CHAPTER XLIV

Anecdotal--“Which is Peace?”--Mark Twain at Tussaud’s--Dr.

Grace’s story--Mr. Kipling’s model--Filial pride--Bishop

Jackson’s sally--German inaccuracy.

As I proceed with my narrative, having already travelled through the

memories of many years, there seem to crowd at my heels, so to speak,

a great collection of humorous and curious incidents which, although

unrelated to each other, are yet worthy of a place in this chronicle.

They come of their own free will readily enough when I want to engage

in serious work, but no amount of persuasion will lure them from their

lurking-places when I want to recount them. As I fancy my friends like my

short stories as well as any, I propose to introduce a few trivialities

that are sufficiently obliging to present themselves as I write.

In the Berlin Treaty days a staunchly Conservative borough was

celebrating the event, and among other decorations was a large

transparency showing Lord Beaconsfield and Lord Salisbury standing

together, with the motto “Peace with Honour” beneath them. An old woman

went up to the borough M.P. and asked:

“If you please, sir, will you tell me which is Peace?”

Charles Peace was the man of the moment just then.

[Illustration: CHARLES PEACE

Model of the notorious criminal in convict garb.]

Mark Twain, according to his cousin, Katherine Clemens, once visited

Madame Tussaud’s. He stood a long while, says his cousin, in

contemplation of an especially clever piece of work, and was aroused by a

sudden stab of pain in his side. Turning quickly, he found himself face

to face with a dumb-founded British matron with her parasol still pointed

at him.

“O lor’, it’s alive!” she exclaimed, and beat a hasty retreat.

The best known of all cricketers, Dr. W. G. Grace, has long enjoyed a

well-earned place of prominence in the Exhibition, and even to-day,

when the great master of the bat and the ball is no longer with us, his

portrait continues to attract more than an average share of attention.

Dr. Grace was very fond of telling the following story about a trusted

old servant of his whom he treated on one occasion to a trip to London.

On her return he asked her what it was that pleased her most among the

sights of the Metropolis.

“Oh, sir, Madame Tussaud’s was beautiful,” replied Susan.

“Then you must have seen me there?” said her master.

“No, that I did not, sir.”

“What! How did you miss me? I am there as large as life.”

“Well, sir, to tell you the truth, it cost sixpence extra to go into the

Chamber of Horrors.”

A young girl arriving at an institution at Torquay, from London, was

asked whether she had ever visited Westminster Abbey. She hesitated, and

was then reminded that that historic edifice contained monuments of the

Kings and Queens of England. She immediately brightened up, and replied,

“Oh, yes, I have been there, but they call it Madame Tussaud’s now.”

A short time after the seated figure of Mr. Rudyard Kipling, which is

still to be seen in the Exhibition, had been modelled, the following

conversation is reported to have occurred between a young lady and her

maid, who had visited Madame Tussaud’s:

Relating her experiences there, the girl remarked:

“They’ve got Mr. Kipling and another murderer there, miss.”

“But Mr. Kipling isn’t a murderer,” said her young mistress.

“No, miss,” was the reply, “but they’ve got him there, miss.”

During those days when the Exhibition was being removed from one town

to another the figures of criminals originally stood together in the

same room with all the other models; but as it was suggested that it was

indecorous to have the effigies of criminals in such close proximity with

those of illustrious personages, Madame Tussaud had the former removed to

a separate room, and the Chamber of Horrors was formed as it now exists.

The relatives and friends of criminals frequently visit the Chamber.

At a drawing-room meeting held at the residence of Lady Esther Smith, in

Grosvenor Place, in aid of the Social Institutes’ Union, which exists to

provide facilities for establishing clubs on temperance lines, Mrs. (now

Lady) Bland-Sutton told the story of a little girl who was asked where

she would like to go for a treat.

“To Madame Tussaud’s,” was the prompt reply.

“But you went there last year,” it was objected.

“Oh, yes, I know,” said the child, “but father wasn’t in the Chamber of

Horrors then.”

Somewhat similar is the following:

A parlourmaid, interviewed by her mistress just after a Bank Holiday, was

asked:

“And how did you spend your day off, Polly?”

“Oh, we went to Madame Tussaud’s,” was the reply. “We always go there,

mum. You see, having uncle in the Chamber of Horrors gives the place a

family interest, so to speak.”

When Dr. Jackson was Bishop of London he gave a breakfast to several

curates before they left to take up missionary work abroad, and one of

them, in the course of conversation at the repast, observed that he had

just visited Madame Tussaud’s, where he had heard a figure of his Grace

had been on view for many years.

He said he much regretted that he could not find the figure anywhere in

the Exhibition, although he had searched for it high and low.

“Oh,” said the Bishop, “haven’t you heard, my dear boy, that they’ve

melted me down for Peace?”--a sally that was greeted with roars of

laughter.

[Illustration: DR. JACKSON

Bishop of London 1868-1885.]

Many complaints have been made by foreigners visiting London regarding

the inefficiency of guides with little or no knowledge of the places

with which they are supposed to be thoroughly acquainted.

For instance, a certain Teuton of great pretensions brought to Madame

Tussaud’s a party of travellers from a Prussian provincial town, and

informed them, among other things, that Mrs. Maybrick, whose model was

then in the Napoleon Rooms, was a lady connected with the life of the

great Bonaparte.

The Romance of Madame Tussaud's · 第 44 / 51 章