Chapter II

Faido

FOR some years past I have paid a visit of greater or less length to

Faido in the Canton Ticino, which though politically Swiss is as much

Italian in character as any part of Italy. I was attracted to this

place, in the first instance, chiefly because it is one of the easiest

places on the Italian side of the Alps to reach from England. This merit

it will soon possess in a still greater degree, for when the St. Gothard

tunnel is open, it will be possible to leave London, we will say, on a

Monday morning and be at Faido by six or seven o’clock the next evening,

just as one can now do with S. Ambrogio on the line between Susa and

Turin, of which more hereafter.

True, by making use of the tunnel one will miss the St. Gothard scenery,

but I would not, if I were the reader, lay this too much to heart.

Mountain scenery, when one is staying right in the middle of it, or when

one is on foot, is one thing, and mountain scenery as seen from the top

of a diligence very likely smothered in dust is another. Besides I do

not think he will like the St. Gothard scenery very much.

It is a pity there is no mental microscope to show us our likes and

dislikes while they are yet too vague to be made out easily. We are so

apt to let imaginary likings run away with us, as a person at the far end

of Cannon Street railway platform, if he expects a friend to join him,

will see that friend in half the impossible people who are coming through

the wicket. I once began an essay on “The Art of Knowing what gives one

Pleasure,” but soon found myself out of the diatonic with it, in all

manner of strange keys, amid a maze of metaphysical accidentals and

double and treble flats, so I left it alone as a question not worth the

trouble it seemed likely to take in answering. It is like everything

else, if we much want to know our own mind on any particular point, we

may be trusted to develop the faculty which will reveal it to us, and if

we do not greatly care about knowing, it does not much matter if we

remain in ignorance. But in few cases can we get at our permanent liking

without at least as much experience as a fishmonger must have had before

he can choose at once the best bloater out of twenty which, to

inexperienced eyes, seem one as good as the other. Lord Beaconsfield was

a thorough Erasmus Darwinian when he said so well in “Endymion”: “There

is nothing like will; everybody can do exactly what they like in this

world, provided they really like it. Sometimes they think they do, but

in general it’s a mistake.” {23} If this is as true as I believe it to

be, “the longing after immortality,” though not indeed much of an

argument in favour of our being immortal at the present moment, is

perfectly sound as a reason for concluding that we shall one day develop

immortality, if our desire is deep enough and lasting enough. As for

knowing whether or not one likes a picture, which under the present

æsthetic reign of terror is _de rigueur_, I once heard a man say the only

test was to ask one’s self whether one would care to look at it if one

was quite sure that one was alone; I have never been able to get beyond

this test with the St. Gothard scenery, and applying it to the Devil’s

Bridge, I should say a stay of about thirty seconds would be enough for

me. I daresay Mendelssohn would have stayed at least two hours at the

Devil’s Bridge, but then he did stay such a long while before things.

The coming out from the short tunnel on to the plain of Andermatt does

certainly give the pleasure of a surprise. I shall never forget coming

out of this tunnel one day late in November, and finding the whole

Andermatt valley in brilliant sunshine, though from Flüelen up to the

Devil’s Bridge the clouds had hung heavy and low. It was one of the most

striking transformation scenes imaginable. The top of the pass is good,

and the Hotel Prosa a comfortable inn to stay at. I do not know whether

this house will be discontinued when the railway is opened, but

understand that the proprietor has taken the large hotel at Piora, which

I will speak of later on. The descent on the Italian side is impressive,

and so is the point where sight is first caught of the valley below

Airolo, but on the whole I cannot see that the St. Gothard is better than

the S. Bernardino on the Italian side, or the Lukmanier, near the top, on

the German; this last is one of the most beautiful things imaginable, but

it should be seen by one who is travelling towards German Switzerland,

and in a fine summer’s evening light. I was never more impressed by the

St. Gothard than on the occasion already referred to when I crossed it in

winter. We went in sledges from Hospenthal to Airolo, and I remember

thinking what splendid fellows the postillions and guards and men who

helped to shift the luggage on to the sledges, looked; they were so ruddy

and strong and full of health, as indeed they might well be—living an

active outdoor life in such an air; besides, they were picked men, for

the passage in winter is never without possible dangers. It was

delightful travelling in the sledge. The sky was of a deep blue; there

was not a single cloud either in sky or on mountain, but the snow was

already deep, and had covered everything beneath its smooth and heaving

bosom. There was no breath of air, but the cold was intense; presently

the sun set upon all except the higher peaks, and the broad shadows stole

upwards. Then there was a rich crimson flush upon the mountain tops, and

after this a pallor cold and ghastly as death. If he is fortunate in his

day, I do not think any one will be sorry to have crossed the St. Gothard

in mid-winter; but one pass will do as well as another.

Airolo, at the foot of the pass on the Italian side, was, till lately, a

quiet and beautiful village, rising from among great green slopes, which

in early summer are covered with innumerable flowers. The place,

however, is now quite changed. The railway has turned the whole Val

Leventina topsy-turvy, and altered it almost beyond recognition. When

the line is finished and the workmen have gone elsewhere, things will get

right again; but just now there is an explosiveness about the valley

which puzzles one who has been familiar with its former quietness.

Airolo has been especially revolutionised, being the headquarters for the

works upon the Italian side of the great St. Gothard tunnel, as Göschenen

is for those on the German side; besides this, it was burnt down two or

three years ago, hardly one of the houses being left standing, so that it

is now a new town, and has lost its former picturesqueness, but it will

be not a bad place to stay at as soon as the bustle of the works has

subsided, and there is a good hotel—the Hotel Airolo. It lies nearly

4000 feet above the sea, so that even in summer the air is cool. There

are plenty of delightful walks—to Piora, for example, up the Val Canaria,

and to Bedretto.

After leaving Airolo the road descends rapidly for a few hundred feet and

then more slowly for four or five kilometres to Piotta. Here the first

signs of the Italian spirit appear in the wood carving of some of the

houses. It is with these houses that I always consider myself as in

Italy again. Then come Ronco on the mountain side to the left, and

Quinto; all the way the pastures are thickly covered with cowslips, even

finer than those that grow on Salisbury Plain. A few kilometres farther

on and sight is caught of a beautiful green hill with a few natural

terraces upon it and a flat top—rising from amid pastures, and backed by

higher hills as green as itself. On the top of this hill there stands a

white church with an elegant Lombard _campanile_—the _campanile_ left

unwhitewashed. The whole forms a lovely little bit of landscape such as

some old Venetian painter might have chosen as a background for a

Madonna.

[Picture: Prato from near Dazio]

This place is called Prato. After it is passed the road enters at once

upon the Monte Piottino gorge, which is better than the Devil’s Bridge,

but not so much to my taste as the auriculas and rhododendrons which grow

upon the rocks that flank it. The peep, however, at the hamlet of

Vigera, caught through the opening of the gorge, is very nice. Soon

after crossing the second of the Monte Piottino bridges the first

chestnuts are reached, or rather were so till a year ago, when they were

all cut down to make room for some construction in connection with the

railway. A couple of kilometres farther on and mulberries and occasional

fig-trees begin to appear. On this we find ourselves at Faido, the first

place upon the Italian side which can be called a town, but which after

all is hardly more than a village.

Faido is a picturesque old place. It has several houses dated the middle

of the sixteenth century; and there is one, formerly a convent, close to

the Hotel dell’ Angelo, which must be still older. There is a brewery

where excellent beer is made, as good as that of Chiavenna—and a

monastery where a few monks still continue to reside. The town is 2365

feet above the sea, and is never too hot even in the height of summer.

The Angelo is the principal hotel of the town, and will be found

thoroughly comfortable and in all respects a desirable place to stay at.

I have stayed there so often, and consider the whole family of its

proprietor so much among the number of my friends, that I have no

hesitation in cordially recommending the house.

Other attractions I do not know that the actual town possesses, but the

neighbourhood is rich. Years ago, in travelling by the St. Gothard road,

I had noticed the many little villages perched high up on the sides of

the mountain, from one to two thousand feet above the river, and had

wondered what sort of places they would be. I resolved, therefore, after

a time to make a stay at Faido and go up to all of them. I carried out

my intention, and there is not a village nor fraction of a village in the

Val Leventina from Airolo to Biasca which I have not inspected. I never

tire of them, and the only regret I feel concerning them is, that the

greater number are inaccessible except on foot, so that I do not see how

I shall be able to reach them if I live to be old. These are the places

of which I do find myself continually thinking when I am away from them.

I may add that the Val Leventina is much the same as every other

subalpine valley on the Italian side of the Alps that I have yet seen.

I had no particular aversion to German Switzerland before I knew the

Italian side of the Alps. On the contrary, I was under the impression

that I liked German Switzerland almost as much as I liked Italy itself,

but now I can look at German Switzerland no longer. As soon as I see the

water going down Rhinewards I hurry back to London. I was unwillingly

compelled to take pleasure in the first hour and a half of the descent

from the top of the Lukmanier towards Disentis, but this is only a

ripping over of the brimfulness of Italy on to the Swiss side.

The first place I tried from Faido was Mairengo—where there is the oldest

church in the valley—a church older even than the church of St. Nicolao

of Giornico. There is little of the original structure, but the rare

peculiarity remains that there are two high altars side by side.

There is a fine half-covered timber porch to the church. These porches

are rare, the only others like it I know of being at Prato, Rossura, and

to some extent Cornone. In each of these cases the arrangement is

different, the only agreement being in the having an outer sheltered

place, from which the church is entered instead of opening directly on to

the churchyard. Mairengo is full of good bits, and nestles among

magnificent chestnut-trees. From hence I went to Osco, about 3800 feet

above the sea, and 1430 above Faido. It was here I first came to

understand the purpose of certain high poles with cross bars to them

which I had already seen elsewhere. They are for drying the barley on;

as soon as it is cut it is hung up on the cross bars and secured in this

way from the rain, but it is obvious this can only be done when

cultivation is on a small scale. These _rascane_, as they are called,

are a feature of the Val Leventina, and look very well when they are full

of barley.

[Picture: Ticinese Barley-stacks]

From Osco I tried to coast along to Calpiognia, but was warned that the

path was dangerous, and found it to be so. I therefore again descended

to Mairengo, and re-ascended by a path which went straight up behind the

village. After a time I got up to the level of Calpiognia, or nearly so,

and found a path through pine woods which led me across a torrent in a

ravine to Calpiognia itself. This path is very beautiful. While on it I

caught sight of a lovely village nestling on a plateau that now showed

itself high up on the other side the valley of the Ticino, perhaps a

couple of miles off as the crow flies. This I found upon inquiry to be

Dalpe; above Dalpe rose pine woods and pastures; then the loftier _alpi_,

then rugged precipices, and above all the Dalpe glacier roseate with

sunset. I was enchanted, and it was only because night was coming on,

and I had a long way to descend before getting back to Faido, that I

could get myself away. I passed through Calpiognia, and though the dusk

was deepening, I could not forbear from pausing at the Campo Santo just

outside the village. I give a sketch taken by daylight, but neither

sketch nor words can give any idea of the pathos of the place. [Picture:

Campo Santo at Calpiognia] When I saw it first it was in the month of

June, and the rank dandelions were in seed. Wild roses in full bloom,

great daisies, and the never-failing salvia ran riot among the graves.

Looking over the churchyard itself there were the purple mountains of

Biasca and the valley of the Ticino some couple of thousand feet below.

There was no sound save the subdued but ceaseless roar of the Ticino, and

the Piumogna. Involuntarily I found the following passage from the

“Messiah” sounding in my ears, and felt as though Handel, who in his

travels as a young man doubtless saw such places, might have had one of

them in his mind when he wrote the divine music which he has wedded to

the words “of them that sleep.” {31}

[Picture: Score for ‘I know that my Redeemer liveth’]

Or again: {32}

[Picture: Score for ‘Suites of Pièces, set i., prelude to No. 8]

From Calpiognia I came down to Primadengo, and thence to Faido.

Alps and Sanctuaries of Piedmont and the Canton Ticino · 第 2 / 26 章