ON DEATH.

We should all think of death as a less hideous object, if it simply

untenanted our bodies of a spirit, without corrupting them; secondly,

if the grief which we experience at the spectacle of our friends'

graves were not by some confusion of the mind blended with the image of

our own; thirdly, if we had not in this life seated ourselves in a warm

domestic nest, which we are unwilling to quit for the cold blue regions

of the unfathomable heavens; finally,--if death were denied to us. Once

in dreams I saw a human being of heavenly intellectual faculties, and

his aspirations were heavenly; but he was chained (methought) eternally

to the earth. The immortal old man had five great wounds in his

happiness--five worms that gnawed forever at his heart: he was unhappy

in springtime, because _that_ is a season of hope--and rich with

phantoms of far happier days than any which this aceldama of earth

can realize. He was unhappy at the sound of music, which dilates the

heart of man into its whole capacity for the infinite, and he cried

aloud,--"Away, away! Thou speakest of things which throughout my

endless life I have found not, and shall not find!" He was unhappy at

the remembrance of earthly affections and dissevered hearts: for love

is a plant which may bud in this life, but it must flourish in another.

He was unhappy under the glorious spectacle of the starry host, and

ejaculated forever in his heart,--"So then I am parted from you to all

eternity by an impassable abyss: the great universe of suns is above,

below, and round about me: but I am chained to a little ball of dust

and ashes." He was unhappy before the great ideas of Virtue--of

Truth--and of God; because he knew how feeble are the approximations to

them which a son of earth can make. But this was a dream: God be

thanked, that in reality there is no such craving and asking eye

directed upwards to heaven--to which death will not one day bring an

answer!

IMAGINATION UNTAMED BY THE COARSER

REALITIES OF LIFE.

Happy is every actor in the guilty drama of life, to whom the higher

illusion within supplies or conceals the external illusion; to whom, in

the tumult of his part and its intellectual interest, the bungling

landscapes of the stage have the bloom and reality of nature, and whom

the loud parting and shocking of the scenes disturb not in his dream!

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