran away, and the boy had to

pay the little bird three bushels of millet.[14]

The next story affords, like "Pitidda," a curious example of the

diffusion of nursery tales.

Our readers will remember the Grimm story of "The Spider and the Flea."

A spider and a flea dwelt together in one house and brewed their beer in

an egg-shell. One day, when the spider was stirring it up, she fell in

and scalded herself. Thereupon the flea began to scream. And then the

door asked: "Why are you screaming, flea?" "Because Little Spider has

scalded herself in the beer-tub," replied she. Thereupon the door began

to creak as if it were in pain, and a broom, which stood in the corner,

asked: "What are you creaking for, door?"

"May I not creak?" it replied.

"The little spider scalded herself,

And the flea weeps."

So a broom sweeps, a little cart runs, ashes burn furiously, a tree

shakes off its leaves, a maiden breaks her pitcher, and a streamlet

begins to flow until it swallows up the little girl, the little tree,

the ashes, the cart, the broom, the door, the flea, and, last of all,

the spider, all together.[15]

The first Italian version of this story which we shall mention is from

Sicily (Pitre, No. 134), and is called:

LXXXII. THE CAT AND THE MOUSE.

Once upon a time there was a cat that wanted to get married. So she

stood on a corner, and every one who passed by said: "Little Cat, what's

the matter?" "What's the matter? I want to marry." A dog passed by and

said: "Do you want me?" "When I see how you can sing." The dog said:

"Bow, wow!" "Fy! What horrid singing! I don't want you." A pig passed.

"Do you want me, Little Cat?" "When I see how you sing." "Uh! uh!" "Fy!

You are horrid! Go away! I don't want you." A calf passed and said:

"Little Cat, will you take me?" "When I see how you sing." "Uhm!" "Go

away, for you are horrid! What do you want of me?" A mouse passed by:

"Little Cat, what are you doing?" "I am going to get married." "Will you

take me?" "And how can you sing?" "Ziu, ziu!" The cat accepted him, and

said: "Let us go and be married, for you please me." So they were

married.

One day the cat went to buy some pastry, and left the mouse at home.

"Don't stir out, for I am going to buy some pastry." The mouse went into

the kitchen, saw the pot on the fire, and crept into it, for he wanted

to eat the beans. But he did not; for the pot began to boil, and the

mouse stayed there. The cat came back and began to cry; but the mouse

did not appear. So the cat put the pastry in the pot for dinner. When it

was ready the cat ate, and put some on a plate for the mouse, also. When

she took out the pastry she saw the mouse stuck fast in it. "Ah! my

little mouse! ah! my little mouse!" so she went and sat behind the door,

lamenting the mouse.

"What is the matter," said the door, "that you are scratching yourself

so and tearing out your hair?"

The cat said: "What is the matter? My mouse is dead, and so I tear my

hair."

The door answered: "And I, as door, will slam."

In the door was a window, which said: "What's the matter, door, that you

are slamming?"

"The mouse died, the cat is tearing her hair, and I am slamming."

The window answered: "And I, as window, will open and shut."

In the window was a tree, that said: "Window, why do you open and shut?"

The window answered: "The mouse died, the cat tears her hair, the door

slams, and I open and shut." The tree answered and said: "And I, as

tree, will throw myself down."

A bird happened to alight in this tree, and said: "Tree, why did you

throw yourself down?" The tree replied: "The mouse died, the cat tears

her hair, the door slams, the window opens and shuts, and I, as tree,

threw myself down." "And I, as bird, will pull out my feathers." The

bird went and alighted on a fountain, which said: "Bird, why are you

plucking out your feathers so?" The bird answered as the others had

done, and the fountain said: "And I, as fountain, will dry up." A cuckoo

went to drink at the fountain, and asked: "Fountain, why have you dried

up?" And the fountain told him all that had happened. "And I, as cuckoo,

will put my tail in the fire." A monk of St. Nicholas passed by, and

said: "Cuckoo, why is your tail in the fire?" When the monk heard the

answer he said: "And I, as monk of St. Nicholas, will go and say mass

without my robes." Then came the queen, who, when she heard what the

matter was, said: "And I, as queen, will go and sift the meal." At last

the king came by, and asked: "O Queen! why are you sifting the meal?"

When the queen had told him everything, he said: "And I, as king, am

going to take my coffee."

* * * * *

And thus the story abruptly ends. In one of Pitre's variants a sausage

takes the place of the mouse; in another, a tortoise.

In the version from Pomigliano d'Arco (Imbriani, p. 244), an old woman,

who finds a coin in sweeping a church, hesitates in regard to what she

will spend it for, as in the stories above mentioned. She finally

concludes to buy some paint for her face. After she has put it on, she

stations herself at the window. A donkey passes, and asks what she

wants. She answers that she wishes to marry. "Will you take me?" asks

the donkey. "Let me hear what kind of a voice you have." "_Ingo! Ingo!

Ingo!_" "Away! away! you would frighten me in the night!" Then a goat

comes along, with the same result. Then follows a cat, and all the

animals in the world; but none pleases the old woman. At last a little

mouse passes by, and says: "Old Aunt, what are you doing there?" "I want

to marry." "Will you take me?" "Let me hear your voice." "_Zivuzi!

zivuzi! zivuzi! zivuzi!_" "Come up, for you please me." So the mouse

went up to the old woman, and stayed with her. One day the old woman

went to mass, and left the pot near the fire and told the mouse to be

careful not to fall in it. When she came home she could not find the

mouse anywhere. At last she went to take the soup from the pot, and

there she found the mouse dead. She began to lament, and the ashes on

the hearth began to scatter, and the window asked what was the matter.

The ashes answered: "Ah! you know nothing. Friend Mouse is in the pot;

the old woman is weeping, weeping; and I, the ashes, have wished to

scatter." Then the window opens and shuts, the stairs fall down, the

bird plucks out its feathers, the laurel shakes off its leaves, the

servant girl who goes to the well breaks her pitcher, the mistress who

was making bread throws the flour over the balcony, and finally the

master comes home, and after he hears the story, exclaims: "And I, who

am master, will break the bones of both of you!" And therewith he takes

a stick and gives the servant and her mistress a sound beating.[16]

There is a curious class of versions of the above story, in which the

principal actors are a mouse and a sausage, reminding one of the Grimm

story of "The Little Mouse, the Little Bird, and the Sausage." In the

Venetian version (Bernoni, Punt. III. p. 81), the beginning is as

follows: Once upon a time there was a mouse and a sausage, and one day

the mouse said to the sausage: "I am going to mass; meanwhile get ready

the dinner." "Yes, yes," answered the sausage. Then the mouse went to

mass, and when he returned he found everything ready. The next day the

sausage went to mass and the mouse prepared the dinner. He put on the

pot, threw in the rice, and then went to taste if it was well salted.

But he fell in and died. The sausage returned home, knocked at the

door,--for there was no bell,--and no one answered. She called: "Mouse!

mouse!" But he does not answer. Then the sausage went to a smith and had

the door broken in, and called again: "Mouse, where are you?" And the

mouse did not answer. "Now I will pour out the rice, and meanwhile he

will come." So she went and poured out the rice, and found the mouse

dead in the pot. "Ah! poor mouse! Oh! my mouse! What shall I do now? Oh!

poor me!" And she began to utter a loud lamentation. Then the table

began to go around the room, the sideboard to throw down the plates, the

door to lock and unlock itself, the fountain to dry up, the mistress to

drag herself along the ground, and the master threw himself from the

balcony and broke his neck. "And all this arose from the death of this

mouse."

The version from the Marches (Gianandrea, p. 11) resembles the above

very closely; the conclusion is as follows: "The mouse, the master of

this castle, is dead; the sausage weeps, the broom sweeps, the door

opens and shuts, the cart runs, the tree throws off its leaves, the bird

plucks out its feathers, the servant breaks her pitcher," etc.

The version from Milan (_Nov. fior._ p. 552) resembles the one from

Venice. Instead of the mouse and the sausage we have the big mouse and

the little mouse. In the version from Leghorn (Papanti, p. 19) called

"Vezzino and Lady Sausage,"[Q] the actors are Lady Sausage and her son

Vezzino, who falls into the pot on the fire while his mother is at mass.

The rest of the story does not differ materially from the above

versions.

[Footnote Q: _Vezzino e Madonna Salciccia. Vezzino_ is the dim. of

_vezzo_, delight, pastime.]

In the Grimm story of the "Golden Goose," the goose has the power of

causing anything that touches it to stick fast. This same idea is

reproduced in several Italian stories. The best is from Venice (Bernoni,

_Fiabe_, p. 21) and is called:

LXXXIII. A FEAST DAY.

Once upon a time there was a husband and wife; the husband was a

boatman. One feast day the boatman took it into his head to buy a fowl,

which he carried home and said: "See here, wife, to-day is a feast day;

I want a good dinner; cook it well, for my friend Tony is coming to dine

with us and has said that he would bring a tart." "Very well," she said,

"I will prepare the fowl at once." So she cleaned it, washed it, put it

on the fire, and said: "While it is boiling I will go and hear a mass."

She shut the kitchen door and left the dog and the cat inside. Scarcely

had she closed the door when the dog went to the hearth and perceived

that there was a good odor there and said: "Oh, what a good smell!" He

called the cat, also, and said: "Cat, you come here, too; smell what a

good odor there is! see if you can push off the cover with your paws."

The cat went and scratched and scratched and down went the cover.

"Now," said the dog, "see if you can catch it with your claws." Then the

cat seized the fowl and dragged it to the middle of the kitchen. The dog

said: "Shall we eat half of it?" The cat said: "Let us eat it all." So

they ate it all and stuffed themselves like pigs. When they had eaten it

they said: "Alas for us! What shall we do when the mistress comes home?

She will surely beat us both." So they both ran all over the house, here

and there, but could find no place in which to hide. They were going to

hide under the bed. "No," they said, "for she will see us." They were

going under the sofa; but that would not do, for she would see them

there. Finally the cat looked up and saw under the beams a cobweb. He

gave a leap and jumped into it. The dog looked at him and said: "Run

away! you are mad! you can be seen, for your tail sticks out! come down,

come down!" "I cannot, I cannot, for I am stuck fast!" "Wait, I will

come and pull you out." He gave a spring to catch him by the tail and

pull him down. Instead of that he, too, stuck fast to the cat's tail. He

made every effort to loosen himself, but he could not and there he had

to stay.

Meanwhile the mistress does not wait until the priest finishes the mass,

but runs quickly home. She runs and opens the door and is going to skim

the pot, when she discovers that the fowl is no longer there, and in the

middle of the kitchen she sees the bones all gnawed. "Ah, poor me! the

cat and the dog have eaten the fowl. Now I will give them both a

beating." So she takes a stick and then goes to find them. She looks

here, she looks there, but does not find them anywhere. In despair she

comes back to the kitchen, but does not find them there. "Where the

deuce have they hidden?" Just then she raises her eyes and sees them

both stuck fast under the beams. "Ah, are you there? now just wait!" and

she climbs on a table and is going to pull them down, when she sticks

fast to the dog's tail. She tries to free herself, but cannot.

Her husband knocked at the door. "Here, open!" "I cannot, I am fast."

"Loosen yourself and open the door! where the deuce are you fastened?"

"I cannot, I tell you." "Open! it is noon." "I cannot, for I am fast."

"But where are you fast?" "To the dog's tail." "I will give you the

dog's tail, you silly woman!" He gave the door two or three kicks, broke

it in, went into the kitchen, and saw cat, dog, and mistress all fast.

"Ah, you are all fast, are you? just wait, I will loosen you." He went

to loosen them, but stuck fast himself. Friend Tony comes and knocks.

"Friend? Open! I have the tart here." "I cannot; my friend, I am fast!"

"Bad luck to you! Are you fast at this time? You knew I was coming and

got fast? Come, loosen yourself and open the door!" He said again: "I

cannot come and open, for I am fast." Finally the friend became angry,

kicked in the door, went into the kitchen, and saw all those souls stuck

fast and laughed heartily. "Just wait, for I will loosen you now." So he

gave a great pull, the cat's tail was loosened, the cat fell into the

dog's mouth, the dog into his mistress' mouth, the mistress into her

husband's, her husband into his friend's, and his friend into the mouth

of the blockheads who are listening to me.[17]

* * * * *

The following nonsense story from Venice (Bernoni, Punt. I. p. 18) will

give a good idea of a class that is not very well represented in Italy.

It is called:

LXXXIV. THE THREE BROTHERS.

Once upon a time there were three brothers: two had no clothes and one

no shirt. The weather was very bad and they make up their minds to go

shooting. So they took down three guns,--two were broken and one had no

barrel,--and walked and walked until they came at last to a meadow,

where they saw a hare. They began to fire at it, but could not catch it.

"What shall we do?" said one of them. They remembered that near by a

godmother of theirs lived; so they went and knocked at her door and

asked her to lend them a pot to cook the hare they had not caught. The

godmother was not at home, but nevertheless she answered: "My children,

go in the kitchen and there you will find three pots, two broken and one

with no bottom; take whichever you wish." "Thanks, Godmother!" They went

into the kitchen and chose the one without a bottom and put the hare in

it to cook. While the hare was cooking, one said: "Let us ask our

godmother whether she has anything in her garden." So they asked her and

she said: "Yes, yes, my children, I have three walnut-trees; two are

dead and one has never borne any nuts; knock off as many as you wish."

One went and shook the tree that had never borne nuts, and a little nut

fell on his hat and broke his heel. Thereupon they picked up the nuts

and went to get the hare, which meanwhile was cooked, and said: "What

shall we do with so much stuff?" So they went to a village where there

were many ill, and they put up a notice in the street that whoever

wished might, at such and such a place, get broth given him in charity.

Every one went to get some, and they took it in the salad-basket, and it

was given to them with a skimmer. One who did not belong to the village,

drank so much of this broth that he was at the point of death. Then they

sent for three physicians: one was blind, one deaf, and one dumb. The

blind man went in and said: "Let me look at your tongue." The deaf man

asked: "How are you?" The dumb said: "Give me some paper, pen and ink."

They gave them to him and he said:

"Go to the apothecary,

For he knows the business;

Buy two cents' worth of I know not what,

Put it wherever you wish.

He will get well I know not when,

I will leave and commend him to you."[18]

One of the most popular of Italian tales, as the collector tells us, is

one of which we give the version from Leghorn (Papanti, p. 25). It is

called:

LXXXV. BUCHETTINO.

Once upon a time there was a child whose name was Buchettino. One

morning his mamma called him and said: "Buchettino, will you do me a

favor? Go and sweep the stairs." Buchettino, who was very obedient, did

not wait to be told a second time, but went at once to sweep the stairs.

All at once he heard a noise, and after looking all around, he found a

penny. Then he said to himself: "What shall I do with this penny? I have

half a mind to buy some dates... but no! for I should have to throw away

the stones. I will buy some apples... no! I will not, for I should have

to throw away the core. I will buy some nuts... but no, for I should

have to throw away the shells! What shall I buy, then? I will buy--I

will buy--enough; I will buy a pennyworth of figs." No sooner said than

done: he bought a pennyworth of figs, and went to eat them in a tree.

While he was eating, the ogre passed by, and seeing Buchettino eating

figs in the tree, said:

"Buchettino,

My dear Buchettino,

Give me a little fig

With your dear little hand,

If not I will eat you!"

Buchettino threw him one, but it fell in the dirt. Then the ogre

repeated:

"Buchettino,

My dear Buchettino,

Give me a little fig

With your dear little hand,

If not I will eat you!"

Then Buchettino threw him another, which also fell in the dirt. The ogre

said again:

"Buchettino,

My dear Buchettino,

Give me a little fig

With your dear little hand,

If not I will eat you!"

Poor Buchettino, who did not see the trick, and did not know that the

ogre was doing everything to get him into his net and eat him up, what

does he do? he leans down and foolishly gives him a fig with his little

hand. The ogre, who wanted nothing better, suddenly seized him by the

arm and put him in his bag; then he took him on his back and started for

home, crying with all his lungs:

"Wife, my wife,

Put the kettle on the fire,

For I have caught Buchettino!

Wife, my wife,

Put the kettle on the fire,

For I have caught Buchettino!"

When the ogre was near his house he put the bag on the ground, and went

off to attend to something else. Buchettino, with a knife that he had in

his pocket, cut the bag open in a trice, filled it with large stones,

and then:

"My legs, it is no shame

To run away when there is need."

When the rascal of an ogre returned he picked up the bag, and scarcely

had he arrived home when he said to his wife: "Tell me, my wife, have

you put the kettle on the fire?" She answered at once: "Yes." "Then,"

said the ogre, "we will cook Buchettino; come here, help me!" And both

taking the bag, they carried it to the hearth and were going to throw

poor Buchettino into the kettle, but instead they found only the stones.

Imagine how cheated the ogre was. He was so angry that he bit his hands.

He could not swallow the trick played on him by Buchettino and swore to

find him again and be revenged. So the next day he began to go all about

the city and to look into all the hiding places. At last he happened to

raise his eyes and saw Buchettino on a roof, ridiculing him and laughing

so hard that his mouth extended from ear to ear. The ogre thought he

should burst with rage, but he pretended not to see it and in a very

sweet tone he said: "O Buchettino; just tell me, how did you manage to

climb up there?" Buchettino answered: "Do you really want to know? Then

listen. I put dishes upon dishes, glasses upon glasses, pans upon pans,

kettles upon kettles; afterwards I climbed up on them and here I am."

"Ah! is that so?" said the ogre; "wait a bit!" And quickly he took so

many dishes, so many glasses, pans, kettles, and made a great mountain

of them; then he began to climb up, to go and catch Buchettino. But when

he was on the top--_brututum_--everything fell down; and that rascal of

an ogre fell down on the stones and was cheated again.

Then Buchettino, well pleased, ran to his mamma, who put a piece of

candy in his little mouth--See whether there is any more![19]

* * * * *

We will end this chapter with two stories in which the chief actors are

animals. One of these stories will doubtless be very familiar to our

readers. The first is from Venice (Bernoni, Punt. III. p. 65).

LXXXVI. THE THREE GOSLINGS.

Once upon a time there were three goslings who were greatly afraid of

the wolf; for if he found them he would eat them. One day the largest

said to the other two: "Do you know what I think? I think we had better

build a little house, so that the wolf shall not eat us, and meanwhile

let us go and look for something to build the house with." Then the

other two said: "Yes, yes, yes... good! let us go!" So they went and

found a man who had a load of straw and said to him: "Good man, do us

the favor to give us a little of that straw to make a house of, so that

the wolf shall not eat us." The man said: "Take it, take it!" and he

gave them as much as they wanted. The goslings thanked the man and took

the straw and went away to a meadow, and there they built a lovely

little house, with a door, and balconies, and kitchen, with everything,

in short. When it was finished the largest gosling said: "Now I want to

see whether one is comfortable in this house." So she went in and said:

"Oh! how comfortable it is in this house! just wait!" She went and

locked the door with a padlock, and went out on the balcony and said to

the other two goslings: "I am very comfortable alone here; go away, for

I want nothing to do with you."

The two poor little goslings began to cry and beg their sister to open

the door and let them in; if she did not, the wolf would eat them. But

she would not listen to them. Then the two goslings went away and found

a man who had a load of hay. They said to him: "Good man, do us the

kindness to give us a little of that hay to build a house with, so that

the wolf shall not eat us!" "Yes, yes, yes, take some, take some!" And

he gave them as much as they wanted. The goslings, well pleased, thanked

the man and carried the hay to a meadow and built a very pretty little

house, prettier than the other. The middle-sized gosling said to the

smallest: "Listen. I am going now to see whether one is comfortable in

this house; but I will not act like our sister, you know!" She entered

the house and said to herself: "Oh! how comfortable it is here! I don't

want my sister! I am very comfortable here alone." So she went and

fastened the door with a padlock, and went out on the balcony and said

to her sister: "Oh! how comfortable it is in this house! I don't want

you here! go away, go away!" The poor gosling began to weep and beg her

sister to open to her, for she was alone, and did not know where to go,

and if the wolf found her he would eat her; but it did no good: she shut

the balcony and stayed in the house.

Then the gosling, full of fear, went away and found a man who had a load

of iron and stones and said to him: "Good man, do me the favor to give

me a few of those stones and a little of that iron to build me a house

with, so that the wolf shall not eat me!" The man pitied the gosling so

much that he said: "Yes, yes, good gosling, or rather I will build your

house for you." Then they went away to a meadow, and the man built a

very pretty house, with a garden and everything necessary, and very

strong, for it was lined with iron, and the balcony and door of iron

also. The gosling, well pleased, thanked the man and went into the house

and remained there.

Now let us go to the wolf.

The wolf looked everywhere for these goslings, but could not find them.

After a time he learned that they had built three houses. "Good, good!"

he said; "wait until I find you!" Then he started out and journeyed and

journeyed until he came to the meadow where the first house was. He

knocked at the door and the gosling said: "Who is knocking at the door?"

"Come, come," said the wolf; "open, for it is I." The gosling said: "I

will not open for you, because you will eat me." "Open, open! I will not

eat you, be not afraid. Very well," said the wolf, "if you will not open

the door I will blow down your house." And indeed he did blow down the

house and ate up the gosling. "Now that I have eaten one," he said, "I

will eat the others too." Then he went away and came at last to the

house of the second gosling, and everything happened as to the first,

the wolf blew down the house and ate the gosling. Then he went in search

of the third and when he found her he knocked at the door, but she would

not let him in. Then he tried to blow the house down, but could not;

then he climbed on the roof and tried to trample the house down, but in

vain. "Very well," he said to himself, "in one way or another I will eat

you." Then he came down from the roof and said to the gosling: "Listen,

gosling. Do you wish us to make peace? I don't want to quarrel with you

who are so good, and I have thought that to-morrow we will cook some

macaroni and I will bring the butter and cheese and you will furnish the

flour." "Very good," said the gosling, "bring them then." The wolf, well

satisfied, saluted the gosling and went away. The next day the gosling

got up early and went and bought the meal and then returned home and

shut the house. A little later the wolf came and knocked at the door and

said: "Come, gosling, open the door, for I have brought you the butter

and cheese!" "Very well, give it to me here by the balcony." "No indeed,

open the door!" "I will open when all is ready." Then the wolf gave her

the things by the balcony and went away. While he was gone the gosling

prepared the macaroni, and put it on the fire to cook in a kettle full

of water. When it was two o'clock the wolf came and said: "Come,

gosling, open the door." "No, I will not open, for when I am busy I

don't want any one in the way; when it is cooked, I will open and you

may come in and eat it." A little while after, the gosling said to the

wolf: "Would you like to try a bit of macaroni to see whether it is well

cooked?" "Open the door! that is the better way." "No, no; don't think

you are coming in; put your mouth to the hole in the shelf and I will

pour the macaroni down." The wolf, all greedy as he was, put his mouth

to the hole and then the gosling took the kettle of boiling water and

poured the boiling water instead of the macaroni through the hole into

the wolf's mouth; and the wolf was scalded and killed. Then the gosling

took a knife and cut open the wolf's stomach, and out jumped the other

goslings, who were still alive, for the wolf was so greedy that he had

swallowed them whole. Then these goslings begged their sister's pardon

for the mean way in which they had treated her, and she, because she was

kind-hearted, forgave them and took them into her house, and there they

ate their macaroni and lived together happy and contented.[20]

* * * * *

A curious variant of the above story is found in the same collection (p.

69) under the title:

LXXXVII. THE COCK.

Once upon a time there was a cock, and this cock flew here and flew

there, and flew on an arbor, and there he found a letter. He opened the

letter and saw: "Cock, steward,"----and that he was invited to Rome by

the Pope.

The cock started on his journey, and after a time met the hen: "Where

are you going, Friend Cock?" said the hen. "I flew," said he, "upon an

arbor and found a letter, and this letter said that I was invited to

Rome by the Pope." "Just see, friend," said the hen, "whether I am there

too." "Wait a bit." Then he turned the letter, and saw written there:

"Cock, steward; Hen, stewardess." "Come, friend, for you are there too."

"Very well!"

Then the two started off, and soon met the goose, who said: "Where are

you going, Friend Cock and Friend Hen?" "I flew," said the cock, "upon

an arbor, and I found a letter, and this letter said that we were

invited to Rome by the Pope." "Just look, friend, whether I am there

too." Then the cock opened the letter, read it, and saw that there was

written: "Cock, steward; Hen, stewardess; Goose, abbess." "Come, come,

friend; you are there too." So they took her along, and all three went

their way.

[After a time they found the duck, and the cock saw written in the

letter: "Cock, steward; Hen, stewardess; Goose, abbess; Duck, countess."

They next met a little bird, and found he was down in the letter as

"little man-servant." Finally they came across the wood-louse, whom they

found mentioned in the letter as "maid-servant." On their journey they

came to a forest, and saw a wolf at a distance. The cock, hen, goose,

and duck plucked out their feathers and built houses to shelter

themselves from the wolf. The poor bug, that had no feathers, dug a hole

in the ground and crept into it. The wolf came, and as in the last

story, blew down the four houses and devoured their occupants. Then he

tried to get at the bug in the same way; but blew so hard that he burst,

and out came the cock, hen, goose, and duck, safe and sound, and began

to make a great noise. The bug heard it and came out of her hole, and

after they had rejoiced together, they separated and each returned home

and thought no more of going to Rome to the Pope.]

* * * * *

There is a version from the Marches (Gianandrea, p. 21), called, "The

Marriage of Thirteen." The animals are the same as in the last story. On

their journey they meet the wolf, who accompanies them, although his

name is not in the letter. After a time the wolf becomes hungry, and

exclaims: "I am hungry." The cock answers: "I have nothing to give you."

"Very well; then I will eat you;" and he swallows him whole. And so he

devours one after the other, until the bird only remains. The bird flies

from tree to tree and bush to bush, and around the wolf's head, until he

drives him wild with anger. At last along comes a woman with a basket on

her head, carrying food to the reapers. The bird says to the wolf that

if he will spare his life he will get him something to eat from the

basket. The wolf promises, and the bird alights near the woman, who

tries to catch him; the bird flies on a little way, and the woman puts

down her basket and runs after him. Meanwhile the wolf draws near the

basket and begins eating its contents. When the woman sees that, she

cries: "Help!" and the reapers run up with sticks and scythes, and kill

the wolf, and the animals that he had devoured all came out of his

stomach, safe and sound.[21]

There are two Sicilian versions of the story of "The Cock." One (Pitre,

No. 279), "The Wolf and the Finch," opens like the Venetian. The animals

are: Cock, king; Hen, queen; Viper, chambermaid; Wolf, Pope; and Finch,

keeper of the castle. The wolf then proceeds to confess the others, and

eats them in turn until he comes to the finch, which plays a joke on him

and flies away. The conclusion of the story is disfigured, nothing being

said of the wolf's punishment or the recovery of the other animals.

The other Sicilian version is in Gonzenbach (No. 66). We give it,

however, for completeness and because it recalls a familiar story in

Grimm.[22] It is entitled:

LXXXVIII. THE COCK THAT WISHED TO BECOME POPE.

It occurred once to the cock to go to Rome and have himself elected

Pope. So he started out, and on the way found a letter, which he took

with him. The hen met him, and asked: "Mr. Cock, where are you going?"

"I am going to Rome, to be Pope." "Will you take me with you?" she

asked. "First I must look in my letter," said the cock, and looked at

his letter. "Come along; if I become Pope, you can be the Popess." So

Mr. Cock and Mrs. Hen continued their journey and met a cat, who said:

"Mr. Cock and Mrs. Hen, where are you going?" "We are going to Rome, and

wish to be Pope and Popess." "Will you take me with you?" "Wait until I

look in my letter," said the cock, and glanced at it. "Very well; come

along; you can be our lady's-maid." After a while they met a weasel, who

asked: "Where are you going, Mr. Cock, Mrs. Hen, and Mrs. Cat?" "We are

going to Rome, where I intend to become Pope," answered the cock. "Will

you take me with you?" "Wait until I look in my letter," said he. When

the cock looked in his letter, he said: "Very well; come along."

So the three animals continued their journey together towards Rome. At

night-fall they came to a little house where lived an old witch, who had

just gone out. So each animal chose a place to suit him. The weasel sat

himself in the cupboard, the cat on the hearth in the warm ashes, and

the cock and the hen flew up on the beam over the door.

When the old witch came home she wanted to get a light out of the

cupboard, and the weasel struck her in the face with his tail. Then she

wanted to light the candle, and went to the hearth. She took the bright

eyes of the cat for live coals and tried to light the match by them, and

hit the cat in the eyes. The cat jumped in her face and scratched her

frightfully. When the cock heard all the noise he began to crow loudly.

Then the witch saw that they were no ghosts, but harmless domestic

animals, and took a stick and drove all four out of the house.

The cat and the weasel had no longer any desire to prolong their

journey; but the cock and hen continued their way.

When they reached Rome they entered an open church, and the cock said

to the sexton: "Have all the bells rung, for now I will be Pope."

"Good!" answered the sexton; "that may be, but just come in here." Then

he led the cock and the hen into the sacristry, shut the door, and

caught them both. After he had caught them he twisted their necks and

put them in the pot. Then he invited his friends, and they ate with

great glee Mr. Cock and Mrs. Hen.

Italian Popular Tales · 第 6 / 9 章