CHAPTER VI.

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GOLDEN DAYS

For Boys and Girls

Vol. XII--No. 6. January 3, 1891.

Philadelphia:

JAMES ELVERSON,

Publisher.

* * * * *

[Transcriber's Note:

The notation "->" represents the pointing-finger symbol. Text

incorporated into advertising illustrations is shown in (parentheses);

where necessary, a brief description of the illustration is given in

{braces}.

The layout of the advertising pages is shown after all text, along

with a list of file names for major illustrations. Typographical errors

in the original, whether corrected or not, are listed at the end.]

* * * * *

"BIRTH IS MUCH, BUT BREEDING MORE."

Where were you born that you DON'T use

SAPOLIO

SAPOLIO is a Solid Cake of SCOURING SOAP

used for ALL Cleaning Purposes, except the Laundry.

* * * * *

[Illustration: (Telegraphy)]

THE "MORSE" OUTFIT, $3.75.

Complete Outfit for learning Telegraphy, and operating Short Lines of

Telegraph, from a few feet to several miles in length. Consists of full

size, well made Giant Sounder with Curved Key Combination Set as above,

together with Battery, Book of Instruction, insulated Wire, Chemicals,

and all necessary materials for operating. Price $3.75. Sent by express

upon receipt of amount by Registered Letter, Money Order, Express Order

or Postage Stamps. Morse Pamphlet of practical Telegraph Instructions

free to any address. J.H. BUNNELL & CO., 76 Cortlandt Street, New York.

Largest and Best Telegraph Supply House in America.

MAGIC

LANTERNS WANTED AND FOR SALE OR EXCHANGE.

HARBACH & CO. 809 Filbert St. Phila. Pa.

[Illustration]

** The STAR BANJO **

Is made on entirely new principles and produces the most desirable

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PRICE LIST MAILED FREE.

*LYON & HEALY, Chicago.*

*CIRCULARS* to young people only. Money for you.

Address Novelty Typewriter Co., *Oswego, N.Y.*

[THIS IS NOT AN IDLE]

This company does not handle Farm Mortgages, but City Investments only.

The WINNER COMPANY has paid its investors over Two Million Dollars in

profits since 1883, without a single case of loss.

[TALE OF IDLE MONEY]

To be convinced of this send to WM.M. PARMENTER, 50 State St., Boston,

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Mailed free to any address.

CARDS

Send 2c. Stamp for Sample Book of all the FINEST and Latest Style

CARDS for 1891. We sell Genuine Cards, not Trash. UNION CARD CO.,

COLUMBUS, OHIO.

MAGIC LANTERNS

*And STEREOPTICONS*, all prices.

Views illustrating every subject for *PUBLIC EXHIBITIONS*, etc.

-> _A profitable business for a man with a small capital._

Also, Lanterns for Home Amusement. 208 page Catalogue _free_.

*McALLISTER*, Mfg. Optician, *49 Nassau St., N.Y.*

*WORLD'S* Fair Railway Puzzle. Lots of fun: sample 10c.; 3 for 25c.

Morton & Co., Box 848, Chicago

*MINIATURE PHOTOGRAPHS 12 for 25c. Sample 2c.*

Copied from photographs or tintypes, which WE RETURN.

THE BARTHOLOMEW STUDIO, WALLINGFORD, CONN.

Advertising Rates for "Golden Days."

Single insertions, 75c. per Agate line.

Four insertions, 70c. per Agate line for each insertion.

Thirteen insertions, 65c. per Agate line for each insertion.

Twenty-six ", 60c. per Agate line for each insertion.

Fifty-two ", 50c. per Agate line for each insertion.

_Eight words average a line. Fourteen lines make one inch._

JAMES ELVERSON, Pubisher,

Philadelphia, Pa.

* * * * *

STAMPS.

[Illustration: (CEYLON POSTAGE TEN PENCE)]

*STAMPS--ALL GENUINE!*

*100 Rare Varieties*

China, Nicaragua, Honduras. Old Japan and Egypt, Bosnia, Peru, Orange,

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*STANDARD STAMP CO.*, removed to 923-925 Lasalle St., St. Louis, Mo.

STAMPS

We lead; others follow. We are the world wreckers on low prices.

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E.F. GAMBS, Coin and Stamp Dealer, 4 Sutter Street, San Francisco, Cal.

STAMPS

100 all different, 10c.; 300 all different. $1.25; 500 all different,

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300

Mixed, rare Australian, etc., 10c.: 75 fine varieties and *nice* album,

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STAMPS

Agents! Approval Sheets, 1-3d com. List free. Conrath & Co.,

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STAMPS

Price list *FREE*. Approval sheets 50 per ct. com.

E.A. OBORNE, Jamaica, New York.

STAMPS--Agents wanted for the _very best_ approval sheets at

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* * * * *

15 CENT PACKAGE OF GAMES.

The Best Collection Ever Sold for

Four Times the Amount.

*Game of Authors*, 48 cards with directions.

*Set of Dominoes*,

*Chess Board*, with men.

*Checker Board*, with men.

*Fox and Geese Board*, with men.

*Nine Men Morris Board*, with men.

*Mystic Age Tablet*, tells age of any person.

*The Beautiful Language of Flowers*.

*Morse Telegraph Alphabet*.

*The Improved Game of Forfeit*.

*Parlor Tableau*,

*Pantomine*,

*Shadow Pantomine*,

*Shadow Buff*,

*The Clarivoyant*, how to become a medium.

*Game of Fortune*,

*The Album Writers Friend*, 275 Select Autograph Album Verses (new).

*50 Choice Conumdrums or Riddles*, with answers (new).

*Thirteen Magical Experiments*,

*Eleven Parlor Games*,

*Magic Music*,

*Order of the Whistle*,

*Game of Letters*, and many others.

To introduce our goods and get new customers, we will send the whole

lot to any address, freight paid, on receipt of 15c.; 2 lots for 25c.;

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CARDS

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[Illustration]

*Will Do It.*

Our Beard Elixir will force a *Mustache* in 20 days.

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USE BOILING WATER OR MILK.

EPPS'S

GRATEFUL--COMFORTING.

COCOA

SOLD IN LABELED 1/2 LB. TINS.

CARDS

NEW SAMPLE BOOK of Hidden Name, Silk Fringe, Gold, Silver and Tinted

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MAGIC LANTERN VIEWS FOR SMALL LANTERNS.

COMIC, BIBLE SCENERY, NOTED PLACES

SEND ONE CENT FOR NEW PRICE LIST

CAEL BROWN

155 WASHINGTON ST., CHICAGO, ILL.

CARDS!

30 Samples *Free.* Jewel Co., Clintonville, Conn.

ASTHMA CURED

DR. TAFT'S ASTHMALENE never fails; send us your address,

we will mail trial BOTTLE *FREE*

THE DR. TAFT BROS.M. CO., ROCHESTER, N.Y.

WINTER PRICES ON BICYCLES

[Illustration]

DEALERS DISCOUNTS OUTDONE.

Don't wait till spring, buy *now* and save big money. Easy payments,

all makes, new & 2d hd. Extraordinary prices on job lots. Cata free.

*Rouse, Hazard & Co., 84 G Street, Peoria, Ill.*

CARDS

LATEST STYLES, BEST PREMIUMS, -> COSTLY OUTFIT. *FREE*

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100

Popular Songs, 32 complete Love Stories, 11 thrilling

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*Handford & Co., Lincoln Park, N.J.*

I CURE FITS!

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PLAYS

Dialogues, Tableaux, Speakers, for School, Club & Parlor. Best out.

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[Illustration:

(The Ready Binder

for binding

THREE MONTHS

of the

GOLDEN DAYS

*Price, 10 Cents.*) ]

THIS BINDER is light, strong and handsome, and the weekly issues

of GOLDEN DAYS are held together by it in the convenient form of a book,

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Publisher, Philadelphia, Pa.

* * * * *

Children Cry for Pitcher's Castoria.

* * * * *

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->For croup and whooping cough, take

Ayer's Cherry Pectoral,

Prepared by Dr. J.C. Ayer & Co., Lowell, Mass. Sold by all Druggists.

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* * * * *

[Illustration]

FREE

TO BOYS AND GIRLS UNDER 18 YEARS OF AGE.

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SAMPLES 2c. World CARD Co. 47 Elder Cin'ti O.

[Illustration: (Excelsior)]

PRINT Your Own CARDS and Advertisements!

Card Press, *$3;* Circular size, *$8;* Small Newspaper Press, *$22.*

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[Illustration]

GOLD PLATED PEARL SCARF PIN FREE

To introduce our Watches and Jewelry, we will send the above beautiful

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*W. HILL & CO., Wholesale Jewelers, 11b Madison St., Chicago, Ill.*

100 NEW SONGS

(no 2 alike). 1 pk. May I.C.U. Home Cards. All the late flirtations,

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of Love, all 10c. EASTERN SUPPLY CO. Laceyville, O.

Piso's Remedy for Catarrh is the Best, Easiest to Use, and Cheapest.

[Illustration: (CATARRH)]

Sold by druggists or sent by mail. 50c. E.T. Hazeltine, Warren, Pa.

32 *COMPLETE* Love Stories, 11 Thrilling Detective Stories and 100

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Frankfort, Ind.

[Illustration: (THE GREAT AMERICAN TEA COMPANY)]

GOOD NEWS

TO LADIES!

*Entire New Departure. Handsome Present to every Purchaser.*

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10 CENTS

(silver) pays for your address in the "AGENT'S DIRECTORY," which goes

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each person answering. *T.D. CAMPBELL, D 105, Boyleston, Ind.*

DO YOU PLAY CARDS?

No game complete without our *Patent Counters.* Scores any game.

Send 10 cents for a pair. 30 cents buys fine pack Cards and

100 Poker Chips. *REED & CO., 84 Market St., Chicago, Ill.*

CATARRH CURED

I will send FREE to every reader of this paper a copy of the

original recipe for preparing the best and surest remedy ever

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[Illustration: ring]

30 New Style Cards, 275 Album Verses, 50 Conundrums with answers,

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FUN

Game of Forfeit, with full directions, 275 Autograph Album

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*SAMPLE BOOK* of Cards, 2c. Globe Co., Wallingford, Ct.

25c PRINTING OUTFIT

[Illustration]

*A WHOLE PRINTING OUTFIT, COMPLETE AND PRACTICAL*, Just as shown

in cut. 3 Alphabets of neat Type. Bottle of Indelible Ink, Pad,

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4 CTS.

100 Assorted U.S. and Foreign Stamps 4 cents; 500, 18 cents;

1000, 33 cents HANDFORD & CO., Lincoln Park, N.J.

* * * * *

THE DOLLAR TYPEWRITER

$1

THIS IS THE TYPE USED. ABCDEFGHI

[Illustration:

(NEW YORK 007 2

DEAR SIR.

THIS TYPEWRITER DOES THE SAME

QUALITY OF WORK AS A REMINGTON.

AND WILL WRITE 20 WORDS A MINUTE)]

A perfect and practical Type Writing machine for only *ONE DOLLAR*.

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*R.H. INGERSOLL & BRO., 65 CORTLANDT ST., N.Y. CITY.*

MOUTH ORGAN

Chart teaches a tune in 10 minutes. Agts. watd. 2c. stamp.

Music Novelty Co., Detroit, Mich.

GUNS

Watches, Clocks, Etc.

DOUBLE Breech-Loader $7.75

RIFLES $2.00

PISTOLS 75c

All Kinds cheaper than elsewhere. Before you buy,

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FORCE BEARD OR HAIR.

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For boy or man, as an educator or as a source of amusement or income,

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PRINTING PRESSES

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Specimen Book of type, [**] cents. Circular sent free.

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[Illustration]

[Illustration]

375 Plush Floral Silk Fringe cards, games, album verses,

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in stamps for elegant *Concert Harmonica*, worth $1.00.

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100 SCRAP

PICTURES & AGENT'S CARD OUTFIT

2c AND PRESENT

FREE

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OPIUM

Morphine Habit Cured in 10 to 20 days. No pay till cured.

Dr. J. Stephens, Lebanon, Ohio.

BARNEY & BERRY

[Illustration: {ice skate}]

CATALOGUE

Springfield, Mass. FREE.

CARDS FREE

Send your name and address on a postal card for all the Latest

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[Illustration: (TONS OF MAIL)]

ONLY DIRECTORY ON EARTH

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* * * * *

* * * *

* * * * *

GOLDEN DAYS

FOR BOYS AND GIRLS

(Entered according to Act of Congress, in the year 1891, by

James Elverson, in the Office of the Librarian of Congress, at

Washington, D.C.)

VOL. XII.

JAMES ELVERSON, Publisher.

N.W. corner Ninth and Spruce Sts.

PHILADELPHIA, JANUARY 3, 1891.

TERMS

$3.00 Per Annum, In Advance.

No. 6.

* * * * *

* * * *

* * * * *

RAILROAD ROCK,

THE TRAIN BOY OF THE PEN YAN

Or, Doing His Level Best.

by VICTOR ST. CLAIR,

Author of "Bayard the Bicyclist," "From the

Forge to the Forum," "Roughing It

on Range and Ranch," etc.

CHAPTER I.

"Discharged from your last situation, young man? For what reason?"

And the busy superintendent of the Pen Yan Road, one of the largest

railway systems in the country, turned from his maps and statistics to

glance suspiciously at the slight figure, before him.

Clear and prompt came the answer:

"For doing my duty, sir."

"Humph!" replied the official, shrugging his shoulders and eying the

youthful speaker more closely. "Men--nor boys, for that matter--never

lose situations from attention to business. You will have to find

another excuse."

"I have no other, sir."

By this time the notice of the subordinate officials and clerks, of whom

there were twenty or more in the company's spacious rooms, was fixed

upon him who stood at the iron railing encircling the chief's desk.

He was not over sixteen years of age, of medium size, poorly clad, and

evidently used to hard work. But his features, though browned with a

deep coat of tan and bountifully sprinkled with freckles, made up an

honest, manly-looking countenance, while the blue eyes met the railroad

superintendent's sterner gaze with an unflinching light.

Everything had seemed to work that day at cross-purposes with

Superintendent Lyons, and he was in no humor to parley with the poor

boy, who had thrust himself into his presence with more boldness than

discretion.

But the very attitude of the youthful applicant, as he stood there with

uncovered head, respectfully waiting for his answer, showed he was not

to be put off with the ordinary excuse.

General Lyons was so favorably impressed with his appearance of quiet

determination that he was fain to ask:

"You say you have come from Woodsville, a hundred miles, for a situation

on the road?"

"Yes, sir."

"And that you have recently been discharged from our employ? I must say,

your audacity is only equaled by your frankness."

"But, sir, it was no fault of mine. I was trying to do my duty."

"Give me the particulars in as few words as possible."

"Thank you, sir. I have worked on Section 66 nearly two years--"

"Let me see," interrupted the superintendent, "that extends from Trestle

Summit to Wood's Hollow."

"Yes, sir."

"The most troublesome section on the entire line of the road. But go on

with your story."

"It's a bad section, sir, and it usually takes five regular hands to

keep it in repair. But for two weeks a couple of the men have been off

on account of illness, while our foreman, Mr. Gammon, has not been on

duty half of the time. This left one man, with myself, to look after the

road. That, with the rains we have been having, has given us more than

we could do as it ought to be done. But Mr. Gammon refused to put on any

more help, so Mr. Baxter and I have done the best we could.

"Day before yesterday it was after dark when we had finished a repair

which had taken us all the afternoon, at Trestle Summit, the extreme

upper end of our section.

"The northern mail train was then due, and we were waiting for that to

pass, so we could have a clear track to go home, when a man, coming from

the direction of Woodsville, told us the bridge, two miles beyond the

station, had been washed away. The stranger didn't look like an honest

man; and we knew, if he had been, he would told them at the station. But

the bridge had been threatened for several days, and, as we had not seen

it for thirty-six hours, we knew there was more than an even chance that

the tramp was right.

"Mr. Gammon had promised to look to it that day; but he so seldom did as

he would talk that we did not believe he had been near it. If it was so,

every life on the train was in peril, and, as I have said, it was then

time for it to come along.

"So Mr. Baxter and I decided to signal the train, and tell them of the

situation. But it was raining hard then, the wind was blowing furiously,

and our matches were damp, so we worked in vain to make a torch. It was

too dark for our flag to be seen. We had no way to stop the train. At

that moment we heard its whistle in the distance and knew it would soon

reach us.

"We were on the backbone of Trestle Summit, where, either way, the track

descends at a sharp grade for over three miles. It was nearly six miles

to Woodsville; but I knew while the mail was climbing the up grade we

could get well on toward the station. So I said to Mr. Baxter:

"'Let's take our hand-car and go on ahead of the train. It's our only

chance.'

"We weren't long in getting the car upon the track. But we had barely

sprung aboard when the mail head-light burst into sight less than half a

mile away!

"'We are too late!' gasped Mr. Baxter; and, whether from fright,

excitement or illness, he fell in a swoon.

"The car had started down the grade. Pulling Mr. Baxter on, so he would

not fall off, I lent my strength to the car's momentum, and we shot down

the track like lightning.

[Illustration:

ROCK STARTED FORWARD AND UTTERED A CRY OF TERROR

AS HE SAW THE GLEAM OF A HEADLIGHT AND AN ENGINE AND TRAIN.]

"In my excitement, I had forgotten that it would require my arm to hold

in check the speed of the car. In fact, it had been known to get beyond

the management of its drivers at one point several times. But I had

given it a start, and it wasn't long before it was beyond my control.

Then, all I could do was to cling to the platform, expecting every

moment to be my last. We went so fast the wheels didn't seem to touch

the tracks, only now and then, and we appeared to be flying through the

air, going faster and faster.

"Glancing back once, I saw the engine-light as the train thundered over

the summit, and at increased speed shot down after us! But we were not

likely to be overtaken, going at our flying rate.

"How the hand-car kept the track I do not know; but, before I could

realize it, we had reached the valley, crossed Runaway Bridge, and were

rushing up the ascent toward the station.

"As we began to lose speed, the train began to gain on us, and I knew

the engineer was doing his best to make up for lost time.

"For the last half-mile it looked as though we should be overtaken, but

we came in with the cow's nose at our heels.

"I told them what we had done, and as soon as they got over their

surprise a party went ahead to examine the bridge."

"Well, what was the result?" asked the superintendent, who had listened

with great interest to the boy's thrilling, yet straightforward, account

of his hazardous ride. "You took a fearful risk."

"The bridge was not gone, sir, and the train passed over in safety. The

tramp had lied to us."

"And you had your dangerous ride for nothing?"

"Yes, sir, unless you could consider a notice to quit work a reward. Mr.

Gammon accused Mr. Baxter of being intoxicated, and said we had got

caught on the track to tell that story to get out of a bad scrape. I

knew it was useless to talk with him, so I have come to you."

"What sort of a job do you want?" asked General Lyons, showing by his

tone that he had not been displeased by the boy's story.

"Anything that is honest, sir, and will give me fair wages, with a

chance to rise."

"So you have an eye to the future. Perhaps you hope to have the

management of a road yourself some time."

"It shall be no fault of mine, sir, if I do not."

"Nobly said, my boy; and it is possible you hope to be superintendent of

the Pen Yan."

"I mean to do my best for it, sir." And then, as if frightened by the

boldness of his speech, he added, "I only meant to say I am going to do

my duty."

"And if you stick to that purpose as faithfully as I think you will,

success will at last crown your efforts. I will speak to Mr. Minturn of

you and he will doubtless give you a situation. Good-day."

The superintendent turned back to his business problems, and the others

in the room followed the example of their chief, disappointed at the

sudden termination of the interview.

The boy, however, seemed loth to leave. He started away, went a few

steps and paused.

Then coming back to the railing, he said, with less firmness than

formerly:

"If you, please, sir, I had rather you would not leave my case in Mr.

Minturn's hands."

"So Mr. Minturn knows you?" asked the railroad king, sharply, vexed at

this second interruption.

"He does not like me, and he would never give me a situation. I--"

"Well, that is no fault of mine. But I haven't any more time to lose

with you."

Seeing it was useless to say more, the boy made his departure, trying to

feel hopeful, but fearing the worst.

CHAPTER II.

Scarcely had the youth left the railroad company's headquarters, when a

tall, spare man, with faultless dress and cleanly-shaven face, entered

the apartment, going straight to the superintendent's desk, smiling and

nodding to the clerks as he passed them.

He was Donald Minturn, the assistant superintendent, who had a smile for

every one, but as treacherous as the charm of the serpent.

"Hilloa Minturn!" greeted his chief; "you are back sooner than I

expected. By-the-way, you must have met a boy as you came in. He was

after a situation, and I was careless enough not to ask him his name.

Call him back if it is not too late. I think we might do worse than--"

"What!" exclaimed Mr. Minturn, "has that fellow had the audacity to come

here for another job? He has been discharged from his section this very

week."

"Then you know him, Minturn? Come to think of it, he told me so. How

stupid I am to-day! What is his name?"

"That he couldn't have told you himself, if you had asked him, general.

He is a sort of waif of the switch-yard. Jack Ingleside--you knew

Jack--he was engineer on the old Greyhound, afterwards took to drink and

went to the bad--well, as I started to say, Jack found this boy in the

caboose one morning as he was starting from Wood's Hollow. He wasn't

more than three years old, and how he got there is yet a mystery. Jack

took a fancy to him and gave him a home while he lived. I think the

young scamp still lives with the widow at Runaway Tavern."

"He seems like a more than commonly smart boy."

"Oh, he can appear well enough when he is a mind to. But Mr. Gammon had

to turn him off of his section for downright disobedience of orders.

Why, only yesterday he and a man named Baxter jumped on to the hand-car

in the very teeth of the northern-bound mail, and came very near

wrecking the train, to say nothing of ending their own worthless lives."

"Oh, well, if you know the boy, of course you are more competent to

judge of him than I. But I must confess he impressed me very favorably.

What news from Draco?"

So the august officials of the great Pen Yan gave no employment to the

poor boy who had come so far for a situation, whether he deserved a

better fate or not.

Meanwhile, the boy, unconscious that his fate had already been decided

upon, hastened to the Fairfax Station, to take the homeward-bound train,

which would be due in a few minutes.

The Pen Yan railway system forms upon the map of that part of the

country a stupendous letter Y. The Fairfax Fork running north-northwest

makes one branch of the arm meeting at the Big Y, as the junction is

called--the line of the upper arm, where the two tracks unite in one to

reach across a mountainous, often sparsely-settled, country for over

three hundred miles. At the time we write it was a single-track road

from the Big Y to its terminus.

The boy had to wait but a little while for the accommodation, which was

on time, and stepping aboard, he was soon homeward bound. He was

absorbed in meditations when he was roused from his rather unpleasant

reverie by the voice of the conductor, who had taken a seat near by him

to chat a few minutes with a friend.

"It is a strange coincidence, Sam, and it puts me in mind of an

adventure I had several years ago, and which came near punching my

through ticket."

"An adventure, Henry? Give us the story."

"As soon as we have passed Greenburn. I shall have plenty of leisure

then."

Without dreaming how soon he should recall it with startling vividness,

our hero, with a boy's interest, listened to the conductor's story:

"Ten years ago I was engineer on the Tehicipa and Los Angeles Road, a

branch of the Southern Pacific. Those were troublesome times. What with

the guerillas and Indians that infested the country, to say nothing of

other dangers, we never knew when we were safe, if we ever were.

[Illustration {map}]

"One evening--just about such an evening as this, too--we had barely

stopped at a way station when some one rushed up to the train and said

Gray Gerardo's band was coming to attack us.

"Gerardo was considered the worst desperado in that lawless country, and

knowing we had a lot of the yellow ore on board, I knew the outlaw was

after it.

"The conductor cut our stop short, but before I could get under way the

outlaws were upon us. From their sounds one would have thought all the

fiends from the lower world had been let loose.

"The boys fought like tigers, and it was a wild scene for a few minutes.

My fireman--a plucky little fellow he was, too--was snatched from my

very side, and with a volley of shot whistling about my head, I was

pulled from the cab.

"The wheels had begun to revolve and the train was moving on. Struggling

desperately with my captors, I succeeded in breaking from them and

sprang back upon the engine. Three or four of the outlaws followed me,

and among them was Gerardo himself, whom I knew by sight.

"He was a tall, stalwart fellow, with burning black eyes, and a

countenance that would have been handsome, had it not been for a long

scar under his right jaw. It looked like a sabre-wound, and quite

spoiled the beauty of that side of the face.

"Well, knowing it was life or death with me, I pitched one after another

of those fellows off the cab, until only Gerardo was left. It surprises

me now that I could have done it; but a man never knows his strength

until put to the test. Then, you see, being on my own footing gave me an

advantage, while some of them, losing their hold on the moving engine,

fell off without any assistance of mine.

"I grappled with Gerardo, just as he was boarding the cab and before he

could establish his position, I hurled him, heels over head, down the

side of the track. At the same moment, however, I heard a sharp report

and felt a stinging sensation in my right arm, where the outlaw's bullet

had struck me.

"The firing had nearly ceased at the rear of the train, and feeling that

in another minute we should be safe, I sprang to the lever and threw the

valve wide open. With snorts and shrieks of defiance to our enemies, the

old engine obeyed me, soon gaining a rate of speed which I knew would

out-distance the baffled outlaws, whose yells I could still hear above

the thunder of the train.

"As my excitement abated my arm began to pain me fearfully, and I found

the member disabled for further use. My fireman gone, my situation was

critical, and I was wondering how the rest of the boys had fared when I

heard some one behind me.

"Half expecting to meet one of the outlaws, I turned, and was glad to

see one of the brakemen, who had come to my assistance.

"'We have repulsed them, but they are following us,' he said, in reply

to my anxious questions.

"'Well, let them follow,' I answered, 'if they think they can overtake

my Bonny Bess. Give her more fuel, Ned. You will have to be my--'

"I did not finish my sentence, for at that moment, as we shot around a

curve, great tongues of fire leaped from the track ahead of us. It was a

bridge in a blaze of flame, and in the light of the burning structure I

saw a dozen of Gerardo's band waiting our coming.

"We were going at lightning-like speed, and we were within twenty rods

of the fire when I discovered it, so I had no time to hesitate upon my

course of action. Quick as a flash I realized the trap Gerardo had

laid--our situation. To stop was to throw ourselves into the hands of

his followers, which meant death. The bridge was still standing. It

might hold us to cross over. There was at least a chance. To stop was

hopeless.

"All this seemed to come to me at one thought. I would keep on. Bonny

Bess was doing her prettiest and I gave her a free bit; that is, in our

parlance, 'linked her up.' My left hand was on the lever and my gaze was

fixed on the burning bridge, which hung, a network of fire, over the

glowing river, thirty feet below.

"I heard the shouts of the amazed outlaws above the roar of the train,

and then I felt the bridge quiver and tremble beneath me, as we were

borne over its swaying spans, amid a cloud of ashes, smoke and cinders,

which fairly blinded me.

"The blazing girders overhead sent out their forked tongues of fire,

and from the timbers below leaped up the sheets of flame until we were

enveloped in the fiery shroud. Blinded, stifled for a moment, I then

felt the cool night air fan my face, and the engine no longer shook as

if upon uncertain footing.

"We had passed the bridge in safety, and I drew a breath of relief. Then

another curve in the track brought us into full view of the burning

structure, and feeling we were now safe from pursuit, I checked the

engine's speed, so we could watch the fire.

"We hadn't watched long before a cloud of sparks flew into the darkness,

and one span of the doomed bridge fell into the water. The other must

soon follow.

"I felt a dizziness creeping over me then, and the next I knew I was

lying on the ground, with an anxious circle of men and women bending

over me. You see my arm had been bleeding all of the time, and the loss

of blood, with the strain of the awful ordeal, had been too much for me.

"But my arm had been bandaged, and I was soon able to resume my old

post, which I did, running the train to Los Angeles without further

adventure.

"Strange enough, Gerardo and his followers were not seen after that

night. But I had got tired of that country, and I soon after came up

this way. I have never regretted it, either.

"But now comes the strange part of my story, and which recalled my

adventure so vividly. There is a man on this train who is the exact

image of Gerardo!"

"Whew!" exclaimed the other. "Do you really think it is he?"

"I can't say. The likeness is perfect, even to the scar."

"I have heard of cases where two persons looked so much alike you could

not tell them apart."

"Very true, and this may be one of them. There is a slight difference

here, too, for this man wears side-whiskers. But his beard is not heavy

enough to conceal the scar."

"Do you remember where he is going?"

"To Woodsville; and he inquired for Jack Ingleside. Seemed surprised

when I told him Jack was dead. Said he was a relative, and he asked all

about the family. Here we are at the Big Y. This is as far as I go."

CHAPTER III.

An impatient crowd was waiting at the Big Y station for the northern

mail, which was half an hour overdue.

Finally, when the engine thundered into the depot, puffing and panting

like an over-driven steed, there was a rush to board the train, as if

the time was limited to the shortest possible space.

"It's going to be a rough night," muttered the old engineer, as he

peered out of the cab window into the gathering gloom of storm and

darkness. "I never felt so uneasy in my life, and I have a presentiment

something is going to happen--as if it wasn't enough to be half an hour

behind time and your engine in the sulks. But how are you feeling,

Gilly?" addressing his fireman. "Any better?"

"No, Jockey; and I am afraid I won't be able to go through. I don't

understand it, for I felt well enough when I started."

"I tell you everything is wrong to-night. If Jim were here--Hilloa!

there's Jack Ingleside's boy, as true as I live! We're in luck. Hi,

Rock! aren't you lost?"

At the sound of the engineer's voice, our hero, who was following

leisurely the crowd to one of the cars, looked in that direction to see

the soot-begrimed countenance of his old friend.

"Lost, Jockey? Never where you are," replied the youth.

"Going up? Jump in here, then. It won't be like riding in a parlor-car,

but it will suit you just as well, I'm thinking."

Rock showed his willingness by springing quickly into the cab.

Railroad companies have a rule forbidding persons to ride with the

engineer without permission from the president or superintendent, though

at the time we write this matter was not as rigidly looked after as now.

Rock, however, who had passed nearly all his young life on the

foot-board, would have been deemed an exception to any rule. At least,

so thought Jockey Playfair, the veteran "knight of the lever" on the Pen

Yan mail and accommodation.

But Jockey's usual good-humor had been relegated to the background on

that evening, as Rock soon saw.

The signal to start was given, and with a full head of steam on, the old

engine, trembling and groaning from her pent-up power, began to creep

ahead, as if feeling her way along the switches and through the yard,

going faster and faster at every revolution of her wheels, until the

station-lights faded in the distance, and she plowed boldly into the

night.

The tall form of the engineer, clothed in greasy overalls and jumper,

stood at his post like a grim sentinel on duty, his right hand on the

reversing lever, his left on the throttle, while his steely gray eyes

peered into the gloom, as if expecting to see spring from the regions of

darkness the hosts of danger and death.

A drizzling rain was falling, so altogether it was a disagreeable night.

"I have a favor to ask of you, Rock," said Gilly, the fireman, as the

engine fairly gained her feet and increased her progress at every beat

of her piston heart. "I want you to take my place until we get to

Trestle Foot. I am used up."

"Of course I will," replied Rock, taking the fireman's place. "Is she

very hungry to-night?"

"Hungry and cross, Rock," said the other. "But I'll risk you to feed

her."

No engineer who has stood at the lever for any length of time refuses to

believe that his trusty servant is without her faults, however he may

care for her. She is subject to her ill-moods as well as himself.

The engine, so good-natured on his last run, so prompt to obey his will,

on this trip is stubborn and hard to manage.

He can see no reason for her change of spirit. Her wonderful mechanism

is in perfect working order, her groom has arrayed her for a dazzling

passage, her fireman has fed her with the best of fuel, the flames dart

ardently along her brazen veins, she bounds off like a charger, eager

for conquest. Her first spurt over, she falters, sulks.

No coaxing can change her mood. In vain her master bestows greatest care

upon her; with each effort she grows more sullen.

Jockey Playfair's engine was in the sulks on the trip of which we write.

The Silver Swan had never seemed in better temper than at the start.

Delays in making connections, the bad condition of the track at places

on account of the recent heavy rains, with other difficulties, had

caused them to lose time. The engineer, however, had confidently

expected to make up for this before reaching Wood's Hollow, sixty miles

above the Big Y junction.

In the midst of his anxiety his fireman was taken suddenly ill. Then his

engine began to fail him. This last gave him more uneasiness than all

the rest.

"Behind time, with a sulky engine and a sick fireman!" he muttered, to

himself. "I see it coming--something dreadful! Never mind, old Jockey!

You are on your through trip to-night, but stand to your post like a

man."

During the next ten miles nothing was said by the three, and then, as

they stopped long enough at a way-station to take on a solitary

passenger, Jockey merely remarked:

"One minute gained. If we can't do better than that on our next run I'll

never touch the lever again."

As Jockey knew, he was now on the most favorable section of the road. No

signals were to be expected for a long distance, and there was no reason

why he should not regain a good part of the lost time. If he didn't he

resolved it should be no fault of his.

As soon as he was fairly under way again, he "linked her up." That means

he drew the reversing-rod back until the catch held it near the centre,

so the steam, instead of being allowed to follow the length of the

piston-rod, beat alternately the heads of the cylinders, giving the

highest momentum acquired.

Rock understood his duty perfectly and was determined the Silver Swan

should not hunger for fuel under his care.

"Mind how well the boy fires," said Gilly, forgetting for a moment his

pain.

"So he should; for wasn't he Tommy Green's pupil? And Tommy was the best

fireman ever on the Pen Yan, not even excepting you, Gilly."

"I know it; but she is pulling for all she is worth now, Jockey. You'll

get there on time, after all."

The Silver Swan was behaving beautifully now. Apparently she had gotten

over her sulks. Nothing occurred to disturb the even tenor of their

progress until the lights of Haford's Run came into sight.

At this place they must stop to refill the engine's boiler, and while

Rock looked after this matter, Jockey carefully examined each part of

the wonderful machine, talking to it and patting it as he would a child.

When he had run his practiced eye over the bars, joints,

connecting-rods, cylinders and steam-chests, then around the pilot to

the other side to find everything in fine working order, he came back to

the cab-step and consulted his watch.

"Ten minutes gained," he murmured, exultantly. "If you hold out like

this, old Swan, we'll make Wood's Hollow on time."

"Good! So you will, Jockey!" exclaimed the conductor, coming forward

with his lantern. "You have an excellent run ahead of you; do the best

you can. If we can gain ten minutes before getting to Trestle Foot,

we'll venture to Woodsville. Are you ready?"

"All ready," answered Rock, who had shut off the flow of water and

flung back the dangling leather arm to spring from the tender to the

footboard.

"Ho!" called out the conductor, "who's firing to-night?" as Rock,

jerking open the furnace door, stood in the glow of the fiery light.

"Where's Gilly?"

"Here; but he's sick," answered Jockey. "Rock took his place at the

Big Y."

"What! Jack's boy? Well, he is good for it. If Gilly is sick he had

better come back into a passenger."

But the old fireman wouldn't think of deserting his post so far as that.

The next instant the conductor's lantern waved back and forth, dense

volumes of smoke rolled from the smoke-stack, and snorting as if with

rage at being driven on again, the engine forged on along its iron

pathway.

"Where have you been to-day, Rock?" asked the engineer, as they were

once more spinning along at a flying rate.

"Down to Fairfax to see if I could get a job. You know I got turned off

the section."

"No--you don't mean it! I'll bet Gammon was at the bottom of it."

"I am sure of it. He has boasted I shouldn't stay there long."

"Zounds! I'd like to shake the rascal out of his jacket. He's been

wanting Gilly's place; but he can't get it. What do you want?"

"To brake."

"Get it?"

"Nothing certain. I have little hope, for Donald Minturn will never let

me get there if be can help it."

"The old snake! I never did like him. So he isn't over fond of you?"

"No; he is opposed to me on account of an old enmity he bears Mrs.

Ingleside."

"Rock, you deserve a place on this road. Why, bless you, you are fit to

take my place. Not many trips did old Jack make without taking you with

him. I used to fire for him, you know. He had a mat for you at his feet,

and when too tired to keep awake longer you slept curled up on the

footboard. Ah, it was something such a night as this when poor Jack made

his last trip! It wasn't quite so dark it may be, but he was behind

time, as we are, and he was trying to make up.

"He was swinging down the long grade beyond Woodsville at a humming

rate. There was no station at the Hollow then, and he was counting on a

clean sweep to Owls' Nest. Leaving the air-line grade he swooped around

the curve, when right in his face and eyes he saw a string of loose

cars, which had broken from the special on the highlands.

"He must have been going at the rate of fifty miles an hour, and the

runaways were coming toward him at scarcely less speed. I caught a gleam

of his white face as he reversed, and then he was beside me at the

brake.

"'Stand by!' he cried. 'We'll die at our post.'

"The shock came the next moment. I felt myself lifted into the air, and

the next I knew I was lying at the foot of the embankment, a dozen yards

from the place where we had met.

"Jack died at his post, and his sufferings could not have lasted long,

for he was crushed beyond recognition. Fortunately no other lives were

lost, though the passengers were terribly shaken up, and two of the

freight cars were piled up on the engine.

"Jack's fidelity, I am sure, averted a worse catastrophe. He met the

fate of a hero, and it was always a mystery to me the company never did

more for his family.

"Hey! As I live, the Swan is falling into another ugly mood!"

They were rushing along at a tremendous rate, and an inexperienced eye

would have seen nothing amiss.

In fact, the engineer himself could not. The driving-rods were shooting

back and forth in perfect play, while the large drivers were revolving

with clock-like regularity. Every now and then Jockey would give the

lever a slight pressure, which would be instantly felt by the iron

steed.

Despite all this the Silver Swan was not doing as well as she ought. She

was barely keeping her course at the usual speed.

Jockey glanced to the boiler. The index finger pointed to the gauge at

122 degrees. Three more degrees was all she could stand. Rock was doing

his duty. The track was straight and level. Still the Swan showed no

disposition to gain the twenty minutes coveted time.

The old engineer shook his grizzled head and the furrows deepened on his

careworn visage.

"The fates are against us to-night," he muttered. "We can never make

Wood's Hollow in time to escape the down express. That is always on

time."

Just then the little gong over his head sounded, in response to the

conductor's pull upon the cord.

Jockey quickly answered this with a blast from the whistle, which the

other would understand to mean that the engine was already crowded to

her utmost.

The old engineer was losing his temper by this time, and with his hand

still on the lever he leaned forward to peer into the gloom, parting

before the dull rays of the headlight, as if to let them pass.

A drizzling rain was yet falling, but he did not notice this, for at his

first glance a cry of horror left his lips, and he staggered back,

exclaiming:

"It is coming! Someone has blundered!"

Rock started forward with surprise, and he uttered a cry of terror as he

saw the gleam of a headlight and the shadowy outlines of an engine and

train, less than a rod in front of them.

[TO BE CONTINUED.]

THE ORIGIN OF DOLLS.

It is a safe assertion to make that every girl has at some time or other

played with dolls; in fact, it is almost impossible to imagine a girl

without a doll. Of course, the older ones have outgrown their dolls, and

only keep the old favorites as souvenirs of childish days and pretty

playthings, and it is quite likely that they would be puzzled to explain

why they call the little image a "doll," and not, as the French do, a

"puppet," or, with the Italians, a "bambino," or baby.

What is the meaning of the word "doll?" To explain, it is necessary to

go back to the Middle Ages, when it was the fashion all over the

Christian world for mothers to give their little children the name of a

patron saint. Some saints were more popular than others, and St.

Dorothea was at one period more popular than all.

Dorothea, or Dorothy, as the English have it, means a "gift from God."

But Dorothea or Dorothy is much too long a name for a little, toddling

baby, and so it was shortened to Dolly and Doll, and from giving the

babies a nickname it was an easy step to give the name to the little

images of which the babies were so fond.

ANECDOTES THAT AMUSE.

In this age of enlightenment it is not often that one meets with an

adult who cannot read and write, and the encounter is generally as

amusing as it is amazing. In one of the interior towns of Pennsylvania

there lives a farmer who brings butter, eggs and produce to market, and,

being illiterate, also brings with him his son to do the "figuring." The

other day the son was ill, and the old man had to venture alone. For

awhile he got along very well by letting his customers do the figuring;

but presently he sold two rolls of butter to a woman who could not

figure any better than he. The farmer was much puzzled, but, being

resolved that she should not know that his early education had been

neglected, he took a scrap of paper from his pocket and began. He put

down a lot of marks on the paper, and then said, "Let's see; dot's a

dot, figure's a figure, two from one and none remains, with three to

carry--$1.50, madam, please." She paid over the $1.50, took the butter

home, had it weighed and "figured up" by her daughter, who discovered

that the price should have been $2.10 instead of $1.50.

A small Detroit boy was given a drum for a Christmas present, and was

beating it vociferously on the sidewalk, when a nervous neighbor

appeared, and asked, "How much did your father pay for that drum, my

little man?" "Twenty-five cents, sir," was the reply. "Will you take a

dollar for it?" "Oh, yes, sir," said the boy, eagerly. "Ma said she

hoped I'd sell it for ten cents." The exchange was made, and the drum

put where it wouldn't make any more noise, and the nervous man chuckled

over his stratagem. But, to his horror, when he got home that night

there were four drums beating in front of his house, and as he made his

appearance, the leader stepped up and said, cheerfully, "These are my

cousins, sir. I took that dollar and bought four new drums. Do you want

to give us four dollars for them?" The nervous neighbor rushed into the

house in despair, and the drum corps is doubtless beating yet in front

of his house.

Photography is an art that looks to be easier than it is, but some

beginners add to their difficulties by inexcusable carelessness. A young

lady bought a Kodak at a dealer's before she went on her summer

vacation, and was so confident of her own ability that she took only the

book of directions and went off. She took seventy or eighty shots in

picturesque places, and promised copies to all her friends. When she

came home, she left the camera to have the film developed and printed.

The artist developed on and on, but found none but blanks. In great

surprise, he sent for the amateur photographer, and when she came he

asked, "How did you operate this camera?" "Operate it? Why, I pulled the

string as the book says, and touched the button." "But what did you do

with this little black cap here?" "Why, I didn't do anything with it,"

she replied. And then the artist roared with laughter. She had never

once removed the cap that covered the lens, and had, of course, taken

not a single picture, and when she found what she had done, or rather

not done, she wept bitter tears.

One of the most amusing accidents imaginable happened recently to an old

gentleman in one of our large Eastern cities. He was asked to buy a

ticket to a fireman's ball and good-naturedly complied. The next

question was what to do with it. He had two servants, either one of whom

would be glad to use it, but he did not wish to show favoritism. Then it

occurred to him that he might buy another ticket and give both his

servants a pleasure. Not knowing where the tickets were sold, he

inquired of a policeman, and the officer suggested that he go to the

engine house. So the old gentleman went to the engine house that

evening, but there was no one in sight. He had never been in such a

place before, and stood for a moment or so uncertain how to make his

presence known. Presently he saw an electric button on the side of the

room, and he put his thumb on it. The effect was electrical in every

sense of the word. Through the ceiling, down the stairs and from every

other direction firemen came running and falling, the horses rushed out

of their stalls, and, in short, all the machinery of a modern engine

house was instantly in motion. Amid all this uproar stood the innocent

old gentleman, who did not suspect that he had touched the fire-alarm

until the men clamored around him for information as to the locality of

the fire. Then he said, mildly, "I should like to buy another ticket for

the ball, if you please." The situation was so ludicrous that there was

a general shout of laughter, and the old gentleman bought his ticket and

the engine house resumed its former state of quiet.

A HAPPY NEW YEAR.

by MARY ROWLES.

A Happy New Year, and a new beginning

For hands that have wavered and steps that fall;

New time for toil and new space for winning

The guerdon of happiness free to all.

Now hope for the souls long clouded over

With possible sorrows and actual pain;

New joys for comrade, and friend and lover,

The year is bringing them all again!

New days and hours for the patient building

Of noble character, pure and true;

For faith and love, with their radiant gliding,

To make the temple of life anew.

A Happy New Year, and a truce to sadness,

Its every moment by God is planned;

Whatever may come, whether grief or gladness,

Must come aright from a Father's hand.

He blessed the old in its dawning--thenceforth

His love was true to us all the way,

And now in the hitherto shines the henceforth,

And out of the yesterdays smiles to-day.

We would have power In this year to brighten

Each lot less blessed and fair than ours;

The woe to heal, and the load to lighten,

The waste soul-garden to plant with flowers.

May every day be a royal possession

To high-born purpose and steadfast aim,

And every hour in its swift progression

Make life more worthy than when it came.

PRACTICAL PHOTOGRAPHY.

by DORCAS.

PART II.

If you simply desire to get a picture from your negative in the easiest

and quickest way, without going through the necessary processes which

are involved in toning, you can use cyanotype paper, which requires but

one process for the completion of the picture and that process simply a

bath in clean water.

Prints made upon this cyanotype paper have a beautiful blue tone, and

are so simple and easily made that they are very popular. This cyanotype

paper is sold in any desired quantity and size, and it is never worth

while for the amateur to prepare his own paper, as it is a tedious and

uncertain process.

When you are sure the negative is thoroughly dry, place it in the

printing frame with the film side uppermost, and upon it lay a sheet of

the cyanotype paper cut the right size, with the prepared side next to

the film of the negative.

The frame should then be put where the sun's rays will fall upon the

glass, and allowed to remain there till the cyanotype paper has turned

to a dull bronze in the shadows.

It will be necessary to look at the print from time to time to see when

this point is reached. If the paper is not allowed to print long enough,

the result will be that the picture will wash off the paper when it is

put in water.

When you think it is done, place it in running water, or in several

changes of water, and wash it thoroughly. It should be washed till the

water that drips from it is no longer discolored, but is perfectly

clear. The picture then should stand out in blue tones on a clear white

ground.

If you prefer to use the ready sensitized paper, there is a preliminary

process through which the paper must pass before you print it. This

process is called "fuming," and consists in exposing the paper to the

fumes of ammonia for a short time.

A fuming-box is needful, but one can easily be constructed, without the

expense of purchasing this convenience. Take a wooden box about two feet

cube, and, with hinges, make a door of the cover. Close all the cracks

with strips of cloth so that the box will be both light and air tight,

and fasten corresponding strips around the edges of the door so that no

light will make its way in there.

Stretch two or three strings across the box near the top, on which to

hang the paper that is to be fumed, and put a small flat dish in the

bottom of the box.

When you are ready to fume your paper, pin two sheets together, back to

back, and hang them on one of the strings. Several sheets can be fumed

at once in this manner. Fill the dish with ammonia, and closing the door

tightly, let the paper absorb the fumes for fifteen or twenty minutes.

After fuming, the paper should be given a short time to dry before it is

used for printing. It should then be put in the printing frame in the

same way as the cyanotype paper and exposed to the sun.

If your negative is a thin one, a diffused light is better for printing

than the direct rays of the sun. Diffused light is a strong light that

is not sunlight.

If the negative is exceedingly thin, the light indoors, away from the

window, will be sufficient. Satisfactory results cannot of course be

achieved with too thin a negative, but this diffused light will give the

best print that you can obtain.

In examining the print from time to time be sure that you do not open

both sides of the printing frame at once, for if you should do this, you

will find it impossible to replace the print in exactly the same

position, and so it will be spoiled by being printed with double lines.

No exact rule can be given for the length of time which should be

allowed for the printing of a negative. It should, however, be allowed

to become twice as dark as it ought to be after the picture is toned and

mounted. The after processes of toning bleach the print very much, as

the amateur will discover for himself.

If a negative is very dense or thick, as over-development will sometimes

cause it to become, the time for printing will be considerably extended.

While in a good light, with a negative of the right density, five

minutes or less is sufficient to print a negative, three or four hours

will sometimes be required.

When the print has become dark enough, it should be removed from the

printing frame and put at once in a dark place where the light cannot

reach it. It is what is known as a proof at this stage, and the light

will turn it black.

About twenty prints can be toned at once, and, as it is a long process,

it is better to wait until several have accumulated than to go through

the various operations with only one or two prints.

They should first be trimmed to the required size. Some amateurs leave

the trimming until after they have finished the toning process, but this

is not advisable for several reasons. In the first place, it is easier

to trim them beforehand, because they lie flat and are not curled up, as

they generally are after toning. None of the toning solution is wasted

in toning the parts that are of no use, and if the accumulated clippings

are saved, they are of some value on account of the silver in them.

The trimming cannot be satisfactorily done with a pair of scissors,

as it is impossible to cut perfectly straight. A thick piece of glass

called a cutting mould is used, and a convenient little instrument

called Robinson's trimmer. If you do not wish to go to the expense of

these articles, however, you can manage very well by using a sharp

pen-knife to cut with and any piece of glass with straight edges to

trim by.

You should have a firm, hard substance to cut on (glass is preferable),

and on this should be put a piece of paper. Upon this paper the print

should be laid face downward, and after you have decided how much of it

you are going to cut away, draw your knife firmly along by the edge of

the glass, pressing down well, and the strips will be cut off leaving a

smooth, straight edge.

After the prints have been trimmed, they should be soaked in water for

fifteen minutes. If you have not running water in which to place them,

the water should be changed several times. This preliminary washing must

be very thorough, or the toning will not be satisfactory.

To prepare your toning bath, make up first a stock solution of fifteen

ounces of water and fifteen grains of chloride of gold and sodium. The

chloride of gold and sodium can be obtained in small bottles which come

for the convenience of the amateur prepared in just the desired

quantity.

For a toning bath for twenty prints, take ten ounces of water, three

grains of sodic bicarbonate, six grains of sodic chloride (common salt),

and three ounces of your stock solution of gold. Add to this bath three

ounces of the stock solution of gold that has had three drops of

saturated solution of bicarbonate of soda added to it. This bath should

be alkaline, and you can test it with red litmus paper. If it turns the

paper slightly blue, it is ready for use. Put this bath in a flat tray

(porcelain preferably), and then lay the prints in it face down. Move

them all the time, to insure evenness of tone and to prevent spots. It

is a good plan to keep drawing out the undermost one, and putting it on

the top.

The prints are of a reddish-brown color when they are put into the

toning bath, and in about fifteen or twenty minutes they begin to turn

to a rich purplish black. Experience will teach the amateur at what

point the prints should be removed from this bath. They should lie long

enough to have every tinge of red entirely removed, and yet not long

enough to turn the prints to a dull gray.

When the prints have been sufficiently toned, they should be thoroughly

washed and then put into the fixing bath. This bath is made of one

gallon of water, one pound of sodic hyposulphite, one tablespoonful

sodic bicarbonate, and one tablespoonful common salt.

These ingredients should be thoroughly dissolved, and then a portion put

in a tray. This tray must be kept for the fixing bath and not be used

for any other purpose. The prints are put in the tray in the same manner

as in the toning bath, and moved continually until they are fixed.

This process should take fifteen minutes, or, if the bath is rather

cool, the time may be extended to twenty minutes.

After the prints have been removed from the fixing bath they are put in

a strong solution of salt and water, to prevent their blistering. After

they have been in this solution for about five minutes they are then

ready for their final washing. The prints should be left in running

water for some hours, and there is very little danger of washing them

too long or too thoroughly.

After every trace of the fixing bath has been removed, the prints may be

taken from the water and dried between sheets of chemically-pure

blotting paper. They will not curl up when dried in this way, as they do

when simply exposed to the air.

The prints are now ready to mount. This is by no means the least

difficult nor the least important of the many processes necessary to

secure a successful picture. Even if care has been exercised in all the

other processes, yet if the prints are carelessly mounted they will not

look well.

The prints should be wet in clean water and laid in a pile upon each

other, with their faces down. It is necessary to have a very adhesive

paste to make the prints stick well to the mounts. There are some pastes

that are manufactured for this purpose, but it is very easy to make one

which will work equally well.

Boiled laundry starch, with the addition of a little white glue, is

perhaps the best; it can be easily made, and with the addition of a few

drops of carbolic acid will keep well. It is made in the proportion of

one and three-quarter ounces of starch, mixed with one ounce of water,

till it is a smooth paste, as thin as cream, and eighty grains of glue

added with fourteen ounces of water. The whole should be well boiled and

six drops of carbolic acid added. This can be put in a bottle and will

keep a long time.

After the water is pressed from the wet prints a bristle brush is dipped

in the paste and drawn back and forth over the print, till it is

thoroughly covered.

The position on the mount should have been previously marked with a

pencil or with pin-pricks, and when the print is well covered with paste

it should be carefully lifted and put in place. With a piece of paper

laid over it and a flat paper-cutter, all the unnecessary paste and any

bubbles of air may be pressed out from between the print and the mount.

With a soft cloth wipe away the paste that is pressed out around the

edges of the print and then put it under a weight to dry.

If it is desired to mount prints in an album, a piece of cardboard, an

eighth of an inch smaller than the print, should be placed upon the back

of the print and the exposed edge covered with paste. Put on just as

little as possible and lift it in place at once, before the paste has

time to dry. Pass a soft cloth over it to press it into place and then

close the album. In less than an hour it will be dry, and if properly

mounted will be firmly adhering to the page.

The one important factor for success in photography is care. Without it,

you can accomplish nothing, no matter how complete and costly your

outfit may be. With care and patience you may achieve results that will

be a pleasure to your friends as well as yourself, and will give

permanent existence to pleasant scenes and occasions that otherwise must

be only memory pictures.

[THE END.]

FEATHER BOOKS.

Elizabeth Brightwen describes, in "Nature Notes," her method of

collecting birds' feathers, by grouping them artistically in the page of

a large album.

"The book," she says, "should be a blank album of about fifty pages,

eleven inches wide by sixteen, so as to make an upright page, which will

take in long tail feathers. Cartridge paper of various pale tints is

best, as one can choose the ground that will best set off the colors of

the feathers. Every other page may be white, and about three black

sheets will be useful for swan, albatross and other white-plumaged

birds.

"The only working tools required are sharp scissors and a razor, some

very thick, strong gum arabic, a little water and a duster, in case of

fingers becoming sticky.

"Each page is to receive the feathers of only one bird; then they are

sure to harmonize, however you may combine them.

"A common wood-pigeon is an easy bird to begin with, and readily

obtained at any poulterer's. Draw out the tail feathers and place them

quite flat in some paper till required. Do the same with the right wing

and the left, keeping each separate and putting a mark on the papers

that you may know which each contains.

"The back, the breast, the fluffy feathers beneath, all should be neatly

folded in paper and marked; and this can be done in the evening or at

odd times, but placing the feathers on the pages ought to be daylight

work, that the colors may be studied. Now open the tail-feather packet,

and with the razor carefully pare away the quill at the back of each

feather.

"This requires much practice, but at last it is quickly done, and only

the soft web is left, which will be perfectly flat when gummed upon the

page. When all the packets are thus prepared (it is only the quill

feathers that require the razor) then we may begin.

"I will describe a specimen page, but the arrangement can be varied

endlessly, and therein lies one of the charms of the work. One never

does two pages alike--there is such scope for taste and ingenuity--and

it becomes at last a most fascinating occupation.

"Toward the top of the page, place a thin streak of gum, lay upon it a

tail feather (the quill end downward), and put one on either side. The

best feathers of one wing may be put down, one after the other, till one

has sufficiently covered the page; then the other wing feathers may be

placed down the other side; the centre may be filled in with the fluffy

feathers, and the bottom can be finished off with some breast feathers

neatly placed so as to cover all quill ends.

"When one works with small plumage, a wreath looks very pretty, or a

curved spray beginning at the top with the very smallest feathers and

gradually increasing in size to the bottom of the page.

"Butterflies or moths made of tiny feathers add much to the effect, and

they are made thus. It is best, I find, to fill a wide-mouthed bottle

with dry gum, and just cover the gum with the water, allow it to melt,

keep stirring and adding a few drops of water till just right--no bought

liquid gum equals one's own preparation.

"To make the book complete, there should be a careful water-color study

of the bird on the opposite page, its Latin and English name, and a

drawing of the egg. It may interest some to know how I obtained the

ninety-one birds which fill my books. Some were the dried skins of

foreign birds, either given me by kind friends or purchased at

bird-stuffers'. The woodpecker and nut-hatch were picked up dead in the

garden. The dove and budgerigars were moulted feathers saved up until

there were sufficient to make a page.

"Years after the death of our favorite parrot, I found that his wings

had been preserved; so they appear as a memento of an old friend who

lived as a cheery presence in my childhood's home for thirty years. It

is a pleasure to me to be able to say no bird was ever killed to enrich

my books."

LILIAN'S NEW YEAR'S CALLS.

by Mrs. CLARA DOTY BATES.

"Oh, what a lonesome day it will be!" sighed Lilian, looking wistfully

out across the snow-bright prairie.

"Not unless you make it so," responded her mother, cheerily.

"Make it so!" rejoined Lilian. "How can I make it anything else? It is

always lonesome here, and to-day will be the worst of all. Only think of

the fun the girls will be having in dear old Deerfield, while I am off

out here in this--"

She stopped short, fearing she might say too much. What she had been

about to say was "this horrid, desolate Kansas ranch."

"Perhaps the boys can take you for a drive, dear; and you know we're

invited to Uncle Abner's for the evening."

"A drive!" replied Lilian, scornfully. "I hate driving, all alone, along

these endless roads. Nothing but snow, snow, until I am nearly blind."

"You have your books, Lilian; and your father likes perfect lessons."

"Yes, I can have books any day. But think of the girls at home--what

they are having. They are getting their tables ready, this very minute.

They will darken the parlors and have gas-light, and pretty dresses and

lots of callers."

Here Lilian broke down and sobbed. Her mother came to her side and

stroked her hair.

"Be brave, daughter," she whispered. "I know it is a great change. But I

have often told you we must bear in mind why we left the East, and why

we are here. Father would not have been alive but for this change of

climate and open-air life. You know he is getting well, and is so happy

in that. We ought not to mind anything if he can be well again."

Lilian felt ashamed, and tried to dry her tears. Yet she was unwilling

to quite give up her discontent.

"If only something would happen!" she said. Then, desperately, "I wish

there would be a cyclone or a blizzard, or a prairie fire! I wish the

Indians would make a raid!"

"We don't have cyclones and prairie fires in winter," her mother said,

calmly.

Just then Lilian heard a great stamping of feet and gay voices outside

on the kitchen threshold.

Her four brothers were coming in from doing their morning chores. As

they entered they let in a great rush of cold air. Jack spied Lilian

through the half-open sitting room door.

"Hello, Lil!" he called.

She did not answer.

"Lil in the dumps again?" he asked his mother.

"She is a little homesick this morning."

"Why doesn't she get out, as we do, and stir up her spirits?" said

Harry. "It's nothing but moping makes her homesick."

"This is a thousand times better than poky old Deerfield," asserted Ben.

"There was nothing to do there but slide down hill on a hand-sled, and

here we have the ponies, and the cattle, and--"

"But you are a boy, Ben," interposed Mrs. Wyman, "and can do a great

variety of things. Lilian isn't strong enough for hard riding, and,

besides, she misses her friends."

"Let her make new ones," piped up Jamie. "There's lots of nice people

all over these prairies."

"She will find them in time," said Mrs. Wyman. "But you must cheer her

all you can meanwhile."

Lilian overheard herself discussed, and began to sob afresh.

Jack went into the sitting-room and playfully pulled her ears, and tried

to laugh her out of her gloom.

"Come now, Lil. What is it you want--a gallop, a sleigh-ride?"

Lilian could confess anything to Jack.

She told him all that had been in her thoughts--how the Deerfield girls

were getting ready for callers, what pretty dresses they would have, and

what gay, good times.

"Do you want callers? Is that what you want, Lilian?"

"Oh, you stupid fellow! I want anything except this awful experience. I

told mother I even wished the Indians would drop down on us."

"Why, Lilian, if you saw even one Indian coming down the road, you'd run

and hide under the bed."

"No, indeed I wouldn't. I'd make my very best courtesy and wish him a

Happy New Year. I would spread the table with the rose-bud china, make

coffee for him, and--"

"Y-e-s--but before you'd half done, he would whip out his tomahawk,

grasp you by the hair--this way--and, w-h-o-o-p! off would come your

scalp. Then he'd tuck your braids into his belt, and away he'd go to the

reservation to hang them up on the ridge-pole of his wigwam!"

"All the same, I wish he'd come."

Jack laughed.

"Say, Ben," he called, "Sis wants visitors so badly, she even wishes a

Comanche would call."

"I do," persisted Lilian. "I wish a whole tribe would come!"

Harry stormed into the sitting-room, in search of his heavy leather

gloves.

"Where are you going, Harry?" asked Lilian, eagerly.

"Out on business," he answered. "Are you ready, Jack?"

"Are you all going off?" cried Lilian, in alarm, lest she should lose

even the doubtful pleasure of her brothers' company.

"We're going on the ponies, to look up some stray cattle for Uncle

Abner."

"But mamma said you would take me for a drive?"

"Can't this morning--too busy!"

"We're all to go this evening, you know," comforted Jamie.

"This evening! What am I to do alone all day?"

A flood of tears again threatened.

"Oh, entertain your callers!" said Harry, with scant sympathy.

Lilian watched the four boys on their ponies go down the poplar-lined

lane to the highway, and then, too desperate for reading or study, or

even helping her mother, she flung herself on a sofa and hid her face.

The day was a dazzling one. The rolling prairie on every side looked

like a white ocean, with great, sweeping billows of snow as far as eye

could see.

The widely separated farm-houses, with their wind-breaks of Lombardy

poplars and interspersing clusters of evergreens, looked like ships on

this endless, shining, cold sea.

One needed a happy heart and busy hands not to be affected by the

vastness and isolation.

Neither of these did Lilian have, and it took her nearly the entire

forenoon to get through her bitter struggle with self.

When she finally roused herself she found her mother had put the rooms

to rights, and besides her own work, had done all the little tasks

Lilian had been used to assume.

This made her remorseful. She got her books and began to study. But

somehow the brilliant sunshine kept drawing her to the window to look

out.

The sky was of an intense blue that was almost purple. The blue-jays

were flitting and calling. A few stray crows hovered over a distant

corn-stubble--these were all the signs of life she saw.

She stood tapping a tune on the window panes. Presently she noticed, on

the far crest of one of the snow billows, some moving black figures.

They were mere specks against the intense blue beyond, but they fixed

her attention. Almost as soon as she saw them, however, they disappeared

in an intervening valley.

"That is on the Hardin road," she said, trying to fix the direction. "It

can't be the boys, for Uncle Abner's road is to the south."

[Illustration:

THE CHIEF GAVE A WHOOP OF DELIGHT AT SIGHT OF THEM.

HE SPRANG TO HER SIDE AND OPENLY BEGAN PUTTING THEM IN HIS POCKET.]

Almost immediately her curiosity was stimulated again by the

re-appearance of the figures on the next rise. She could not distinguish

numbers, but she felt certain it was horsemen.

Again they vanished from the crest into the lower-lying space between

the land-billows. And so she watched them until they were near enough

for her to see it was indeed horsemen.

"Mother," she called, "come here! There's somebody coming along the

Hardin road."

Her mother came.

"Who can it be?"

"One, two, three, four, five, six, seven," counted Lilian. "There are

seven of them! Perhaps they will turn at the Climbing Hill Corners. They

can't be coming here."

"Get the glass," said Mrs. Wyman. "See if we can make them out before

they strike the valley."

Lilian ran after the glass. She adjusted it and raised it to her eyes.

She had only one glimpse, however, before the descending riders were

again hidden by an intervening ridge.

"They ride so wildly, mother!" she said, in a kind of breathless wonder.

"They must be skirting that hill along the creek," said Mrs. Wyman.

"We'll see in a minute if they come up from the Corners."

It seemed a long time before they came again in sight. Lilian had just

said, "They've turned on the Climbing Hill road," when they burst into

full view on a not-distant summit and halted.

Lilian could distinctly see them pointing, as if discussing the way to

take. Then, of one accord, they put spurs to their ponies and came

wildly dashing down the slope.

Lilian turned deadly pale.

"Mother," she gasped, "they are Indians!"

Mrs. Wyman grew pale also. During her short life in the West she had

seen only one or two isolated Indians, and those always at railway

stations--dull, commonplace creatures enough, and with nothing

suggestive of the warrior about them.

"Where is your father?" she asked, with something of a tremor in her

voice.

"Probably over at the sheep-sheds," faltered Lilian. "He's always there

near noon. I wish--I wish the boys were here."

"They'll be coming directly. Look again now, Lilian. They are

approaching very fast."

Indeed the Indians were coming on fast. They were now in plain sight on

the long incline and were riding at a full gallop, gesticulating and

pressing forward with what looked to Lilian like savage fierceness.

"They will go by no doubt," said Mrs. Wyman, her native courage

reasserting itself. "They are probably out in search of lost ponies

or--"

"Look, mother! See! They are not going by. They have halted, and are

pointing to the house. See! They are turning in at the lane. Oh,

mother!"

"Never mind, dear. They want to inquire, perhaps--"

But while she was speaking, the Indians had wheeled into the gateway and

swept up with a headlong pace to the very door.

They swung themselves from their saddles, tethered their ponies to the

hitching rails and came quickly up on the porch.

Mrs. Wyman had thrown off her momentary fear. She stepped to the door

and opened it. Lilian trembled in every muscle. The leader of the party

was a huge fellow, much taller than his followers. He was more fantastic

in his dress, too, and had streaks of paint on his cheeks. The rest had

turkey feathers stuck into the bands of their slouch hats, and all had

blankets over their shoulders.

The chief uttered a surly "How!" and made a motion of his hand to his

mouth that he would like something to eat.

Mrs. Wyman smiled cordially, and said, "Come in."

He obeyed directly, the rest stalking after him in perfect silence. They

went at once through the sitting-room to the kitchen stove and held out

their hands to warm.

This done, they squatted on the floor, with various low guttural sounds

to each other, as if exchanging views. They apparently approved of the

comfort, for a stolid silence ensued.

Lilian was absolutely spellbound with terror and could not move. Mrs.

Wyman went to the pantry to prepare them food.

The chief was restless. He kept his eyes roving over everything. Finally

he began to move about.

He went into the sitting-room. He spied the china closet door and

opened it.

"Ugh!" he said, as if in delight at the pretty dishes. He waved his

hand at Lilian and pointed to the rosebud china, making an imperative

gesture, as if to say, "We want to eat off those."

Lilian, anxious to seem to want to please these terrible visitors,

nodded and smiled a ghastly smile. The very fact that she must do

something seemed to relieve the spell of cold horror that had settled

on her.

She took a fresh cloth from a drawer, and spread it deftly on the table.

As she straightened the corners daintily, to see if they were quite

even, the Indian grumbled his approval.

She took out the dishes and set seven places. She recalled, with a great

thump of her heart, what Jack had said about scalping, but as yet there

had been no warlike demonstrations.

She began to be more at ease. But what was that uneasy chief doing? He

was prying into everything. Lilian distinctly saw him put her scissors

into his pocket. But she dared not protest.

While thus distracted, she heard her mother in the kitchen burst into a

merry laugh. She ran hastily out to see what had come over her.

Mrs. Wyman was in the pantry, holding a corner of her apron over her

mouth, as if to smother her amusement.

There sat the six Indians on the floor, with hats drawn down surlily

over their faces, and with blankets shrugged about their shoulders.

"Mother, what is it?" was Lilian's whispered inquiry.

Mrs. Wyman pointed silently at the ludicrous row of savages, and covered

her lips again with her apron.

Lilian could not help laughing, too.

"New Year's callers, after all," she said, to herself.

Mrs. Wyman had made the circle of waiting braves move somewhat away from

the stove, so that she could cook ham and warm potatoes. Lilian returned

to her table-setting. She placed a spoon-holder on the cloth, full of

bright tea-spoons.

The inquisitive chief gave a genuine whoop of delight at sight of them.

He sprang to her side and openly began putting them in his pocket.

This was too much. Lilian flew at him and tried to snatch them away from

him. He scowled fiercely, and jabbered at her in excited gutturals.

At once she heard a great scuffling of feet in the kitchen. The other

Indians, attracted by the sound, were coming to his rescue.

In they filed in formidable line.

"He shan't have them!" cried Lilian, struggling to prevent the last

instalment going into his pocket. "He has my thimble and scissors

already. Here," to the others, "your chief is stealing. But he can't

have my spoons. You--" catching hold of the nearest one-- "Jack! Ben!

Harry!" (for as soon as she got one good look at the faces of her

callers she knew them), "Jack--Ben--Harry! hold him! He's just a common

thief!"

A roar of laughter followed.

"Good for you, Lilian!" cried Jack, flinging off his hat and blanket,

and leaping on the offender's shoulders to pinion his arms. "He shan't

have your spoons, Lilian. But allow me to present to you our cousin,

Harold Wyman, just arrived from Wyoming. We found him at Uncle Abner's,

come to spend New Year's with us."

Lilian, who had captured part of the spoons, blushed and dropped them on

the floor.

"It's real mean of you to scare me so," she stammered. "Mother, did you

know it was the boys?"

"Not until Jamie winked at me from the floor, and then it was all so

ridiculously clear I could not help laughing aloud. I saw you were well

over your first fright, so I thought I'd let the boys carry out their

fun."

"My, but I'm hot!" ejaculated Ben. "Sis has good grit, hasn't she

Harold?"

"Yes," cried Jack, "and she kept her promise about the rosebud china.

Let's have dinner. All we lack now is the coffee, Lilian."

When the new cousin, and Uncle Abner's boys and the four teasing

brothers were seated about the table, Lilian asked:

"Where did you get your toggery, Jack?"

"Oh, Uncle Abner's garret is full of all sorts of Indian traps. This

morning when you were crying for callers--especially Indians--the

thought struck us it would be lots of fun to give you your wish. We

found Cousin Harold at Uncle Abner's, and he helped us out. He's been on

a ranch for years. We knew you wouldn't recognize him. The rest of us

kept in the background."

"If you hadn't been so scared, Lilian, you'd have known the ponies,"

said Jamie.

When they had nearly finished dinner, Lilian said:

"I'll write it all to the Deerfield girls. I don't believe they've had

half as jolly a time as we have. Their calls will be just the poky,

polite ones. But mine are genuine wild West."

[_This Story began in No. 52._]

TRUDY AND KIT;

or,

What a Summer Brought Forth.

by EMMA A. OPPER,

Author of "Susanne," "Barbara and Dill,"

etc., etc., etc.

CHAPTER XVIII.

In the Depths of Woe.

Collin stood staring at Trudy. She had not loosened her clinching hold

for an instant, and, before he had realized it, the last warning had

been shouted, the plank had been withdrawn, and the Sandy Hook was

moving off. And he stood on the pier.

Many emotions were rife in his good-looking, boyish face, but anger was

chief among them.

"Trudy," he said, sharply, "what are you doing? What have you _done?_"

He looked after the moving boat.

Trudy tried to stop her shower of tears, and Collin could but look at

her. It was a rare thing to see Trudy cry, and it was on his account she

was crying.

"Well, what's the matter?" he demanded, gruffly enough. "You've got what

you wanted, haven't you? What are you going to do now? What are you

going to do with me? Tell me that!"

With a reckless laugh, Collin turned into the freight-office and threw

himself down on a box in an unnoticed corner. And Trudy followed her

prisoner.

"I saw you from up the beach, Collin," she said, "and I couldn't let you

run away! How could I? That would have been the _worst!_ How could you

have wanted to, Collin?"

"The worst! Worse than what?" snapped Collin. His head hung in his

hands, and his eyes were sullenly lowered. "The worst has happened.

You'd see things plain enough if you stood in my place, Trudy, and you'd

feel! Do you want me to tell you just how things stand?" Collin asked,

fiercely.

"You know only too well! I've lost my place because I was a fool, and

worse than a fool! That Grand View business is all over town. More than

one fellow has said 'Grand View' to me and snickered. It's got around

worse than the thing was, too! Gus Morey told me he heard we'd started

to steal the best horse and buggy in Conover's stables and got snapped

up at Buxton. I've lost my place, and do you think I can get another,

with a thing of _that_ sort hanging over my head? I guess not!

"I'll tell you the truth, Trudy," continued Collin. "I _have_ tried two

or three places--and it was for your sake I did it--before I made up my

mind to clear out. I'd have done anything. I tried to get something to

do at the Riggs House; and I went up to the sawmill and the canning

factory; and I got the same answer everywhere. They'd all heard the

story, and they said they didn't want a boy with a recommendation of

_that_ kind.

"Dolph Freeman's all right; it's all smooth enough for _him_," said

Collin, grinding his heel. "I was bad enough, but I didn't do anything

sneaking mean, the way he did. But _he_ isn't going to suffer for it;

not a bit. His father's got money, and Dolph can go on loafing around

town and getting other fellows into trouble. _He'll_ never get come up

with.

"Well, I know it was my own fault, anyhow. Nobody could have got me into

any trouble if I'd done the right way. But it's done, and look at me

now. The whole town is down on me. And _mother_," said Collin,

grimly--"mother's the worst! This thing has soured her till she hasn't a

kind word or thought for me. She said she ought to turn me out of the

house; that I was a torment and a disgrace to her, and she ought not to

put up with me. I believe she'd be glad to be rid of me."

"Collin!" exclaimed Trudy, who was far from believing that.

"What else can I think? I _do_ believe it! And if she thinks that way

now, what will she think when she reads the note I left for her? I

couldn't face her, and tell her I'd taken that money, but she knows it

by this time. And I'd like to know how I'm going to see her after that!

She won't believe I meant to put it back; she won't believe anything;

she's down on me, and I can't stand it!

"I can't stay here with everybody against me and no way to turn. The

best thing I can do, and the only thing, is to take myself off; and I'm

going to do it. I don't know what'll happen to me, nor what'll become of

me. But I'm going. You've stopped me this time, whatever you did it for.

I'm not worth your worrying, Trudy; I'll tell you that. But I'll go

yet."

Trudy stood looking at her captive in more hopelessness than she would

admit to herself. She knew that this, Collin's first serious trouble,

had overwhelmed him till he had despaired.

She could see plainly enough the weakness of his arguments, and she

foresaw the misery into which he was ready and anxious, in his

despondency, to plunge.

But how to make _him_ see it? That was another matter, and one which

staggered the faithful, anxious girl. To run away! What folly, and what

sure ruin! But, if Collin would not see that hard truth?

Trudy's heart sank. She had gained her point, for once; but beyond that,

which was little, would she prevail? Collin was young and headstrong and

in the depths of woe, and what would, in spite of her, be the outcome,

Trudy feared to think.

"Collin--Collin!" she was beginning, entreatingly, when hurrying steps

on the pier-planks made her look up.

Rosalie Scott was coming towards them at a quick trot, looking this way

and that, searchingly, till she saw Trudy.

"Well," she cried. "If I ever! What a girl you are! What _were_ you

after? If I ever saw such a runner! I knew you could row, and now I know

you can run. I thought you'd seen a ghost, or something worse. You'd

have run the other way, though. Anyhow," said Rosalie, dropping down on

a second box to get her breath, "I thought I'd see _what_ it was, and I

didn't think you'd mind, if I did."

She looked from Trudy to Collin, with undisguised wonder. Collin only

stared at her. Trudy smiled, but with quivering lips, and traces of her

tears were plain.

"Why-y," Rosalie stammered. "Something's the matter!"

She was the picture of amazement and curiosity, and Collin could not

help smiling. He was dazzled, too, by the gay apparition in the

yellow-ribboned dress, the big, daisy-trimmed hat and the patent-leather

shoes.

Neither he nor Trudy denied that something was the matter. Neither

spoke.

"Well," said Rosalie, with the good-nature which was a part of her,

though half-pouting, "I'm intruding, I suppose. I didn't think it was

anything private, or--solemn."

Her bright eyes turned from one to the other, a funny twinkle in them.

Trudy could not speak, but Collin roused himself.

"I don't know what we're staying here for," he said, shortly. "I'd got

started to take the boat, but Trudy stopped me. _That's_ what she was

running for. The boat's gone, and we'd better go. I don't know what

Trudy's going to do with me _now_. Maybe she knows."

He got up, his bundle sagging from a nerveless hand and his face dull,

and they turned up the pier.

"You are in trouble," said Rosalie, soberly. "I'm sorry I came. That's

the way I always do, you know. I do things before I think. And I'm sorry

for _you_."

Collin made a husky sound of acknowledgment. To Trudy, he muttered:

"_I_ don't know where I'm going. I won't go home--I daren't."

And Trudy answered:

"Go to the Browns with me, then, Collin?"

But he shook his head.

CHAPTER XIX.

Mrs. Scott's Idea.

Softly humming, Rosalie walked a little apart and pretended to find

great interest in the still water, the scattering row-boats and the few

belated bathers along the shore.

For want of other occupation she took off her hat and swung it till the

daisy-wreath was in peril. Trudy and Collin walked in silence.

But the active brain of Miss Rosalie Scott was by no means idle. She

hummed, but she smiled, too; she swung her hat, but she had a thoughtful

frown--not only that, a determined one.

Trudy was destined to see yet another remarkable instance of the

impulsiveness without which Rosalie Scott would not have been Rosalie

Scott, and which worked for good or ill as the case happened.

When they had covered the pier and had passed up the street as far as

the Bellevue Hotel, had reached its broad entrance, she suddenly turned.

"Come in for a minute," she said--"both of you. Oh, don't look so

scared--just for a minute! Trudy Carr has promised me a visit for a long

time, anyhow, and--well, you'll have to come. _Come!_"

Rosalie was in earnest. She took them each by the hand and pulled them

up the wide piazza steps, reiterating her commands. And Collin Spencer,

who had had no notion of complying, found himself, before he could get

his breath back, standing in one of the fine great parlors of the

Bellevue Hotel, gaping in confusion at a long mirror and blue plush

chairs.

"There, now, sit down," said Rosalie. She ran to a small knob in the

wall and pressed it, and to the brass-buttoned boy who appeared said,

"Please ask Mrs. Scott to come here."

She went to the door when he had gone, and stood with her back

against it.

"You shan't get away. Sit down, I say. It's only a notion of mine,

that's all. I know you won't care. Maybe it can't do any good, but it

won't do any harm. I know something is the matter, and I--I'd like to

have my mother hear about it. If you knew her! She's so good to

everybody, and always does just the right thing, too. I've known her to

help so many people and think nothing of it. That's the way she's made.

I don't know what's the matter, but I know you got _me_ out of an awful

fix, Trudy Carr, and that my mother knows it, too, and--"

The door was pushed open.

"Why, Rosalie," said the newcomer, "your father and Uncle Angus are

here. I thought you were to meet them at the boat?"

"I didn't, mamma," Rosalie answered. "This is Trudy Carr again, and--"

"Collin Spencer," added Trudy.

And Rosalie's mother, who had a face of sweet refinement, with clear

gray eyes, and wore a handsome dark gown with billowy-lace falling from

neck and sleeves, and had a pleasant voice and smile--Rosalie's mother

shook hands with Trudy Carr and Collin Spencer, and sat down near them.

And Rosalie brought a stool and perched herself between them.

"Now," she said, imploringly--"now _do!_"

Collin was getting every moment stiffer and redder. He felt like an

intruder, and, despite these softening influences, made up his mind not

to say a word. It was nobody's business but his. It was his own

miserable affair. He neither asked help nor wanted it.

How, then, did the story get itself told? Collin supposed that Trudy

must have started it, for he did not.

He sat bewildered by all this strange and unwelcome situation, while

slowly, drawn out by questions and gentle comments, his trouble was

told.

His first weak mistake, the disaster at Buxton, Trudy's attempt at

righting matters and her failure, and all the dreary facts of the

present condition of things. By degrees, the lady who sat with

thoughtfully-lowered eyes and knit brows heard it all.

"Don't think it was _my_ idea to tell you, ma'am," Collin ended, the

blood mounting in his sturdy face.

"Doesn't mamma know that?" Rosalie cried, impatiently.

She had got her way, and she was highly satisfied.

"And don't think I'm asking you to do anything for me," Collin proudly

persisted. "I don't know what you _could_ do; I don't expect anything--I

didn't want to come in."

"And she knows all that, too," said Rosalie, knocking down his protests

like tenpins.

Her mother sat thinking.

"I wish I knew what to say," she said, sincerely, "or what to do. I

should be glad to do something, believe me. I am deeply sorry for you,

my boy. It seems to me that your case is a peculiarly hard one. I am

glad I have heard your story, for I can give you my sympathy, if nothing

more. You made a mistake; you were thoughtless and weak; yes, you did

wrong. But--I can't help saying it--it seems to me that your punishment

is too great. You have escaped nothing; the worst has come. The worst

fault was not yours, and yet you are suffering most. At least, don't be

ashamed of having told me," said Mrs. Scott, that ready sympathy of

which her face spoke strongly roused.

"I wish I could help you," she declared. "Not only does your case

deserve it, but Trudy Carr here"--she smiled brightly. "I feel as though

I knew Trudy Carr. I have heard nothing but items concerning her since

Rosalie first saw her. And that little adventure on the bay is not to be

forgotten. Yes, I would help you gladly."

"There's only one way for me," said Collin. "If I could go back there to

work, and show Mr. Conover what I _can_ be and do, there'd be some

chance for me; I could 'live it down.' But _that's_ gone up."

"That is the only way, or the best by far," was Mrs. Scott's quiet

agreement. "I wish it might be. I had an idea about it--I wonder--I want

to do what I can. I might send a note to Mr. Conover." And then she

added, with an impulsiveness much like Rosalie's own, "I will go myself.

We'll go together. I have an idea, as I said. Come, it will do no harm

to try."

Collin was getting used to bewilderments, to being hustled and managed

like a baby instead of a tall, seventeen-year-old boy. One thing--he had

not been remarkably successful at managing himself.

And when, ten minutes later, he stood with Mrs. Scott, her bright young

daughter and Trudy in Mr. Conover's livery-stable, he kept a stiff upper

lip and waited for what should come.

Mr. Conover came forward to meet the oddly-assorted four. For Collin

Spencer he had only unsmiling surprise, and his glance at Trudy was

puzzled. But he knew by sight the lady from the Bellevue Hotel, and he

raised his hat with an inquiring face, and drew forward the only chair

the stable boasted. Accepting it, Rosalie's mother wasted no time in

getting to the point, and wasted no words.

"First, Mr. Conover," she began, "I must apologize for being an

interferer, for that is what I am. My business concerns this boy. I have

just now heard his story from the beginning."

"About the trick he played me?" said Mr. Conover, half doubting the

interest of such a lady in such a case.

"That exactly; all about his foolish escapade and the result of it.

About the effort of this little girl, Trudy Carr, to save him, and about

the discovery and discharge. And, Mr. Conover, I want to ask nothing

less than that you take the boy back into your service on a month's

trial. I feel convinced that the consequences of his error are almost

more than he deserves, and perhaps more than you realize, Mr. Conover.

He was led into it by a bad companion, whom he has certainly dropped.

First impressions go for something. I _cannot_ but believe the boy

himself is steady and trustworthy. And then the anxiety of this girl,

who seems to have been such a friend to him--"

Mrs. Scott's voice was a little unsteady.

"And his position now is pitiable. The story has spread through the town

in exaggerated forms. He has tried to get work elsewhere and on that

account failed. I cannot see what is before the boy unless you can

forgive and take him back, for it is here only, it seems both to him and

to me, that he can redeem himself. I ask you to take him on a month's

trial, and I wish to give bonds for his good behavior. I am Mrs. John

Scott."

This, then, was Mrs. Scott's idea of which she had spoken. Surely a

convincing one. She opened her purse, took five ten-dollar bills

therefrom and handed them to the young livery-stable keeper.

Mr. Conover looked at her in astonishment, slowly rubbing his

smooth-shaven head.

"I--Mrs. Scott," he said, with earnestness, "I don't want to take the

money. I begin to see how it is; I see you're right. To tell the truth,

I was afraid I'd been a little hard on the boy. I knew that young cur of

a Freeman was to blame for it, and I was sorry on the girl's account and

all; but I was hasty, I suppose. I shouldn't have done anything, though,

about taking him back; but now that you've made me see it plainer yet,

and if he's in such a bad fix as all that, why, I'll give him another

chance," said the young man. "But never mind the money; I'll try him."

"Keep it," Mrs. Scott answered, "and if he does not do his best, it is

forfeited. I think he will."

Poor Collin! Perhaps in all the course of his troubles he had known no

sharper moment than that. He looked around the group. Several of the

stable-hands had gathered, Sim Miles, with a broadly smiling face, being

among them.

The tears sprung to Collin's honest blue eyes. Nor was he ashamed of

them.

"I _will_ do my best," was all he could say.

"All right; come around to-morrow, Spencer," said Mr. Conover, bluffly,

seeing that the scene threatened to be rather a moving one, and he went

back to his business.

CHAPTER XX.

An Important Letter.

His visitors turned away.

Rosalie, whose triumph was supreme, could not wholly control herself.

She gave an occasional hop as they went.

Trudy's face shone, and her eyes were starry. As for Collin, he felt

that silence was best.

"Go and tell your mother, Collin," Trudy whispered. "You won't be afraid

to see her _now_."

"I'm going there," Collin answered--they stood at the corner of his

street. "I'll go; and all I can say is, that I shan't ever forget what

you've all done for me. You've saved me--that's what. I don't know what

would have become of me. And you'll never be sorry for it."

And, choking somewhat, Collin Spencer turned down the street to his

mother's home.

It seemed to Trudy that it was the strangest piece of good fortune in

the world which had taken place. After all the dark worry her true young

heart had known, she could hardly believe it. And yet a stranger thing

was to happen then and there.

As they walked on, Trudy's eyes turned down the street and fixed

themselves upon a figure coming rapidly towards them, or as rapidly as

was possible. The figure, which was small and bent in the shoulders,

limped. Rosalie saw it at the same instant.

"See! who is that?" she asked, in wonder.

"It's Ichabod," said Trudy--"why, it's Ichabod! And I left him sick

abed. Whatever is the matter?"

Ichabod came hurriedly limping on. It became plain that he had seen them

and was hastening to reach them; and Trudy ran forward.

"Why, Ichabod," she cried, in remonstrance, "if you didn't get up! Were

you able? No; see how tired you are!"

Certainly Ichabod was. He leaned against the fence a minute, and then,

giving it up, sat down on the grass beside it, pulling off his old hat

and fanning himself.

Something else dawned upon Trudy. Ichabod was excited. That indeed

seemed to be the greater cause of his exhaustion, for he sat blinking up

at Trudy in a peculiar manner and tried vainly to speak.

Mrs. Scott and Rosalie had come up, and paused. Too courteous to smile,

they looked their perplexity.

"What _is_ the matter, Ichabod?" said Trudy, again. She began to feel

some alarm. "What made you get up? What _have_ you been doing?"

Ichabod, slowly and painfully, rose to his feet.

"I was calc'lating to git up. Didn't I say to ye I was? Didn't I say I

was goin' to git up soon as ever I could? And what fer did I say? Why, I

was goin' to ask a favor o' Mr. Doolittle--jest a leetle favor."

"Oh!" said Trudy, remembering.

She had forgotten the old man's queer talk about the box in the closet,

and the papers in the box, and his odd eagerness concerning them.

"Seein' you--" continued the old man. "Well, I couldn't stan' it another

minute arter that. I jest got up. I _was_ kind o' weak in my legs to the

fust, but I got thar. I got to Mr. Doolittle's office, and thar he was

settin'. He knows me, Mr. Doolittle does, and I wan't afraid to ask that

leetle favor of him."

Ichabod had got back his breath and his composure now. He covered his

bald head with his hat, planted himself against the fence, his little,

twinkling eyes fixed on Trudy with an intense gaze, and continued his

story:

"Thar he set. And I walked in and I says to him, 'Air ye willin' to do

sump'n fer me, Mr. Doolittle?' And says he, 'Yes I be, Ichabod.' And

says I, 'It ain't goin' to take but jest a minute, Mr. Doolittle.' And

says he, 'Go ahead, Ichabod.'

"Says I, 'I was lookin' in the closet of the garret bed-room up to Mrs.

Spencer's house, whar I've been stayin', and I found a leetle box,

shoved 'way back, as though it wan't no use, anyhow. And, kind o'

hankerin' to know what 'twas, I broke it open. And thar was papers in

it,' says I-- 'and letters.

"'I can't read none myself,' says I-- 'only jest a leetle; but I looked

over them letters, and I worked and I figured, and I studied out a

leetle here and a leetle thar, till I begun to suspicion sump'n. Sump'n

awful quare--_awful quare!_ And this here one,' says I, 'I've fetched

down to ye, fer ye to jest look at. And if there ain't nothin' in it,'

says I, 'why, all right, and thank ye fer yer trouble. And if thar _is_

sump'n--' says I.

"And I handed him over that thar ole letter, and then I set still, and I

had my ole eyes glued right onto his face, and I ketched my breath and I

waited.

"'Well, I'll see, Ichabod,' says he. 'Ole letters are quare things,

Ichabod,' says he; 'but I'll look at it.'

"And he looked. He looked it up and down two er three times, and then he

read it clean through two er three times more. And then he took up his

spectacles off'n the table, and he read it ag'in, and he looked jest as

astonished as if he'd seen a ghost.

"Says he, 'I can't make it out. Reuben Wallace has been dead a year, and

this is the fust breath o' evidence that he left any money, although

everybody in this town has been clean up a stump about his _not_ leavin'

any. But this letter--dated two months afore he died,' says he, 'is from

a coal merchant in New York, findin' _that_ in the printin' up top o'

the letter. And it makes reference to the sum o' forty thousand dollars

invested by Reuben Wallace in his business. There's more in it,' says

he; 'but that's the principal thing.'

"And he got up and stood thar, shakin' his head and lookin' as if a

feather'd knock him down. And, says he, 'if this means anything at all,

Ichabod, it means an awful lot! It means that Reuben Wallace was worth

forty thousand dollars at the time of his death, and that that forty

thousand dollars was invested with this New York coal merchant. Thar's

one thing fer us to do, Ichabod,' says he, 'and that's to write to this

man in New York and see what's the meanin' of all this 'ere! That's a

simple thing, and I'll do it,' says he. 'I'll do it, this minute.' And

down he sot and begun to write; and when he'd got done with that air old

letter, I put it back into my pocket ag'in.

"And," pursued Ichabod, whose voice had grown shrill as ever, in

excitement, "I come away and I set to lookin' ye up, to tell ye every

word Mr. Doolittle said--every word. And I've been pretty nigh all over

the town, and was jest thinkin' o' startin' up thar to the Browns, when

I see ye."

Ichabod mopped his face and head with his handkerchief.

Trudy stood still, in a dazed condition, which allowed her neither to

move nor speak; but Mrs. Scott, who had listened with close attention,

though finding it hard to understand a tale which, for her, had begun in

the middle, asked, with practical interest:

"And what is the name of the coal merchant in whose hands this money is

placed?"

"Angus Pritchard," replied Ichabod, nodding his head several times.

He drew the letter from his pocket.

"Here 'tis, down to the bottom. Angus Pritchard, that's what 'tis."

"Angus Pritchard!" Mrs. Scott repeated, in a voice of utter amazement;

and Rosalie stood now as stock still as Trudy. "Angus Pritchard is my

husband's uncle--yes, and a coal merchant in New York. And he is at the

Bellevue Hotel at this moment!"

[TO BE CONTINUED.]

WORK AND PLAY.

by KARL WINSHIP.

"Have you watered Prince this evening, Roswell?" asked Mr. Hofford, as

his sixteen-year-old son came into the room at supper time and dropped

into his seat at the table.

"Yes, sir," answered Roswell, sulkily.

"And brought in the wood and coal?"

"Yes, sir."

"Then you may go to the village to-night."

"I don't want to go to the village."

For the first time Mr. Hofford appeared to notice his son's air of

discontent, and he asked, kindly:

"What's the matter, Roswell? Are you sick?"

"No; I'm just tired out, that's all," replied the boy, giving the

table-leg a little kick.

"Tired, are you?"

"Yes, I am. I am worked to death."

Mr. Hofford laughed pleasantly.

"You don't look as if you were in danger of dying. And I don't think you

do more work than other boys of your age."

"I don't know about that," rejoined Roswell, in a discontented voice;

"but I know I'm working from morning to night. I have to attend to

everything in the way of chores, until I'm so tired that I can't read or

study. And I never have any time for play."

"I am sorry for that," said Mr. Hofford, gravely, "because all boys

ought to have time for play. I thought I saw you playing football

yesterday?"

"Oh, I play _some_," admitted Roswell, "but nothing like I want to. I

wish I had nothing to do but play, like Rollo there."

"You'd soon get tired of living a dog's life," said Mrs. Hofford, with

an amused look.

"No, I wouldn't," said Roswell, confidently. "I never had enough play."

"Very well," said Mr. Hofford, with a queer smile. "To-morrow is

Tuesday; suppose you start in and play."

"And not do any work?"

"Certainly not; no work for yourself, or anybody else."

Roswell looked at his father, as if disbelieving his ears.

"I mean it," continued Mr. Hofford. "I will tend to the horse and cow,

Jennie will do the house chores and run the errands, and your mother

will do the rest. You will have nothing to do but play, and I hope you

will enjoy yourself."

"I'm sure I shall!" declared Roswell, joyfully.

When he opened his eyes the next morning it was bright daylight, and he

sprang out of bed very hurriedly, forgetting the changed condition of

affairs. Then, as recollection dawned upon him, he dressed slowly and

went down stairs to breakfast.

There was no one there but his mother, who said "Good-morning!"

pleasantly.

"My!" he exclaimed, glancing at the clock; "if it isn't ten minutes to

nine! I'll be late for school."

"You are not to go to school," said his mother, quietly. "Going to

school is not play."

"But I'll miss my promotion, if I don't go," pleaded Roswell, aghast at

the thought.

"Can't help it. You must not do anything but play."

Roswell laughed.

"Very well," he said, lightly.

Then he finished his breakfast in silence and strolled out.

He walked around the yard for five or ten minutes, whistling shrilly;

took a look in the barn at Prince and then set off to the village. It

was almost deserted, the boys being at school--all but a few loaferish

fellows, with whom Roswell did not care to associate.

About ten o'clock he returned home, got a book and read until

dinner-time.

Somehow he did not have much of an appetite, and after dinner he took

his fishing tackle and went off to the creek.

When he returned at dusk, he had a string of perch.

"Where's my fish-knife, Jennie?" he asked, as he laid the fish on the

bench in the wash-house.

"Jennie will clean the fish, Roswell," called out his mother. "Catching

fish is play; cleaning them is work."

"Pshaw!" said Roswell, impatiently.

He was rather proud of his ability to prepare fish for the pan.

At supper Mr. Hofford asked him how he was enjoying himself, and Roswell

answered that he was doing very well. After supper, when the table was

cleared, he got out a lot of traps and set to work on an electrical

machine he was trying to make, but his father promptly checked him.

"That won't do, Roswell. Work is strictly forbidden."

"But this is for myself."

"No matter. It is not play. You had better go to the village and play."

Roswell got up angrily, put away the machine and went out. In an hour he

came back, saying he had had a quarrel with Perry Gantley, and had a

headache. So he went to bed.

The next morning he rigged up a swing in the woods back of the house,

and amused himself for an hour, and then went fishing, but, as he had no

luck, he hardly spoke a word at dinner-time.

During the afternoon he read for a few minutes, and then took a walk

through the woods, returning so tired that he was glad to go to bed

right after supper.

Thursday was simply dreadful. It rained all day, and Roswell read until

his eyes ached. Then he tried to sleep, romped with Rollo awhile, and at

last went to the barn.

Mrs. Hofford followed him presently, and found him currying Prince.

"Come, Roswell, this won't do," she said, quickly. "No work."

Roswell threw down the currycomb with an impatient exclamation, and

returned to the house.

He did not make his appearance at all at supper, and Jennie reported

that he was lying in bed, asleep. She supposed Mr. Hofford smiled, but

made no remark.

Friday morning Roswell came down very early and Mr. Hofford met him

coming in with an armful of wood.

"Here! What does this mean?" he asked, sternly.

"I'm going back to work," replied Roswell, flushing up, but laughing at

the same time.

"It is not possible you are tired of play?"

"No, not tired; but--"

"But you think it is more fun when sandwiched between work?"

"Yes, sir."

"I am glad you have made the discovery for yourself," said Mr. Hofford,

with a smile. "Fun or play is never thoroughly enjoyable unless we have

earned the right to it by hard work. A perfectly idle boy or man is

never happy, and no person knows the absolute pleasure in work until

they are deprived of it, It is a good lesson to learn, my son, and I am

glad you have learned it so early."

NEW YEAR'S DAY.

The aged and the young, man, woman, child,

Unite in social glee; even stranger dogs,

Meeting with bristling back, soon lay aside

Their snarling aspect, and in sportive chase,

Excursive scour, or wallow in the snow.

With sober cheerfulness, the grandam eyes

Her offspring 'round her, all in health and peace;

And thankful that she's spared to see this day

Return once more, breathes low a secret prayer,

That God would shed a blessing on their heads.

--_James Grahame_.

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ROYALTY IN EXILE.

by THOMAS PARKE GORDON.

In olden times thrones were very unstable affairs, and kingdoms were

overthrown in a twinkling. Readers of ancient history will recall many

such instances of the downfall of earthly grandeur.

Alexander the Great overthrew Darius in the plenitude of his power; the

Emperor Aurelian destroyed Palmyra and led Zenobia, the queen, in

triumph to Rome, where she ended her days in peaceful retirement.

Rome, when mistress of the world, overthrew hundreds of monarchies, and

killed or sent into exile innumerable kings. In the days of her decline,

the people deposed their own rulers at such a rate that the imperial

purple was finally put up at auction by the soldiery.

In later days, monarchies became more secure; but kingdoms were

nevertheless overturned, and several royal rulers sent into exile, when

not more severely punished. But, with passing years, revolutions became

more rare, until Napoleon began his wars of conquest, and deposed kings

as if they were playthings.

Since Napoleon's downfall, revolutions have become still more rare; yet

monarchies are so many, and republican ideas are growing so rapidly,

that scores of deposed rulers are in exile, pining for the days that

will never return.

Perhaps the most notable is the Count of Paris, who recently paid a

visit to this country. The count, it is true, has never reigned, so he

cannot be said to have been deposed; but he claims descent from the

Bourbon kings of France, and seeks to revive the ancient rule.

He is a resident of England, and is in easy circumstances. He has a

rival for the throne in Prince Napoleon Bonaparte, who lives in

luxurious exile in Switzerland.

Prince Napoleon's father was a brother of the great Napoleon, and he

hopes that some day the people of France will recognize him as their

ruler.

England gives refuge to another exile in Eugenie, the widow of Napoleon

III, who resides at Chiselhurst, and who makes no pretensions to royal

grandeur. Since the death of her son by Zulu assegais she has lived the

life of a recluse.

Paris shelters the exiled Isabella, Queen of Spain, who takes her

downfall philosophically. She is rich, and passes her time between

Paris, Nice and Boulogne in social enjoyment.

In the same city lives Don Carlos, a pretender to the throne of Spain.

He traces his descent from Carlos, the second son of Charles IV, born

1788.

The original Carlos began the insurrection business in 1825, and, after

being repeatedly defeated and banished, died at Trieste in 1855. His son

Don Carlos continued to make periodical attempts to regain the crown,

but died in 1861, leaving no direct heir.

The present Don Carlos, the nephew of the above, has headed four

insurrections and has many followers, but no one believes that he will

ever be more than an aspirant.

Dom Pedro, the deposed Emperor of the Brazils, lives in Portugal, and is

the most unhappy of ex-rulers. The death of his wife followed close upon

his exile, and he longs to return to Brazil, if only to die. He has

refused the gratuity offered him by the infant republic, and not being

wealthy, the future looks rather dark for him.

When Italy was united, a number of petty sovereigns were deprived of

their crowns and now wander around without any particular aim in life.

Unlike an ex-President of the United States, an ex-king cannot go to

work, and, if he has not saved any money, must depend on charity for a

living, unless he can marry a rich wife.

Austria has taken care of several rulers of the Tuscan provinces, and

the Italians are generous enough to see that none of them starve.

Paris is a notable refuge for royal exiles, and some of them are engaged

in anything but kingly pastimes. A prince of Georgia drives a cab, and

one of the best police agents is a scion of the royal house of Poland.

Among the curiosities of Paris is Orelie, King of Araucania. Originally

a poor lawyer, with a taste for adventure, he made his way to Chili, and

thence to a remote section of the republic, where the Araucanian Indians

live. He won their good will to such an extent that they elected him

king, and for several years he ruled over them. Then the Chilians

started a war and Orelie I decamped. In Paris he still calls himself

King of Araucania, and makes a precarious living by selling titles of

nobility to gullible or vain people.

Another exile, more meritorious, is Francesco, King of Armenia and

Prince of Jerusalem. It has been many years since Francesco's ancestors

were driven by the Turks from the throne of Armenia, but there can be no

doubt whatever of the royal antiquity of the family. Descended from a

bold crusader, they held the kingly rank for centuries, until the rise

of Mohammedan power in the East made them exiles. Russia, for many

years, gave the titular prince a pension, but this was dropped about

forty years ago, and since then the kings of Armenia have had a very

hard time of it. The present king is a waiter in a small restaurant near

Versailles. He is a quiet fellow, and does not parade either his

pedigree or his misfortunes.

There can be no doubt that the number of royal exiles will increase with

the passing years. The trend is all one way. Monarchies are giving way

to republics all over the world, and once the people have the power in

their own hands they will not relinquish it. Revolutions, however,

nowadays are peaceful, and kings may thank their stars that they are no

longer in danger of losing their heads along with their crowns.

A HAPPY NEW YEAR.

Nature has made no marked division between the new year and the old, and

there is practically no difference in weather between the last week in

December and the first week in January. Perhaps it would be more logical

to have the year begin with the vernal equinox, but practically it makes

no difference at all. The year begins on the first day of January in all

Christian nations except Russia and her dependencies, and it is not

likely that any change will be made in future.

Yet, although there is no natural division, custom has made one that we

cannot help but notice. In the business and financial world the end of

the old year marks a distinct epoch, and the first of January is the

beginning of new accounts and new books. There is a general brushing up,

so to speak, and a number of new rules enacted, even if they are never

enforced.

There seems to be no reason why there should not be a moral brushing up,

as well as a business one. On the first of January, why should not every

one take an account of stock? Why not foot up all the good and bad done

in the old year, and find out on which side the balance lies? If bad, it

is a subject for correction; if good, it is a matter for congratulation.

It is not necessary for one to make the footings public, any more than a

business man takes the outside world into his confidence, but a perusal

may do a wonderful amount of good. Indeed, it is the only way by which

one can learn to avoid a repetition of the errors of the old year.

The first of the new year is called "happy" doubtless on account of the

good resolutions which inevitably spring from a contemplation of the

past. It is the one day in the year when every right-minded person at

least tries to do good, and it is an axiom that to be good is to be

happy.

Another reason springs from the time-honored custom of calling and

renewing old acquaintances, and thus reviving many happy memories.

Let no boy or girl be laughed out of making good resolutions on New

Year's Day. To make a resolution and keep it for a single day is better

than to make none at all, and it renders each successive resolution

easier to make and keep. But good resolutions may be kept, and then,

indeed, the new year will be a happy one.

Resolve, then, on New Year's Day to be something better and nobler than

you have been in the old year, to correct some fault or develop some

virtue; resolve to make some one's life brighter, or to do good in some

way, however humble, and you will find your reward in a happiness equal

if not superior to that which you have bestowed.

ICEBERGS.

by J.V. HAY.

It may sound strangely to the average reader to say that icebergs are

more numerous in warm weather, but such is the fact. Of course they are

formed in winter, but it takes the summer sun to set them adrift and

send them floating on the ocean, a grand sight to look at but a fearful

menace to vessels.

Icebergs are born every day in every month, but most of them remain in

or near their native waters for a long time before they escape and

wander to the great lanes of travel between here and Europe.

The bergs seen last summer are from two to ten years old--that is, they

have had an existence individually for years, though the ice from which

they are formed is much older, some of it possibly having been frozen

first a thousand years ago.

Icebergs are born of glaciers, and four out of five of the floating

bergs on the Atlantic come from Greenland. A glacier is a river of solid

water confined in the depressions running down the mountain sides.

Soft and powdery snow falls upon the summits, and though some is

evaporated, the yearly fall is greater than the yearly loss, and so the

excess is pushed down the slope into the valleys which possibly at the

time are covered with green and have afforded pasture lands for cattle.

The snow gathers in the high valleys and every day undergoes some degree

of the change which finally transforms it into ice. Slowly, very slowly,

in some cases only a foot every year, this frozen river flows downward.

Nothing can stop it, nothing can even check it.

The process is the same in Switzerland and Greenland, only in

Switzerland the glacier melts when it reaches the lower valley and feeds

rivers; in Greenland the glacier slides into the ocean, breaks off and

becomes an iceberg and floats away.

One of the incidents of an ordinary Alaskan cruise along the coast is to

see the glaciers break off and fall into the water. They are far more

beautiful than the finest of the glaciers of Switzerland, and in size

they are so great that the largest Alpine glacier would make only a

fair-sized nose, if it could be taken bodily and placed upon the face of

one of the Alaskan giants.

At Glacier Bay icebergs are being born all the while. Muir Glacier, the

largest that dips into the bay, presents a front of 5000 feet. It is 700

feet thick, five-sevenths of it being under water. It extends back for

miles and miles.

Each day the central part moves 70 feet into the sea, the discharge

every twenty-four hours being 140,000,000 cubic feet of clear ice. As

this great quantity cracks into pieces from the glacier, the bergs of

the North Pacific begin their life. The separation from the larger mass

and the plunge into the sea cause terrific noises.

The interior of Greenland is a solid mass of ice. In fact, some people

think that at about the central part of Greenland there is a high

mountain, around whose sides there has grown through the centuries an

enormous glacier, sending down in every direction branch glaciers that

extend to the coast. It is known that the only part of the land which is

not covered completely by ice is a narrow belt around the shore.

Crossing this belt at hundreds of places are the glaciers. Some are only

a few hundred feet wide and 50 feet thick, while others are several

miles wide and measure 1500 feet from surface to bottom.

All of these ice streams are making their way to the sea, and as their

ends are forced out into the water by the pressure behind, they are

broken off and set adrift as bergs.

Ensign Hugh Rodman, of the United States navy, in his report on the

"ice and ice movements in the North Atlantic Ocean," explains many

interesting things about ice and bergs.

Once the glacier extends into deep water, pieces are broken off by their

buoyancy, aided possibly by the currents and the brittleness of the ice.

The size of the pieces set adrift varies greatly, but a berg from 60 to

100 feet to the top of its walls, whose spires or pinnacles may reach

from 200 to 250 feet in height and from 300 to 500 yards in length, is

considered an average size berg in the Arctic. These measurements apply

to the part above the water, which is about one-eighth or one-ninth of

the whole mass.

Many authors give the depth under water as being from eight to nine

times the height above. This is incorrect, and measurements above and

below water should be referred to mass and not to height.

It is even possible to have a berg as high out of water as it is deep

below the surface, for if we imagine a large, solid lump, of any regular

shape, which has a very small, sharp, high pinnacle in the centre, the

height above water can easily be equal to the depth below. An authentic

case on record is that of a berg grounded in the Strait of Belle Isle,

in sixteen fathoms of water, that had a thin spire about one hundred

feet in height.

Each glacier in Greenland, so far as any estimate has been made, is the

parent each year of from ten to one hundred icebergs. When these bergs

have plunged into the Arctic Sea, they are picked up by the Arctic

current and begin their journey to the North Atlantic. But there are

thousands of them afloat; they crowd and rub against each other and

frequently they break into smaller masses.

Many go aground in the Arctic basin; others get to the shores of

Labrador, where from one end to the other they continually ground and

float. Some disappear there, while others get safely past and reach the

Grand Banks.

According to Ensign Rodman, the ice of bergs, although very hard, is at

the same time extremely brittle. A blow of an axe will at times split

them, and the report of a gun, by concussion, will accomplish the same

end.

They are more apt to break up in warm weather than in cold, and whalers

and sealers note this before landing on them when an anchor is to be

planted or fresh water to be obtained.

On the coast of Labrador, in July and August, when it is packed with

bergs, the noise of rupture is often deafening, and those experienced in

ice give them a wide berth.

When they are frozen the temperature is very low, so that when their

surface is exposed to a thawing temperature the tension of the exterior

and interior is very different, making them not unlike a Prince Rupert's

drop.

Then, too, during the day, the water made by melting finds its way into

the crevices, freezes, and hence expands, and, acting like a wedge,

forces the berg into fragments.

Much of the ice encountered at sea is discolored, and often full of dirt

and gravel, while not infrequently stones are found imbedded in it.

Along the shores of Labrador, where there is a large rise and fall in

the tide, ice is brought into contact with the bottom, and mud and

sea-weed are frozen in with it, while at times landslides precipitate

large quantities of dirt and stones on its surface.

As the ice leaves the coast and comes to the southward, it brings these

burdens with it, which are deposited on the ocean bottom when the ice

melts. As this melting occurs to a great extent over the Grand Banks, it

would seem that the deposit from the field ice would be greater than

that from bergs.

It is hard to understand why bergs should have foreign substances frozen

into them, as they are formed from snow deposited on the frozen surfaces

in the interior of Greenland, and hence their thickness is added to from

their upper surface.

It is possible that in their journey south in the Arctic current they

accumulate more or less foreign matter by having it ground into their

bottoms; but this does not seem probable, as it is hard to force gravel

into ice and give it a permanent hold, while mud accumulated in this way

would soon be washed out.

Then, too, the largest bergs find their way around the edges of the

Banks, and do not cross, on account of their draught, for only an

average-size berg crosses the Banks.

"1891."

by Rev. PHILIP B. STRONG.

Dear "1890" is no more!

The year has gone like years before.

With feelings foreign, sure, to none,

I write an "1891."

What lofty vows, what high resolves,

The wakened soul to-day revolves!

Will they endure, as now begun,

Through all of "1891?"

Oh, may more kindly words be said

Than in the twelve-month that has fled;

Far better, braver deeds be done

Than then in "1891."

What hath this year of loss or gain?

Who knoweth? What of boon or bane?

Life's thread may bright or dark be spun,

Ah, shrouded "1891!"

But faith is strong though sight is dim;

We gladly leave the days with Him,

And, trusting, wait the sands to run

Of hopeful "1891."

[_This Story began in No. 4._]

Schooner Sailing and Beach Combing;

or,

LEE HOLLAND'S ADVENTURES.

by EDWARD SHIPPEN, M.D.,

Author of "Cast Away in the Ice," "The

Yacht Grapeshot," "Tiger Island and

Elsewhere," "Jack Peters' Adventures

in Africa," etc., etc.

CHAPTER VI.

Lee now began to feel hungry and tired, so he let the boat drift while

he sat down and ate the lunch which the old woman had provided with such

very different intentions; and after that was finished, he fell sound

asleep in the stern-sheets, only to be awakened by the chill of the

dawn. Sitting up, he saw that the Sound was covered by a dense mist, and

all around him were flocks of wild ducks, settled upon the water, but

which flew off as soon as he moved.

While he sat looking at the sky, growing brighter in the east, and

trying to make up his mind in what direction Plymouth lay, he heard the

dip of a paddle, and then he saw coming up through the mist a dug-out

canoe, in which sat a venerable-looking old negro.

[Illustration:

"I'VE RUN AWAY FROM A SCHOONER ABOVE HERE,

AND I WANT TO GET TO PLYMOUTH."]

"Hillo!" said Lee.

The old fellow started as if he had been shot and peered about until he

saw the boat.

"Hillo, sah! hillo!" he answered, and then paddled nearer. "Now I can't

say as I rightly knows you, sah; an' I knows most everybody round here.

Duck-shootin' maybe? Is you one o' de Talbots?"

"No; I'm not duck-shooting, and I'm not one of the Talbots."

"What you doin' out here in de cold mornin', den, boy? Dat boat come

from some wessel, I see. An' dear knows it would be quare if you _was_ a

Talbot, an' I didn't know you. I belonged to old man Talbot onst."

"No, no, old man! I tell you I'm no Talbot. I've run away from a

schooner above here, and I want to get to Plymouth."

"Laws a massy! Why, I runned away myself, afore de wah. Was fo' year in

de Dismal Swamp, an' had a good time dere, too, honey. We had plenty o'

possum an' chickens an' corn-meal toted by colored folks we knowed, an'

put whar we could find it. An' we had sweet potatoes, an' simlins, an'

water-millions, an' berries, an' grapes, an' wild plums, an' wild hogs,

an' fish. Don't know as ever I'd 'a come out ef it hadn't 'a be'n de wah

freed de slaves, an' I wanted to see de ole place."

By this time the old negro was alongside, and took out a cob-pipe,

filled it, struck a light, and settled himself for a good talk, first

telling Lee that he was going fishing, at which he made his living.

Before he could begin talking again, Lee asked him in what direction he

ought to go to reach Plymouth.

"Why, honey, I'se a-goin' right dat way. My place for fishin' lays right

in dat direction. You come along o' me."

And with that the old fellow made fast his canoe to the schooner's boat,

and got in with Lee, taking one of the oars, so that they gave way

together.

After pulling for some time, the old man sounded.

"Now here I is," he then said, "in my place for fishin'. Now you see de

sun is scoffin' de fog, don't you? Well, you jus' keep de sun right in

your eyes, an' pull away, an' in less dan two hours you'll be in

Plymouth, for de tide is fa'r for you. I wish you well, honey! I done

run away onst myself, but I believe I tole you about dat. Take some o'

dis corn pone, and a piece o' dis cold bacon; you must want sumfin' in

your stumic. So-long!"

"Can't you give me a drink of water?" said Lee. "I want that more than

anything to eat."

"Yes, 'deed I kin!"

And then the old fellow rummaged in his canoe and brought out a black

jug, stoppered with a corn-cob, pulled the latter out, wiped the mouth

of the jug with his sleeve, and presented it to Lee, who took a good

drink, thanked his black friend, and then settled down at the oars for a

long pull.

Belts of fog and mist continued to lie upon the water, and after a time,

and having taken several breathing spells, he was shut in by one of

them, when he began to hear, carried over the water from a distance, the

creaking of blocks and tinkling of iron, and the cries of drivers

shouting at mules or horses, and other noises of a seaport.

Then the fog suddenly lifted, and he saw, quite a distance above him,

the wharves and some houses and vessels, mostly big, three-masted

schooners, loading lumber and tar and turpentine, just as he had been

told by old Jake.

Then, for the first time, it occurred to Lee that if he appeared there

alone, in possession of a ship's boat, he might be looked upon with

suspicion and might have hard work to explain how he came there, and

even might be held until he could clear the matter up.

So, rather than be suspected and detained, he determined to make his

appearance by land, instead of by water, and ran the boat on shore, some

way below the town.

Jumping out, he was about to give her a shove out into the stream, when

he reflected that the tide was still flood and an empty boat would be

sure to be seen and secured and his sudden appearance connected with her

in some way; so he hauled her under a clump of bushes, made her well

fast and walked up a marshy cattle-path toward the town.

In about twenty minutes he came out close to a wharf, where the work of

the day was in full blast. A large schooner lay there, with "Traveler,

of Boston," on her broad stern. She was taking, as a deck-load, some

large, squared timbers, and just then had a big one hung by chains from

a patent crane, which stood upon the dock.

A number of negroes were at work lowering it down, when suddenly

something cracked and the most of them let go the winch.

The great timber must have come down on the deck with damaging effect if

Lee, who had often seen such cranes used before, had not jumped to the

safety-break, at the risk of being killed by the whirling winch-handles,

and brought the beam to a stand before it could do any damage.

"Well done, my lad!" shouted a stout, bronzed man, from the vessel. "You

just stay there and work those other three timbers down on deck, and

I'll pay you for it. I'm short handed. But, stop; maybe you belong to

some of these other vessels? No? Well, I'll be as good as my word. My

mate's sick with this confounded North Carolina fever, and the

second-mate's got some kind of 'fantods,' too, and is laid up, and I

want to get away to-day."

"Send me out a drink of water and a piece of hard tack, sir, and I'll

stop here till the timbers are on board."

"Steward," called the captain, "there's a boy out there on the dock; I

want you to take him something to eat and drink. He's the one at the

break. Now, bear a hand and sling another one."

While they were slinging it Lee managed to eat something, and in an hour

the whole were safely on deck and securely chocked. Then the captain saw

Lee still on the dock and beckoned him on board.

"Now, here's a half-dollar for you, my lad. Do you belong about these

parts? Don't look as if you did. But, no matter; I s'pose you've run

away from some vessel. Now, I'm bound to Havana with this load of

lumber, and I'll ship you, if you like."

"I would rather ship in some vessel going north, sir."

"Well, maybe you can and maybe you can't. I'm going to haul out, right

away. Go, or not go? What do you say?"

"Are you going home from Havana, captain?"

"I can't say. I will, if I get a charter. But, being short handed, I'd

like to have a good, active, stout lad, like you, and will give you

ordinary seamen's wages. Haven't been much to sea, have you?"

"No, sir; but I'm not a bad schooner sailor, and can reef and steer."

"Well, I don't want any shilly-shally! Say yes or no. I have my

clearance, and here comes the tug to take me down the Sound."

"Well, yes, then."

And so it came about that Lee found himself, within half an hour, bound

down for Hatteras Inlet and thence for Havana, when he had only started

from home to go halibut fishing!

Golden Days for Boys and Girls, Vol. XII, Jan. 3, 1891 · 第 1 / 7 章