THE EXTRAVAGANCE OF LOVE

"Wherever this Gospel is preached, this that she had done shall be told

as a memorial of her." What a gracious memorial, and how worthy of it

was Mary's beautiful outburst of generosity! But what a pity that the

speech of Judas should be recorded also, as a memorial of him! And yet,

on mature consideration, we would not have the Judas criticism

forgotten. Because it called forth what we might not otherwise have

had, the vindication of Jesus Himself. And because, as a matter of

fact, we are constantly hearing the protest of Judas repeated in our own

day, and are often ill-held to know how to meet it.

"This he said," records our evangelist bluntly, "not because he loved

the poor, but because he was a thief and kept the bag." Yet he might

have been an honest man and said the same thing. For very many honest

and earnest men and women are repeating this criticism still. It is

repeated whenever it is taken for granted that practical utility is the

only standard by which to judge actions and offerings, that God and man

can be served in no other way than by "iron bars and perspiration."

How often do we meet the type of mind that admits the service of a

ploughman and denies that of poet or artist, for whom a waterfall, as

somebody has said, exists merely as so much power for driving turbines,

and whose sole test of usefulness is that of making two blades grow--and

corn blades at that!--where but one grew before. We are commonly

browbeaten by this type of person, and yet we feel that somehow, if we

could only say it, he is wrong--that the poet's is as divine a vocation

as the farmer's, that God meant a silver band of falling water in a

green glade to suggest other things besides dynamos, and that he who

even paints some blades of grass, and paints them pleasingly, has his

place somewhere in the great guild of servants of God and man.

One has heard the same attitude taken up in other directions too. Why

spend so much money on a Church, you will be asked, when there are so

many poor people in the land? What need for stone pillars and a fine

organ, when a plain building and a harmonium would do as well? Why try

to secure what is called a beautiful Church service, dignified, stately,

musical, when the very baldest worship is acceptable in God's sight, if

only it be sincere? We have heard all that, and other remarks like

that, often, and we have seldom been able to give reasons against them.

A mere instinctive sentiment seems a feeble thing to oppose to such cold

and hard facts. Yet somehow we feel that it is all wrong if only we

knew how to convict it.

Did it ever occur to you that Jesus Himself has answered that objection

and others like it when He vindicated Mary's action that night? There

is no doubt that her ointment cost a deal of money, money that could

have fed many hungry people. It was an extravagant offering, without

any practical outcome, save that Jesus was refreshed. There is no doubt

also about our Lord's sympathy with the poor and needy. And yet He

upheld Mary's action, and would not have it called wasteful! All that

could be said in its favour was that it was beautiful, that it touched

Jesus keenly, and influenced all who saw it done. And that, as I read

the story, was one reason at least why Jesus defended it. He allows the

Beautiful. He would have the Beautiful honoured for its own sake even

in a world so full of sorrow and trouble as this.

For my part, I am very grateful that this word of Christ's has been

recorded. For it affords sufficient warrant for declaring the poet, the

artist, the architect, and all those who are trying to make the world

more beautiful, God's servants too, offering Him a gift He does not

disdain to recognise, as truly as the physician, the philanthropist, and

the preacher whose object is to make it better.

Beauty of form and structure has been lavished profusely by the Creator

on creatures too small to be seen. There are more things grow out of

God's earth than corn for food or timber for building houses. There's

the heather and the wild flowers, the daisies and the violets.

Hard-headed common-sense asks--What's the use of them? What good do

they do? The answer is that they are beautiful, and that seems in God's

sight to be justification enough for having made them.

So when we see Love breaking her alabaster box, and pouring forth her

offering without stint, as she is doing every day--a mother lavishing

care upon an ungrateful son, a husband surrounding a peevish wife with a

tireless devotion, or a sister keeping her own love-dream at arm's

length that she may guard and guide some graceless brother--let us lay

our hands upon our lips when we are tempted to criticise. These actions

may be foolish, extravagant, quixotic, and may outrage every canon of

common-sense. But there is a fragrance about them without which the

world would be much poorer. They are morally beautiful, and for that

reason, our Lord Himself would teach us, they are not to be rudely

handled nor judged by any hard standard.

Yes, but He said more than that. He found a more complete extenuation

of Mary's extravagance. It was because she loved much. Her gift was an

offering of love to Himself. "She hath done it for my burial." And

that is the end of the whole matter, my brothers. Love is always

extravagant when measured by the tape-line of bare duty. It always

overflows. It breaks its box and gives everything it has. Yet, like

the widow's cruse of old, its casket is never empty, for even when it

has given its all, the next needy case will find succour at that door.

Take your charity subscription sheet to the man who loudly asserts that

too much money is being given to the Kirk this dull season, and what

will you get? Take it also to the man who has signed a bigger cheque

than he can well afford that the House of his God may be made beautiful,

and it will be strange if you are sent empty away. Ah no, it is not

Mary, whose devotion has found outlet in some sudden generosity, it is

not she who neglects the poor.

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