I had not forgotten her. In that hour I knew that I never should.

And while hastening to effect her rescue, I felt as if I could have

gloated over her ruin--so steeped was my soul in chagrin--so brimful of

black vengeance!

It was no chivalrous thought that was carrying me up the slopes of

Ixticihuatl--only the hope of humiliating her, who had humiliated me!

I was aroused from my unworthy imaginings by the voice of Sam Brown,

whispering close to my ear. His words were:--

"Don't ye hear it, cap'n?"

"Hear what?"

"The music."

"If you call the hooting of that horrid owl--"

I stopped at a gesture from my guide. In the obscurity I could see his

hand uplifted, his finger pointing upwards.

"Don't ye hear somethin' up that way?" he continued, "Thar's the twang

o' a guitar, or one o' them thar Mexikin bandoleens--as they call 'em.

Hear that? Somebody laughin'! Hear that, too? If my ears haven't lost

thar hearin', that ere's the voice o' a sheemale!"

The last remark secured my attention. I listened--as if expecting to

hear a summons of life or death!

There _was_ the twang of a stringed instrument--harp or guitar, bandolon

or _jarana_. There _was_ a voice--a man's voice--and the instant after

a series soft tones, with that metallic ring that can only proceed from

the feminine throat.

"Yes," I assented, mechanically, "there's music there!"

"Moren' that, cap'n! Thar's dancin'."

Again I listened.

Certainly there was the pattering of feet over a floor--with motion

timed to the music--now and then a pause--a laugh or an exclamation--all

betokening a scene of enjoyment!

"It's the exact direckshin o' the shanty," whispered Sam. "They must be

_in_ it. Thar's somethin' goin' on, hear that? There's a bust! Darn

me, if they hain't got a _fandango_!"

It was an increased swelling in the sound that had called forth this

exclamatory language. A violin had joined its continuous strain to the

throbbing of the _jarana_; and several voices appeared to take part in

the conversation, which was carried on during the intervals of the

music.

There appeared to be nothing boisterous--no riot or roystering--only

such sounds as might be made by a party of pleasure-seekers engaged in a

picnic, or _dia de campo_--the chief difference being that it was _in

the night_!

Certainly the sounds were not such, as I should have expected to proceed

from a band of brigands engaged in an interlude of festivity.

"It's _them_!" whispered the driver of the diligencia--a better judge of

brigand music than myself. "The very chaps we're in search o'. They're

doin' a little bit o' divartin; an', cuss me, cap'n, ef I don't b'lieve

that them two gurls is joinin' willinly in the spree!"

I answered his speech only in thought. And a fell, fearful thought it

was.

"Dolores Villa-Senor not forced by cruel circumstances, but voluntarily

assisting at a carnival of _salteadores_!"

All thoughts of strategy were chased out of my mind. Even prudence for

the time forsook me. The remembrance of the past--the morbid imaginings

of the present--alike maddened me.

She upon whom I had fixed my affections--high and holy--the toy of a

robber-chief! Worse still; herself wanton and willing!

"Go on!" I said, grasping my guide by the arm; "on to the house! Let

us see what it means. On, on! There's no danger. In ten minutes I can

call my men around me; and if need be, we can run back to them. On! on!

I must see with my own eyes, if she can be so degraded!"

Without altogether comprehending why, Sam Brown saw that I was

determined on advancing; and, yielding to my impulsive command, once

more led the way.

The Bandolero; Or, A Marriage among the Mountains · 第 85 / 115 题