A MUSICAL CONVENTION—GEORGE FRANCIS ROOT—WHEN “THE SHINING SHORE” WAS
FIRST SUNG—THE HALLELUJAH CHORUS—BETROTHAL—DEMPSTER IN HIS OLD AGE
REVERSING the wheel of Time by a turn or two, we are in the thick of
preparations for the Christmas of 1855.
It is less than a year since I read and re-read a letter that had lain
among the leaves of my journal for a long term of years. It was never
read by any eyes except my own, and those of him who wrote it. In the
solemn conviction that for any other—no matter how near of kin and dear
of heart—to look upon the lines, would be profanation, I burned the old
letter. Life is short and uncertain. I would take no risks. And what
need of keeping what I can never lose while memory remains faithful to
her trust?
I require no written or printed record to remind me what set that
Yule-tide apart from all the anniversaries that had preceded it, and
distinguished it from all that were to follow in its train.
We had had a guest in the house for three weeks. A Musical
Convention—the first ever held in Richmond—was in session under the
conduct of Lowell Mason and George Francis Root. My father, my sister,
my brother Herbert, and myself were members of a flourishing Sacred
Music Society, composed principally of amateurs, and we had engaged
the distinguished leaders in the profession to preside over the
Conference, by which it was hoped public taste in the matter of choir
and congregational singing might be improved. Classes were formed for
the study of methods and for drill in vocalization. The course would be
closed by a grand concert, in which no professional artists would take
part.
The thought that the imported leaders in the programme should be
allowed to put up at a hotel was opposed to the genius of Southern
hospitality. Doctor and Mrs. Lowell Mason were the honored guests of
Mr. Williams, the President of the Society. My father invited Mr. Root
“to make our house his home while he was in our city.”
That was the old-fashioned form of asking strangers to take bit and sup
and bed with us. We made good the words, too. The “home” was theirs as
truly as it was ours. The Convention was advertised to last ten days.
When the time was nearly expired, the extraordinary success of the
experiment induced the projectors to extend the time to a month. Mr.
Root was for removing to a hotel, but we arose up in arms and forbade
it. His bonhomie, intelligence, and general attractiveness of manner
and disposition had endeared him to us all. We hailed as a reprieve the
postponement of the date of departure. He had never seen a Virginia
Christmas, and here was a special providence he must not overlook.
Household machinery moved as if he had not been there. He entered
jovially into plans, and connived at confidences—the necessary deceits
that are to be condoned by agreeable surprises in the fulness of time.
When the personage whom Mea had long ago dubbed “The Young Evangelist,”
appeared upon the scene a week in advance of the holiday, and spent
three-fourths of each day under our hospitable roof—a state of affairs
that evidently was no new thing—the Professor took in the situation
without the quiver of an eyelash, and asked never a question. He did
more to prove how cordially he was one with the family. Discovering,
in the course of the first evening after the new arrival had enlarged
our circle, that he had an exceptionally fine voice, and knew how to
use it, he pressed him eagerly into service as “the basso he had been
longing for,” and the two sang themselves into each other’s good graces
inside of twenty-four hours.
I had had a cold for a fortnight, and I made the most of my
demi-semi-invalidism when there were sessions of the Convention at
uncanny hours, and secured, instead, quiet evenings at home. All of
which was transparent to our Professor, as I suspected then, and knew
subsequently. He did not disturb a tête-à-tête one December afternoon
by bringing down into the parlor a freshly written sheet of music
he wished to try on the piano. His quartette clustered about the
instrument at his summons, and the hymn was sung over and over. I sat
by the fire and listened. At the third repetition, I asked:
“The music is yours, but where did you get the words?”
Mr. Root answered that his mother had clipped them from a Western
paper, and handed them to him. The music fitted itself to them in his
mind at the first reading. He struck the chords boldly in saying it,
and the four rendered the whole hymn with spirit.
“I am no prophetess,” I commented, “nor the daughter of a prophet; but
I predict that that will be the most popular of your compositions.
It has all the elements of life, and a long life, in it. Once more,
please!”
They sang it with a will:
“My days are gliding quickly by,
And I, a pilgrim stranger,
Would not detain them as they fly,
Those hours of toil and danger.
For, oh, we stand on Jordan’s strand,
Our friends are passing over:
And just before, The Shining Shore,
We may almost discover.”
Millions have sung it since. Millions more will yield heart, soul, and
voice to the bound and swing and exultant leap of the melody “thought
out” by the composer in the earliest reading of the anonymous verses.
“Almost” has been “quite” with him for many a year.
It was during that Christmas week that I attended a full rehearsal of
the programme to be given at the grand concert. Near the close of the
rehearsal, Mr. Root came down to the back of the house and dropped
into a seat by me, among the auditors and lookers-on. He was tired, he
explained, “and would loaf for the rest of the affair.” The “affair”
wound up with Handel’s Hallelujah Chorus. My “loafing” neighbor pricked
up his ears, as the war-horse at sound of the trumpet; sat upright and
poured the might of heart and voice into the immortal _opus_. With the
precision of a metronome, and the fire of a seraph, he went through it,
from the first to the last note, with never a book or score. It was
more to us, who had the good fortune to be near him, than all the rest
of the performance.
It was inevitable that two of us should recall and speak together in
awed tones, of Handel’s rejoinder to a query, as to his emotions in
writing the Chorus:
“I did verily believe that I saw the Great White Throne and Him Who sat
thereon, and heard the harpers harping with their harps, and all God’s
holy angels.”
I was watching the fine, uplifted head and rapt unconsciousness of him
whose whole frame throbbed and thrilled with clarion tones that pealed
out, “Hallelujah! hallelujah!” when a voice on the other side of me
murmured in my ear:
“And all that sat there, steadfastly watching him, saw his face as it
had been the face of an angel.”
I cherish a hundred pleasant and dear memories of our musical visitor.
I like none other so well as this vision. It so befell that my one and
only visit to the grave of Oliver Goldsmith was made when the choir
of the adjacent Temple church was practising the Hallelujah Chorus.
Although in the heart of mighty London, the place was strangely still
and solitary. We lingered there until the last chord died into silence.
It was not necessary for either of us to put into words what held the
fancy of both. Only—as we turned away we looked up to the sky, and one
whispered, “He is singing it, still!”
Engagements of marriage were never announced in Old Virginia. We took
more pains to keep them secret than family and friends take nowadays to
trumpet them abroad. Mr. Derby ran on from New York to spend Christmas
and the next day with us. He came and departed without an intimation
of any change in the feelings and prospects of his last September
guest. Mr. Terhune went back to his Charlotte parish; letters travelled
regularly and frequently back and forth. Some were addressed to me;
more bore my brother’s name on the envelope, to hoodwink village
post-office gossips. Young men, who were habitual visitors, called as
often and were received with the olden friendliness; I accepted the
escort of this, that, and the other one impartially, and at will. “The
Young Evangelist” was in town for a few days of every month, and was
more with us than anywhere else. And why not? He had visited us more
intimately than at any other house during his six months’ occupancy of
Doctor Hoge’s pulpit. It happened repeatedly that he was one of three
or four callers in the evening. On these occasions he, magnanimously,
as he phrased it, “never interfered with another fellow’s running.” He
was as assiduous in his attentions to girls who chanced to be present
as Ned Rhodes, Tom Baxter, or any other Tom, Dick, or Harry of the
party could be to me. At ten o’clock he arose, made his adieux in
decorous sort to the ladies of the house and to the company generally,
and withdrew. If nobody showed a disposition to follow his example,
he, to quote again from his tactics, “took account of stock,” and,
having assured himself that the others lived in different directions,
appeared in the open door, overcoat on, hat in hand, and in his mouth a
jaunty query as to the probability of having company in his walk to the
Exchange Hotel, where he usually put up. Few were bold enough to loiter
later when the privileged habitué of the house showed so plainly that
the family kept early hours. After his regrets at the prospect of a
lonely tramp were uttered, he departed in good earnest. He had made but
a few rounds of the block when the shutters of the front parlor window
were closed, the signal that the course was clear for a return.
In mid-April he came to Richmond to receive his widowed sister, who
passed some weeks with us. Mea and I had had an engagement with Messrs.
Rhodes and Baxter to go to a Dempster concert. The pair were so often
on escort duty that they were dubbed “The Circumstances” by our saucy
brothers and sisters. It was, according to the younglings, a settled
matter, when we based our prospective presence at any festive scene
upon “circumstances,” that Damon and his Pythias should show up in
season to take us thither.
Mrs. Greenleaf arrived on Tuesday. Her brother came by the noon train
on Wednesday. It was not until I noted the grave wonder in her blue
eyes, as I congratulated her and him that they would have the evening
to themselves and home-talk, that it dawned upon me how unconventional
was the proceeding altogether. North of Mason and Dixon’s line it would
have been downright impropriety for an engaged girl to walk off coolly,
in the escort of another man, within a few hours after the coming of
the betrothed whom she had not seen for a month.
The person who would be supposed to suffer most discomfort from the
outrage to conventionality was, fortunately, more _au fait_ to
Virginia manners and social usages than his relative. When I took an
opportunity to express misgivings lest I might lose ground in her good
graces if I kept the engagement to hear the famous ballad-singer, I was
bidden not to “waste a thought on that matter, but to enjoy the concert
with all my heart. For his part, he was delighted that I had the chance
to go.”
So, when our escorts appeared, I carried off a light heart, and was
obedient to the injunction to get all the enjoyment that Dempster, then
evidently in the decadence of his powers, could give a music-lover.
I heard him but that once. I do not regret that I went then, although
sadness mingled with pleasure while we listened. Dempster’s rendition
of English ballads, without other accompaniment than the piano played
by himself, with no effort after brilliancy of execution, had moved two
continents to smiles and tears. One searches vainly for his name in
cyclopædias and dictionary lists of the famous dead. He was now a gray
and flabby oldish man. His voice was broken in the high register, and
thickened on the lower; his breath was irregular and short. Yet certain
passages—notably in the _Irish Emigrant’s Lament_—had sympathetic
sweetness that helped one to credit the stories of his former
successes. He sang Tennyson’s _May Queen_ all through, not skipping
a stanza of the three parts. It was a dreary performance, that grew
absolutely painful before the consumptive was finally relegated to the
bourne
“Where the wicked cease from troubling,
And the weary are at rest.”
“Thank Heaven!” sighed Mr. Rhodes as the last word quavered forth; and
Mea—“She ought to apologize for being such an unconscionably long time
in dying.”