FAIRY TALES CONTINUED.
The fairy tales given in the last chapter belong to what may be called
the great fairy tale cycles; that is, to extensive classes that are
typical forms. It remains to notice in this chapter those stories which
do not belong to any of these typical classes, but constitute, so to
speak, independent forms.
The reader has perhaps noticed in the fairy tales of the first chapter
the conspicuous absence of the fairies to which we are accustomed in
German or Celtic stories. We have met ogres and magicians with magic
powers, old men and women, and hermits who have aided the hero and
heroine, and played the role of the "good fairy," but the fairy in the
bright shape in which we see her in French and Irish stories, for
example, has been wanting. It will not be amiss, then, to give a few
stories in which the fairies play a more important part. We shall first
mention a curious story in which the fairies are represented in one of
their most usual roles--that of bestowing good gifts. The story is from
Sicily (Gonz. No. 73), and is entitled:
XXV. THE KING WHO WANTED A BEAUTIFUL WIFE.
There was once a king who wanted to marry. But his wife must be more
beautiful than the sun, and no matter how many maidens he saw, none was
beautiful enough to suit him. Then he called his trusty servant, and
commanded him to seek everywhere and see whether he could find a
beautiful girl. The servant set out, and wandered through the whole
land, but found none who seemed handsome enough to him. One day,
however, after he had run about a great deal and was very thirsty, he
came to a little house. He knocked and asked for a drink of water. Now
there dwelt in the house two very old women,--one eighty and the other
ninety years old,--who supported themselves by spinning. When the
servant asked for water, the one eighty years old rose, opened a little
wicket in the shutter, and handed him out the water. From spinning so
much, her hands were very white and delicate; and when the servant saw
them he thought, "It must be a handsome maiden, for she has such a
delicate white hand." So he hastened to the king, and said: "Your royal
Majesty, I have found what you seek; so and so has happened to me."
"Very well," answered the king, "go once more and try to see her."
The servant returned to the little house, knocked, and asked again for
some water. The old woman did not open the window, but handed him the
pitcher through the little opening in the shutter. "Do you live here all
alone?" asked the servant. "No," she answered. "I live here with my
sister; we are poor girls and support ourselves by the work of our
hands." "How old are you, then?" "I am fifteen and my sister twenty."
The servant went back to the king and told him all, and the king said:
"I will take the one who is fifteen. Go and bring her to me." When the
servant returned to the two old women, and told them that the king
wished to elevate the younger to the position of his wife, she answered:
"Tell the king I am ready to do his will. Since my birth no ray of the
sun has ever struck me, and if a ray of the sun or a beam of light
should strike me now, I would become perfectly black. Ask the king,
therefore, to send a closed carriage for me at night, and I will come to
his palace."
When the king heard this he sent royal apparel and a closed carriage,
and at night the old woman covered her face with a thick veil and rode
to the palace. The king received her joyfully, and begged her to lay
aside the veil. She replied: "There are too many lighted candles here;
their light would make me black." So the king married her without
having seen her face. When they came into the king's chamber, however,
and she removed her veil, the king saw for the first time what an ugly
old woman he had married, and in his rage he opened the window and threw
her out. Fortunately there was a nail in the wall, on which she caught
by her clothes, and remained hanging between heaven and earth. Four
fairies chanced to pass by, and when they saw the old woman hanging
there, one of them cried: "See, sisters, there is the old woman who
cheated the king; shall we wish her dress to tear and let her fall?"
"Oh, no! let us not do that," cried the youngest and most beautiful of
the fairies. "Let us rather wish her something good. I wish her youth."
"And I, beauty." "And I, prudence." "And I, a good heart." Thus the
fairies cried, and while they were yet speaking the old woman became a
wondrous fair maiden.
The next morning, when the king looked out of the window and saw the
beautiful girl hanging there, he was terrified, and thought: "Unhappy
man! What have I done! Had I no eyes last night?" Then he had her
carefully taken down with long ladders, and begged her pardon, saying:
"Now we will have a great festival and be right happy." So they
celebrated a splendid feast, and the young queen was the fairest in the
whole city.
But one day the sister ninety years old came to the palace to visit the
queen, her sister. "Who is this ugly creature?" asked the king. "An old
neighbor of mine who is half-witted," replied the queen, quickly. The
old woman kept looking at her rejuvenated sister, and asked: "What did
you do to become so young and lovely? I, too, would like to be young and
pretty again." She kept asking this the whole day, until the queen
finally lost her patience, and said: "I had my old skin taken off, and
this new, smooth skin came to light." The old woman went to a barber and
said: "I will give you what you will to remove my old skin, so that I
may become young and handsome again." "But good old woman, you will
surely die if I skin you." The old woman would not listen to him, and at
last he had to do her will. He took his knife and made a cut in her
forehead. "Oh!" cried the old woman.
"Who will look fair
Must grief and pain bear,"
answered the barber. "Then skin away, master," said the old woman. The
barber kept cutting on, until all at once the old woman fell down
dead.[1]
* * * * *
This story leads quite naturally to the class in which gifts, good and
bad, are bestowed by the fairies on two persons, one of whom is
deserving of good fortune; the other, of punishment or reproof. The
simplest form of this story is found in a Milanese tale (_Nov. fior._ p.
190).
XXVI. THE BUCKET.
There was once a mother who had two daughters: one was bad and the other
was very good. But the mother loved the bad one more than the good one.
She said one day to the bad one: "Go and draw a bucket of water." The
bad one did not want to go, and so she would not obey her mother. The
good daughter, however, said: "I will go and draw it." She went to draw
the water, and the bucket fell down the well. She said: "If I go home
now without the bucket, who knows what my mother will do to me?" So she
climbed down the well, and at the bottom found a narrow passage, with a
door. She knocked at the door. "Have you not found a cord and bucket?"
There was a saint there, who answered: "No, my child." She continued her
way and found another door. "Have you not found a cord and bucket?"
"No!" That was the devil there. He answered her angrily because she was
a good girl; he did not say: "My child." She knocked at another door.
"Have you not found a cord and bucket?" It was the Madonna who replied:
"Yes, my child. Listen. You could do me a pleasure to stay here while I
am away. I have my little son here, to whom you will give his soup; you
will sweep and put the house in order. When I come home I will give you
your bucket." The Madonna went away, and the good girl put the house in
order, gave the child his broth, swept the house; and while she was
sweeping, instead of finding dirt, she found coral and other beautiful
things. She saw that it was not dirt, and put it aside to give the
Madonna when she returned. When the Madonna came back, she asked: "Have
you done all I told you to do?" The good girl answered: "Yes, but I have
kept these things here; I found them on the ground; it is not dirt."
"Very well; keep them for yourself. Would you like a dress of calico, or
one of silk?" The girl answered: "No, no! a calico dress." Instead of
that, the Madonna gave her the silk one. "Do you wish a brass thimble,
or a silver one?" "Give me the brass one." "No, take the silver thimble.
Here is the bucket and your cord. When you reach the end of this
passage, look up in the air." The girl did so, and a beautiful star fell
on her brow.
She went home, and her mother ran to meet her to scold her for being
away so long; and was about to strike her, when she saw the star on her
brow, which shone so that it was beautiful to see, and said: "Where have
you been until now? Who put that thing on your forehead?" The girl
answered: "I don't know what there is there." Her mother tried to wash
it away, but instead of disappearing, it shone more beautiful than ever.
Then the girl told what had happened to her, and the other sister wished
to go there, too. She went, and did the same as her sister. She let the
bucket fall, climbed down, and knocked at the saint's door. "Have you
not found a cord and bucket?" "No, my child." She knocked at the next
door. "Have you not found a cord and bucket?" The devil answered: "No, I
have not found them; but come here, my child, come here." But when she
heard that he had not found her bucket, she said: "No, I will go on."
She knocked at the Madonna's door. "Have you not found a cord and
bucket?" The Madonna said that she had. "I am going away: you will give
my son his broth, and then you will sweep. When I return I will give you
your bucket." Instead of giving the broth to the child, the bad girl
ate it herself. "Oh!" she said, "how good it was!" She swept and found a
great deal of dirt. "Oh, poor me! My sister found so many pretty
things!" The Madonna returned. "Have you done what I told you?" "Yes."
"Do you wish the brass or silver thimble?" "Oh! I want the silver one!"
She gave her the brass one. "Do you want the calico dress or the silk
one?" "Give me the silk dress." She gave her the calico dress. "Here is
your bucket and cord. When you are out of here, look up into the air."
When she was out she looked up into the air and there fell on her
forehead a lump of dirt that soiled her whole face. She went home in a
rage to weep and scold her sister because she had had the star, while
she had that dirt on her face. Her mother began to wash her face and rub
it; and the more she did so the less the dirt went away. Then the mother
said: "I understand; the Madonna has done this to show me that I loved
the bad girl and neglected the good one."[2]
* * * * *
In other versions (mentioned in the note to the above story) the two
sisters receive different gifts from the fairies. In a Sicilian tale
(Pitre, No. 62) it is the children of unlike sisters who receive the
gifts: the one, beauty. When she combs her hair jewels fall from it;
when she washes the water becomes full of fishes; when she opens her
mouth flowers fall out; her cheeks are like apples; and finally she can
finish her work in a short time. The cousin receives, of course, gifts
the very reverse of the above. The story ends with the trait of "True
Bride," mentioned at length in Chapter I.
There is still a third version of the above story, which is popular in
many lands. The following example is from Florence (_Nov. fior._ p.
559), and is entitled:
XXVII. THE TWO HUMPBACKS.
There were once two companions who were humpbacks, but one more so than
the other. They were both so poor that they had not a penny to their
names. One of them said: "I will go out into the world, for here there
is nothing to eat; we are dying of hunger. I want to see whether I can
make my fortune." "Go," said the other. "If you make your fortune,
return, and I will go and see if I can make mine." So the humpback set
off on his journey. Now these two humpbacks were from Parma. When the
humpback had gone a long way, he came to a square where there was a
fair, at which everything was sold. There was a person selling cheese,
who cried out: "Eat the little Parmesan!" The poor humpback thought he
meant him, so he ran away and hid himself in a court-yard. When it was
one o'clock, he heard a clanking of chains and the words "Saturday and
Sunday" repeated several times. Then he answered: "And Monday." "Oh,
heavens!" said they who were singing. "Who is this who has harmonized
with our choir?" They searched and found the poor humpback hidden. "O
gentlemen!" he said, "I have not come here to do any harm, you know!"
"Well! we have come to reward you; you have harmonized our choir; come
with us!" They put him on a table and removed his hump, healed him, and
gave him two bags of money. "Now," they said, "you can go." He thanked
them and went away without his hump. He liked it better, you can
believe! He returned to his place at Parma, and when the other humpback
saw him he exclaimed: "Does not that look just like my friend? But he
had a hump! It is not he! Listen! You are not my friend so and so, are
you?" "Yes, I am," he replied. "Listen! Were you not a humpback?" "Yes.
They have removed my hump and given me two bags of money. I will tell
you why. I reached," he continued, "such and such a place, and I heard
them beginning to say, '_Eat the little Parmesan! eat the little
Parmesan!_' I was so frightened that I hid myself." (He mentioned the
place--in a court-yard.) "At a certain hour, I heard a noise of chains
and a chorus singing: '_Saturday and Sunday._' After two or three times,
I said: '_And Monday._' They came and found me, saying that I had
harmonized their chorus, and they wanted to reward me. They took me,
removed my hump, and gave me two bags of money." "Oh, heavens!" said the
other humpback. "I want to go there, too!" "Go, poor fellow, go!
farewell!" The humpback reached the place, and hid himself precisely
where his companion had. After a while he heard a noise of chains, and
the chorus: "Saturday and Sunday!" Then another chorus: "And Monday!"
After the humpback had heard them repeat: "Saturday and Sunday, and
Monday!" several times, he added: "And Tuesday!" "Where," they
exclaimed, "is he who has spoiled our chorus? If we find him, we will
tear him in pieces." Just think! they struck and beat this poor humpback
until they were tired; then they put him on the same table on which they
had placed his companion, and said: "Take that hump and put it on him in
front." So they took the other's hump and fastened it to his breast, and
then drove him away with blows. He went home and found his friend, who
cried: "Mercy! is not that my friend? but it cannot be, for this one is
humpbacked in front. Listen," he said, "are you not my friend?" "The
same," he answered, weeping. "I did not want to bear my own hump, and
now I have to carry mine and yours! and so beaten and reduced, you see!"
"Come," said his friend, "come home with me, and we will eat a mouthful
together; and don't be disheartened." And so, every day, he dined with
his friend, and afterward they died, I imagine.[3]
* * * * *
There are a number of Sicilian stories in which one's fate is
personified and appears in the role of a guardian angel, or good and bad
fairy. In the same way fortune is personified in several stories. The
best example of the former class, which has also a point of contact with
the latter, is found in Gonzenbach, No. 21, and is entitled:
XXVIII. THE STORY OF CATHERINE AND HER FATE.
There was once a merchant who was very rich and had greater treasures
than the king. In his reception room stood three wonderfully beautiful
seats. One was of silver, the second of gold, and the third of diamonds.
This merchant had an only daughter, whose name was Catherine, and who
was fairer than the sun.
One day as Catherine was sitting in her chamber, the door suddenly
opened of itself, and there entered a tall, beautiful lady, who held in
her hand a wheel. "Catherine," said she, "when would you rather enjoy
your life, in youth or in old age?" Catherine gazed at her in amazement,
and could make no answer. The beautiful lady again asked: "Catherine,
when would you rather enjoy your life, in youth or in old age?" Then
thought Catherine: "If I say in youth, I must suffer for it in old age;
wherefore I will rather enjoy my life in old age, and in youth God's
will be done." So she answered: "In old age." "Be it as you have
wished," said the beautiful woman, turned her wheel once, and
disappeared. Now this beautiful tall lady was poor Catherine's Fate.
A few days later, her father suddenly received news that some of his
ships had been wrecked in a storm; a few days after, he learned that
several more of his ships had foundered; and to cut the matter short,
scarcely a month had passed when he was himself deprived of all his
riches. He had to sell all that he had, and this, too, he lost, until at
last he remained poor and wretched. From grief he fell ill and died.
So poor Catherine remained all alone in the world, without a penny, and
with no one to give her shelter. She thought: "I will go to another city
and seek me a place there." So she set out and walked until she came to
another city. As she was going through the streets a noble lady happened
to be standing by the window, and asked her: "Where are you going, all
alone, pretty maiden?" "Ah! noble lady, I am a poor girl, and would like
to find a place to earn my bread. Can you not find use for me?" So the
noble lady received her, and Catherine served her faithfully.
Some days later the lady said one evening: "Catherine, I must go out for
a time, and will lock the house door." "Very well," said Catherine, and
after her mistress had gone she took her work and sat down and sewed.
Suddenly the door opened, and her Fate entered. "So?" she cried, "are
you here, Catherine? and do you think now that I am going to leave you
in peace?" With these words, her Fate ran to all the cupboards, dragged
out the linen and clothes of Catherine's mistress, and tore everything
into a thousand pieces. Catherine thought: "Woe is me if my mistress
returns and finds everything in this condition; she will certainly kill
me!" And in her anguish she opened the door and fled. Her Fate, however,
gathered up all the torn and ruined things, made them whole, and laid
them away in their places. When the mistress returned she called
Catherine, but Catherine was nowhere to be seen. "Can she have robbed
me?" she thought; but when she looked about, nothing was gone. She was
very much astonished, but Catherine did not return, but hastened on
until she came to another city. As she was passing through the streets,
another lady, standing by the window, asked her: "Where are you going,
all alone, pretty maiden?" "Ah! noble lady, I am a poor girl, and would
like a place to earn my bread. Can you not make use of me?" Then the
lady took her in, and Catherine served her and thought now she could
rest in peace. It lasted, however, but a few days. One evening, when her
mistress was out, her Fate appeared again and addressed her harshly:
"So, here you are now? Do you think you can escape me?" Then the Fate
tore and destroyed everything that it found, so that poor Catherine
again fled, in her anguish of heart. To cut the matter short, poor
Catherine led this frightful life seven years, flying from one city to
another, and everywhere attempting to find a place. Her Fate always
appeared after a few days, and tore and destroyed her employers' things,
so that the poor girl had to flee. As soon as she had left the house
the Fate restored everything and put it in its place.
Finally, after seven years, her Fate seemed weary of always persecuting
the unfortunate Catherine. One day Catherine came again to a city and
saw a lady standing at a window, who asked her: "Where are you going,
all alone, pretty girl?" "Ah! noble lady, I am a poor girl, and would
like to find a place to earn my bread. Can you not find use for me?" The
lady answered: "I will give you a place willingly, but you must perform
daily a service, and I do not know whether you have strength for it."
"Tell me what it is," said Catherine, "and if I can, I will do it." "Do
you see yonder high mountain?" asked the lady. "Every morning you must
carry up there a large board covered with fresh bread, and cry with a
loud voice: 'O my mistress' Fate! O my mistress' Fate! O my mistress'
Fate!' thrice. Then my Fate will appear and receive the bread." "I will
do that willingly," said Catherine, and the lady took her into her
service.
Now Catherine remained years with this lady, and every morning she took
a board with fresh bread and carried it up the mountain, and when she
had called three times: "O my mistress' Fate!" there appeared a
beautiful tall lady, who received the bread. Catherine often wept when
she thought that she, who had once been so rich, must now serve like a
poor maid. One day her mistress said to her: "Catherine, why do you weep
so much?" Then Catherine told her how ill it had fared with her, and her
mistress said: "I will tell you what, Catherine, when you take the bread
to the mountain to-morrow, ask my Fate to try and persuade your Fate to
leave you now in peace. Perhaps that will do some good." This advice
pleased poor Catherine, and the next morning, after she had taken the
bread to her mistress' Fate, she disclosed her trouble to her, and said:
"O my mistress' Fate, beg my Fate to persecute me no longer." Then the
Fate answered: "Ah, poor girl, your Fate is just now covered with seven
coverlets, so that she cannot hear you; but when you come to-morrow I
will take you to her." After Catherine had returned home, her mistress'
Fate went to the young girl's Fate and said: "Dear sister, why are you
never weary of making poor Catherine suffer? Permit her again to see
some happy days." The Fate answered: "Bring her to me to-morrow and I
will give her something that will help her out of all her trouble." When
Catherine brought the bread the next morning, her mistress' Fate
conducted her to her own Fate, who was covered with seven coverlets. Her
Fate gave her a small skein of silk, and said: "Preserve it carefully;
it will be of use to you." Then Catherine went home and said to her
mistress: "My Fate has given me a little skein of silk; what shall I do
with it? It is not worth three _grani_." "Well," said her mistress,
"preserve it; who knows of what use it may be?"
Now it happened, some time after this, that the young king was to marry,
and on that account had royal garments made for himself. As the tailor
was about to sew a beautiful dress, there was no silk of the same color
to be found. So the king proclaimed throughout the whole land that
whoever had such silk should bring it to the court and would be well
rewarded. "Catherine," said her mistress, "your skein is of that color;
take it to the king so that he may make you a handsome present." Then
Catherine put on her best clothes, and went to the Court; and when she
appeared before the king, she was so beautiful that he could not keep
his eyes from her. "Royal Majesty," said she, "I have brought you a
little skein of silk, of the color that could not be found." "I will
tell you what, royal Majesty," cried one of his ministers, "we will pay
the maiden for the silk with its weight in gold." The king was satisfied
and they brought a balance; in one scale the king laid the silk, in the
other, a gold coin. Now just imagine what happened: no matter how many
gold coins the king laid in the scale, the silk was always heavier. Then
the king had a larger balance brought, and threw all his treasures into
the scale, but the silk still weighed the more. Then the king at last
took his crown from his head and placed it with all the other
treasures, and behold! the scale with gold sank and weighed exactly as
much as the silk. "Where did you get this silk?" asked the king. "Royal
Majesty, it was a present from my mistress," answered Catherine. "No,
that is impossible," cried the king. "If you do not tell me the truth, I
will have your head cut off." Then Catherine related all that had
happened to her since she was a rich maiden.
Now there lived at the court a wise lady, who said: "Catherine, you have
suffered much, but you will now see happy days; and that it was not
until the golden crown was put in the scale that the balance was even,
is a sign that you will be a queen." "If she is to be a queen," cried
the king, "I will make her one, for Catherine and none other shall be my
wife." And so it was; the king informed his betrothed that he no longer
wished her, and married the fair Catherine. And after Catherine in her
youth had suffered so much, she enjoyed nothing but happiness in her old
age, and was happy and contented.[4]
* * * * *
In the class of stories of which "The Bucket" is an example, we have
seen the good sister rewarded, and the naughty one punished. Another
well-known moral story is the one in which a king's daughter is punished
for her pride, in refusing to marry a suitable lover, by being made to
marry the first one who asks her hand. This is the case in the Grimm
story "King Thrush-Beard," or rather the king gives his proud daughter
to the first beggar who comes to the palace gate. The same occurs in one
of the Italian versions of this story, but usually the haughty princess,
after refusing a noble suitor, either falls in love with the same
suitor, who has disguised himself as a person of ignoble rank, or she
sells herself to the disguised lover for some finery with which he
tempts her. At all events, her pride is thoroughly humbled. An example
of the more common version is found in Coronedi-Berti's Bolognese tales
(No. 15), and is as follows:
XXIX. THE CRUMB IN THE BEARD.
There was once a king who had a daughter whose name was Stella. She was
indescribably beautiful, but was so whimsical and hard to please that
she drove her father to despair. There had been princes and kings who
had sought her in marriage, but she had found defects in them all and
would have none of them. She kept advancing in years, and her father
began to despair of knowing to whom he should leave his crown. So he
summoned his council, and discussed the matter, and was advised to give
a great banquet, to which he should invite all the princes and kings of
the surrounding countries, for, as they said, there cannot fail to be
among so many, some one who should please the princess, who was to hide
behind a door, so that she could examine them all as she pleased. When
the king heard this advice, he gave the orders necessary for the
banquet, and then called his daughter, and said: "Listen, my little
Stella, I have thought to do so and so, to see if I can find any one to
please you; behold, my daughter, my hair is white, and I must have some
one to leave my crown to." Stella bowed her head, saying that she would
take care to please him. Princes and kings then began to arrive at the
court, and when it was time for the banquet, they all seated themselves
at the table. You can imagine what sort of a banquet that was, and how
the hall was adorned: gold and silver shone from all their necks; in the
four corners of the room were four fountains, which continually sent
forth wine and the most exquisite perfumes. While the gentlemen were
eating, Stella was behind a door, as has been said, and one of her
maids, who was near by, pointed out to her now this one, now that one.
"See, your Majesty, what a handsome youth that is there." "Yes, but he
has too large a nose." "And the one near your father?" "He has eyes that
look like saucers." "And that other at the head of the table?" "He has
too large a mouth; he looks as if he liked to eat." In short, she found
fault with all but one, who, she said, pleased her, but that he must be
a very dirty fellow, for he had a crumb on his beard after eating. The
youth heard her say this, and swore vengeance. You must know that he was
the son of the king of Green Hill, and the handsomest youth that could
be seen. When the banquet was finished and the guests had departed, the
king called Stella and asked: "What news have you, my child?" She
replied, that the only one who pleased her was the one with the crumb in
his beard, but that she believed him to be a dirty fellow and did not
want him. "Take care, my daughter, you will repent it," answered her
father, and turned away.
You must know that Stella's chamber looked into a court-yard into which
opened the shop of a baker. One night, while she was preparing to
retire, she heard, in the room where they sifted the meal, some one
singing so well and with so much grace that it went to her heart. She
ran to the window and listened until he finished. Then she began to ask
her maid who the person with the beautiful voice could be, saying she
would like to know. "Leave it to me, your Majesty," said the maid; "I
will inform you to-morrow." Stella could not wait for the next day; and,
indeed, early the next day she learned that the one who sang was the
sifter. That evening she heard him sing again, and stood by the window
until everything became quiet. But that voice had so touched her heart
that she told her maid that the next day she would try and see who had
that fine voice. In the morning she placed herself by the window, and
soon saw the youth come forth. She was enchanted by his beauty as soon
as she saw him, and fell desperately in love with him.
Now you must know that this was none other than the prince who was at
the banquet, and whom Stella had called "dirty." So he had disguised
himself in such a way that she could not recognize him, and was
meanwhile preparing his revenge. After he had seen her once or twice he
began to take off his hat and salute her. She smiled at him, and
appeared at the window every moment. Then they began to exchange words,
and in the evening he sang under her window. In short, they began to
make love in good earnest, and when he learned that she was free, he
began to talk about marrying her. She consented at once, but asked him
what he had to live on. "I haven't a penny," said he; "the little I earn
is hardly enough to feed me." Stella encouraged him, saying that she
would give him all the money and things he wanted. To punish Stella for
her pride, her father and the prince's father had an understanding, and
pretended not to know about this love affair, and let her carry away
from the palace all she owned. During the day Stella did nothing but
make a great bundle of clothes, of silver, and of money, and at night
the disguised prince came under the balcony, and she threw it down to
him. Things went on in this manner some time, and finally one evening he
said to her: "Listen. The time has come to elope." Stella could not wait
for the hour, and the next night she quietly tied a cord about her and
let herself down from the window. The prince aided her to the ground,
and then took her arm and hastened away. He led her a long ways to
another city, where he turned down a street and opened the first door he
met. They went down a long passage; finally they reached a little door,
which he opened, and they found themselves in a hole of a place which
had only one window, high up. The furniture consisted of a straw bed, a
bench, and a dirty table. You can imagine that when Stella saw herself
in this place she thought she should die. When the prince saw her so
amazed, he said: "What is the matter? Does the house not please you? Do
you not know that I am a poor man? Have you been deceived?" "What have
you done with all the things I gave you?" "Oh, I had many debts, and I
have paid them, and then I have done with the rest what seemed good to
me. You must make up your mind to work and gain your bread as I have
done. You must know that I am a porter of the king of this city, and I
often go and work at the palace. To-morrow, they have told me, the
washing is to be done, so you must rise early and go with me there. I
will set you to work with the other women, and when it is time for them
to go home to dinner, you will say that you are not hungry, and while
you are alone, steal two shirts, conceal them under your skirt, and
carry them home to me." Poor Stella wept bitterly, saying it was
impossible for her to do that; but her husband replied: "Do what I say,
or I shall beat you." The next morning her husband rose with the dawn,
and made her get up, too. He had bought her a striped skirt and a pair
of coarse shoes, which he made her put on, and then took her to the
palace with him, conducted her to the laundry and left her, after he had
introduced her as his wife, saying that she should remember what awaited
her at home. Then the prince ran and dressed himself like a king, and
waited at the gate of the palace until it was time for his wife to come.
Meanwhile poor Stella did as her husband had commanded, and stole the
shirts. As she was leaving the palace, she met the king, who said:
"Pretty girl, you are our porter's wife, are you not?" Then he asked her
what she had under her skirt, and shook her until the shirts dropped
out, and the king cried: "See there! the porter's wife is a thief; she
has stolen some shirts." Poor Stella ran home in tears, and her husband
followed her when he had put on his disguise again. When he reached home
Stella told him all that had happened and begged him not to send her to
the palace again; but he told her that the next day they were to bake,
and she must go into the kitchen and help, and steal a piece of dough.
Everything happened as on the previous day. Stella's theft was
discovered, and when her husband returned he found her crying like a
condemned soul, and swearing that she had rather be killed than go to
the palace again. He told her, however, that the king's son was to be
married the next day, and that there was to be a great banquet, and she
must go into the kitchen and wash the dishes. He added that when she had
the chance she must steal a pot of broth and hide it about her so that
no one should see it. She had to do as she was told, and had scarcely
concealed the pot when the king's son came into the kitchen and told his
wife she must come to the ball that had followed the banquet. She did
not wish to go, but he took her by the arm and led her into the midst of
the festival. Imagine how the poor woman felt at that ball, dressed as
she was, and with the pot of broth! The king began to poke his sword at
her in jest, until he hit the pot, and all the broth ran on the floor.
Then all began to jeer her and laugh, until poor Stella fainted away
from shame, and they had to go and get some vinegar to revive her. At
last the king's mother came forward and said: "Enough; you have revenged
yourself sufficiently." Then turning to Stella: "Know that this is your
mother, and that he has done this to correct your pride and to be
avenged on you for calling him dirty." Then she took her by the arm and
led her to another room, where her maids dressed her as a queen. Her
father and mother then appeared and kissed and embraced her. Her husband
begged her pardon for what he had done, and they made peace and always
lived in harmony. From that day on she was never haughty, and had
learned to her cost that pride is the greatest fault.[5]
* * * * *
A curious feature in Italian stories is the part played by dolls or
puppets. They sometimes serve to represent an absent mistress, or to
take her place and receive the brunt of the husband's anger. The most
peculiar of these doll-stories are found in the south of Italy; the one
that follows is from Naples (_Nov. fior._ p. 333) and is entitled:
XXX. THE FAIRY ORLANDA.
There was once a merchant who had no children. He was obliged to go away
for merchandise. His wife said to him: "Here is a ring; put it on your
finger. You must bring me a doll as large as I am; one that can move,
sew, and dress herself. If you forget, this ring will turn red, and your
steamer will go neither forward nor backward." And so it happened. He
forgot the doll, embarked on the steamer, and it would not move. The
pilot said: "Sir, have you forgotten anything?" to all the gentlemen
who were there. "No, sir; nothing." At the end of the steamer was this
merchant. "Sir, have you forgotten anything; for the steamer cannot
move?" He looked at his hand and replied: "Yes, I have forgotten
something--my wife's doll." He landed, got the doll, reembarked, and the
steamer continued its way. On his arrival at Naples, he carried the doll
to his wife, well dressed and elegant; it seemed like a very handsome
young girl. His wife, well pleased, talked to the doll, and they both
worked near the balcony. Opposite lived a king's son, who fell in love
with the doll, and became ill from his passion. The queen, who saw that
her son was ill, asked: "My son, what is the matter with you? Tell your
mamma. To-day or to-morrow we die, and you reign; and if you take an
illness and die, who will reign?" He answered: "Mamma, I have taken this
illness because there is a young girl, the daughter of the merchant who
lives opposite, who is so beautiful that she has enamored me." The queen
said: "Yes, my son, I shall marry you to her. Were she the daughter of a
scavenger, you shall marry her." "You would do a good thing. Now let us
send for the merchant." They sent a servant to the merchant's house.
"Her Majesty wishes you at the palace!" "What does she want?" "She must
speak with you." The merchant went to the palace, and asked: "Majesty,
what do you wish?" "Have you a daughter?" "No, Majesty." "What do you
mean? My son has fallen ill from the love he has conceived for your
daughter." "Your Majesty, I tell you it is a doll, and not a human
being." "I don't want to hear nonsense! If you don't present your
daughter to me in a fortnight, your head will fall under the
guillotine." (Do you not know what the guillotine is? It is the gallows.
He was to be hung if he did not take her his daughter within a
fortnight.) The merchant went home, weeping. His wife said: "What is the
matter; what has the king said to you at the palace, to make you weep?"
"Can you not guess what has happened to me? The king's son has fallen
ill for the sake of the doll you have!" "He has fallen ill? did he not
see that it was a doll?" "He would not believe it, and says it is my
daughter, and that if I do not bring her to him within a fortnight, my
head will fall under the guillotine." "Well," said his wife, "take the
doll, and carry her out into the country, and see what will happen." He
did so, and while he was going along, all confused, he met an old man
who asked him: "Merchant, what are you doing?" "Ah, my old man, why
should I tell you?" "I know all." Then said the merchant: "Since you
know all, find some remedy for my life." The old man said: "Exactly. Go
to such and such a place, where there is a fairy, who is called the
fairy Orlanda. She has a palace with no doorkeeper, and no stairway.
Here is a violin and a silk ladder. When you reach this palace, begin to
play. The fairy and all her twelve maidens will appear at the window.
This fairy Orlanda can give you help."
The merchant continued his journey, and found the palace without a
doorkeeper, and with no stairway. He began to play the violin, and the
fairy and all her twelve damsels appeared and said: "What do you want
that you call us?" "Ah! fairy Orlanda, help me!" "What help do you
want?" "I have this doll, and the king's son has fallen in love with it,
and is ill. What shall I do? If I do not present her to him in a
fortnight my head will be cut off." The fairy Orlanda said: "Put this
ladder to the wall. Give me the doll. Wait two hours and I will give her
back to you again." He waited two hours and then the fairy appeared:
"Here is your daughter. She will speak to all, to the king, to the
queen, but not to the prince. Farewell." The fairy Orlanda disappeared
within, and the merchant departed with his daughter. He took her home to
his wife. The doll said: "Mamma, how do you do?" "I am very well, my
daughter. Where have you been?" "I have been into the country with papa,
and now I have returned." In a fortnight the merchant dressed her
elegantly and carried her to the palace. As soon as the king saw her he
said to the queen: "My son was right; she is a beautiful girl!" She went
into the gallery and spoke with the king and queen, but did not speak
to the prince. The mortified prince thought: "She speaks to papa, she
speaks to mamma, but not to me! What does it mean? Perhaps she does not
speak to me from embarrassment." They were married, but even then she
did not speak to him. So the prince was obliged to separate from her,
and they lived in two rooms apart. The prince, meanwhile, courted
another princess. One morning, while he was breakfasting with his
sweetheart, his wife called a servant: "Come here; is the prince at
table?" "Yes, Highness." "Wait!" She cut off her two hands and put them
in the oven, and there came out a roast, with ten sausages. "Carry these
to the prince." "Prince, the princess sends you this." He asked: "How
was it made?" The servant replied: "Prince, she cut off her two hands
and put them in the oven. She amazed me." "Enough," said the prince,
"let us eat them." His sweetheart said: "I can do it, too." So she cut
off her hands and put them in the oven; but they were burned and she
died. "Oh, what have you done to me! you have killed one for me!" said
the prince. After a time he made love to another. The first time he sat
at table with her, the princess called another servant: "Servant, where
are you going?" "I am going, Majesty, to the prince's table." "Wait!"
She cut off her arms, and put them in the oven, and there came out a
roast, with two blood-puddings. She said: "Carry it to the prince, at
table." "Prince!" "Go away, I don't want to hear any nonsense." "But
listen; let me tell you!" "Well, tell away." So the servant told how the
princess had cut off her arms (which had grown out again) and put them
in the oven, and the roast and puddings had come out. The second
sweetheart tried to do the same and died. After a while the prince fell
in love with another, and the same thing was repeated. The princess cut
off her legs and put them in the oven, and a large roast came out, with
two larded hams. The third sweetheart tried to do the same, and died
like the others. Then the prince said: "Ah! she has done it to three for
me! Unhappy me! I will not make love to any more."
During the night when the princess had gone to bed, the lamp said:
"Lady, I want to drink." "Oil-cruet, give the lamp a drink." "Lady, it
has hurt me." "Oil-cruet, why did you hurt the lamp? How beautiful is
the fairy Orlanda! How beautiful is the fairy Orlanda! How beautiful is
the fairy Orlanda!" So she did all night until day. All these things
were enchanted: the lamp and the oil-cruet. The prince, who heard it,
said one day to a servant: "This evening you must enter the princess'
room. You must spend the night under her bed. You must see what she does
in the night." The servant did so, and the same thing was repeated with
the lamp and the oil-cruet. The servant told the prince, who said:
"To-night, I will go." At night he crept under his wife's bed. The same
thing was repeated. The lamp said: "Lady, I want to drink!" "Oil-cruet,
give the lamp a drink." "Lady, it has hurt me." "Oil-cruet, why have you
hurt the lamp? How beautiful is the fairy Orlanda!" The whole night she
repeated: "How beautiful is the fairy Orlanda!" The prince responded:
"Blessed be the fairy Orlanda!" "Ah!" said the princess, "did it need so
much to say a word?" Then they embraced and kissed each other, and
remained contented and happy.[6]
* * * * *
We now pass to an amusing class of stories, in which the hero comes in
possession of enchanted objects and loses them, finally regaining them
in various ways. There are three versions of this class. In the first,
the hero loses the objects by the cunning of a woman, and regains them
by means of two kinds of fruits, one of which produces some bodily
defect and the other cures it. In the second, the episode of the fruits
is wanting, and the owner regains his property either by preventing the
princess from cheating him at play or by making her fall in love with
him. In the third, a person (usually a landlord) substitutes worthless
objects for two enchanted ones, which are recovered by means of a third
magic object (usually a stick), which beats until the stolen property is
restored.[7] To illustrate the first version, we will give a Sicilian
story from Gonzenbach (No. 31), which is entitled:
XXXI. THE SHEPHERD WHO MADE THE KING'S DAUGHTER LAUGH.
There was once a king and a queen who had an only daughter, whom they
loved very dearly. When she was fifteen years old she became suddenly
very sad and would not laugh any more. So the king issued a proclamation
that whoever made his daughter laugh, whether he were a prince, peasant,
or beggar, should become her husband. Many made the attempt, but none
succeeded. Now there was a poor woman who had an only son, who was idle
and would not learn any trade; so finally his mother sent him to a
farmer to keep his sheep. One day, as he was driving the sheep over the
fields, he came to a well, and bent over it to drink. As he did so he
saw a handsome ring on the wheel, and as it pleased him, he put it on
the ring finger of his right hand. He had scarcely put it on, however,
when he began to sneeze violently, and could not stop until he had
accidentally removed the ring. Then his sneezing ceased as suddenly as
it had begun. "Oh!" thought he, "if the ring has this virtue, I had
better try my fortune with it, and see whether it will not make the
king's daughter laugh." So he put the ring on his left hand, and no
longer had to sneeze. Then he drove the sheep home, took leave of his
master, and set out toward the city where the king lived. He was
obliged, however, to pass through a dense forest which was so extensive
that it grew dark before he left it. He thought: "If the robbers find me
here they will take away my ring, and then I should be a ruined man. I
would rather climb a tree and spend the night there." So he climbed a
tree, tied himself fast with his belt, and soon fell asleep. Before
long, thirteen robbers came and sat down under the tree, and talked so
loud that the shepherd awoke. The captain of the robbers said: "Let each
relate what he has accomplished to-day;" and each exhibited what he had
taken. The thirteenth, however, pulled out a tablecloth, a purse, and a
whistle, and said: "I have gained to-day the greatest treasures, for
these three things I have taken from a monk, and each of them has a
particular virtue. If any one spreads out the tablecloth and says: 'My
little tablecloth, give me macaroni, or roast meat,' or whatever one
will, he will find everything there immediately. Likewise the purse will
give all the money one wants; and whoever hears the whistle must dance
whether he will or no." The robbers at once put the power of the
tablecloth to the test, and then went to sleep, the captain laying the
precious articles near himself. When they were all snoring hard the
shepherd descended, took the three articles, and crept away.
The next day he came to the city where the king lived, and went straight
to the palace. "Announce me to the king," said he to the servants; "I
will try to make the king's daughter laugh." The servants tried to
dissuade him, but he insisted on being led before the king, who took him
into a large room, in which was the king's daughter, sitting on a
splendid throne and surrounded by the whole court. "If I am to make the
princess laugh," said the shepherd to the king, "you must first do me
the kindness to put this ring on the ring-finger of your right hand."
The king had scarcely done so when he began to sneeze violently, and
could not stop, but ran up and down the room, sneezing all the time. The
entire court began to laugh, and the king's daughter could not stay
sober, but had to run away laughing. Then the shepherd went up to the
king, took off the ring, and said: "Your Majesty, I have made the
princess laugh; to me belongs the reward." "What! you worthless
shepherd!" cried the king. "You have not only made me the laughing-stock
of the whole court, but now you want my daughter for your wife! Quick!
take the ring from him, and throw him into prison."
While there the wonderful tablecloth provides him and his companions
with plenty to eat, and when it is discovered and taken from him by the
king's orders, the purse enables them all to live in comfort. That is
also discovered, and nothing is left but the whistle. "Well!" thought
the shepherd, "if we can't eat any more, we will at least dance;" and he
pulled out his pipe and began to play on it, and all the prisoners began
to dance, and the guards with them, and between them all they made a
great noise. When the king heard it he came running there with his
servants, and had to dance like all the rest, but found breath enough to
order the pipe to be taken away from the shepherd, and all became quiet
again.
So now the shepherd had nothing left, and remained in prison some time,
until he found an old file, and one night filed through the iron bars
and escaped. He wandered about all day, and at last came to the same
forest where he had formerly been. All at once he saw a large fig-tree
bearing the most beautiful fruit,--on one side black figs, on the other,
white ones. "That is something I have never seen," thought the
shepherd,--"a fig-tree that bears black and white figs at the same time.
I must try them." Scarcely had he tasted them when he felt something
move on the top of his head, and putting his hand up, found he had two
long horns. "Unhappy man!" he cried; "what shall I do?" However, as he
was very hungry, he picked some of the white figs and ate them, and
immediately one of the horns disappeared, and also the other after he
had eaten a few more white figs. "My fortune is made!" he thought. "The
king will have to give me all my things back, and his daughter in the
bargain."
The shepherd disguised himself and went to the city with two baskets of
figs,--one of the black and one of the white kind, the former of which
he sold to the king's cook, whom he met in the market place. While the
king was at the table the servant put the figs before him, and he was
much pleased with them, and gave some to his wife and daughter; the rest
he ate himself. Scarcely had they eaten them when they saw with terror
the long horns that had grown from their heads. The queen and her
daughter began to weep, and the king, in a rage, called the cook and
asked him who had sold him the figs. "A peasant in the market,"
answered the cook. "Go at once and bring him here," cried the king.
The shepherd had remained near the palace, and as the cook came out, he
went up to him with the basket of white figs in his hand. "What
miserable figs did you sell me this morning!" cried out the cook to him.
"As soon as the king, queen, and princess had eaten your figs, great
horns grew on their heads." "Be quiet," said the shepherd; "I have a
remedy here, and can soon remove the horns. Take me to the king." He was
led before the king, who asked him what kind of figs he had sold. "Be
quiet, your Majesty," said the shepherd, "and eat these figs," at the
same time giving him a white one; and as soon as the king had eaten it
one of the horns disappeared. "Now," said the shepherd, "before I give
you any more of my figs you must give me back my whistle; if not, you
may keep your horn." The king in his terror gave up the whistle, and the
shepherd handed the queen a fig. When one of the queen's horns had
disappeared, he said: "Now give me my purse back, or else I will take my
figs away." So the king gave him his purse, and the shepherd removed one
of the princess' horns. Then he demanded his tablecloth; and when he had
received it he gave the king another fig, so that the second horn
disappeared. "Now give me my ring," he said; and the king had to give
him his ring before he would remove the queen's horn. The only one left
now was the princess, and the shepherd said: "Now fulfil your promise
and marry me to the princess; otherwise she may keep her horn as long as
she lives." So the princess had to marry him, and after the wedding he
gave her another fig to eat, so that her last horn also disappeared.
They had a merry wedding, and when the old king died the shepherd became
king, and so they remained contented and happy, and were like a bundle
of roots.[8]
* * * * *
The second version of this story is represented by but three examples,
none of them worth giving at length. In one (_Pomiglianesi_, p. 110)
the princess wins the magic objects (purse, cloak that renders
invisible, and horn that blows out soldiers) at play. The loser
disguises himself as a priest and confesses the princess when she is
ill, and makes her give back the objects she has won or stolen. In a
Florentine version (_Nov. fior._ p. 349), the owner of the objects, a
poor shepherd's son, pretends to be the son of the king of Portugal. He
plays with the princess and wins, but his true origin is discovered and
he is thrown into prison. There he makes use of the magic tablecloth,
which he sells to the king for the privilege of passing a night in the
princess' room. The same payment is asked for the box that fills itself
with money, and the little organ that makes every one dance. The
shepherd, of course, becomes the princess' husband and inherits the
kingdom when the king dies. In the Sicilian story (Pitre, No. 26) the
fairies give Peter the purse, tablecloth, and violin, and he goes to
play chess with the daughter of the king of Spain, who is to marry
whoever beats her at the game. She cheats and wins, and Peter is thrown
into prison. There he uses the tablecloth, and when the princess hears
of it, she proposes to play for it. Again she cheats by changing a
chessman while Peter is looking away, and the loser is thrown into
prison again. They play again for the magic violin, and Peter, who has
been warned in prison by other losers of the princess' tricks, keeps a
sharp lookout, detects, and defeats her. They are married, and Peter
releases all the defeated players from jail, and afterward gets rid of
them by means of the violin.[9]
The third version is the most popular one; the following example of it
is from Nerucci's collection of Montalese tales (No. 43).
XXXII. THE ASS THAT LAYS MONEY.
There was once a poor widow with an only son, and whose brother-in-law
was a steward. One day she said to her child: "Go to your uncle and ask
him to give you something to keep you from starving." The boy went to
the farm and asked his uncle to help him a little. "We are dying of
hunger, uncle. My mother earns a little by weaving, and I am too small
to find anything. Be charitable to us, for we are your relatives." The
steward answered: "Why not? You should have come sooner and I would have
helped you the sooner. But now I will give you something to support you
always, without need of anything more. I will give you this little ass
that lays money. You have only to put a cloth under him, and he will
fill it for you with handsome coins. But take care! Don't tell it, and
don't leave this animal with any one." The youth departed in joy, and
after he had travelled a long way, he stopped at an inn to sleep, for
his house was distant. He said to the landlord: "Give me a lodging, but
look! my ass spends the night with me." "What!" said the landlord, "what
are you thinking about! It cannot be." The youth replied: "Yes, it can
be, because my ass does not leave my side." They disputed a while, but
the landlord finally consented; but he had some suspicions; and when the
boy and his beast were shut in the room, he looked through the key-hole,
and saw that wonder of an ass that laid money in abundance. "Bless me!"
cried the host. "I should be a fool, indeed, if I let this piece of good
fortune escape my hands!" He at once looked for another ass of the same
color and size, and while the lad was asleep, exchanged them. In the
morning the boy paid his bill and departed, but on the way, the ass no
longer laid any money. The stupefied child did not know what to think at
first, but afterward examining it more closely, it appeared to him that
the ass was not his, and straightway he returned to the innkeeper, to
complain of his deception. The landlord cried out: "I wonder at your
saying such a thing! We are all honest people here, and don't steal
anything from anybody. Go away, blockhead, or you will find something to
remember a while."
The child, weeping, had to depart with his ass, and he went back to his
uncle's farm, and told him what had happened. The uncle said: "If you
had not stopped at the innkeeper's, you could not have met with this
misfortune. However, I have another present to help you and your mother.
But take care! Do not mention it to any one, and take good care of it.
Here it is. I give you a tablecloth, and whenever you say: '_Tablecloth,
make ready_,' after having spread it out, you will see a fine repast at
your pleasure." The youth took the tablecloth in delight, thanked his
uncle, and departed; but like the fool he was, he stopped again at the
same inn. He said to the landlord: "Give me a room and you need not
prepare anything to eat. I have all I want with me." The crafty
innkeeper suspected that there was something beneath this, and when the
lad was in his room, he looked through the key-hole, and saw the
tablecloth preparing the supper. The host exclaimed: "What good luck for
my inn! I will not let it escape me." He quickly looked for another
tablecloth like this one, with the same embroidery and fringe, and while
the child was sleeping, he exchanged it for the magic one, so that in
the morning the lad did not perceive the knavery. Not until he had
reached a forest where he was hungry, did he want to make use of the
tablecloth. But it was in vain that he spread it out and cried:
"_Tablecloth, make ready._" The tablecloth was not the same one, and
made nothing ready for him. In despair the boy went back to the
innkeeper to complain, and the landlord would have thrashed him if he
had not run away, and he ran until he reached his uncle's. His uncle,
when he saw him in such a plight, said: "Oh! what is the matter?"
"Uncle!" said the boy, "the same innkeeper has changed the tablecloth,
too, for me." The uncle was on the point of giving the dunce a good
thrashing; but afterward, seeing that it was a child, he calmed his
anger, and said: "I understand; but I will give you a remedy by which
you can get back everything from that thief of a landlord. Here it is!
It is a stick. Hide it under your bolster; and if any one comes to rob
you of it, say to it, in a low voice: '_Beat, beat!_' and it will
continue to do so until you say to it, '_Stop_.'"
Imagine how joyfully the boy took the stick! It was a handsome polished
stick, with a gold handle, and delighted one only to see it. So the boy
thanked his uncle for his kindness, and after he had journeyed a while,
he came to the same inn. He said: "Landlord, I wish to lodge here
to-night." The landlord at once drew his conclusions about the stick,
which the boy carried openly in his hands, and at night when the lad
appeared to be sound asleep, but really was on the watch, the landlord
felt softly under the bolster and drew out the stick. The boy, although
it was dark, perceived the theft and said in a low voice: "_Beat, beat,
beat!_" Suddenly blows were rained down without mercy; everything broken
to pieces, the chest of drawers, the looking-glass, all the chairs, the
glass in the windows; and the landlord, and those that came at the
noise, beaten nearly to death. The landlord screamed to split his
throat: "Save me, boy, I am dead!" The boy answered: "What! I will not
deliver you, if you do not give me back my property,--the ass that lays
gold, and the tablecloth that prepares dinner." And if the landlord did
not want to die of the blows, he had to consent to the boy's wishes.
When he had his things back, the boy went home to his mother and told
her what had happened to him, and then said: "Now, we do not need
anything more. I have an ass that lays money, a tablecloth that prepares
food at my will, and a stick to defend me from whoever annoys me." So
that woman and her son, who, from want had become rich enough to cause
every one envy, wished from pride to invite their relatives to a
banquet, to make them acquainted with their wealth. On the appointed day
the relatives came to the woman's new house; but noon strikes, one
o'clock strikes, it is almost two, and in the kitchen the fire is seen
extinguished, and there were no provisions anywhere. "Are they playing a
joke on us?" said the relatives. "We shall have to depart with dry
teeth." At that moment, however, the clock struck two, and the lad,
after spreading the cloth on the table, commanded: "Tablecloth, prepare
a grand banquet." In short, those people had a fine dinner and many
presents in money, and the boy and his mother remained in triumph and
joy.[10]
* * * * *
The next story to which we shall direct our attention is "Puss in
Boots," which, in the form known to our children, is of French origin,
being one of the tales which Perrault made so popular by his versions.
Before Perrault, however, two literary versions of this story existed:
one in Straparola and one in the Pentamerone. There are, besides,
several popular versions of this story, which are somewhat peculiar. The
one that follows is from Sicily (Pitre, No. 88).
XXXIII. DON JOSEPH PEAR.
There were once three brothers who owned a pear-tree and lived on the
pears. One day one of the brothers went to pick these pears, and found
that they had been gathered. "Oh! my brothers! what shall we do, for our
pears have been picked?" So the eldest went and remained in the garden
to guard the pear-tree during the night. He fell asleep, however, and
the next morning the second brother came and said: "What have you done,
my brother? Have you been sleeping? Do you not see that the pears have
been picked? To-night I will stay." That night the second brother
remained. The next morning the youngest went there and saw more of the
pears picked, and said: "Were you the one that was going to keep a good
watch? Go, I will stay here to-night; we shall see whether they can
cheat me to my face." At night the youngest brother began to play and
dance under the pear-tree; while he was not playing, a fox, believing
that the youth had gone to sleep, came out and climbed the tree and
picked the rest of the pears. When it was coming down the tree, the
youth quickly aimed his gun at it and was about to shoot. The fox said:
"Don't shoot me, Don Joseph; for I will have you called Don Joseph Pear,
and will make you marry the king's daughter." Don Joseph answered: "And
where shall I see you again? What has the king to do with you? With one
kick that he would give you, you would never appear before him again."
However, Don Joseph Pear from pity let her escape. The fox went away to
a forest and caught all sorts of game, squirrels, hares, and quails, and
carried them to the king; so that it was a sight. "Sir Majesty, Don
Joseph Pear sends me; you must accept this game." The king said:
"Listen, little fox, I accept this game; but I have never heard this Don
Joseph Pear mentioned." The fox left the game there, and ran away to Don
Joseph. "Softly, Don Joseph, I have taken the first step; I have been to
the king, and carried him the first game; and he accepted it."
A week later the fox went to the forest, caught the best animals,
squirrels, hares, birds, and took them to the king. "Sir Majesty, Don
Joseph Pear sends me to you with this game." The king said to the fox:
"My daughter, I don't know who this Don Joseph Pear is; I am afraid you
have been sent somewhere else! I will tell you what: have this Don
Joseph Pear come here, so that I can make his acquaintance." The fox
wished to leave the game, and said: "I am not mistaken; my master sent
me here; and for a token, he said that he wished the princess for his
wife."
The fox returned to Don Joseph Pear, and said to him: "Softly, things
are going well; after I have been to the king again, the matter is
settled." Don Joseph said: "I will not believe you until I have my
wife."
The fox now went to an ogress and said: "Friend, friend, have we not to
divide the gold and silver?" "Certainly," said the ogress to the fox;
"go and get the measure and we will divide the gold from the silver."
The fox went to the king and did not say: "The ogress wants to borrow
your measure;" but she said: "Don Joseph Pear wants to borrow, for a
short time, your measure to separate the gold from the silver." "What!"
said the king, "has this Don Joseph Pear such great riches? Is he then
richer than I?" And he gave the fox the measure. When he was alone with
his daughter he said to her, in the course of his conversation: "It must
be that this Don Joseph Pear is very rich, for he divides the gold and
silver." The fox carried the measure to the ogress, who began to measure
and heap up gold and silver. When she had finished, the fox went to Don
Joseph Pear and dressed him in new clothes, a watch with diamonds,
rings, a ring for his betrothed, and everything that was needed for the
marriage. "Behold, Don Joseph," said the fox, "I am going before you
now; you go to the king and get your bride and then go to the church."
Don Joseph went to the king; got his bride, and they went to the church.
After they were married, the princess got into the carriage and the
bridegroom mounted his horse. The fox made a sign to Don Joseph and
said: "I will go before you; you follow me and let the carriages and
horses come after."
They started on their way, and came to a sheep-farm which belonged to
the ogress. The boy who was tending the sheep, when he saw the fox
approach, threw a stone at her, and she began to weep. "Ah!" she said to
the boy; "now I will have you killed. Do you see those horsemen? Now I
will have you killed!" The youth, terrified, said: "If you will not do
anything to me I will not throw any more stones at you." The fox
replied: "If you don't want to be killed, when the king passes and asks
you whose is this sheep-farm, you must tell him: 'Don Joseph Pear's,'
for Don Joseph Pear is his son-in-law, and he will reward you." The
cavalcade passed by, and the king asked the boy: "Whose is this
sheep-farm?" The boy replied at once: "Don Joseph Pear's." The king gave
him some money.
The fox kept about ten paces before Don Joseph, and the latter did
nothing but say in a low tone: "Where are you taking me, fox? What lands
do I possess that you can make me believed to be rich? Where are we
going?" The fox replied: "Softly, Don Joseph, and leave it to me." They
went on and on, and the fox saw another farm of cattle, with the
herdsman. The same thing happened there as with the shepherd: the stone
thrown and the fox's threat. The king passed. "Herdsman, whose is this
farm of cattle?" "Don Joseph Pear's." And the king, astonished at his
son-in-law's wealth, gave the herdsman a piece of gold.
Don Joseph was pleased on the one hand, but on the other was perplexed
and did not know how it was to turn out. When the fox turned around,
Joseph said: "Where are you taking me, fox? You are ruining me." The fox
kept on as if she had nothing to do with the matter. Then she came to
another farm of horses and mares. The boy who was tending them threw a
stone at the fox. She frightened him, and he told the king, when the
king asked him, that the farm was Don Joseph Pear's.
They kept on and came to a well, and near it the ogress was sitting. The
fox began to run and pretended to be in great terror. "Friend, friend,
see, they are coming! These horsemen will kill us! Let us hide in the
well, shall we not?" "Yes, friend," said the ogress in alarm. "Shall I
throw you down first?" said the fox. "Certainly, friend." Then the fox
threw the ogress down the well, and then entered the ogress' palace. Don
Joseph Pear followed the fox, with his wife, his father-in-law, and all
the riders. The fox showed them through all the apartments, displaying
the riches, Don Joseph Pear contented at having found his fortune, and
the king still more contented because his daughter was so richly
settled. There was a festival for a few days, and then the king, well
satisfied, returned to his own country and his daughter remained with
her husband. One day the fox was looking out of the window, and Don
Joseph Pear and his wife were going up to the terrace. Don Joseph Pear
took up a little dust from the terrace and threw it at the fox's head.
The fox raised her eyes. "What is the meaning of this, after the good I
have done you, miserable fellow?" said she to Don Joseph. "Take care or
I will speak!" The wife said to her husband: "What is the matter with
the fox, to speak thus?" "Nothing," answered her husband. "I threw a
little dust at her and she got angry." Don Joseph took up a little more
dust and threw it at the fox's head. The fox, in a rage, cried: "Joe,
you see I will speak! and I declare that you were the owner of a
pear-tree!" Don Joseph was frightened, for the fox told his wife
everything; so he took an earthen jar and threw it at the fox's head,
and so got rid of her. Thus--the ungrateful fellow that he was--he
killed the one who had done him so much kindness; but nevertheless he
enjoyed all his wealth with his wife.[11]
* * * * *
The story we shall next consider is, in some of its versions, legendary
in its nature, and might more properly, perhaps, have been treated in
chapter IV. Its legendary character, however, is only accidental, and it
really belongs to the class of stories discussed in the present chapter.
The story in general maybe termed "The Thankful Dead," from the most
important episode in it. The hero shows some respect to a corpse (paying
the debts it incurred when alive, and so obtaining the right of burial
for it), the soul of which becomes the hero's good fairy, and assists
him when in danger, and finally brings about his good fortune. Around
this nucleus have gathered various episodes, which will be mentioned in
the notes. As an example of this story, we give, on account of its
rarity, the Istrian version (Ive, _Nozze Ive-Lorenzetto_, III. p. 19).
XXXV. FAIR BROW.
There was once a father who had a son. After this son had passed through
school, his father said to him: "Son, now that you have finished your
studies, you are of an age to travel. I will give you a vessel, in order
that you may load it and unload it, buy and sell. Be careful what you
do; take care to make gains!" He gave him six thousand _scudi_ to buy
merchandise, and the son started on his voyage. On his journey, without
having yet purchased anything, he arrived at a town, and on the
sea-shore he saw a bier, and noticed that those who passed by left there
some a penny, some two; they bestowed alms on the corpse. The traveller
went there and asked: "Why do you keep this dead man here? _for the
dead desires the grave_." They replied: "Because he owed a world of
debts, and it is the custom here _to bury no one until his debts are
paid_. Until this man's debts are paid by charity we cannot bury him."
"What is the use of keeping him here?" he said. "Proclaim that all those
whom he owed shall come to me and be paid." Then they issued the
proclamation and he paid the debts; and, poor fellow! he did not have a
farthing left--not a penny of his capital. So he returned to his
father's house. "What news, son? What means your return so soon?" He
replied: "On crossing the sea, we encountered pirates; they have robbed
me of all my capital!" His father said: "No matter, son; it is enough
that they have left you your life. Behold, I will give you more money;
but you must not go again in that direction." He gave him another six
thousand _scudi_. The son replied: "Yes, father, don't worry; I will
change my course." He departed and began his journey. When he was well
out at sea he saw a Turkish vessel. He said to himself: "Now it is
better for me to summon them on board than for them to summon us." They
came on board. He said to them: "Whence do you come?" They answered: "We
come from the Levant." "What is your cargo?" "Nothing but a beautiful
girl." "How do you come to have this girl?" "For her beauty; to sell her
again. We have stolen her from the Sultan, she is so beautiful!" "Let me
see this girl." When he saw her he said: "How much do you want for her?"
"We want six thousand _scudi_!" The money which his father gave him he
gave to those corsairs, and took the girl and carried her away to his
ship. But he at once had her become a Christian and married her.
He returned to his father's house; he went up, and his father said to
him:
"Welcome! O my handsome son.
What merchandise of women have you made?"
"My father, I bring you a handsome ring,
I bring it for your reward;
It cost me neither city nor castle,
But the most beautiful woman you have ever seen:
The daughter of the Sultan, who is in Turkey,
Her I bring for my first cargo!"
"Ah, you miserable knave!" cried his father. "Is this the cargo you have
brought?" He ill-treated them both, and drove them from the house. Those
poor unfortunate ones did not know where to find shelter. They went
away, and at a short distance from their town there were some rooms at a
villa. They went to live in one of those. He said: "What shall we do
here? I do not know how to do anything; I have no profession or
business!" She said: "Now I can paint beautiful pictures; I will paint
them, and you shall go and sell them!" He said: "Very well!" "But,
remember, you must tell no one that I paint them!" "No, no!" he said.
Now let us go to Turkey. The Sultan, meanwhile, had sent out many
vessels in search of his daughter. These ships went here and there in
quest of her. Now it happened that one of these vessels arrived in the
town near where she lived, and many of the sailors went on land. Now one
day the husband said to his wife: "Make many pictures, for to-day we
shall sell them!" She made them, and said to him that he should not sell
them for less than twenty _scudi_ apiece. She made a great many, and he
carried them to the public square. Some of the Turks came there; they
gave a glance at the paintings, and said to themselves: "Surely, it must
be the Sultan's daughter who has painted these." They came nearer, and
asked the young man how he sold them. He said they were dear; that he
could not let them go for less than twenty _scudi_. They said: "Very
well! we will buy them; but we want some more." He answered: "Come to
the house of my wife who makes them!" They went there, and when they saw
the Sultan's daughter, they seized her, bound her, and carried her far
away to Turkey. This husband, then, unhappy, without wife, without a
trade, alone in that house, what could he do?
Every day he walked along the beach, to see if he could find a ship
that would take him on board; but he never saw any. One day he saw an
old man fishing in a little boat; he cried: "Good old man, how much
better off you are than I!" The old man asked: "Why, my dear son?" He
said: "Good old man, will you take me to fish with you?" "Yes, my son,"
said he; "if you wish to come with me in this boat, I will take you!"
"Thank heaven!" said he. "Good!" said the old man:
"You with the rod, and I with the boat,
Perhaps we shall catch some fish.
I will go and sell the fish, for I am not ashamed, and we will live
together!" They ate, and afterward went to sleep; without knowing it,
there arose in the night a severe storm, and the wind carried them to
Turkey. The Turks, seeing this boat arrive, went on board, seized them,
made slaves of them, and took them before the Sultan. He said: "Let one
of them make bouquets; let the other plant flowers; put them in the
garden!" They placed the old man there as gardener, and the young man to
carry flowers to the Sultan's daughter, who with her maids was shut up
in a very high tower for punishment. They were very comfortable there.
Every day they went into the garden and made friends with the other
gardeners. As time went on, the old man made some fine guitars, violins,
flutes, clarionets, piccolos--all sorts of instruments he made. The
young man played them beautifully when he had time. One day his wife,
who was in the tower, hearing his fine songs,--Fair Brow had a voice
which surpassed all instruments,--said: "Who is playing, who is singing
so beautifully?" They went out on the balcony, and when she saw Fair
Brow, she thought at once of having him come up. The Sultan's daughter
said to one of those who filled the basket with flowers: "Put that young
man in the basket and cover him with flowers!" He put him in, and the
maids drew him up. When he was up, he came out of the basket, and beheld
his wife. He embraced and kissed her and thought about escaping from
there. Then she told her damsels that she wished to depart without any
one knowing it. So they loaded a large ship with pearls and precious
stones, with rods of gold and jewels; then they let down Fair Brow
first, then his wife; finally the damsels. They embarked and departed.
When they were out at sea the husband remembered that he had forgotten
the old man and left him on shore. Fair Brow said: "My sister, even if I
thought I should lose my life, I would turn back, for _the word which I
have given him is the mother of faith_!" So they turned back, and saw
the old man, who was still awaiting them in a cave; they took him with
them, and put to sea again. When they were near home, the old man said:
"Now, my son, it is fitting for us to settle our accounts and divide
things!" "Know, good old man," said Fair Brow to him, "that all the
wealth that I have belongs half to you and half to me!" "Your wife, too,
belongs half to me!" He said: "Good old man, I will leave you three
quarters, and I will take one only, but leave me my wife. Do you want me
to divide her in two?" Then the old man said: "You must know that I am
the soul of him whom you had buried; and you have had all this good
fortune because you did that good action, and converted and baptized
your wife!" Then he gave him his blessing and disappeared. Fair Brow,
when he heard this, as you can imagine, came near dying of joy. When
they reached his city, they fired a salute, for Fair Brow had arrived
with his wife, the wealthiest gentleman in the world. He sent for his
father and told him all that had happened to him. He went to live with
them, and as he was old, he died soon, and all his riches went to Fair
Brow.[12]
* * * * *
We have already stated in the preface that it was not our design to
admit into this work (except for occasional reference) any stories that
were literary in their character. For this reason we have not drawn on
the treasures of Straparola or Basile, or even on the more popular
chap-books, of which there are in Italy, as elsewhere, a great
profusion. Of some of the stories contained in the last named class of
works there are purely popular versions. As an example of the class,
and for purposes of comparison, we give the story of Leombruno, or
Lionbruno, one of the oldest and most popular of its kind. The most
complete version is the one from the Basilicata, given by Comparetti,
No. 41, which is as follows:
XXXVI. LIONBRUNO.
There was once a mariner who had a wife and three or four children. He
followed the business of a fisherman, and he and his family lived on his
fishing. For three or four years there had been a dearth of fish, so
that he had not been able to catch even a sardine. Poor mariner! From
this misfortune he had been obliged to sell, little by little, all he
possessed, to live, and was reduced almost to beggary. One day he was
fishing, and as you can imagine, poor fellow! he did not haul in even a
shell. He cursed madonnas and saints. All at once a certain person (it
was the Enemy) rose in the midst of the sea before his bark. "What is
the matter, mariner, that you are so angry?" "What should the matter be?
My bad luck. For three or four years I have been ruining myself, body
and soul, in this sea with these nets, and I cannot catch even a string
to hang myself with." "Listen," said the Enemy. "If you will agree to
give me your wife's next child in thirteen years, from now until you
deliver it to me I will cause you to catch so much fish that you shall
become the richest of men by selling it." Then the mariner understood
that this was the Enemy, and said to himself: "My wife has had no
children for some years. Will she take it into her head to have another
just now when I make this agreement with the Enemy? Oh, come! she is old
now; she will have no more." Then turning to the Enemy, he said: "Well,
since you wish to make this contract, let us make it. But, remember, you
must make me rich." "Don't fear," said the Enemy; "let us make the
agreement and then leave the matter to me." "Softly, we must settle
another matter first; then we will make the contract." "What is it?"
"Listen. Suppose my wife should have no children during these thirteen
years?" "Then you will remain rich and give me nothing." "That is what I
wanted to know. Now we can make the contract." And they settled
everything at once. Then the Enemy disappeared. The mariner began to
draw in his nets, and they were full to overflowing of all kinds of
fish, and he became richer from day to day. In great joy he said: "I
have played a trick on the devil!"--and, poor man! he did not know that
it was the devil who had played a trick on him. Now you must know that
just when they were making the contract, the mariner's wife, old as she
was, expected to become a mother again, and the Enemy knew it. In due
time the wife gave birth to a boy so handsome that he seemed a flower.
His parents named him Lionbruno. The Enemy suddenly appeared: "Mariner!
mariner!" "How can I serve you?" replied the poor man, all trembling.
"The promise is due. Lionbruno is mine." "Yes, you are right. But you
must obey the contract. Remember that it is in thirteen years. Now only
a few months have passed." "That is true," replied the Enemy; "farewell,
then, until the end of the thirteen years." Then he vanished. Meanwhile
Lionbruno grew every day, and became constantly handsomer, and his
parents sent him to school. But time passes, and behold the end of the
thirteen years draws near. One day, before the time agreed upon, the
Enemy appeared. "Mariner! mariner!" "Oh, poor me!" said the wretched
man, who recognized him by his horrid voice. But he had to answer. And
what could he do? The contract was clear and the time come. The poor
mariner, willingly or unwillingly, was obliged to promise to send the
boy the next day alone to the sea. The next day the mother sent her son,
when he returned from school, to carry something to eat to his father.
The unhappy father had, however, gone far out to sea, so that his son
could not find him. The poor boy sat down on the beach, and to pass the
time, took pieces of wood and made little crosses of them, and stuck
them in the sand around him, so that he was surrounded by them, and held
one also in his hand, singing all the time.
Behold, the Enemy comes to take him, and says to him: "What are you
doing, boy?" "I am waiting for my father," he replied. The Enemy looked
and saw that he could not take him, because he was seated in the midst
of all those little crosses, and moreover had one in his hand. He
regarded the boy with an ugly look, and cried: "Destroy those crosses,
miserable boy!" "No, I will not destroy them." "Destroy them at once,
or--or"--and he threatened him and frightened him with his ugly face.
Then the poor child destroyed the little crosses around him, but still
held one in his hand. "Destroy the other, quick!" cried the Enemy, more
enraged than ever. "No, no!" the poor child replied, all in tears; "I
will not destroy this little cross." The Enemy threatened him again and
terrified him with his rolling eyes, but the child was firm, and then a
bright light appeared in the air. The fairy Colina, queen of the
fairies, came down, took the good boy by the hair, and delivered him
from the Enemy. Then if you had seen what lightnings and thunder! what
darts! The Enemy shot fire from his eyes, mouth, nose, ears, everywhere!
But with all his flames he remained duped, and the fairy carried the
good boy away to her splendid palace. There Lionbruno grew up in the
midst of the fairies. Imagine how well off he was there! He lacked
nothing. Increasing always in beauty, he became a youth whom you should
have seen! Some years passed. One day Lionbruno said to the fairy
Colina: "Listen. I want to go and see my mother and father a little. You
will not refuse me your permission, will you?" "No, I will not refuse
you it," said the fairy. "I will give you twenty days to go and see your
family. But do not stay any longer. Remember that I have saved you from
the Enemy and have brought you up in the midst of great wealth. Now this
wealth we are to enjoy together, for you, Lionbruno, are to be my
husband." You can imagine whether the youth wished to say no. He replied
at once: "I will do your will in all things." Then the fairy said: "My
Lionbruno, take this ruby; all that you ask of it you shall have." He
took the ruby. Then all the fairies gave him in turn some token. He
took them, and thanked them all. Then he embraced his bride and
departed. Lionbruno travelled better than a prince, magnificently
dressed, on a superb horse, with guards before him. He arrived at his
town, went to the square, and a crowd of people surrounded him out of
curiosity. He asked his way to the house of the mariner who was his
father. He did not reveal himself to his parents, but asked them for a
lodging that night. At midnight Lionbruno changed, by virtue of the
ruby, the wretched hovel into a magnificent palace, and the next day he
changed himself into the thirteen-year-old Lionbruno and revealed
himself to his parents, telling them how the fairy Colina had liberated
him from the Enemy, brought him up, and made him her husband. "For this
reason, dear father and mother," said he, "I cannot remain with you. I
have come to see you, to embrace you, to make you rich; but I can stay
with you a few days only, and then I must leave you." His father and
mother saw that they could do nothing, and had to be contented. One fine
morning Lionbruno, by an order to the ruby, which he wore on his finger,
brought together a great mass of riches, and then called his parents and
said: "I leave you masters of all this wealth and of this palace. You
will no longer need anything. Now give me your blessing, for I wish to
go." The poor people began to weep, and said: "Bless you, my son!" They
embraced each other in tears, and he departed.
He arrived at a great city,--like Naples, for example,--and went to
lodge at the finest inn. Then he went out to walk and heard a
proclamation which declared: "Whatever prince or knight, on horse, with
spear in hand, shall pierce and carry away a gold star, shall marry the
king's daughter." Imagine how many princes and knights entered the
lists! Lionbruno, more for braggadocio than for anything else, said to
himself: "I wish to go and carry away the star;" and he commanded the
ruby: "My ruby, to-morrow, I wish to carry away the golden star." The
princes and knights began to assemble and try their skill. Every one
reached the star and touched it with his spear, but there was no talk of
their carrying it away. Lionbruno came, and with a master-stroke carried
off the star. Then he quickly escaped with his horse to the inn, so that
no one should see him. "Who is he?" "Where is the winner?" No one can
give any news of him. The king was ill-humored about it, and issued the
proclamation again for the next day. But, to cut the matter short, the
same thing occurred the next day. Lionbruno duped them a second time.
Imagine how angry the king was! He issued a third proclamation. But this
time what does the crafty king do? He posts a large number of soldiers
at all the places by which one could escape. The princes and knights
begin their courses. As usual, no one carries away the star, and
Lionbruno carries it off and rides away. But the soldiers, quicker than
he, seize him, arrest him, and carry him to the king. "What do you take
me for, that, not satisfied with duping me twice, you wish to dupe me a
third time?" Thus spoke the king, who was seated on the throne. "Pardon,
Majesty. I did not dare to enter your presence." "Then you ought not to
have undertaken to carry away the star. Now you have done so, and must
become my daughter's husband." Lionbruno, _nolens volens_, was obliged
to marry the princess. The king prepared a magnificent feast for the
wedding, and invited all the princes, counts, and barons,--all sorts of
persons. When the hall was filled with these gentlemen, Lionbruno,
before marrying the princess, said to the king: "Majesty, it is true
that your daughter is a very beautiful girl, but I had a bride by whose
side your daughter could not stand for beauty, grace, everything."
Imagine how the king felt when he heard these words. The poor princess,
at this affront in the presence of so many noblemen, became as red as
fire. The king, greatly disturbed, said: "Well, if it is so, we wish to
see your wife, if she is as beautiful as you say." "Yes, yes!" cried all
the noblemen; "we, too, wish to see her; we wish to see her!" Poor
Lionbruno was in a tight place. What could he do? He had recourse to
the ruby. "Ruby mine, make fairy Colina come here." But this time he was
mistaken. The ruby could do everything, but it could not compel the
fairy to come, for it was she who had given it its magic power. The
summons, however, reached the fairy Colina; but she did not go. "My
friend has done a pretty thing!" said she. "Bravo! good! Now I will fix
him as he deserves!" She called the lowest of her servants, and made her
suddenly appear in the great hall of the king, where all were assembled
for the wedding. "How beautiful she is! how beautiful she is!" all said
as soon as they saw her. "Is this, then, your first bride?" "What!"
answered Lionbruno, "my first bride! This is the lowest of the servants
of my first bride." "Gracious!" exclaimed the noblemen; "if this is the
lowest of the servants and is so beautiful, imagine what the mistress
must be!" "Then," said the king, "if this is not your first bride, I
wish you to make her come herself." "Yes, yes, herself!" cried the
others, likewise. Poor Lionbruno! He was obliged to have recourse again
to the ring. But this time, also, the fairy did not go, but sent instead
her next servant. Scarcely had they seen her when they all said: "This
one, oh, this one, is really beautiful! This, now, is certainly your
first bride, is she not, Lionbruno?" "No, no!" replied Lionbruno; "my
first bride is a marvel of beauty. Different from this one! This one is
only the second servant." Then the king, in a threatening tone, said to
him: "Lionbruno, let us put an end to this! I command you to cause your
first wife to come here instantly." The matter was growing serious. Poor
Lionbruno had recourse for the third time to the ruby, and said to it:
"Ruby mine, if you really wish to help me, now is the moment. You must
cause the fairy Colina herself to come here." The summons reached her at
once, and this time she went. When all those great lords and the king
and his daughter saw that marvel of beauty, they became as so many
statues. But the fairy Colina approached Lionbruno, pretended to take
his hand, and drew off his ring, saying: "Traitor! you cannot find me
until you have worn out seven pairs of iron shoes." Then she vanished.
The king, in fury, said to Lionbruno: "I understand. The power of
carrying off the star was not yours, but your ruby's. Leave my palace!"
He had him seized and well beaten and sent away.
And so poor Lionbruno was left without the fairy Colina and the king's
daughter, and departed from the city in great grief. When he had gone a
few steps, he heard a great noise. It was a smithy. He entered, and
called the blacksmith: "Master, I want seven pairs of iron shoes." "I
will make you twelve if you wish, but it seems to me that you must have
some agreement with the Eternal to live who knows how many hundred years
to wear out all these shoes." "What does that matter to you? It is
enough if I pay you. Make me the shoes and hold your tongue." He made
them for him at once. Lionbruno paid him, put on one pair, and stuck
three in one side of his travelling sack and three in the other, and set
out. After walking a long time, he arrived late at night in a forest.
All at once three robbers came there. "Good man," said they to
Lionbruno, "how did you happen here?" "I am a poor pilgrim," he replied;
"it grew dark and I stopped here to rest. And who are you, gentlemen?"
"We are travellers." And they all stopped there to rest. The next day
Lionbruno arose, took leave of the three robbers, and departed. But he
had scarcely gone a few steps when he heard them quarrelling. Now you
must know that those robbers had stolen three objects of great value,
and were now disputing as to how they should divide them. One of them
said: "Fools that we are! We had here that pilgrim, who could have acted
as judge and made the division, and we have let him go. Let us call him
back." "Yes, yes! let us call him," said the others. They called him,
and he came back. "How can I serve you, gentlemen?" said he. "Listen,
good man; we have three objects of great value to divide. You must be
the judge, and give to each one what belongs to him." "Very well; but
what objects are you talking of?" "Here is a pair of boots, a purse, and
a cloak. The boots have this virtue, that he who has them on runs
faster than the wind. If you say to the purse, 'open and shut,' it at
once gives you a hundred ducats. Finally he who puts on the cloak and
buttons it up, can see and yet not be seen." "Very good. But to act the
judge well, I must first examine these three objects carefully."
"Certainly, that is right." Lionbruno put on the boots, tried to run,
and went marvellously. "What do you think of these boots?" asked the
thieves. "Excellent, indeed," replied Lionbruno, and kept them on. Then
he said: "Now let us see the purse." He took it and said: "Purse, open
and shut," and at once there came forth a hundred silver ducats. "Now
let us see what this cloak is," he said, at last. He put it on and began
to button it up. While he was doing so he asked the robbers: "Do you see
me now?" They answered: "Yes." He kept on buttoning it and asked again:
"Now do you see me?" "Yes." Finally he reached the last button. "Now do
you see me?" "No." "If you don't see me now you never will see me
again." He threw away the iron shoes and cried: "Now for you, boots!"
And away! faster than the wind. When the three robbers saw themselves
duped in that way, what a rage they were in! They thrashed each other
soundly, and especially the one who had called Lionbruno back; and at
last they all found themselves with broken bones.
Lionbruno, after having cheated the robbers thus, continued his way
joyfully. After a long journey, he arrived in the midst of a forest. He
saw at a distance a slight smoke, and among frightful rocks, a little
old hovel all surrounded by dense wild shrubs, with a little door
entirely covered with ivy, so that it could scarcely be seen. Lionbruno
approached the door and knocked softly. "Who is knocking?" asked from
within an old woman's voice. "I am a poor Christian," replied Lionbruno;
"night has overtaken me here, and I am seeking a lodging, if it can be
had." The door opened and Lionbruno entered. "Oh, poor youth! How have
you been tempted to come and ruin yourself in this remote place?"
demanded, in great wonder, the old woman, who was within, and who was
Borea.[13] (Do you know who Borea is? No less a person than the mother
of the winds.) "Oh, dear little old lady, my aunt," replied Lionbruno,
"I am lost in this great forest, for I have been travelling a long time
to find my dear bride, the fairy Colina, and I have not yet been able to
find any trace of her." "My son, you have made a great mistake! What
shall we do now that my sons are coming home? Perhaps, God help you!
they will want to eat you." "Oh, wretched me!" cried Lionbruno, then,
all trembling; "who, my aunt, are these sons of yours who so devour
Christians?" "My son," replied Borea, "you do not know where you are. Do
you not know that this house in the midst of these precipices is the
house of the winds? And I, you do not recognize me; I, my son, am Borea,
the mother of all the winds." "What shall I do now? Oh, my dear aunt,
help me; do not let your sons eat me up!" The old woman finally
concealed him in a chest, telling him not to make the slightest noise
when her sons returned. Soon a loud noise was heard at a distance: it
was the winds returning home. The nearer they approached the louder the
noise grew, and a sound of branches and trees broken off was heard. At
last the winds arrived, pushed open the door, and entered. "Good
evening, mamma." "Welcome, my sons!" replied their mother, all smiling.
And so one after the other all the winds entered, and the last to enter
was Sirocco, for you must know that Sirocco is the youngest of Borea's
sons. Scarcely had they entered when they began to say: "What smell of
human flesh is here? Here Christians, Christians!" "Oh, bad luck to you!
what fools you are! Where is there any smell of human flesh here? Who do
you think would risk their lives by coming here?" But her sons would not
be convinced, especially that obstinate Sirocco. Lionbruno commended his
soul to God, for he saw death at his heels. But finally Borea succeeded
in convincing her sons. "Oh, mamma, what is there to eat to-night? We
have travelled so far, and are so hungry!" "Here, my sons," the mother
answered, "come here; for a nice polenta is cooking for you. I will
finish cooking it soon, and put it at once on the table." The next day
Borea said to her sons: "My sons, when you came you said you smelled
human flesh. Tell me, should you really see a man now, what would you do
to him?" "Now, we would not do anything to him. Last night, we should
have torn him in pieces." "But you would not do anything to him, truly?"
"Truly." "Well, if you will give me your promise by St. John not to harm
him, I will show you a live man." "Oh! just see! A man here! Yes, yes,
mamma, show him to us at once. We swear by St. John! we will not touch a
hair of his head." Then their mother opened the chest and made Lionbruno
come forth. If you had heard the winds then! They puffed and blowed
around him and asked him, first of all, how he had come to that place,
where no living soul had ever penetrated. Lionbruno said: "Would to
heaven that my journey ended here! I must go to the palace of the fairy
Colina; perhaps one of you can tell me where it is?" Then Borea asked
her sons one by one and each replied that he knew nothing of it. Finally
she questioned her youngest son: "And you, Sirocco, do you not know
anything about it?" "I? Should I not know something about it? Am I
perchance like my brothers who never can find a hiding-place? The fairy
Colina is love-sick. She says that her lover has betrayed her, and
continually weeps, and is so reduced by her grief that she can live but
little longer. And I deserve to be hanged, for I have seen her in this
condition, and yet I have annoyed her so that I have driven her to
despair. I amused myself by making a noise about her palace, and more
than once I burst open windows and turned things upside down, even the
bed she was resting on." "Oh, my dear Sirocco!" said Lionbruno; "my good
Sirocco, you must aid me! Since you have given me news of her, you must
also do me the favor to show me the way to my bride's palace. I, dear
Sirocco, am the betrothed of the fairy Colina, and it is not true that I
have betrayed her; on the contrary, if I do not find her, I shall die of
grief." "My son," said Sirocco, "listen; for my part I would take you
there with all my heart. But I should have to carry you about my neck.
And the trouble is I cannot do so, for I am wind, I am air, and you
would slip off. Were you like me the matter would go very well." "Don't
worry about that," said Lionbruno, "show me the way, and I will not lag
behind." "He is crazy," said Sirocco to himself; then he said to
Lionbruno: "Very well, since you feel so strong, to-morrow we will make
the trial. Meanwhile let us go to bed, for it is late, and to-morrow,
God willing, we will rise early!" And all went to sleep. In the morning
early Sirocco arose and cried: "Lionbruno! Lionbruno! get up quickly!"
And Lionbruno put on his boots in a hurry, seized his purse, fixed his
cloak carefully, and left the house with Sirocco. "There," said Sirocco,
"is the way we must take. Be careful! Don't let me out of your sight,
and leave the rest to me. If a few hours after sunset to-night I don't
make you find your beauty, you may call me an ass." They started. They
ran like the wind. Every little while Sirocco called out: "Lionbruno!"
and he, who was ahead, answered at once: "Oh! don't think I am going to
lag behind!" and with these questions and answers they finally reached
the palace of the fairy Colina about two hours after sunset. "Here we
are," said Sirocco. "Here is your fair one's balcony! See how I am going
to blow open the window for you. Attention, now! As soon as it is opened
you give a jump and spring in." And so he did. Before the servants could
run and shut the balcony window, Lionbruno was already under the fairy
Colina's bed. Afterwards one of the maids said to the fairy: "My
mistress, how do you feel now? Do you not feel a little better?"
"Better? I am half dead. That cursed wind has nearly killed me." "But,
mistress, will you not take something this evening? A little coffee, or
chocolate, or broth?" "I wish nothing at all." "Take something, if you
don't, you will not rest to-night, you have eaten nothing for three or
four days. Really, you must take something." And the servant said so
much that to get rid of her importunity the fairy said: "Well, bring
something; if I want it, I will take it." The servant brought a little
coffee, and left it by the side of the bed. Lionbruno, in his cloak so
that no one could see him, came from under the bed and drank the coffee
himself. The servant, believing her mistress had drunk it, brought the
chocolate too, and Lionbruno drank that as before. Then the servant
brought the fairy some broth and a pigeon. "Mistress," said she, "since,
thank God, you have taken the coffee and the chocolate, take this broth
and a bit of pigeon, and so you will gain strength and be better
to-morrow." The mistress on hearing all this believed that the servants
were making fun of her. "Oh, stupid blockheads! What are you saying? Are
not the cups still here with the coffee and the chocolate? I have
touched nothing." The servants thought that their mistress was out of
her mind. Then Lionbruno took off his cloak, came out from under the
bed, and said: "My bride, do you know me?" "Lionbruno mine, is it you?"
and she rose from the bed and embraced him. "Then it is not true, my
Lionbruno, that you have forgotten me?" "If I had forgotten you I should
not have suffered so much to find you. But do you still love me?" "My
Lionbruno, if I had not always loved you, you would not have found me at
the point of death. And now you see I am cured only because I have seen
you."
Then they ate and drank together, and summoned the servants and made a
great festival. The next day they arranged everything for the wedding
and were married with great splendor and joy. In the evening they gave a
grand ball and a fine banquet, which you should have seen![14]
* * * * *
The above story is extremely popular, and has long circulated among the
people as an independent work in the shape of a chap-book. We have,
however, given the form which is handed down by oral tradition,
purposely avoiding the use of any literary materials. Many similar tales
might be added to this chapter, but the most important and best known
have been given. To give those tales which cannot be described as fairy
tales and which are usually found in the shape of chap-books in prose
and poetry would fall without the scope of the present volume, and would
belong more appropriately to a work on Italian popular literature.[15]