CHAPTER XXX

King of Siam’s visit--The Shahzada’s clothing--King of Burmah’s

war elephant--Tale of two monkeys.

The King of Siam and the Shahzada of Afghanistan are linked in my

memory because of the peculiar interest King Chulalongkorn took in the

Afghan Prince, whose model appeared in all the splendour of one of the

Shahzada’s own State dresses.

The moment the King of Siam was confronted by this portrait he exclaimed

in surprise:

“How did the uniform come here? Where did you get it?”

“Oh,” I replied, “we purchased it.”

“Whom did you get it from?” the King of Siam persisted. “From the

Shahzada himself?”

The information was imparted that the elaborate costume had been offered

to us by a member of the Shahzada’s suite, who took a keen personal

interest in the transaction, and gave us to understand that his royal

master would prefer that the portrait should not wear his own clothes

till after his departure from this country.

We complied with this condition, and while writing these reminiscences

the gorgeous apparel of the Afghan Prince lies heaped in a corner of my

studio, having been brought out that I may again for a moment gaze upon

its faded glories of purple and gold; for the portrait of the Shahzada

has long since been removed from its pedestal.

The King of Siam was a very decorous and unassuming little gentleman,

who gave no hint of disappointment that his own portrait did not appear

in the collection, while I wondered, as I walked with him, whether he

regretted or welcomed the omission.

As we came face to face with the Shah of Persia, whose gorgeous

habiliments glittered with a veritable firmament of jewels, the King

again harped upon the question of the Shahzada’s clothes.

Looking hard at the “lion” of a former season, the King exclaimed:

“His own clothes, too, I suppose?”

“Not this time,” I replied. “We were not so fortunate in the case of the

Shah.”

“An exact duplicate, though,” was the compliment of the laughing King.

The Eastern potentate was a most minute and intelligent observer of all

he saw, and questioned me unceasingly.

“Who is that beside the Prince?” he inquired, pointing at the Prince

of Wales in a howdah on the back of the elephant Juno, a tableau which

depicted a tiger-hunting incident in the late King Edward’s Indian tour.

On being told that the Prince was accompanied by his “loader,” the King

replied, “Yes, yes,” as if he thought his question a superfluous one.

From hall to hall we passed, and I was astonished at the knowledge of

English history displayed by King Chulalongkorn. He picked out the figure

of Richard I, and, pointing to the white doublet with the red cross on

the breast, said, “The costume of a Crusader--certainly, certainly.” The

representation of King John with the Magna Charta in his hand did not

appear to produce a very pleasing impression upon the Siamese autocrat.

“_What_ a name! Who was he?” remarked the King in front of Houqua, the

big Chinaman who earned his place in the Exhibition on account of certain

services he had rendered this country. I had withdrawn for a moment, and

was called back to explain that Houqua was a Chinese merchant, whereat

the royal interlocutor turned away with a contempt for trade clearly

indicated on his face.

It was surprising to note that King Chulalongkorn passed the portraits

of Mr. Gladstone, Lord Salisbury, and other British statesmen without a

pause or comment. He stood some minutes in front of the case containing

the orders of the Duke of Wellington, and then remarked, with admiring

emphasis:

“These are surely all the orders a man could have; he must have had

nearly everything.”

The group of Henry VIII and his six wives was surveyed in stolid silence

by a monarch not likely to be moved by such a spectacle. In a shadowed

portion of the gallery he nearly mistook (and slightly frightened) two

nice English girls in white for wax figures.

In the Chamber of Horrors he showed from his observations that he was

familiar with the main features of several of the crimes commemorated

there.

I may add that every honour was done the King on that occasion. We had

the public excluded from the Exhibition, and the Siamese National Anthem

was played on his arrival and departure.

The King of Siam’s inspection of the elephant reminds me that, beside the

stuffed monkey which one of the wives of Henry VIII is fondling, the only

animals ever shown in the Exhibition were in the “Tiger Hunt” scene in

question. The tusker was the famous Juno, which was for many years the

King of Burmah’s war elephant.

The Prince of Wales had just mortally wounded a male tiger, and was

about to give the _coup de grace_ to another beast which, unexpectedly

springing from the jungle, had been pinned to the ground by Juno. The

animals were stuffed and staged by the late Mr. Rowland Ward.

When I say that these were the only animals shown in the Exhibition I

mean, of course, dead ones.

Within the past twelve months a monkey that escaped from the Zoo, barely

a mile away, entered the Exhibition by a back window, and was seen in the

act by a crowd of people, who had been amused by its antics outside.

It appears that the monkey, in scurrying through the building, caught

sight of its dead counterpart on the lap of Henry’s Queen, and tried to

attract its attention. Failing in this, the little creature pawed it, and

the result was electrical.

The strangeness of coming unexpectedly in contact with a dead animal

which was thought to be alive seems to have startled the monkey beyond

measure, for it became terrified, and, springing away, went at great

speed to the remotest part of the Exhibition, where it took refuge in one

of the side rooms.

Several visitors, mostly ladies, were in the room at the time, and they

at once made for the door, which was thereupon locked upon the animal.

Meanwhile we had telephoned to the Zoo that one of the monkeys had

escaped and was in the Exhibition.

A keeper arrived shortly afterwards, and said he had missed it from its

cage. Both keeper and monkey were delighted at their reunion. The monkey

had not seemed to trouble much about the figures, which it probably took

for living people, but the dead monkey on the lap of one of them had been

more than it could stand.

The Romance of Madame Tussaud's · 第 30 / 51 章