KOL TIBICHI

In connection with this tale I add the following remarks about one of

the two modes of making doctors, and about certain spirits. These

remarks are given, as nearly as possible, in the form of the original

Wintu narrative.

I have added, besides, the songs of four great existences, or gods.

Every individual existence in Indian mythology has its own song. This

song refers to what is most notable in the actions or character of

that existence. The given song is sung by a doctor immediately after

its spirit of that existence has entered him.

Kol Tibichi's yapaitu (yapaitu is another name for one of the first

people), the rainbow, would not leave him till he used a woman's red

apron as a headband, because the rainbow is connected with the

catamenial periods of Sanihas (daylight).

The yapaitu dokos (yapaitu missile), mentioned further on, is a

projection of the spirit itself of the yapaitu. Sometimes it flees

from the patient; the duty of the doctor, in such a case, is to find

the dokos. If he does not, it may return to the sick man after the

doctor has gone; and in that case the last condition of the patient is

worse than the first. Generally, however, it waits to be cast out.

Creation Myths of Primitive America In relation to the Religious History and Mental Development of Mankind · 第 136 / 179 题