CHAPTER VIII

_THE BIRDS FLY SOUTH_

It was early in October when the mystery of the Ibandru began to take

pronounced form.

Then it was that I became aware of an undercurrent of excitement in

the village, a suppressed agitation which I could not explain, which

none would explain to me, and which I recorded as much by subconscious

perception as by direct observation. Yet there was sufficient visible

evidence. The youth of the village had apparently lost interest in the

noisy pastimes that had made the summer evenings gay; old and young

alike seemed to have grown restless and uneasy; while occasionally I

saw some man or woman scurrying about madly for no apparent reason. And

meantime all bore the aspect of waiting, of waiting for some imminent

and inevitable event of surpassing importance. Interest in Yulada

was at fever pitch; a dozen times a day some one would point toward

the stone woman with significant gestures; and a dozen times a day I

observed some native prostrating himself in an attitude of prayer, with

face always directed toward the figure on the peak while he mumbled

incoherently to himself.

But the strangest demonstration of all occurred late one afternoon,

when a brisk wind had blown a slaty roof across the heavens, and from

far to the northeast, across the high jutting ridges of rock, a score

of swift-flying black dots became suddenly visible. In an orderly,

triangular formation they approached, gliding on an unwavering course

with the speed of an express train; and in an incredibly brief time

they had passed above us and out of sight beyond Yulada and the

southern peak. After a few minutes they were followed by another band

of migrants, and then by another, and another still, until evening had

blotted the succeeding squadrons from view and their cries rang and

echoed uncannily in the dark.

To me the surprising fact was not the flight of the feathered things;

the surprising fact was the reaction of the Ibandru. It was as if they

had never seen birds on the wing before; or as if the birds were the

most solemn of omens. On the appearance of the first flying flock, one

of the Ibandru, who chanced to observe the birds before the others,

went running about the village with cries of excitement; and at his

shouts the women and children crowded out of the cabins, and all the

men within hearing distance came dashing in from the fields. And all

stood with mouths open, gaping toward the skies as the successive

winged companies sped by; and from that time forth, until twilight had

hidden the last soaring stranger, no one seemed to have any purpose in

life except to stare at the heavens, calling out tumultuously whenever

a new band appeared.

That evening the people held a great celebration. An enormous bonfire

was lighted in an open space between the houses; and around it gathered

all the men and women of the village, lingering until late at night

by a flickering eerie illumination that made the scene appear like

a pageant staged on another planet. In the beginning I did not know

whether the public meeting had any connection with the flight of the

birds; but it was not long before this question was answered.

In their agitation, the people had evidently overlooked me entirely.

For once, they had forgotten politeness; indeed, they scarcely noticed

me when I queried them about their behavior. And it was as an uninvited

stranger, scarcely remembered or observed, that I crept up in the

shadows behind the fire, and lay amid the grass to watch.

In the positions nearest the flames, their faces brilliant in the glow,

were two men whom I immediately recognized. One, sitting cross-legged

on the ground, his features rigid with the dignity of leadership, was

Abthar, the father of Yasma; the other, who stood speaking in sonorous

tones, was Hamul-Kammesh, the soothsayer. Because I sat at some

distance from him and was far from an adept at Pushtu, I missed the

greater part of what he said; but I did not fail to note the tenseness

with which the people followed him; and I did manage to catch an

occasional phrase which, while fragmentary, impressed me as more than

curious.

"Friends," he was saying, "we have reached the season of the great

flight.... The auguries are propitious ... we may take advantage of

them whenever the desire is upon us.... Yulada will help us, and Yulada

commands...." At this point there was much that I could not gather,

since Hamul-Kammesh spoke in lower tones, with his head bowed as though

in prayer.... "The time of yellow leaves and of cold winds is upon

us. Soon the rain will come down in showers from the gray skies; soon

the frost will snap and bite; soon all the land will be desolate and

deserted. Prepare yourselves, my people, prepare!--for now the trees

make ready for winter, now the herbs wither and the earth grows no

longer green, now the bees and butterflies and fair flowers must depart

until the spring--and now _the birds fly south, the birds fly south,

the birds fly south_!"

The last words were intoned fervently and with emphatic slowness,

like a chant or a poem; and it seemed to me that an answering emotion

swept through the audience. But on and on Hamul-Kammesh went, on and

on, speaking almost lyrically, and sometimes driving up to an intense

pitch of feeling. More often than not I could not understand him, but I

divined that his theme was still the same; he still discoursed upon the

advent of autumn, and the imminent and still more portentous advent of

winter....

After Hamul-Kammesh had finished, his audience threw themselves chests

downward on the ground, and remained thus for some minutes, mumbling

unintelligibly to themselves. I observed that they all faced in one

direction, the south; and I felt that this could not be attributed

merely to chance.

Then, as though at a prearranged signal, all the people simultaneously

arose, reminding me of a church-meeting breaking up after the final

prayer. Yet no one made any motion to leave; and I had an impression

that we were nearer the beginning than the end of the ceremonies. This

impression was confirmed when Hamul-Kammesh began to wave his arms

before him with a bird-like rhythm, and when, like an orchestra in

obedience to the band-master, the audience burst into song.

I cannot say that the result pleased me, for there was in it a weird

and barbarous note; yet at the same time there was a certain wild

melody ... so that, as I listened, I came more and more under the

influence of the singing. It seemed to me that I was hearing the voice

not of individuals but of a people, a people pouring forth its age-old

joys and sorrows, longings and aspirations. But how express in words

the far-away primitive quality of that singing?--It had something

of the madness and abandon of the savage exulting, something of the

loneliness and long-drawn melancholy of the wolf howling from the

midnight hilltop, something of the plaintive and querulous tone of wild

birds calling and calling on their way southward.

After the song had culminated in one deep-voiced crescendo, it was

succeeded by a dance of equal gusto and strangeness. Singly and in

couples and in groups of three and four, the people leapt and swayed in

the wavering light; they flung their legs waist-high, they coiled their

arms snake-like about their bodies, they whirled around like tops; they

darted forward and darted back again, sped gracefully in long curves

and spirals, tripped from side to side, or reared and vaulted like

athletes; and all the while they seemed to preserve a certain fantastic

pattern, seemed to move to the beat of some inaudible rhythm, seemed

to be actors in a pageant whose nature I could only vaguely surmise.

As they flitted shadow-like in the shadowy background or glided with

radiant faces into the light and then back into the gloom, they seemed

not so much like sportive and pirouetting humans as like dancing gods;

and the sense came over me that I was beholding not a mere ceremony

of men and women, but rather a festival of wraiths, of phantoms, of

cloudy, elfin creatures who might flash away into the mist or the

firelight.

Nor did I lose this odd impression when at intervals the dance relaxed

and the dancers lay on the ground recovering from their exertions,

while one of them would stand in the blazing light chanting some native

song or ballad. If anything, it was during these intermissions that I

was most acutely aware of something uncanny. It may, of course, have

been only my imagination, for the recitations were all of a weird

nature; one poem would tell of men and maidens that vanished in the

mists about Yulada and were seen no more; another would describe a

country to which the south wind blew, and where it was always April,

while many would picture the wanderings of migrant birds, or speak of

bodiless spirits that floated along the air like smoke, screaming from

the winter gales but gently murmuring in the breezes of spring and

summer.

For some reason that I cannot explain, these legends and folk-tales

not only filled my mind with eerie fancies but made me think of one who

was quite human and real. I began to wonder about Yasma--where was she

now? What part was she taking in the celebration? And as my thoughts

turned to her, an irrational fear crept into my mind--what if, like

the maidens described in the poems, she had taken wing? Smiling at my

own imaginings, I arose quietly from my couch of grass, and slowly and

cautiously began to move about the edge of the crowd, while scanning

the nearer forms and faces. In the pale light I could scarcely be

distinguished from a native; and, being careful to keep to the shadows,

I was apparently not noticed. And I had almost circled the clearing

before I had any reason to pause.

All this time I had seen no sign of Yasma. I had almost given up hope

of finding her when my attention was attracted to a solitary little

figure hunched against a cabin wall in the dimness at the edge of the

clearing. Even in the near-dark I could not fail to recognize her; and,

heedless of the dancers surging and eddying through the open spaces, I

made toward her in a straight line.

I will admit that I had some idea of the unwisdom of speaking to her

tonight; but my impatience had gotten the better of my tongue.

"I am glad to see you here," I began, without the formality of a

greeting. "You are not taking part in the dance, Yasma."

Yasma gave a start, and looked at me like one just awakened from deep

sleep. At first her eyes showed no recognition; then it struck me there

was just a spark of anger and even of hostility in her gaze.

"No, I am not taking part in the dance," she responded, listlessly.

And then, after an interval, while I stood above her in embarrassed

silence, "But why come to me now?... Why disturb me tonight of all

nights?"

"I do not want to disturb you, Yasma," I apologized. "I just happened

to see you here, and thought--"

My sentence was never finished. Suddenly I became aware that there

was only vacancy where Yasma had been. And dimly I was conscious of a

shadow-form slipping from me into the multitude of shadows.

In vain I attempted to follow her. She had vanished as completely as

though she had been one of the ghostly women of the poems. No more

that evening did I see her small graceful shape; but all the rest of

the night, until the bonfire had smoldered to red embers and the crowd

had dispersed, I wandered about disconsolately, myself like a ghost as

I furtively surveyed the dancing figures. A deep, sinking uneasiness

obsessed me; and my dejection darkened into despair as it became

plainer that my quest was unavailing, and that Yasma had really turned

against me.

When the birds fly south · 第 8 / 24 章