——_the banks

Of Lima, through whose groves in after years,

Mournful yet sweet, Diogo’s amorous lute

Prolong’d its tuneful echoes_.—III. p. 27.

Diogo Bernardes, one of the best of the Portugueze poets, was born on

the banks of the Lima, and passionately fond of its scenery. Some of

his sonnets will bear comparison with the best poems of their kind.

There is a charge of plagiarism against him for having printed several

of Camoens’s sonnets as his own; to obtain any proofs upon this subject

would be very difficult; this, however, is certain, that his own

undisputed productions resemble them so closely in unaffected tenderness,

and in sweetness of diction, that the whole appear like the works of one

author.

* * * * *

_Auria itself is now but one wide tomb

For all its habitants._—III. p. 29.

The present Orense. The Moors entirely destroyed it; _depopulavit usque

ad solum_, are the words of one of the old brief chronicles. In 832,

Alonzo el Casto found it too completely ruined to be restored.—_Espana

Sagrada_, xvii. p. 48.

* * * * *

_That consecrated pile amid the wild,

Which sainted Fructuoso in his zeal

Rear’d to St. Felix, on Visonia’s banks._—IV. p. 38.

Of this saint, and the curious institutions which he formed, and the

beautiful track of country in which they were placed, I have given an

account in the third edition of Letters from Spain and Portugal, vol. i.

p. 103.

* * * * *

_Sacaru ... indignantly

Did he toward the ocean bend his way,

And shaking from his feet the dust of Spain,

Took ship, and hoisted sail through seas unknown

To seek for freedom._—IV. p. 43.

This tale, which is repeated by Bleda, rests on no better authority than

that of Abulcacim[10], which may, however, be admitted, so far as to show

that it was a prevalent opinion in his time.

Antonio Galvam, in his _Tratado dos Descobrimentos Antigos e Modernos_,

relates a current, and manifestly fabulous story, which has been supposed

to refer to Sacaru, and the companions of his emigration. “They say,”

he says, “that at this time, A. D. 1447, a Portugueze ship sailing out

of the Straits of Gibraltar, was carried by a storm much farther to the

west than she had intended, and came to an island where there were seven

cities, and where our language was spoken; and the people asked whether

the Moors still occupied Spain, from whence they had fled after the loss

of King Don Rodrigo. The contramaster of the ship said, that he brought

away a little sand from the island, and sold it to a goldsmith in Lisbon,

who extracted from it a good quantity of gold. It is said that the

Infante D. Pedro, who governed at that time, ordered these things to be

written in the Casa do Tombo. And some will have it that these lands and

islands at which the Portugueze touched, were those which are now called

the Antilhas and New Spain.” (P. 24.)

This Antilia, or Island of the Seven Cities, is laid down in Martin

Behaim’s map; the story was soon improved by giving seven bishops to the

seven cities: and Galvam has been accused by Hornius of having invented

it to give his countrymen the honour of having discovered the West

Indies! Now it is evident that Antonio Galvam relates the story as if he

did not believe it,—_contam_—they relate,—and, _diz_, it is said,—never

affirming the fact, nor making any inference from it, but merely stating

it as a report: and it is certain, which perhaps Hornius did not know,

that there never lived a man of purer integrity than Antonio Galvam;

a man whose history is disgraceful, not to his country, but to the

government under which he lived, and whose uniform and unsullied virtue

entitles him to rank among the best men that have ever done honour to

human nature.

The writers who repeat this story of the Seven Islands and their bishops,

have also been pleased to find traces of Sacaru in the new world, for

which the imaginary resemblances to Christianity which were found in

Yucatan and other places, serve them as proofs.—_Gregorio Garcia_,

_Origen de los Indios_, l. iv. c. 20.

The work of Abulcacim, in which the story first appears, has been roundly

asserted to be the forgery of the translator, Miguel de Luna. The

Portugueze academician, Contador de Argote, speaking of this romantic

history, acquits him of the fraud, which has with little reflection been

laid to his charge. Pedraça, he says, in the Grandezas de Granada, and

Rodrigo Caro, in the Grandezas de Sevilla, both affirm that the original

Arabic exists in the Escurial, and Escolano asserts the same, although

Nicholas Antonio says that the catalogues of that library do not make

mention of any such book. If Luna had forged it, it would not have had

many of those blunders which are observed in it; nor is there any reason

for imputing such a fraud to Luna, a man well skilled in Arabic, and

of good reputation. What I suspect is, that the book was composed by a

Granadan Moor, and the reason which induces me to form this opinion is,

the minuteness with which he describes the conquest which Tarif made of

those parts of the kingdom of Granada, of the Alpuxarras and the Serra

Neveda, pointing out the etymologies of the names of places, and other

circumstances, which any one who reads with attention will observe. As

to the time in which the composer of this amusing romance flourished, it

was certainly after the reign of Bedeci Aben Habuz, who governed, and was

Lord of Granada about the year 1013, as Marmol relates, after the Arabian

writers; and the reason which I have for this assertion is, that in the

romance of Abulcacim the story is told which gave occasion to the said

Bedeci Aben Habuz to set up in Granada that famous vane, which represents

a knight upon horseback in bronze, with a spear in the right hand, and a

club in the left, and these words in Arabic,—Bedeci Aben Habuz says, that

in this manner Andalusia must be kept! the figure moves with every wind,

and veers about from one end to another.—_Memorias de Braga_, t. iii. p.

120.

In the fabulous Chronicle of D. Rodrigo, Sacarus, as he is there called,

is a conspicuous personage; but the tale of his emigration was not then

current, and the author kills him before the Moors appear upon the stage.

He seems to have designed him as a representation of perfect generosity.

* * * * *

_All too long,

Here in their own inheritance, the sons

Of Spain have groan’d beneath a foreign yoke._—IV. p. 43.

There had been a law to prohibit intermarriages between the Goths and

Romans; this law Recesuintho annulled[11] observing in his edict, that

the people ought in no slight degree to rejoice at the repeal. It is

curious that the distinction should have existed so long; but it is found

also in a law of Wamba’s, and doubtless must have continued till both

names were lost together in the general wreck. The vile principle was

laid down in the laws of the Wisigoths, that such as the root is, such

ought the branch to be,—_gran confusion es de linage, quando el fiyo non

semeya al padre, que aquelo ques de la raiz, deba ser en a cima_, and

upon this principle a law was made to keep the children of slaves, slaves

also.

“Many men well versed in history,” says Contador de Argote, (Memorias de

Braga, 3. 273.) “think, and think rightly, that this was a civil war,

and that the monarchy was divided into two factions, of which the least

powerful availed itself of the Arabs as auxiliaries; and that these

auxiliaries made themselves masters, and easily effected their intent by

means of the divisions in the country.”

“The natives of Spain,” says Joam de Barros, “never bore much love to the

Goths, who were strangers and comelings, and when they came had no right

there, for the whole belonged to the Roman empire. It is believed that

the greater part of those whom the Moors slew were Goths, and it is said

that, on one side and on the other, in the course of two years there were

slain by the sword seven hundred thousand men. The Christians who escaped

chose that the name of Goths should be lost: and though some Castillians

complain that the race should be extinguished, saying with Don Jorge

Manrique,

_Pues la sangre de los Godos

y el linage y la nobleza

tan crecida,

por quantas vias y modos

se sume su grande alteza

en esta vida_,

I must say that I see no good foundation for this; for they were a proud

nation and barbarous, and were a long time heretics of the sects of

Arius and Eutychius and Pelagius, and can be praised as nothing except

as warriors, who were so greedy for dominion, that wherever they reached

they laid every thing bare like locusts, and therefore the emperor ceded

to them this country. The people who dwelt in it before were a better

race, always praised and feared and respected by the Romans, loyal

and faithful and true and reasonable: and if the Goths afterwards were

worthy of any estimation they became so here: for as plants lose their

bitterness and improve by being planted and translated into a good soil

(as is said of peaches), so does a good land change its inhabitants, and

of rustic and barbarous make them polished and virtuous.

“The Moors did not say that they came against the Christians, but against

the Goths, who had usurped Spain; and it appears that to the people of

the land it mattered little whether they were under Goths or Moors; or

indeed it might not be too much to say that they preferred the Moors, not

only because all new things and changes would be pleasing, but because

they were exasperated against the Goths for what they had done against

the Christians, (_i. e._ the Catholicks,) and for the bad government of

King Witiza.”

“You are not to think,” says the Chronicler, “that Count Don Julian and

the Bishop Don Orpas came of the lineage of the Goths, but of the lineage

of the Cæsars, and therefore they were not grieved that the good lineage

should be destroyed.”—_Chr. del K. D. Rodrigo_, p. i. c. 248.

* * * * *

_Favila._—V. p. 48.

Barrios, taking a punster’s licence in orthography, plays upon the name

of Pelayo’s father:—

——_del gran Favila (que centella

significa) Pelayo, marcial llama,

restauro el Leones reyno con aquella

luz que alcanzo la victoriosa rama_.

Coro de las Musas, p. 102.

* * * * *

_The Queen too, Egilona,—

Was she not married to the enemy,

The Moor, the Misbeliever?_—V. p. 50.

For this fact there is the unquestionable testimony of Isidorus Pacensis.

_Per idem tempus in Æra 735, anno imperii ejus 9. Arabum 97. Abdalaziz

omnem Hispaniam per tres annos sub censuario jugo pacificans, cum Hispali

divitiis et honorum fascibus cum Regina Hispaniæ in conjugio copulata,

filias Regum ac Principum pellicatas, et imprudenter distractas æstuaret,

seditione suorum facta, orationi instans, consilio Ajub, occiditur;

atque eo Hispaniam retinente, mense impleto, Alahor in regno Hesperiæ

per principalia jussa succedit, cui de morte Abdallaziz ita edicitur. ut

quasi consilio Egilonis Regiæ conjugis quondam Ruderici regis, quam sibi

sociaberat, jugum Arabicum a sua cervice conaretur avertere, et regnum in

vasum Hiberiæ sibimet retemptare._—Espana Sagrada, t. viii. 302.

Florez relates the story in the words of the old translation of an Arabic

original imputed to Rasis. “When Belazin, the son of Muza, remained for

Lord of Spain, and had ordered his affairs right well, they told him

tidings of Ulaca, who had been the wife of King D. Rodrigo, that she was

a right worthy dame, and right beautiful, and of a great lineage, and

that she was a native of Africa; whereupon he sent for her, and ordered

that beasts should be given her, and much property, and men-servants and

maid-servants, and all things that she could require, till she could

come to him. And they brought her unto him, and when he saw her, he was

well pleased with her, and said, Ulaca, tell me of thy affairs, and

conceal nothing from me; for thou knowest I may do with thee according

to my will, being my captive. And when she heard this, it increased the

grief which she had in her heart, and her sorrow was such, that she had

well nigh fallen dead to the ground, and she replied weeping and said,

Baron, what wouldst thou know more of my affairs? For doth not all the

world know, that I, a young damsel, being married with King D. Rodrigo,

was with him Lady of Spain, and dwelt in honour and in all pleasure,

more than I deserved; and therefore it was God’s will that they should

endure no longer. And now I am in dishonour greater than ever was dame

of such high state: For I am plundered, and have not a single palm of

inheritance; and I am a captive, and brought into bondage. I also have

been mistress of all the land that I behold. Therefore, Sir, have pity

upon my misfortunes; and in respect of the great lineage which you know

to be mine, suffer not that wrong or violence be offered me by any one;

and, Sir, if it be your grace you will ransom me. There are men I know

who would take compassion on me, and give you for me a great sum. And

Belazin said to her, Be certain that so long as I live, you shall never

go from my house. And Ulaca said, What then, Sir, would you do with me?

and Belazin said, I will that you should remain in my house, and there

you shall be free from all wretchedness, with my other wives. And she

said, In an evil day was I born, if it is to be true that I have been

wife of the honoured king of Spain, and now have to live in a stranger’s

house as the concubine and captive of another! And I swear unto God,

whose pleasure it is to dismay me thus, that I will rather seek my own

death as soon as I can; for I will endure no more misery, seeing that by

death I can escape it. And when Belazin saw that she thus lamented, he

said to her, Good dame, think not that we have concubines, but by our

law we may have seven wives, if we can maintain them, and therefore you

shall be my wife, like each of the others; and all things which your

law requires that a man should do for his wife, will I do for you; and

therefore you have no cause to lament; and be sure that I will do you

much honour, and will make all who love me serve and honour you, and you

shall be mistress of all my wives. To this she made answer and said, Sir,

offer me no violence concerning my law, but let me live as a Christian:

And to this Belazin was nothing loth and he granted it, and his marriage

was performed with her according to the law of the Moors; and every day

he liked her more, and did her such honour that greater could not be.

And it befell that Belazin being one day with Ulaca, she said to him,

Sir, do not think it ill if I tell you of a thing in which you do not act

as if you knew the custom. And he said, Wherein is it that I err? Sir,

said she, because you have no crown, for no one was ever confirmed in

Spain, except he had a crown upon his head. He said, This which you say

is nothing, for we have it not of our lineage, neither is it our custom

to wear a crown. She said, many good reasons are there why a crown is

of use, and it would injure you nothing, but be well for you, and when

you should wear your crown upon your head, God would know you and others

also by it: And she said, You would look full comely with it, and it

would be great nobleness to you, and be right fitting, and you should

wear in it certain stones, which will be good for you, and avail you.

And in a short time afterwards Belazin went to dwell at Seville, and he

carried Ulaca with him, and she took of her gold, and of her pearls, and

of her precious stones, which she had many and good, and made him the

noblest crown that ever was seen by man, and gave it him, and bade him

take it, and place it where it should be well kept; and Ulaca, as she

was a woman of understanding and prudence, ordered her affairs as well

as Belazin, so that he loved her much, and did great honour to her, and

did many of those things which she desired; so that he was well pleased

with the Christians, and did them much good, and showed favour unto

them.”—_Memorias de las Reynas Catholicas_, 1. p. 28.

The issue of this was fatal to Abdalaziz. In Albucacim’s history, it is

said that he was converted by this Christian wife, and for that reason

put to death by his father. Others have supposed that by means of her

influence he was endeavouring to make himself King of Spain, independent

of the Caliph. A characteristic circumstance is added. Egilona was very

desirous to convert her husband, and that she might at least obtain from

him some mark of outward respect for her images, made the door of the

apartment in which she kept them, so low, that he could not enter without

bowing.—_Bleda_, p. 214.

_Deixam a Abdalaziz, que de Bellona

Mamara o leite, por Rector da Hesperia;

Este caza co a inclyta Egilona,

Mulher de Dom Rodrigo, (o gram miseria!)

Tomou Coroa de ouro, e a Matrona

Lhe deu para a tomar larga materia,

Foi notado à misera raynha

Cazarse com hum Mouro tarn asinha._

Destruiçam de Espanha, p. 237.

The Character of this Queen is beautifully conceived by the author of

Count Julian:—

Beaming with virtue inaccessible

Stood Egilona; for her lord she lived,

And for the heavens that raised her sphere so high:

All thoughts were on her—all beside her own.

Negligent as the blossoms of the field,

Arrayed in candour and simplicity,

Before her path she heard the streams of joy

Murmur her name in all their cadences,

Saw them in every scene, in light, in shade,

Reflect her image; but acknowledged them

Hers most complete when flowing from her most.

All things in want of her, herself of none,

Pomp and dominion lay beneath her feet

Unfelt and unregarded: now behold

The earthly passions war against the heavenly!

Pride against love; ambition and revenge

Against devotion and compliancy—

Her glorious beams adversity hath blunted,

And coming nearer to our quiet view,

The original clay of coarse mortality

Hardens and flaws around her.

* * * * *

_One day of bitter and severe delight._—VI. p. 60.

I have ventured to borrow this expression from the tragedy of Count

Julian. Nothing can be finer than the passage in which it occurs.

_Abdalazis._ Thou lovest still thy country?

_Julian._ Abdalazis,

All men with human feelings love their country.

Not the high-born or wealthy man alone,

Who looks upon his children, each one led

By its gay hand-maid, from the high alcove,

And hears them once a-day; not only he

Who hath forgotten, when his guest inquires

The name of some far village all his own;

Whose rivers bound the province, and whose hills

Touch the last cloud upon the level sky:

No; better men still better love their country.

’Tis the old mansion of their earliest friends,

The chapel of their first and best devotions;

When violence, or perfidy, invades,

Or when unworthy lords hold wassail there,

And wiser heads are drooping round its moats,

At last they fix their steady and stiff eye

There, there alone—stand while the trumpet blows,

And view the hostile flames above its towers

Spire, with a bitter and severe delight.

* * * * *

_Restoring in thy native line, O Prince,

The sceptre to the Spaniard._—VII. p. 71.

This was a favourite opinion of Garibays, himself a Biscayan, but he has

little better proof for it than the fact, that Gothic names disappeared

with Roderick, and that Pelayo and his successors drew their nomenclature

from a different stock. He says, indeed, that ancient writings are not

wanting to support his opinion. Some rude commentator has written against

this assertion in the margin of my copy, _miente Garibay_; and I am

afraid the commentator is the truer man of the two.

There is a fabulous tale of Pelayo’s birth, which, like many other

tales of no better authority, has legends and relics to support it. The

story, according to Dr. D. Christoval Lozano, in his history of Los

Reyes Nuevos de Toledo, is this. Luz, niece to Egilona, and sister of

Roderick, dwelt at Toledo, in the palace of King Egica. Duke Favila, her

father’s brother, fell in love with her, and came from his residence in

Cantabria to ask her in marriage, expecting to find no other obstacle

than the dispensable one of consanguinity. But it so happened, that

the King was wooing Luz to become his concubine; her refusal made him

jealous, as he could not conceive that it proceeded from any cause

except love for another, and as his temper and power were not to be

provoked without danger, Favila dared not openly make his suit. He and

his mistress therefore met in private, and plighted their vows before an

image of the Virgin. The consequences soon became apparent,—the more so,

because, as Dr Lozano assures us, there were at that time no fashions

to conceal such things,—_Y mas que en aquella era no se avian inventado

los guarda-infantes_. The king observed the alteration in her shape, and

placed spies upon her, meaning to destroy the child and punish the mother

with the rigour of the law, death by fire being the punishment for such

an offence. Luz was well aware of the danger. She trusted her _Camarera_

and one servant: They made an ark: She herself, as soon as the infant was

born, threw water in his face, and baptised him by the name of Pelayo: a

writing was placed with him in the ark, requesting that whoever should

find it would breed up the boy with care, for he was of good lineage.

Money enough was added to support him for eight years, and the ark was

then launched upon the Tagus, where it floated down the stream all night,

all day, and all the following night. On the second morning it grounded

near Alcantara, and was found by Grafeses, who happened to be Luz’s

uncle. The king’s suspicion being confirmed by the sudden alteration in

the lady’s appearance, he used every means to detect her, but without

avail; he even ordered all children to be examined who had been born

in or around Toledo within three months, and full enquiry to be made

into the circumstances of their births: To the astonishment of later

historians, 35,000 of that age were found, and not one among them of

suspicious extraction. The tale proceeds in the ordinary form of romance.

The lady is accused of incontinence, and to be burnt, unless a champion

defeats her accuser. Favila of course undertakes her defence, and of

course is victorious. A second battle follows with the same success, and

fresh combats would have followed, if a hermit had not brought the king

to repentance. Grafeses in due time discovers the secret, and restores

the child to his parents.

This fabulous chronicle seems to be the oldest written source of this

story, but some such tradition had probably long been current. The ark

was shown at Alcantara, in the convent of St. Benito, and a description

of it, with reasons why its authenticity should be admitted, may be found

in _Francisco de Pisa’s Description de Toledo_, l. iii. c. i.

* * * * *

_And in thy name,

Accept the Crown of Thorns she proffers me._—VII. p. 72.

Godfrey was actually crowned with thorns in Jerusalem,—a circumstance

which has given rise to a curious question in heraldry,—thus curiously

stated and commented by Robert Barret, in that part of his long poem

which relates to this Prince:—

[Sidenote: To free man from Hell.]

A Prince religious, if ever any,

Considering the age wherein he lived,

Vice-hater great, endued with virtues many,

True humilized, void of mundane pride;

For though he now created were great king,

Yet would he not as royal pomp requires,

Encrowned be with crownet glistering

Of gold and gems to mundains vain desires;

But with a pricking, pricking crown of thorn,

Bearing thereto a Christian reverence,

Sith Heaven’s King, man’s-Redeemer, did not scorn

To wear such crown within that city’s fence,

When as, cross-loden, humblely he went,

All cowring under burden of that wood,

To pay the pain of man’s due punishment,

And free from Pluto’s bands Prometheus brood.

[Sidenote: The foolishness of Heralds.]

Roderick, the last of the Goths · 第 17 / 25 段