CHAPTER II.

THE CYCLE ART.

Posterity will always consider this the embryo generation of the

cycling art; it might well be termed the “living wheel age.”

A number of valuable books have been written on the fundamental

principles of locomotion by means of walking, riding upon animate

beings, flying and creeping, and also upon all kinds of inanimate or

mechanical motors, but little has been said about physical properties

underlying the intervention of a wheel between the body of man and the

surface to be travelled over, the motor being man himself.

The interesting art of man-motor carriages has already developed

an industry of such great importance that the certainty as to its

permanency is beyond cavil, and, believing that it will yet assume much

greater proportions and become of more and more absorbing interest,

there seems to be some excuse for an attempt to place even a limited

amount of personal information before those connected with the industry

and before the admirers of the art. There are few industries the

product of which is dispersed among so varied a class of patrons, and

scarcely none in which the patron takes so lively an interest in the

respective articles produced.

In most industries, where a machine is the product, the consumer is

expected to be an expert in the art to which the industry appertains,

and is therefore supposed to be capable of individual judgment as to

the merits of what he acquires; if a steam-engine is the object of the

purchase, it is expected that an expert of some ability in the art

will judge of and afterwards run and repair it; but how could this be

expected with a bicycle?

There is probably no other machine used by mankind, with the possible

exception of the watch, that does service to such a variety of

individuals as the cycle. Now, it would be of little use to write a

book for popular reading on the mechanical construction of a watch,

because from its very nature none but an expert could appreciate the

facts, if any were given; but greater hope might be entertained in

regard to a larger machine, because the buyer can at least see what

he is about. You never heard of a bicycle-rider blaming his repairer

for stealing the wheels out of his machine and substituting others,

because he can see, however inexperienced he may be, that this has

not been done. Now, if we all could, by a little observation, learn

one-half as much about our watches as we can about our bicycles, the

poor watch-maker would never suffer the indignities so universally

and unjustly heaped upon him. The primary knowledge above hinted at

as possible, among the hoped-for patrons of this work, seems to be an

auspicious circumstance in connection with an effort to teach them a

little more.

Cycling art, energy, and locomotion · 第 2 / 24 章