CHAPTER XI--THE VALENTINES

With the passing of this gay Holiday Season, the two girls began to feel

that it would be a relief to sit down once more and spend a quiet

evening at school. Two weeks of constant going and dissipation had

become tiresome.

The Westerners had gone home again; John, Tom, Paul and Pete back to

Chicago, and the two boys, Ken and Jim, back at Yale; and then Mrs.

Wellington's school reopened. Lessons went on as if there never had been

a vacation, and on Wednesday evening of that same week, the art school

resumed classes.

This term was to be devoted to Applied Design and its uses in

architecture and decorations of interiors. After having had such

interesting work as Egyptian ornament, art, and symbols, it seemed

rather dry to start out the New Year with drawing straight lines an inch

long.

Then to draw a dozen of these lines--next to connect them and make a

design of these dozen simple lines. But the next lesson was still more

foolish. They were told to draw a square. Then this large square of

twenty inches each side was divided into smaller squares. And in each of

these squares the pupils were told to draw whatever they liked, but each

square must repeat the first one figure designed.

Thus the scholars found that they had a pattern of the design. This

began to look more promising, and Eleanor wished she had paid more

attention to the squares so that the design would have been neater.

The next lesson was on grouping certain designs. The talk given by Mr.

Fabian that evening was on eye-measurement and judgment in lines.

"Unless one has a good eye for lines in anything, it is a waste of time

to study a profession that is based fundamentally on a true judgment of

lines--whether of beauty, grace, or usefulness. Unless one has a true

sense of 'line' one can never know where to build a window, a door, or a

fire-place.

"Not only does 'line' govern the size of rooms and halls, but the entire

building is dependent upon true lines. Also, this basis line governs

furniture and decorations in an interior.

"Can you picture a room where the portières are all of different

lengths?--because the decorator had no sense of 'line value?' And what

would one say if the chairs had legs of various lengths? Is not 'line

value' to be used here, too? It is found necessary, everywhere."

So the lessons and lectures continued until the girls took up the study

of colors. This was very interesting, and soon, both Polly and Eleanor

knew that yellow, blue and red were primary colors and they could glibly

tell you what that meant, and how important a part the knowledge played,

in the progressive art of decorating.

When the demonstration of these lessons began in the painting, the girls

realized that they were actually going to be able to carry home samples

of their work. From that time on, they showed more zeal in doing

everything as correctly and perfectly as possible. And Mr. Fabian, at

his next monthly report to Mr. Ashby (which were quite unknown to Polly

and Eleanor) said: "They're deeply interested in the actual art and not

merely for the fun of some day going into business."

"I am glad to hear it. There is so much of this idea of taking up

interior decorating because it is comparatively a new field, but so few

really ought to be in it. It should be made a matter of diplomas the

same as other professions. Then the restriction would soon clear away

all the quacks in the art. If these two girls but escape the snares of

matrimony until they are finished artists, I shall be rejoiced to

welcome them to our fold."

Mr. Fabian nodded approvingly, and murmured: "I have faith in them. I'm

sure that both these girls are sensible and not to be easily influenced

by a good looking beau."

Mr. Ashby smiled. "They're much safer in New York than if they lived in

smaller towns. Girls in this city haven't time to find beaux or think of

husbands."

"Don't be so sure, Mr. Ashby," retorted Mr. Fabian. "If the girls are as

pretty as my two are, and clever and rich as well, they'd find it hard

to escape."

"But you are speaking of society girls, while these two students seldom

give that empty life a thought--I'm glad to say."

Which conversation goes to show that more than one adult was watching

the experiment these two girls were unconsciously making of their school

days, with intense interest and a desire to aid.

Polly and Eleanor were not aware of all that had been done to insure

them perfect freedom and liberty to continue their art classes. Had they

known the arguments Mr. Latimer had had with Jim and Ken to keep those

boys from usurping so much of the time the girls had to devote to study!

Then Jim had blustered and boasted of all he would do once he was at

college: His father wouldn't know how many letters he would write, nor

the visits to the girls, of an evening!

And one reason Tom Latimer and John seldom wrote to Polly and Eleanor,

was because of Anne's suggestion--to leave the girls to plan their spare

time for their very own work, and not be made to feel that they had

letters to answer, all the time.

It was Tom who had begged Jim not to waste his own, or the girls' time,

in writing silly letters or in traveling back and forth from college to

New York. And Tom, wise big brother that he was, took Jim into his

confidence and explained how anxious John and he were to have Polly

climb to the top of the ladder in her art. That she had to make good in

New York those first two years or go back home and starve her artistic

soul on a lonesome ranch.

But Valentine's Day was coming, and Jim felt that on that day he would

be privileged to not only write to the girls, but to send each one a

fine valentine, describing his sentiments.

Polly and Eleanor could not forget Valentine's Day was at hand, for

every shop-window they passed invited sentimental people to step in and

see the love cards.

"I'd like to send a perfect dear to Mr. Dalken, Nolla," said Polly,

reading the verse on a card.

"To Mr. Dalken! Why, Poll, he is an old married man!"

"But what of that! Can't I send him a card that states how much I like

him?"

"Oh, ye-es--I suppose so; but valentines are really meant for lovers,

you see."

"It's nothing of the kind, Nolla. Dear old St. Valentine never meant all

his notes for lovers; but for everyone he _loved!_ and that is very

different, I think."

"Well, send yours to anyone you like, but I am going to buy one for

Jim," said Eleanor, searching over the piles of cards on the tray, but

not finding what she sought.

"Oh, Nolla," laughed Polly, teasingly. "Are you selecting Jim for your

first love?"

"First love! I should say double no! I am hunting for a _comic_ one for

him--just because he is so sentimental and sits with moony eyes when he

is near any pretty girl. I thought I would die with laughter that night

he sat and gazed with soulful eyes at Ruth."

Finally the girls found several very funny cards which had sarcastic

lines under the pictures. These they were going to mail to Jim and Ken.

Then Eleanor had an idea.

"I just guess I'll mail one each to John, Tom, Pete and Paul, too. If I

dared, I'd get Pete to re-mail one to Bob so she wouldn't know who sent

it. Being postmarked 'Chicago' she'd break her head trying to think who

sent it to her."

"Oh, that will be fun, Nolla. Have them remailed so the boys won't know

we sent them. Let's do that with all of ours."

The need of secrecy, and the trouble of selecting appropriate lines for

each of their friends, took time. But Eleanor wired her father to keep

the secret and do the mailing for them, and he wired back his consent.

So the valentines meant for the Chicago friends went to Mr. Maynard, and

duly reached each one as had been intended.

And those for Jim and Ken were handed to a porter on the train that ran

to New Haven, with a liberal tip if he would drop them in a letter-box

when he jumped from the train. His wide grin showed he was ready to abet

the pranks such generous pretty young misses planned to tease their

beaux.

Elizabeth Dalken had taken a violent fancy to Jim Latimer when she met

him at the different Christmas parties, and Valentine's Day being an

opportunity for love-lorn misses and youths, she bought a very expensive

Valentine, with sentiment as soft as down, and suggestive of heart-aches

and sighs and what-not.

But Elizabeth had no independence, whatever, and once she had the

Valentine boxed and ready to post, she wished she knew someone who would

address it. She feared to have her own cramped writing seen on it.

In Mrs. Wellington's school was a clever girl who could imitate

hand-writing to perfection, and Elizabeth presented her with a box of

bon-bons a few days before Valentine's Day. Then the following day she

asked a favor. Would Myrtle address a box for her?

Myrtle comprehended, but the candies had been delicious so she laughed:

"Got a valentine to send?"

"Yes, but it is a joke. I want the receiver to believe Eleanor Maynard

sent it. Can you imitate her writing?"

"Easy as pie. Get me her exercise from this noon's class."

And in short order the box was addressed in Eleanor's hand-writing.

Elizabeth mailed it, and the day following the 14th, Jim mailed, what he

considered, a lover's work of art--such ardent lines and such sentiment

seldom entered his thoughts, but the mushy words of the valentine

excused his letter.

"W-e-ll--Jim's gone clean mad!" gasped Eleanor.

"Is the thick letter from him?" asked Polly.

"Yes, but read it, Poll, and tell me what ails him."

Polly read, but not without giggles and many a lifted eyebrow when she

came to the extra fine phrases of love-making.

"Nolla, he sure is daffy. Can you see through it?"

"Not at all. I expected a comic from him--not this."

"Nolla, do you think anyone we know would send him a soft valentine and

pretend it came from you?"

"Maybe--for a joke! Now who would do it?"

They asked Anne, and showed her the letter. She laughed with them, but

when they were not present, she sat down and wrote to Jim--a nice

sisterly letter cuttingly blunt that told him that she had her hands

full with school and girls, and house, so that any extra care would

drive her insane. Letters such as the one that came to Nolla, were the

worst danger she had to ward off from the girls.

By the last mail on the thirteenth and during the day of the fourteenth

other valentines came for Polly and Eleanor; some of real merit as

tokens of friendship; some of beauty; and many with a little line of

love. But Polly received no vague or sentimental one during Valentine's

day.

That evening, however, the bell rang, and Mrs. Stewart asked who was

there. The girls were already upstairs.

"Messenger with a box."

"Mother--wait till I get there!" called Anne, anxiously.

In another moment, Anne, in a negligée, ran downstairs and opened the

street-door which opened into a vestibule.

A large long box was handed in and Anne signed the book. It was

addressed to "Miss Polly Brewster, Studio, 1003 East Thirtieth Street,

New York."

"Polly, here's a great box of flowers from someone," Anne called,

standing at the foot of the stairs.

"For me?"

"Your name is on the tag," said Anne.

Instantly, Polly and Eleanor scrambled downstairs and Polly tremblingly

tried to untie the string about the box.

"Dear me--it won't even break!" said she, trying to tear the cord by

pulling at it.

"Here--take the knife!" cried Eleanor, having dashed to the dining-room

to catch up a silver knife, and returning with it.

The string was cut, the lid taken off, and several wrappers of oiled

paper removed. Then, there, upon a bed of lace-paper rested a dozen of

magnificent American Beauties, with stems more than a yard long. And to

the cluster, about the middle of the stems, was attached a fine golden

cord holding a papier maché heart. The heart had a golden arrow

half-buried in its plump center.

"What wonderful roses!" breathed Polly.

"Isn't the heart cute!" giggled Eleanor.

"No card, or sign, to say where they came from?" asked Anne, picking the

heart up carefully.

"Oh, there's another heart--see! On the point of the arrow at the back,"

cried Eleanor. And there was another heart fastened to the first one by

means of the sharp arrow.

The girls sought carefully for some clue of the sender, but the sweet

perfume wafted from the roses was all that rewarded their search.

"Whoever it was, he is a dear!" said Polly, fondly touching the waxen

stems.

"And we'll try to keep them as long as possible so, whoever it was, will

see that we appreciate the flowers," said Anne, going for water.

"At last I have found a use for that tall vase I bought that first week

of auctions," laughed Eleanor, taking the glass from under the

window-seat.

Scarcely were the roses arranged to satisfy the admiring group, when the

bell rang again. Eleanor being nearest the door, ran out to the small

vestibule and peeped through the window in the street-door.

"Well, of all things! Another messenger. Maybe he has a valentine for

me."

The door was opened, Eleanor said "yes" to his query if Mrs. Stewart

lived there, and having signed the book, hurried in with a tier of

boxes. There were four in all.

"Miss Anne Stewart the first on top," read Polly.

The second was for Mrs. Stewart, and the third for Polly, the last being

Eleanor's. Each box contained a beautiful spray of cut flowers but no

card. Not even a suggestion of the sender.

"Well, it beats all. Why couldn't our admirers have sent our flowers in

the morning," laughed Anne.

Again the bell pealed. "It surely can't be more flowers!" laughed Polly,

running to the door. But it was. A card on the outside read: "Say it

with Flowers," to Miss Anne Stewart.

By this time everyone was laughing and trying to guess who could have

sent the blossoms. And had the bell sounded again, no one would have

been surprised. But it didn't, and after guessing of all impossible

persons who might be the senders of the flower-valentines, Anne

ventured: "Someone may have telegraphed to New York this morning, you

know, to send us these flowers, at once. I've heard said, the florists

were so rushed to-day with valentine orders that they couldn't secure

enough flowers from the wholesale shops."

"That's about it!" declared Eleanor. "John sent you this last box, and

maybe Daddy sent us each the smaller boxes. But _who_ could have sent

Polly a hundred dollars' worth of American Beauties?"

Finally they went to bed with the great question still unsolved; and

Polly often wondered, thereafter, if Mr. Dalken could have sent her

those roses? Had she guessed the truth, would she have been content to

go on so serenely with her studies of interior decorating?

Polly in New York · 第 11 / 17 章