Farmer in the Dell [1919]

Old Ben Westerveld was taking it easy. Every muscle taut, every nerve

tense, his keen eyes vainly straining to pierce the blackness of the

stuffy room--there lay Ben Westerveld in bed, taking it easy. And it

was hard. Hard. He wanted to get up. He wanted so intensely to get up

that the mere effort of lying there made him ache all over. His toes

were curled with the effort. His fingers were clenched with it. His

breath came short, and his thighs felt cramped. Nerves. But old Ben

Westerveld didn't know that. What should a retired and well-to-do

farmer of fifty-eight know of nerves, especially when he has moved to

the city and is taking it easy?

If only he knew what time it was. Here in Chicago you couldn't tell

whether it was four o'clock or seven unless you looked at your watch.

To do that it was necessary to turn on the light. And to turn on the

light meant that he would turn on, too, a flood of querulous protest

from his wife, Bella, who lay asleep beside him.

When for forty-five years of your life you have risen at four-thirty

daily, it is difficult to learn to loll. To do it successfully, you

must be a natural-born loller to begin with and revert. Bella

Westerveld was and had. So there she lay, asleep. Old Ben wasn't and

hadn't. So there he lay, terribly wide-awake, wondering what made his

heart thump so fast when he was lying so still. If it had been light,

you could have seen the lines of strained resignation in the sagging

muscles of his patient face.

They had lived in the city for almost a year, but it was the same every

morning. He would open his eyes, start up with one hand already

reaching for the limp, drab work-worn garments that used to drape the

chair by his bed. Then he would remember and sink back while a great

wave of depression swept over him. Nothing to get up for. Store

clothes on the chair by the bed. He was taking it easy.

Back home on the farm in southern Illinois he had known the hour the

instant his eyes opened. Here the flat next door was so close that the

bed-room was in twilight even at midday. On the farm he could tell by

the feeling--an intangible thing, but infallible. He could gauge the

very quality of the blackness that comes just before dawn. The crowing

of the cocks, the stamping of the cattle, the twittering of the birds

in the old elm whose branches were etched eerily against his window in

the ghostly light--these things he had never needed. He had known. But

here in the un-sylvan section of Chicago which bears the bosky name of

Englewood, the very darkness had a strange quality.

A hundred unfamiliar noises misled him. There were no cocks, no

cattle, no elm. Above all, there was no instinctive feeling. Once,

when they first came to the city, he had risen at twelve-thirty,

thinking it was morning, and had gone clumping about the flat, waking

up everyone and loosing from his wife's lips a stream of acid

vituperation that seared even his case-hardened sensibilities. The

people sleeping in the bedroom of the flat next door must have heard

her.

"You big rube! Getting up in the middle of the night and stomping

around like cattle. You'd better build a shed in the back yard and

sleep there if you're so dumb you can't tell night from day."

Even after thirty-three years of marriage he had never ceased to be

appalled at the coarseness of her mind and speech--she who had seemed

so mild and fragile and exquisite when he married her. He had crept

back to bed shamefacedly. He could hear the couple in the bedroom of

the flat just across the little court grumbling and then laughing a

little, grudgingly, and yet with appreciation. That bedroom, too, had

still the power to appall him. Its nearness, its forced intimacy, were

daily shocks to him whose most immediate neighbor, back on the farm,

had been a quarter of a mile away. The sound of a shoe dropped on the

hardwood floor, the rush of water in the bathroom, the murmur of

nocturnal confidences, the fretful cry of a child in the night, all

startled and distressed him whose ear had found music in the roar of

the thresher and had been soothed by the rattle of the tractor and the

hoarse hoot of the steamboat whistle at the landing. His farm's edge

had been marked by the Mississippi rolling grandly by.

Since they had moved into town, he had found only one city sound that

he really welcomed--the rattle and clink that marked the milkman's

matutinal visit. The milkman came at six, and he was the good fairy

who released Ben Westerveld from durance vile--or had until the winter

months made his coming later and later, so that he became worse than

useless as a timepiece. But now it was late March, and mild. The

milkman's coming would soon again mark old Ben's rising hour. Before

he had begun to take it easy, six o'clock had seen the entire mechanism

of his busy little world humming smoothly and sweetly, the whole set in

motion by his own big work-callused hands. Those hands puzzled him

now. He often looked at them curiously and in a detached sort of way,

as if they belonged to someone else. So white they were, and smooth

and soft, with long, pliant nails that never broke off from rough work

as they used to. Of late there were little splotches of brown on the

backs of his hands and around the thumbs.

"Guess it's my liver," he decided, rubbing the spots thoughtfully.

"She gets kind of sluggish from me not doing anything. Maybe a little

spring tonic wouldn't go bad. Tone me up."

He got a little bottle of reddish-brown mixture from the druggist on

Halstead Street near Sixty-third. A genial gentleman, the druggist,

white-coated and dapper, stepping affably about the fragrant-smelling

store. The reddish-brown mixture had toned old Ben up

surprisingly--while it lasted. He had two bottles of it. But on

discontinuing it he slumped back into his old apathy.

Ben Westerveld, in his store clothes, his clean blue shirt, his

incongruous hat, ambling aimlessly about Chicago's teeming, gritty

streets, was a tragedy. Those big, capable hands, now dangling so

limply from inert wrists, had wrested a living from the soil; those

strangely unfaded blue eyes had the keenness of vision which comes from

scanning great stretches of earth and sky; the stocky,

square-shouldered body suggested power unutilized. All these spelled

tragedy. Worse than tragedy--waste.

For almost half a century this man had combated the elements, head set,

eyes wary, shoulders squared. He had fought wind and sun, rain and

drought, scourge and flood. He had risen before dawn and slept before

sunset. In the process he had taken on something of the color and the

rugged immutability of the fields and hills and trees among which he

toiled. Something of their dignity, too, though your town dweller

might fail to see it beneath the drab exterior. He had about him none

of the highlights and sharp points of the city man. He seemed to blend

in with the background of nature so as to be almost undistinguishable

from it, as were the furred and feathered creatures. This farmer

differed from the city man as a hillock differs from an artificial golf

bunker, though form and substance are the same.

Ben Westerveld didn't know he was a tragedy. Your farmer is not given

to introspection. For that matter, anyone knows that a farmer in town

is a comedy. Vaudeville, burlesque, the Sunday supplement, the comic

papers, have marked him a fair target for ridicule. Perhaps one should

know him in his overalled, stubble-bearded days, with the rich black

loam of the Mississippi bottomlands clinging to his boots.

At twenty-five, given a tasseled cap, doublet and hose, and a long,

slim pipe, Ben Westerveld would have been the prototype of one of those

rollicking, lusty young mynheers that laugh out at you from a Frans

Hals canvas. A roguish fellow with a merry eye; red-cheeked, vigorous.

A serious mouth, though, and great sweetness of expression. As he grew

older, the seriousness crept up and up and almost entirely obliterated

the roguishness. By the time the life of ease claimed him, even the

ghost of that ruddy wight of boyhood had vanished.

The Westerveld ancestry was as Dutch as the name. It had been hundreds

of years since the first Westervelds came to America, and they had

married and intermarried until the original Holland strain had almost

entirely disappeared. They had drifted to southern Illinois by one of

those slow processes of migration and had settled in Calhoun County,

then almost a wilderness, but magnificent with its rolling hills,

majestic rivers, and gold-and-purple distances. But to the practical

Westerveld mind, hills and rivers and purple haze existed only in their

relation to crops and weather. Ben, though, had a way of turning his

face up to the sky sometimes, and it was not to scan the heavens for

clouds. You saw him leaning on the plow handle to watch the whirring

flight of a partridge across the meadow. He liked farming. Even the

drudgery of it never made him grumble. He was a natural farmer as men

are natural mechanics or musicians or salesmen. Things grew for him.

He seemed instinctively to know facts about the kin ship of soil and

seed that other men had to learn from books or experience. It grew to

be a saying in that section that "Ben Westerveld could grow a crop on

rock."

At picnics and neighborhood frolics Ben could throw farther and run

faster and pull harder than any of the other farmer boys who took part

in the rough games. And he could pick up a girl with one hand and hold

her at arm's length while she shrieked with pretended fear and real

ecstasy. The girls all liked Ben. There was that almost primitive

strength which appealed to the untamed in them as his gentleness

appealed to their softer side. He liked the girls, too, and could have

had his pick of them. He teased them all, took them buggy riding,

beaued them about to neighbor-hood parties. But by the time he was

twenty-five the thing had narrowed down to the Byers girl on the farm

adjoining Westerveld's. There was what the neighbors called an

understanding, though perhaps he had never actually asked the Byers

girl to marry him. You saw him going down the road toward the Byers

place four nights out of the seven. He had a quick, light step at

variance with his sturdy build, and very different from the heavy,

slouching gait of the work-weary farmer. He had a habit of carrying in

his hand a little twig or switch cut from a tree. This he would twirl

blithely as he walked along. The switch and the twirl represented just

so much energy and animal spirits. He never so much as flicked a

dandelion head with it.

An inarticulate sort of thing, that courtship.

"Hello, Emma."

"How do, Ben."

"Thought you might like to walk a piece down the road. They got a calf

at Aug Tietjens' with five legs."

"I heard. I'd just as lief walk a little piece. I'm kind of beat,

though. We've got the threshers day after tomorrow. We've been

cooking up."

Beneath Ben's bonhomie and roguishness there was much shyness. The two

would plod along the road together in a sort of blissful agony of

embarrassment. The neighbors were right in their surmise that there

was no definite understanding between them. But the thing was settled

in the minds of both. Once Ben had said: "Pop says I can have the

north eighty on easy payments if--when----"

Emma Byers had flushed up brightly, but had answered equably: "That's a

fine piece. Your pop is an awful good man."

The stolid exteriors of these two hid much that was fine and forceful.

Emma Byers' thoughtful forehead and intelligent eyes would have

revealed that in her. Her mother was dead. She kept house for her

father and brother. She was known as "that smart Byers girl." Her

butter and eggs and garden stuff brought higher prices at Commercial,

twelve miles away, than did any other's in the district. She was not a

pretty girl, according to the local standards, but there was about her,

even at twenty-two, a clear-headedness and a restful serenity that

promised well for Ben Westerveld's future happiness.

But Ben Westerveld's future was not to lie in Emma Byers' capable

hands. He knew that as soon as he saw Bella Huckins. Bella Huckins

was the daughter of old "Red Front" Huckins, who ran the saloon of that

cheerful name in Commercial. Bella had elected to teach school, not

from any bent toward learning but because teaching appealed to her as

being a rather elegant occupation. The Huckins family was not elegant.

In that day a year or two of teaching in a country school took the

place of the present-day normal-school diploma. Bella had an eye on

St. Louis, forty miles from the town of Commercial. So she used the

country school as a step toward her ultimate goal, though she hated the

country and dreaded her apprenticeship.

"I'll get a beau," she said, "who'll take me driving and around. And

Saturdays and Sundays I can come to town."

The first time Ben Westerveld saw her she was coming down the road

toward him in her tight-fitting black alpaca dress. The sunset was

behind her. Her hair was very golden. In a day of tiny waists hers

could have been spanned by Ben Westerveld's two hands. He discovered

that later. Just now he thought he had never seen anything so

fairylike and dainty, though he did not put it that way. Ben was not

glib of thought or speech.

He knew at once this was the new schoolteacher. He had heard of her

coming, though at the time the conversation had interested him not at

all. Bella knew who he was, too. She had learned the name and history

of every eligible young man in the district two days after her arrival.

That was due partly to her own bold curiosity and partly to the fact

that she was boarding with the Widow Becker, the most notorious gossip

in the county. In Bella's mental list of the neighborhood swains Ben

Westerveld already occupied a position at the top of the column.

He felt his face redden as they approached each other. To hide his

embarrassment he swung his little hickory switch gaily and called to

his dog Dunder, who was nosing about by the roadside. Dunder bounded

forward, spied the newcomer, and leaped toward her playfully and with

natural canine curiosity.

Bella screamed. She screamed and ran to Ben and clung to him, clasping

her hands about his arm. Ben lifted the hickory switch in his free

hand and struck Dunder a sharp cut with it. It was the first time in

his life that he had done such a thing. If he had had a sane moment

from that time until the day he married Bella Huckins, he never would

have forgotten the dumb hurt in Dunder's stricken eyes and shrinking,

quivering body.

Bella screamed again, still clinging to him. Ben was saying: "He won't

hurt you. He won't hurt you," meanwhile patting her shoulder

reassuringly. He looked down at her pale face. She was so slight, so

childlike, so apparently different from the sturdy country girls.

From--well, from the girls he knew. Her helplessness, her utter

femininity, appealed to all that was masculine in him. Bella, the

experienced, clinging to him, felt herself swept from head to foot by a

queer electric tingling that was very pleasant but that still had in it

something of the sensation of a wholesale bumping of one's crazy bone.

If she had been anything but a stupid little flirt, she would have

realized that here was a specimen of the virile male with which she

could not trifle. She glanced up at him now, smiling faintly. "My, I

was scared!" She stepped away from him a little--very little.

"Aw, he wouldn't hurt a flea."

But Bella looked over her shoulder fearfully to where Dunder stood by

the roadside, regarding Ben with a look of uncertainty. He still

thought that perhaps this was a new game. Not a game that he cared

for, but still one to be played if his master fancied it. Ben stooped,

picked up a stone, and threw it at Dunder, striking him in the flank.

"Go on home!" he commanded sternly. "Go home!" He started toward the

dog with a well-feigned gesture of menace. Dunder, with a low howl,

put his tail between his legs and loped off home, a disillusioned dog.

Bella stood looking up at Ben. Ben looked down at her. "You're the

new teacher, ain't you?"

"Yes. I guess you must think I'm a fool, going on like a baby about

that dog."

"Most girls would be scared of him if they didn't know he wouldn't hurt

nobody. He's pretty big."

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