THE SCAPEGOAT.

"And what do you do with yourself on your half-holidays?"

I had taken courage to address the office-boy who keeps his eye on me

while I wait humbly in the vestibule of my Financial Adviser.

"Pitchers," he replied affably.

"I beg your pardon," I said.

"Movin' pitchers," he explained; and I knew that the cinema had another

slave.

And this too I knew, that a youth who breathed, as he did, the pure

atmosphere of High Finance, would never commit a crime and blame the

pitchers for it, as so many of our young criminals do. So many, in

fact, that in my mind's eye I see the following reports in the papers:--

A boy of five was brought yesterday before the Darlington Bench charged

with the bombardment of a street. Evidence showed that the prisoner

established a machine-gun in the back garden of his father's house and

systematically fired it at his neighbours' walls, doing considerable

damage. The boy pleaded guilty, but explained that he had been to see

some war-pictures at the cinema. The magistrate ordered the cinema to

be kept under observation, and awarded the boy a shilling from the

poor-box.

A girl of eight was charged at the Guildhall with causing an

obstruction. Evidence was to the effect that she stood in the middle of

Cheapside holding out her hands and a block resulted which disorganised

the traffic for some hours. The child's excuse was that she had been

witnessing the Lord Mayor's Show at the cinema.

"The pictures again!" exclaimed the magistrate. "When will this

nuisance be stopped?"

Two boys of seven were charged at the Thames Police Court yesterday

with kidnapping a young lady. Evidence showed that on the evening

before, they first obtained possession of a motor car from the window

of a shop in Long Acre, drove it at a great pace (one constable said

forty miles an hour, and another sixty-one) to a house in Park Lane,

where, while one boy remained outside, the other drew a revolver

and forced the resident heiress into the car. At this point they

were arrested. The boys said that they were very sorry, but that the

spectacle of an abduction romance on the films had been too strong for

them.

The magistrate: "What is the cinema censor about? Nothing is more

deplorable than that the imaginations of young boys should be excited

by these lurid dramas." The boys were discharged.

Three boys of six, seven and eight respectively were charged at

Sheffield with stealing a railway train. It appears that while the

driver of a Scotch excursion, which was in a siding, was oiling the

wheels, the three boys sprang to the footboard and started the train.

The driver pursued it, but was at once shot by one of the boys, who

was armed to the teeth with pea-shooters. Asked to explain their

conduct the boys said that they had seen so many train robberies on

the local cinemas that they felt bound to do something in that line

themselves. The magistrate said he did not wonder, and directed that

the proprietors of the cinemas should have their licence cancelled.

Three men of criminal appearance, against whom previous convictions

were proved, who were charged at Vine Street with pocket picking,

explained that it was entirely due to the effect produced upon them by

_Oliver Twist_ on the cinema. The magistrate dismissed the prisoners

and ordered the cinema to be closed.

* * * * *

[Illustration: ECONOMY.

_McTavish_ (_to convalescent soldier_). "I WAS HEARIN' YE HAD A BULLET

IN YE YET. ARE YE NO GAWN TA HAE IT TAEN OOT?"

_Soldier._ "NO THE NOO. YE SEE, I'LL BE GAWN BACK TAE THE FR-RONT IN A

WEE WHILE, AN' WHEN I COME BACK I'LL JUST HAE THEM A' OOT THEGITHER!"]

* * * * *

Punch, Or the London Charivari, Volume 148, January 6th, 1915 · 第 33 / 42 题