Chapter X

S. Ambrogio and Neighbourhood

SINCE the opening of the railway, the old inn where the diligences and

private carriages used to stop has been closed; but I was made, in a

homely way, extremely comfortable at the Scudo di Francia, kept by Signor

Bonaudo and his wife. I stayed here over a fortnight, during which I

made several excursions.

[Picture: Inn at S. Ambrogio]

One day I went to San Giorio, as it is always written, though San Giorgio

is evidently intended. Here there is a ruined castle, beautifully placed

upon a hill; this castle shows well from the railway shortly after

leaving Bussoleno station, on the right hand going towards Turin. Having

been struck with it, I went by train to Bussoleno (where there is much

that I was unwillingly compelled to neglect), and walked back to San

Giorio. On my way, however, I saw a patch of Cima-da-Conegliano-looking

meadow-land on a hill some way above me, and on this there rose from

among the chestnuts what looked like a castellated mansion. I thought it

well to make a digression to this, and when I got there, after a lovely

walk, knocked at the door, having been told by peasants that there would

be no difficulty about my taking a look round. The place is called the

_Castel Burrello_, and is tenanted by an old priest who has retired

hither to end his days. I sent in my card and business by his servant,

and by-and-by he came out to me himself.

“Vous êtes Anglais, monsieur?” said he in French.

“Oui, monsieur.”

“Vous êtes Catholique?”

“Monsieur, je suis de la religion de mes pères.”

“Pardon, monsieur, vos ancêtres étaient Catholiques jusqu’au temps de

Henri VIII.”

“Mais il y a trois cent ans depuis le temps de Henri VIII.”

“Eh bien! chacun a ses convictions; vous ne parlez pas contre la

religion?”

“Jamais, jamais, monsieur; j’ai un respect énorme pour l’Eglise

Catholique.”

“Monsieur, faites comme chez vous; allez où vous voulez; vous trouverez

toutes les portes ouvertes. Amusez-vous bien.”

He then explained to me that the castle had never been a properly

fortified place, being intended only as a summer residence for the barons

of Bussoleno, who used to resort hither during the extreme heat, if times

were tolerably quiet. After this he left me. Taking him at his word, I

walked all round, but there was only a shell remaining; the rest of the

building had evidently been burnt, even the wing in which the present

proprietor resides being, if I remember rightly, modernised. The site,

however, and the sloping meadows which the castle crowns, are of extreme

beauty.

[Picture: S. Giorio—Comba di Susa]

I now walked down to San Giorio, and found a small inn where I could get

bread, butter, eggs, and good wine. I was waited upon by a good-natured

boy, the son of the landlord, who was accompanied by a hawk that sat

always either upon his hand or shoulder. As I looked at the pair I

thought they were very much alike, and certainly they were very much in

love with one another. After dinner I sketched the castle. While I was

doing so, a gentleman told me that a large breach in the wall was made a

few years ago, and a part of the wall found to be hollow, the bottom of

the hollow part being unwittingly removed, there fell through a skeleton

in a full suit of armour. Others, whom I asked, had heard nothing of

this.

Talking of hawks, I saw a good many boys with tame young hawks in the

villages round about. There was a tame hawk at the station of S.

Ambrogio. The station-master said it used to go now and again to the

church-steeple to catch sparrows, but would always return in an hour or

two. Before my stay was over it got in the way of a passing train and

was run over.

Young birds are much eaten in this neighbourhood. The houses and barns,

not to say the steeples of the churches, are to be seen stuck about with

what look like terra-cotta water-bottles with the necks outwards. Two or

three may be seen in the illustration on p. 113 outside the window that

comes out of the roof, on the left-hand side of the picture. I have seen

some outside an Italian restaurant near Lewisham. They are artificial

bird’s-nests for the sparrows to build in: as soon as the young are old

enough they are taken and made into a pie. The church-tower near the

Hotel de la Poste at Lanzo is more stuck about with them than any other

building that I have seen.

Swallows and hawks are about the only birds whose young are not eaten.

One afternoon I met a boy with a jay on his finger: having imprudently

made advances to this young gentleman in the hopes of getting acquainted

with the bird, he said he thought I had better buy it and have it for my

dinner; but I did not fancy it. Another day I saw the _padrona_ at the

inn-door talking to a lad, who pulled open his shirt-front and showed

some twenty or thirty nestlings in the simple pocket formed by his shirt

on the one side and his skin upon the other. The _padrona_ wanted me to

say I should like to eat them, in which case she would have bought them;

but one cannot get all the nonsense one hears at home out of one’s head

in a moment, and I am afraid I preached a little. The _padrona_, who is

one of the most fascinating women in the world, and at sixty is still

handsome, looked a little vexed and puzzled: she admitted the truth of

what I said, but pleaded that the boys found it very hard to gain a few

_soldi_, and if people didn’t kill and eat one thing, they would another.

The result of it all was that I determined for the future to leave young

birds to their fate; they and the boys must settle that matter between

themselves. If the young bird was a boy, and the boy a young bird, it

would have been the boy who was taken ruthlessly from his nest and eaten.

An old bird has no right to have a homestead, and a young bird has no

right to exist at all, unless they can keep both homestead and existence

out of the way of boys who are in want of half-pence. It is all

perfectly right, and when we go and stay among these charming people, let

us do so as learners, not as teachers.

I watched the _padrona_ getting my supper ready. With what art do not

these people manage their fire. The New Zealand Maoris say the white man

is a fool: “He makes a large fire, and then has to sit away from it; the

Maori makes a small fire, and sits over it.” The scheme of an Italian

kitchen-fire is that there shall always be one stout log smouldering on

the hearth, from which a few live coals may be chipped off if wanted, and

put into the small square gratings which are used for stewing or

roasting. Any warming up, or shorter boiling, is done on the Maori

principle of making a small fire of light dry wood, and feeding it

frequently. They economise everything. Thus I saw the _padrona_ wash

some hen’s eggs well in cold water; I did not see why she should wash

them before boiling them, but presently the soup which I was to have for

my supper began to boil. Then she put the eggs into the soup and boiled

them in it.

After supper I had a talk with the _padrone_, who told me I was working

too hard. “Totam noctem,” said he in Latin, “lavoravimus et nihil

incepimus.” (“We have laboured all night and taken nothing.”) “Oh!” he

continued, “I have eyes and ears in my head.” And as he spoke, with his

right hand he drew down his lower eyelid, and with his left pinched the

pig of his ear. “You will be ill if you go on like this.” Then he laid

his hand along his cheek, put his head on one side, and shut his eyes, to

imitate a sick man in bed. On this I arranged to go an excursion with

him on the day following to a farm he had a few miles off, and to which

he went every Friday.

We went to Borgone station, and walked across the valley to a village

called Villar Fochiardo. Thence we began gently to ascend, passing under

some noble chestnuts. Signor Bonaudo said that this is one of the best

chestnut-growing districts in Italy. A good tree, he told me, would give

its forty francs a year. This seems as though chestnut-growing must be

lucrative, for an acre should carry some five or six trees, and there is

no outlay to speak of. Besides the chestnuts, the land gives a still

further return by way of the grass that grows beneath them. Walnuts do

not yield nearly so much per tree as chestnuts do. In three-quarters of

an hour or so we reached Signor Bonaudo’s farm, which was called the

_Casina di Banda_. The buildings had once been a monastery, founded at

the beginning of the seventeenth century and secularised by the first

Napoleon, but had been purchased from the state a few years ago by Signor

Bonaudo, in partnership with three others, after the passing of the

Church Property Act. It is beautifully situated some hundreds of feet

above the valley, and commands a lovely view of the _Comba_, as it is

called, or _Combe_ of Susa. The accompanying sketch will give an idea of

the view looking towards Turin. The large building on the hill is, of

course, S. Michele. The very distant dome is the Superga on the other

side of Turin.

[Picture: Casina di Banda]

The first thing Signor Bonaudo did when he got to his farm was to see

whether the water had been duly turned on to his own portion of the

estate. Each of the four purchasers had his separate portion, and each

had a right to the water for thirty-six hours per week. Signor Bonaudo

went round with his hind at once, and saw that the dams in the ducts were

so opened or closed that his own land was being irrigated.

Nothing can exceed the ingenuity with which the little canals are

arranged so that each part of a meadow, however undulating, shall be

saturated equally. The people are very jealous of their water rights,

and indeed not unnaturally, for the yield of grass depends in very great

measure upon the amount of irrigation which the land can get.

The matter of the water having been seen to, we went to the monastery,

or, as it now is, the homestead. As we entered the farmyard we found two

cows fighting, and a great strapping wench belabouring them in order to

separate them. “Let them alone,” said the _padrone_; “let them fight it

out here on the level ground.” Then he explained to me that he wished

them to find out which was mistress, and fall each of them into her

proper place, for if they fought on the rough hillsides they might easily

break each other’s necks.

We walked all over the monastery. The day was steamy with frequent

showers, and thunderstorms in the air. The rooms were dark and mouldy,

and smelt rather of rancid cheese, but it was not a bad sort of rambling

old place, and if thoroughly done up would make a delightful inn. There

is a report that there is hidden treasure here. I do not know a single

old castle or monastery in North Italy about which no such report is

current, but in the present case there seems more than usual ground (so

the hind told me) for believing the story to be well founded, for the

monks did certainly smelt the quartz in the neighbourhood, and as no gold

was ever known to leave the monastery, it is most likely that all the

enormous quantity which they must have made in the course of some two

centuries is still upon the premises, if one could only lay one’s hands

upon it. So reasonable did this seem, that about two years ago it was

resolved to call in a somnambulist or clairvoyant from Turin, who, when

he arrived at the spot, became seized with convulsions, betokening of

course that there was treasure not far off: these convulsions increased

till he reached the choir of the chapel, and here he swooned—falling down

as if dead, and being resuscitated with apparent difficulty. He

afterwards declared that it was in this chapel that the treasure was

hidden. In spite of all this, however, the chapel has not been turned

upside down and ransacked, perhaps from fear of offending the saint to

whom it is dedicated.

[Picture: Votive Picture]

In the chapel there are a few votive pictures, but not very striking

ones. I hurriedly sketched one, but have failed to do it justice. The

hind saw me copying the little girl in bed, and I had an impression as

though he did not quite understand my motive. I told him I had a dear

little girl of my own at home, who had been alarmingly ill in the spring,

and that this picture reminded me of her. This made everything quite

comfortable.

We had brought up our dinner from S. Ambrogio, and ate it in what had

been the refectory of the monastery. The windows were broken, and the

swallows, who had built upon the ceiling inside the room, kept flying

close to us all the time we were eating. Great mallows and hollyhocks

peered in at the window, and beyond them there was a pretty

Devonshire-looking orchard. The noontide sun streamed in at intervals

between the showers.

After dinner we went “al cresto della collina”—to the crest of the

hill—to use Signor Bonaudo’s words, and looked down upon S. Giorio, and

the other villages of the _Combe_ of Susa. Nothing could be more

delightful. Then, getting under the chestnuts, I made the sketch which I

have already given. While making it I was accosted by an underjawed man

(there is an unusually large percentage of underjawed people in the

neighbourhood of S. Ambrogio), who asked whether my taking this sketch

must not be considered as a sign that war was imminent. The people in

this valley have bitter and comparatively recent experience of war, and

are alarmed at anything which they fancy may indicate its recurrence.

Talking further with him, he said, “Here we have no signori; we need not

take off our hats to any one except the priest. We grow all we eat, we

spin and weave all we wear; if all the world except our own valley were

blotted out, it would make no difference, so long as we remain as we are

and unmolested.” He was a wild, weird, St. John the Baptist looking

person, with shaggy hair, and an Andrea Mantegnesque feeling about him.

I gave him a pipe of English tobacco, which he seemed to relish, and so

we parted.

I stayed a week or so at another place not a hundred miles from Susa, but

I will not name it, for fear of causing offence. It was situated high,

above the valley of the Dora, among the pastures, and just about the

upper limit of the chestnuts. It offers a summer retreat, of which the

people in Turin avail themselves in considerable numbers. The inn was a

more sophisticated one than Signor Bonaudo’s house at S. Ambrogio, and

there were several Turin people staying there as well as myself, but

there were no English. During the whole time I was in that neighbourhood

I saw not a single English, French, or German tourist. The ways of the

inn, therefore, were exclusively Italian, and I had a better opportunity

of seeing the Italians as they are among themselves than I ever had

before.

Nothing struck me more than the easy terms on which every one, including

the waiter, appeared to be with every one else. This, which in England

would be impossible, is here not only possible but a matter of course,

because the general standard of good breeding is distinctly higher than

it is among ourselves. I do not mean to say that there are no rude or

unmannerly Italians, but that there are fewer in proportion than there

are in any other nation with which I have acquaintance. This is not to

be wondered at, for the Italians have had a civilisation for now some

three or four thousand years, whereas all other nations are,

comparatively speaking, new countries, with a something even yet of

colonial roughness pervading them. As the colonies to England, so is

England to Italy in respect of the average standard of courtesy and good

manners. In a new country everything has a tendency to go wild again,

man included; and the longer civilisation has existed in any country the

more trustworthy and agreeable will its inhabitants be. This preface is

necessary, as explaining how it is possible that things can be done in

Italy without offence which would be intolerable elsewhere; but I confess

to feeling rather hopeless of being able to describe what I actually saw

without giving a wrong impression concerning it.

Among the visitors was the head confidential clerk of a well-known

Milanese house, with his wife and sister. The sister was an invalid, and

so also was the husband, but the wife was a very pretty woman and a very

merry one. The waiter was a good-looking young fellow of about

five-and-twenty, and between him and Signora Bonvicino—for we will say

this was the clerk’s name—there sprang up a violent flirtation, all open

and above board. The waiter was evidently very fond of her, but said the

most atrociously impudent things to her from time to time. Dining under

the veranda at the next table I heard the Signora complain that the

cutlets were burnt. So they were—very badly burnt. The waiter looked at

them for a moment—threw her a contemptuous glance, clearly intended to

provoke war—“Chi non ha appetito {124} . . . ” he exclaimed, and was

moving off with a shrug of the shoulders. The Signora recognising a

challenge, rose instantly from the table, and catching him by the nape of

his neck, kicked him deftly downstairs into the kitchen, both laughing

heartily, and the husband and sister joining. I never saw anything more

neatly done. Of course, in a few minutes some fresh and quite

unexceptionable cutlets made their appearance.

Another morning, when I came down to breakfast, I found an altercation

going on between the same pair as to whether the lady’s nose was too

large or not. It was not at all too large. It was a very pretty little

nose. The waiter was maintaining that it was too large, and the lady

that it was not.

One evening Signor Bonvicino told me that his employer had a very large

connection in England, and that though he had never been in London, he

knew all about it almost as well as if he had. The great centre of

business, he said, was in Red Lion Square. It was here his employer’s

agent resided, and this was a more important part than even the city

proper. I threw a drop or two of cold water on this, but without avail.

Presently I asked what the waiter’s name was, not having been able to

catch it. I asked this of the Signora, and saw a little look on her face

as though she were not quite prepared to reply. Not understanding this,

I repeated my question.

“Oh! his name is Cesare,” was the answer.

“Cesare! but that is not the name I hear you call him by.”

“Well, perhaps not; we generally call him Cricco,” {125a} and she looked

as if she had suddenly remembered having been told that there were such

things as prigs, and might, for aught she knew, be in the presence of one

of these creatures now.

Her husband came to the rescue. “Yes,” said he, “his real name is Julius

Cæsar, but we call him Cricco. Cricco è un nome di paese; parlando così

non si offende la religione.” {125b}

The Roman Catholic religion, if left to itself and not compelled to be

introspective, is more kindly and less given to taking offence than

outsiders generally believe. At the Sacro Monte of Varese they sell

little round tin boxes that look like medals, and contain pictures of all

the chapels. In the lid of the box there is a short printed account of

the Sacro Monte, which winds up with the words, “La religione _e lo

stupendo panorama_ tirano numerosi ed allegri visitatori.” {126}

Our people are much too earnest to allow that a view could have anything

to do with taking people up to the top of a hill where there was a

cathedral, or that people could be “merry” while on an errand connected

with religion.

On leaving this place I wanted to say good-bye to Signora Bonvicino, and

could not find her; after a time I heard she was at the fountain, so I

went and found her on her knees washing her husband’s and her own

clothes, with her pretty round arms bare nearly to the shoulder. It

never so much as occurred to her to mind being caught at this work.

Some months later, shortly before winter, I returned to the same inn for

a few days, and found it somewhat demoralised. There had been grand

doings of some sort, and, though the doings were over, the moral and

material débris were not yet quite removed. The _famiglia_ Bonvicino was

gone, and so was Cricco. The cook, the new waiter, and the landlord (who

sings a good comic song upon occasion) had all drunk as much wine as they

could carry; and later on I found Veneranda, the one-eyed old

chambermaid, lying upon my bed fast asleep. I afterwards heard that, in

spite of the autumnal weather, the landlord spent his night on the grass

under the chestnuts, while the cook was found at four o’clock in the

morning lying at full length upon a table under the veranda. Next day,

however, all had become normal again.

Among our fellow-guests during this visit was a fiery-faced eructive

butcher from Turin. A difference of opinion having arisen between him

and his wife, I told the Signora that I would rather be wrong with her

than right with her husband. The lady was delighted.

“Do you hear that, my dear?” said she. “He says he had rather be wrong

with me than right with you. Isn’t he a naughty man?”

She said that if she died her husband was going to marry a girl of

fifteen. I said: “And if your husband dies, ma’am, send me a dispatch to

London, and I will come and marry you myself.” They were both delighted

at this.

She told us the thunder had upset her and frightened her.

“Has it given you a headache?”

She replied: No; but it had upset her stomach. No doubt the thunder had

shaken her stomach’s confidence in the soundness of its opinions, so as

to weaken its proselytising power. By and by, seeing that she ate a

pretty good dinner, I inquired:

“Is your stomach better now, ma’am?”

And she said it was. Next day my stomach was bad too.

I told her I had been married, but had lost my wife and had determined

never to marry again till I could find a widow whom I had admired as a

married woman.

Giovanni, the new waiter, explained to me that the butcher was not really

bad or cruel at all. I shook my head at him and said I wished I could

think so, but that his poor wife looked very ill and unhappy.

The housemaid’s name was La Rosa Mistica.

The landlord was a favourite with all the guests. Every one patted him

on the cheeks or the head, or chucked him under the chin, or did

something nice and friendly at him. He was a little man with a face like

a russet pippin apple, about sixty-five years old, but made of iron. He

was going to marry a third wife, and six young women had already come up

from S. Ambrogio to be looked at. I saw one of them. She was a

Visigoth-looking sort of person and wore a large wobbly-brimmed straw

hat; she was about forty, and gave me the impression of being familiar

with labour of all kinds. He pressed me to give my opinion of her, but I

sneaked out of it by declaring that I must see a good deal more of the

lady than I was ever likely to see before I could form an opinion at all.

On coming down from the sanctuary one afternoon I heard the landlord’s

comic song, of which I have spoken above. It was about the musical

instruments in a band: the trumpet did this, the clarinet did that, the

flute went tootle, tootle, tootle, and there was an appropriate motion of

the hand for every instrument. I was a little disappointed with it, but

the landlord said I was too serious and the only thing that would cure me

was to learn the song myself. He said the butcher had learned it

already, so it was not hard, which indeed it was not. It was about as

hard as:

The battle of the Nile

I was there all the while

At the battle of the Nile.

I had to learn it and sing it (Heaven help me, for I have no more voice

than a mouse!), and the landlord said that the motion of my little finger

was very promising.

The chestnuts are never better than after harvest, when they are

heavy-laden with their pale green hedgehog-like fruit and alive with

people swarming among their branches, pruning them while the leaves are

still good winter food for cattle. Why, I wonder, is there such an

especial charm about the pruning of trees? Who does not feel it? No

matter what the tree is, the poplar of France, or the brookside willow or

oak coppice of England, or the chestnuts or mulberries of Italy, all are

interesting when being pruned, or when pruned just lately. A friend once

consulted me casually about a picture on which he was at work, and

complained that a row of trees in it was without sufficient interest. I

was fortunate enough to be able to help him by saying: “Prune them freely

and put a magpie’s nest in one of them,” and the trees became interesting

at once. People in trees always look well, or rather, I should say,

trees always look well with people in them, or indeed with any living

thing in them, especially when it is of a kind that is not commonly seen

in them; and the measured lop of the bill-hook and, by and by, the click

as a bough breaks and the lazy crash as it falls over on to the ground,

are as pleasing to the ear as is the bough-bestrewn herbage to the eye.

To what height and to what slender boughs do not these hardy climbers

trust themselves. It is said that the coming man is to be toeless. I

will venture for it that he will not be toeless if these chestnut-pruning

men and women have much to do with his development. Let the race prune

chestnuts for a couple of hundred generations or so, and it will have

little trouble with its toes. Of course, the pruners fall sometimes, but

very rarely. I remember in the Val Mastallone seeing a votive picture of

a poor lady in a short petticoat and trousers trimmed with red round the

bottom who was falling head foremost from the top of a high tree, whose

leaves she had been picking, and was being saved by the intervention of

two saints who caught her upon two gridirons. Such accidents, however,

and, I should think, such interventions, are exceedingly rare, and as a

rule the peasants venture freely into places which in England no one but

a sailor or a steeple-jack would attempt.

And so we left this part of Italy, wishing that more Hugo de

Montboissiers had committed more crimes and had had to expiate them by

building more sanctuaries.

Alps and Sanctuaries of Piedmont and the Canton Ticino · 第 10 / 26 章