It was too dark for Penny to read the letter. Stepping to the car, she

switched on the headlights and held the paper in its brilliant beam.

The letter read:

Dear Matthew:

Sorry to bother you again, Old Pal, but I know you're always willing to

give an old buddy and cellmate a helping hand. I don't want to tip off

the New York cops where you are, and you can trust me to keep mum if you

come through with another six thousand. This is my last request.

Peter F.

"Peter Fenestra!" exclaimed Penny. "And it's no surprise either! Horney,

where did you find this letter?"

"It was in a pile of rubbish down in the basement. I don't know how it

got there."

"Peter Fenestra has a habit of leaving notes on Mr. Judson's desk,"

declared Penny. "This one may have blown off and been swept out without

the publisher seeing it!"

"Don't you figure it's a blackmail attempt?"

"Of course it is, Horney. You've not shown the letter to anyone?"

"Only to you. From the threat I dope it out that Judson was sent to

prison years ago, and he's still wanted."

Penny nodded as she placed the letter in her pocketbook. His guess was a

shrewd one, but she could tell him nothing without breaking her promise

to Mr. Judson.

"Horney," she said, "a great deal hinges upon this letter. You'll not

tell anyone what you've learned?"

"Oh, I'll keep it to myself. I'm not one to get Judson into trouble. He's

had enough of it already."

Penny noticed that her father's car was not in the garage. She reasoned

that since he had not come home he must be working late at the _Star_

office as he frequently did.

"Jump in, Horney," she invited, swinging wide the car door. "I'm going

downtown to find Dad. I'll give you a ride."

She was grateful that the pressman had little to say as they sped through

dimly lighted residential streets.

How much he suspected she could only guess. But the letter had made it

clear to her that the former publisher never had completed his prison

sentence.

"That was why he didn't answer me when I asked about Pauletta's age!" she

thought. "He must have escaped from prison soon after he was sent there!"

No longer did Penny wonder why Mr. Judson had not refused Peter

Fenestra's repeated demands for money. Obviously he had feared a far

worse fate than exposure--return to the New York state prison.

The car turned into the deserted _Star_ loading dock. Few lights were

visible in the building, for the day staff had gone home and only the

scrub women were at work. Penny could not see the windows of her father's

office from the street. Nor did she observe a man who slouched against a

wall, not far from where the car had stopped.

Old Horney stepped from the running board, thanking Penny for the ride.

"Guess I'll amble up the street and get a cup of coffee."

"You'll be sure not to mention the letter?" Penny reminded him.

"I won't tell a soul. You know, I was thinkin' about it as we rode

downtown. Peter Fenestra came into the office a couple of times just

before Judson closed the plant. He was a dirty blackmailer, all right!

Wouldn't that letter I gave you be enough to send him up?"

"I should think so, Horney. But the problem is how to take care of him

without ruining Mr. Judson."

"Better show the letter to your father," advised the pressman. "Maybe

he'll have some ideas."

Tipping his hat, Old Horney moved briskly away.

Penny entered the rear vestibule, speaking to three scrub women who were

locking up their cleaning equipment before leaving the building. Not even

the elevator man was on duty, so she climbed the stairs. Switching on a

light in the newsroom, she passed through it to her father's office.

The room was dark.

"Not here," thought Penny. "I was afraid of it."

Deciding to telephone home, she entered one of the glass enclosed booths

at the end of the newsroom. As she lifted the receiver, a voice from

behind her said distinctly:

"Put that down!"

Startled, Penny whirled around. Peter Fenestra stood in the doorway of

the booth.

"Come out of there!" he ordered harshly.

Penny obeyed with alacrity as she tried to gather her wits. The building

was practically deserted, and Fenestra took care to stand between her and

the outside door.

"What do you want here?" she demanded coldly.

"The letter."

Penny stared at him blankly. Her astonishment was genuine.

"Don't pretend you don't know," Fenestra said harshly. "I want the letter

you and that old man were talking about."

"Oh!" Light broke upon Penny. "So you heard our conversation! You were

listening!"

"I happened to be standing in the loading dock. I know you have the

letter. Hand it over."

Penny backed a few steps away toward her father's office. "So you admit

you wrote it?" she challenged.

"I admit nothing. But I want that letter."

"You'll not get it," Penny defied him. "Peter Fenestra, you were the one

who put that warning note on my desk a few days ago! And I know why, too!

You were afraid I'd learn too much about the octopus tattoo. Well, I've

learned plenty!"

Fenestra's face became contorted with rage. He choked, "You've been down

in the cave!" and started toward Penny.

Thoroughly frightened, she eluded his grasp. Running into her father's

office, she slammed the door. Bracing her body against it, she managed to

turn the key before Fenestra could force it open.

"Come out of there!" he shouted furiously. "Come out, I say!"

"And I say I won't!" retorted Penny. "Just try to get in!"

She pushed her father's heavy desk across the room, placing it in front

of the door.

Fenestra rattled the handle several times, and threw his body against the

panel once or twice. Then she heard footsteps as he walked away.

"That's only a trick to get me to come out," thought Penny. "I won't be

stupid enough to fall into his trap. I'll stay right here."

Walking to the window, she gazed down. Cars were passing along the

street. If she shouted for help someone might hear her. However, to

explain her predicament would be rather awkward.

Penny's gaze fell upon the telephone which had fallen from the desk to

the floor. Picking it up, she dialed the number of her own house. Mrs.

Weems answered.

"Hello," said Penny cheerfully, "Dad hasn't come home yet by any chance?"

"He's just now driving into the garage," the housekeeper replied. "I'll

call him."

A moment later Penny heard her father's voice at the other end of the

wire.

"Dad," she said, "I'm down at your office, sitting behind some barbed

wire entanglements. I wish you'd get a policeman and see what you can do

about rescuing me."

"Is this one of your jokes?" Mr. Parker demanded.

Fearful that her father would hang up the receiver, Penny talked fast and

to the point. Mr. Parker assured her he would come without a moment's

delay.

"I guess that will teach Peter Fenestra not to get funny with me!" she

congratulated herself. "It pays to do a little thinking. Fenestra will be

arrested, and then I'll drive out and learn what he hides in his cave."

Penny sniffed the air. She could smell smoke, and she thought it must be

coming from a cigarette. Evidently Fenestra had stolen to the door and

was patiently waiting for her to emerge.

"He'll have a long wait," she chuckled.

Gradually her elation died. The odor of smoke had grown stronger. She saw

a wisp of it filter beneath the door crack. Penny's heart caught in her

throat. Tensely she listened. Was it imagination or could she hear the

crackle of flames?

"Fenestra may be burning the papers of a scrap basket just to smoke me

out," she thought. "Probably that's just what he's doing."

Pulling the heavy desk away from the door, she stood with her ear against

the panel. Distinctly she could hear the crackle of flames. The wood felt

warm to her cheek.

Suddenly Penny was afraid. Frantically she turned the key in the lock.

The door swung outward to the pressure of her shoulder. A wave of heat

rushed in.

Penny staggered backward, horrified by the sight which met her eyes. At

the end of the newsroom, where the exit should have been, rose a towering

barrier of flames.

CHAPTER

24

_A BARRIER OF FLAMES_

Escape through the newsroom was cut off. Panic seized Penny, but only for

an instant. Retreating, she telephoned the fire department. Then finding

a chemical extinguisher, she began fighting the flames.

Black, rolling smoke billowed into her face, choking and blinding her.

The heat drove her back.

From far down the street came the wail of a siren. Penny rushed to a

window. A pumper and a hook-and-ladder truck swung around the corner,

lurching to a stop.

Raising the sash, she stepped out onto the ledge, waving to the men

below.

"Stay where you are!" shouted a fireman. "We'll get you!"

A ladder shot up, but Penny did not wait to be carried to safety. Before

a fireman could mount, she scrambled down with the agility of a monkey.

"The fire started in the newsroom," she gasped. "But it's already spread

into the composing department."

"Anyone else in the building?"

"I don't think so. There were three scrub women, but they're probably out

now."

Lines of hose were stretched to the hydrants, and streams of water began

to play on the flames. A crowd, following in the wake of the fire

engines, was ordered back by the police. One young man broke through,

darting to Penny's side.

"Jerry!" she exclaimed.

"Gosh, how did it start?" he demanded. "Why, Penny, your hair is singed!"

"I was in it," she said briefly. "I can't explain now, but the fire was

started by Peter Fenestra."

"On purpose?"

"I don't know about that. He was smoking a cigarette."

"Have you told the police?"

"Not yet. I'm waiting for Dad."

A car inched through the crowd, stopping a few yards away. Mr. Parker

leaped out and ran toward the burning building. He was stopped at the

entrance by a fireman.

"Let me in there!" the publisher shouted, trying to free himself. "My

daughter's inside!"

"No, here I am, Dad!" Penny cried, grasping his hand.

Mr. Parker said no word, but he pulled her to him in a rough embrace. The

next moment he was trying once more to enter the building, intending to

save important papers.

"Take it easy, Parker," advised the fireman, barring the door with his

hose. "The smoke's bad in there."

"Will the building go?"

"We'll save most of it," the fireman assured him confidently.

Penny plucked at her father's sleeve. "Dad, oughtn't the police be sent

after Peter Fenestra? He's responsible for this, and a lot of other

things, too!"

"You mean Fenestra set the fire?"

Above the roar of flames, Penny tersely disclosed how the man had

compelled her to take refuge in the inner office room. Jerry also heard

the story, and when she had finished, he said to Mr. Parker:

"Chief, let me take a couple of policemen and nail that fellow! Maybe we

can arrest him at the farm before he makes a get-away."

"Go ahead," urged Mr. Parker.

"I'm going along," declared Penny, and darted away before her father

could stop her.

Twenty minutes later, with a police cruiser dispatched to Fenestra's

place, she and Jerry drove there in Mr. Parker's car. Parking some

distance down the road, they walked cautiously toward the farmhouse which

loomed dark against the sky. No lights burned in the windows. The grounds

appeared deserted.

"Looks as if Fenestra isn't here," observed Jerry. "No use waiting for

the police."

Boldly going to the front door he pounded on it, ordering in a loud

voice: "Open up!"

"He's not here," said Penny after a moment. "Unless perhaps he's hiding."

"The place looks deserted to me."

Penny glanced toward the storm cave, remembering that she had the key to

the padlock in her pocket. Jerry read her thought, and followed as she

went quickly toward the mound.

"It's locked," he said, indicating the padlock.

"Here's the key." Eagerly Penny offered it to Jerry. "I'm sure this must

be the one."

The reporter gave her a flashlight to hold while he tried to fit the key

into the lock.

"It's no go, Penny."

"But I was so sure, Jerry." She stooped to examine the padlock. "Well, no

wonder! It's been changed."

"Then we're out of luck until the police get here."

"Isn't there any way we can open it ourselves?"

"Maybe I can break it."

"There should be tools in the barn, Jerry."

"I'll see what I can find."

Leaving Penny, the reporter disappeared in the direction of the barn.

Extinguishing the flashlight, she patiently waited.

Suddenly she was startled to hear running footsteps. Barely had she

crouched behind the storm cave before a man emerged from among the pine

trees adjoining the road. It was Peter Fenestra and he was breathing

hard.

Straight toward the cave he ran. Pausing at the slanting door, he peered

quickly about, and then fumbled with the padlock. In desperate haste he

jerked it loose, swung back the hinged door, and descended the stone

steps.

Penny waited a moment, then crept to the entrance.

Fenestra had not taken time to lower the door behind him. A light shone

from an underground room at one side of the main passageway, and she

could hear the man's heavy boots scuffing on a cement floor.

Penny considered going after Jerry and decided against it. Fenestra's

frantic haste suggested that he might not linger long in the cave. What

could he be doing beneath ground?

With Jerry so near, she felt that it would not be too dangerous to

investigate. Warily she tiptoed down the steps.

A low, rounding doorway opened from the descending passage. Peering into

the dimly lighted room, Penny did not immediately see Peter Fenestra.

Instead her gaze roved about the walls of what appeared to be a workshop.

Tools were neatly arranged over a bench, while a cupboard of shelves

contained miscellaneous mechanical parts.

At the far end of the cave stood an urn-like contrivance which the girl

took to be an electric furnace. An armored cable ran from it to a heavy

wall switch having two blades and a sizable wooden handle. Plainly it was

designed to carry a very heavy current.

Peter Fenestra came from behind the furnace. Penny saw him throw the

switch. Almost immediately she heard a low hissing sound from the

interior of the metal oven. Slowly the furnace heated, and soon glowed

weirdly.

As she pondered what the man could be intending to do, she heard a slight

sound at the stairway entrance. Thinking that Jerry had returned, she

started up the steps. Not one figure but three loomed in the doorway!

Penny flattened herself against the dirt wall. But she could not avoid

being seen. A flashlight beam focused upon her, and the next instant a

revolver muzzle bit into her side.

"Keep quiet!" she was ordered in a whisper. "You won't be hurt!"

Penny stared into the grim face of Anchor Joe. Behind him came John Munn,

and a man she had never seen before. In a flash she knew why they were

there--to avenge themselves upon Peter Fenestra.

Quietly as the men had moved, they had been heard in the next room.

"Who's there?" Fenestra called sharply.

John Munn and Anchor Joe stepped into the rectangle of light, their

revolvers trained upon the man.

"Just three of your old pals, Otto," drawled Anchor Joe. "Reach!"

"Listen, Joe, you got me all wrong," Peter Fenestra whined. "I can

explain why I kept the gold. I'll give it all to you if that's what you

want. I'll do anything--don't shoot."

"Shootin' would be too good for you," retorted Anchor Joe. "We got other

plans." His face was dark with rage.

"Sure, we know how to deal with a traitor," added John Munn, deftly

whisking a revolver from Fenestra's hip pocket. "You thought you could

hide from us. You thought by changing your name, and coming to this

out-of-the-way town you could fool us. Why, you dirty rat, you even

thought you could get by with pushing me off a bridge!"

"Your greed kept you here," taunted Anchor Joe. "You couldn't bear to

leave any of those gold bars behind."

"You thought you'd melt down the last of 'em tonight and skip," added

John Munn. "You're goin' on a long trip all right, but with us!"

A pair of steel cuffs were slipped over Fenestra's wrists. Speedily, the

sailors searched the cave, gathering up several bags of what Penny

assumed to be gold.

"How about this bar?" John Munn asked his companions. "Can we handle it?"

"Too heavy," answered Anchor Joe. "With Moyer hot on our trail, we've got

to travel light. Get going and I'll follow."

Munn and his companion marched Peter Fenestra from the cave. Taking a

cord from his pocket, Anchor Joe bound Penny's hands and feet.

"I'm tying 'em loose," he said. "And I'll leave the cave door open. After

we're gone you can yell for help."

"Joe, where are you taking Fenestra? What has he done?"

The sailor did not answer. Seizing a bag of gold, he slung it over his

shoulder and went quickly up the stairs. Penny was left in the darkness.

CHAPTER

25

_SAILORS' REVENGE_

Minutes later, Jerry, returning from the barn, heard Penny's muffled

scream for help. Descending into the cave he immediately freed her and

learned what had happened.

"Fenestra used this furnace for melting down gold all right!" he

exclaimed, peering into the dark cavern. "Wonder where he got it?"

"It must be stolen gold--government gold, perhaps," gasped Penny. "Jerry,

those men have been gone only a minute or two!"

"Then maybe we can get 'em yet!"

Jerry had heard an automobile turn into the yard. Hopeful that it might

be the awaited authorities, he and Penny ran up the stone steps. To their

joy they saw that it was the police cruiser.

In terse sentences they told their story to the officers. Penny had no

idea which direction the men had gone, but the reporter recalled having

seen a group of four walking toward the river just as he had left the

barn.

With Jerry and Penny standing on the running board, the police car headed

in the direction of the Big Bear. Suddenly a series of explosive sounds

were heard, staccato noises similar to the back-firing of an automobile

exhaust.

"Shots!" exclaimed Jerry. "From the river, too!"

The car drew to a halt. The policemen leaped out and started across the

fields. Disregarding orders to remain behind, Penny and Jerry followed.

Breathlessly, they reached the rim of the river. A beam of light directed

their gaze to the opposite shore. A high-powered motor boat had pulled

away and was fast gathering speed. Flashes of gunfire from its decks were

answered by the revolvers of men on the river bank.

Shielding Penny with his body, Jerry drew her behind a tree. In a moment

as the motor boat passed beyond range, firing ceased. Then they slid down

the bank to learn what had occurred.

Penny saw that Peter Fenestra had been captured. He was handcuffed to Mr.

Moyer, and she instantly guessed that the other four men were government

operatives.

"Find a boat and start after those three sailors who got away!" Moyer

ordered his men tersely. "I'll take this fellow to town."

Penny edged forward, obtaining an excellent view of Peter Fenestra's

downcast face. Quietly she made her accusations, telling of the cave

where she had been imprisoned.

"So that was how the gold was melted down," commented Moyer.

He then explained that for days his operatives had watched the river

where they knew Anchor Joe had hidden a motorboat. Surprised in the act

of taking off, the sailors had exchanged shots with the government men,

but by abandoning Fenestra and the gold, they had escaped.

"This man's real name is Otto Franey," Moyer revealed, indicating

Fenestra. "He and the three sailors were shipmates aboard the _Dorasky_."

"They're wanted for stealing gold?" questioned Penny.

"Yes, they got away with four gold bars taken from the _Dorasky_. You

see, about a year ago a consignment of gold was shipped by a Swiss bank

to the New York Federal Reserve. Because of heavy fog the bars were

unloaded at the pier instead of being taken off at Quarantine. They were

removed in a sling and dumped on the wharf to await the mail truck."

"And the four sailors saw a chance to steal some of the bars?" questioned

Jerry.

"Yes, how they accomplished it we don't know. But hours later a mail

driver refused to sign for one of the bags because it had been slit open.

Four bars valued at approximately fourteen thousand dollars each were

missing. Investigation disclosed that a sailor, Otto Franey, had jumped

ship. A few days later Joe Landa, John Munn and Jack Guenther also

disappeared."

"Each man was marked with an octopus tattoo, wasn't he?" Penny inquired

eagerly.

"Yes, although I did not learn that until a day or so ago. Otto has been

trying to get his tattoo removed so that it would be harder to trace him.

The four sailors had their backs marked with an octopus design and words

which read, _All for one, one for all_, when put together. They were

feeling very friendly toward each other at that time."

"Then I was right!" exclaimed Penny. "And the four conspired to steal the

gold bars?"

"Otto was entrusted by his pals to dispose of the stolen gold. Instead,

he gave them the slip and tried to keep it for himself. Evidently he

rigged up a furnace and melted the metal into useable form. But the three

sailors trailed him here, determined to avenge themselves."

As Fenestra was hustled to a waiting car, Penny told Mr. Moyer everything

she knew about the prisoner, save his connection with Matthew Judson.

Deliberately she withheld information about the blackmail plot.

While the prisoner was being loaded into the government car, another

automobile drew up nearby. Recognizing Mr. Parker at the wheel, Penny and

Jerry ran to tell him the latest news.

"Full speed ahead, Chief!" exclaimed the reporter, sliding into the front

seat. "We've got a big story by the tail!"

"A lot of good it does us," responded the publisher gloomily.

"You mean the firemen failed to save the _Star_ building?" Penny asked

anxiously.

"The building's saved, but considerable damage was done by fire and

water. We can't use the plant for several days. It's enough to make a man

ill! Scooped by the opposition when the story is ours!"

"You forget the little _Weekly Times_," reminded Penny. "Old Homey has

everything ready to roll. I'm turning the plant over to you."

"To me?" Mr. Parker did not understand her meaning.

"Yes, gather your mechanical force. The plant's yours for the night."

"Penny, you're the tops!" the publisher exclaimed, starting the car with

a lurch. "Together we'll get out an extra that will be an extra!"

After that Penny lost all sense of time as events transpired with

rapidity and precision. As if by magic the staff of the _Star_ appeared

to take over the _Times_ plant. The building shook off its lethargy and

machinery began to turn.

Allowing Jerry to write the big story, Penny tried to be everywhere at

once. She fluttered at DeWitt's elbow as he drew a dummy of the front

page.

"Let's make it 96-point type," she urged. "Splashy! A double column story

with a break-over to page three."

"Anything you say," was DeWitt's surprising answer.

In the composing room, printers were locking the forms, using pages

previously made ready for the next issue of the _Weekly Times_.

Stereotypers were testing the pneumatic steam tables. Pressmen under Old

Horney's direction oiled the double-deck rotaries and tightened bolts.

At last came the moment when the starter plate was fitted into place on

the cylinder. With a half turn of a T wrench Old Horney made it secure.

"She's ready," he announced, flashing the signal light. "You push the

button, Penny."

Trembling with excitement, she started the press rolling. Faster and

faster it went. In a moment papers dropped so swiftly from the folder

that her eye could not follow. A conveyer carried them upward over the

presses to the distributing room.

Mr. Parker offered Penny a paper, smiling as he saw her stare at the

nameplate. Instead of the _Star_ it read: _The Weekly Times_.

"Why, Dad!" she exclaimed. "They've made a mistake."

"It's no mistake," he corrected. "This is your extra. Your name appears

as Managing Editor."

"So that was why DeWitt was so agreeable to all my suggestions?" she

laughed. "I might have guessed."

Later, while newsboys cried their wares, Penny and her father sat in the

private office, talking with Matthew Judson. From his own lips they

learned how he had submitted to blackmail rather than disgrace Pauletta

by returning to prison.

"Your case is a deserving one," Mr. Parker told him kindly. "I assure you

we'll never publish the story, and I'll do everything in my power to help

you obtain a pardon."

The Secret Pact · 第 8 / 9 段