FOOTNOTES:

[66] ... a young and enormously talented fellow named Donald Wight,

who graduated from Harvard with my grandson, has done some of the most

delightfully eloquent caricatures of my brother that have ever been

made. The originals of these are in the portfolio collection of Paula’s

second daughter. The strip of cartoons which I am pasting on this page

is by no less an artist than the celebrated Nea. The one at the end,

right, done in exactly six strokes, suggests in masterly fashion the

square, rather pugnacious qualities of my brother. The second, with

those quick, exaggerated quirks to the eyebrow and corners of the

mouth, suggests, in uncanny fashion, the winged, visionary look that

was characteristic of him in certain moods. The last, perhaps, is the

most wittily characteristic of all. The four-square solidity of a man

whose feet are to the ground and whose nose is sniffing stars.

[67] ... Henry Gothard says of him (David) that half of his

platform-power (my brother was not a fluent speaker) lay in that

almost eccentric pose of a squat, low, tight-sinewed man, self-flailed

to endurance. Blierot’s statue of him, which stands at the head of

Hudson Boulevard and Three Hundred and Thirty-sixth Street, suggests

that dogged quality. The painting by Rockwell Bosworth, which hangs

in the National Gallery at Washington, is still my favorite, however.

Incidentally, it was while he was posing for that portrait that he is

said to have dictated his Conciliation Message to Russia. I know that

to be erroneous. That document was composed six months later, in the

summer White House.

[68] The morning of the day of my dear mother’s death, on one of those

telepathic and not quite explainable impulses, I drove over to the

Igrotte house in the forenoon, although it was my usual custom to

arrive there about four in the afternoon in time to lift Mother, who

was so dreadfully crippled of inflammatory rheumatism that winter, from

her couch into her bed.

To my horror, I found her this day (it was actually the day of her

death, dear darling) trying, with her pain-crammed fingers, to knit a

blue neck-scarf for Steve’s eldest daughter, Pauline.

I shall never forget the stab of pain with which I beheld those

tortured fingers working their laborious way along the needles....

[69] ... the first member of our large family to go abroad, was my son

Steve, who flew to England, _via_ Newfoundland and Ireland, the year

he became president of the International Air Corporation. During his

lifetime, Father, for some curious reason, was never sympathetic to the

idea.

For a while, Phil and Rita were extremely anxious to send their second

daughter to school in Switzerland, but out of deference to Father’s

wishes, abandoned the idea.

[Illustration: Decorative Image]

_Chapter Forty-one_

The sleet came down and hopped off shoulders and blew and bounced along

the streets and then finally formed a coating of ice that shellacked

the windward side of buildings and trees and made walking a matter of

balancing.

High Street wore its coating promptly away into a mucilaginous ooze

of mud, but the tributary streets, except where housewives leaned

from the top steps of their porches and threw out handfuls of ashes,

or ice-cream salt, glittered in an armor of thin ice, and the naked

branches of the double rows of maples along Sycamore Street shone like

a regiment of fountains with their ornamental waters frozen in action.

Shrubbery in front yards sagged under ice. Horses pedaled for footing

and struck sparks. In front of the Five and Ten Cent Store, one was

down, with a driver sitting on his head, while they shoveled ashes

under his plunging hoofs. The pair of iron stags on the Court House

lawn had ice beards.

In winter, Henry Schuyler persisted in wearing a veteran coon-skin cap

with ear-flaps, probably the only one still extant in Centralia.

When he came down out of his office to emerge into the sleet, these

flaps were tied down over his ears in a little bow of black tape under

his chin. In his short reefer, coon-skin mittens, and goloshes that

he lashed closer to his thin legs with a winding of hemp, there was a

lanky Ichabod-look to him, as he strode surefootedly along the perilous

streets.

David was leaving on the one-forty-nine. Henry had left Senator Jim

Kearney, who wanted unprofessional advice on an extradition case he

was handling in Cincinnati, waiting with his feet up against the

base-runner, while he made the dash around to the station. As the

Senator put it, he had just dropped in. As a matter of fact, Henry

knew, and the Senator suspected that Henry knew, that he had made the

trip to Centralia for the express purpose of the interview with Henry.

The one-forty-nine was due in ten minutes.

Henry hurried.

David, and his father, and Mathilda in an outlandish-looking dolman

cape with ball fringe that gave her coachman’s shoulders, and Dora

Tarkington in her white wool cap, were standing around a stove in the

waiting-room, with their clothes steaming and smelling.

Tom Willets had raised the ticket-window grating and was leaning along

the outer sill to talk with the Old Gentleman.

Katie, old Trina’s niece, who before her marriage had done day-work

in the House on Sycamore Street, getting wind of Davey’s departure,

had driven in on her husband’s dirt-cart from Ideola with her

three-year-old twins, who kept up a constant trekking across the room

to the water-cooler, Katie constantly after them for keeping the spigot

open.

There were two other passengers for the one-forty-nine. A salesman

with his sample-case and a shawled woman with a live chicken in a chip

basket.

The sleet beat against the smoke-smeared windows in a monotonous tattoo.

“It’s a bad day for travel, son,” said Mathilda for the fourth time.

“Oh no, Mrs. Schuyler!” cried Dora. “I just love to travel on a rainy

day. There’s something so cozy about being right out in the middle of

the weather and not a bit of it able to get at you. Don’t you think so,

Dave?”

David thought so.

“Of course, I know what you mean, Mrs. Schuyler. There’s something

depressing about people going away in the rain. Sad-like.”

Dora’s voice was too high. It had a nervous pitch to it from talking to

David’s mother. She was not quite herself. They were a little fierce

together, these two, a rush of excitement out over them just from being

in each other’s presence. Mathilda, without quite knowing it, full of

unease, as if something were rubbing against the grain of her very

being.

Pretty Dora. David’s shy eyes these last moments were furtively for her.

Mathilda knew it by the tight feeling behind her eyes.

Dora, by that same token, knew that Mathilda knew. With all of her

astonishing capacity for rising to the demands of almost any sort of

moment, Dora, even with her throat so hot and dry and nervous-feeling,

knew that there must be just one right sort of kindness to make this

moment more endurable to Mathilda.

In a way, she almost accomplished that miracle. Except for the

overstrain in her manner, which David wanted passionately not to be

there.

It kept her too eager. Too high-voiced. Too voluble. And not more than

once did she let her glance be caught and pinioned by David, whose eyes

ached to be caught and pinioned.

“Don’t you think it fun to travel in the rain, Dave?”

“Dora isn’t really this way, Mother,” he wanted to shout. “She’s sweet

and neat and cozy. She isn’t really this way, Mother.”

“You do think it’s fun to travel in the rain, Dave?”

“You bet!”

He had a dry throat that kept breaking his sentences into gulps. There

was even one between the “you” and the “bet.”

How beautiful she was in that woolly cap that shone against the dirty

morning. And she had cut her hair. The curls that had romped through

a thousand of his fancies of her, were gone now from their yellowish

riot along her shoulders. And strangely, incredibly, the little bang

of yellow that escaped her cap, and the short, straight line of

yellow that lay along her cheeks, and the furry little peak where

it petered out in the back of her head, like a boy’s, were just as

goose-fleshingly lovely as the curls had been.

How beautiful she was. The secret thing between them that he had

whispered to his mother a thousand times with the secret lips of his

heart, was obscured for the moment by the enormous casualness of her

manner. Too casual. Too obviously casual, he thought. Even strangers

could be expected to meet eye-to-eye. The eyes that must serve him as

lamps now. Two shining lamps down in his heart.

Yet there they stood, scraping their feet along the fender of the

stove, dilly-dallying through the infinitesimally small talk of waiting

for a train.

“When Father took me to Springfield when Aunt Genevieve died, we ate in

a dining-car!”

Gabble. Gabble. Dora’s tongue was like the hum of his mother’s

sewing-machine. Gabble. Gabble. Dear gabble, gabble.

“Of course, with local trains, it’s different....”

It made all the commotion of his emotions somehow subservient to just

her nearness and dearness.

Once it seemed to him that something shining lay along her lashes as

she half raised them to him. Only half, but it swept the plunging

excitement higher and dryer into his throat.

“Only ten minutes, Dave,” said Mathilda, her words seeming to collapse

against the rim of her lips.

“Yes, Mother.”

How beautiful she was. Dora.

“You’ll remember, Davey, to make a package of your dirty wash

every-other-week and parcel-post it home.”

Dirty wash! At least she might have put it “soiled linen.” Mother!

“Rita’s got her hands full with her own family. Besides, son, it will

be almost like having you back. The clothes—you’ve worn—close—to you.

Don’t forget to change regular, son.”

“Mother.” What if he should cry. His throat ached so.

“I’ve put in two weights, Dave. The ones with the little red ’D’

embroidered on the drawers are the heavies, son.”

Drawers! How terrible. How Terrible. How TERRIBLE. In front of Dora.

Dora, whose sweet eyes were almost looking into his now. Dora, whose

sweet eyes were violets. Red “D” on the belt of his drawers. Ignominy

drenched him. It made red signals of his ears. It made a throttle of

his Adam’s-apple.

“Mother!”

“Dora knows, son,” said Mathilda, and fixed her ineffably tired eyes

upon the two of them, standing flaming in the murk of the clogged air

of that waiting-room which they enchanted for each other. “Dora knows

such things have to be thought about. No right-thinking girl, Davey,

is ever above thinking about those kind of things,” said Mathilda, and

began to cry miserably and in sniffles that screwed her face cruelly

because she tried to hold them back.

“Oh, Mother, Mother, Mother!” cried Davey to himself, as if his heart

were turning to sand and running away from him.

And yet he only stood and gulped the Adam’s-apple that would not stay

gulped.

“Dear Mrs. Schuyler,” cried Dora, and stepped over the impediment

of Dave’s cheap, light-yellow suitcase and neatly-wrapped shoe-box

of lunch, which he had consistently tried to keep kicked out of her

sight, “look what I’ve brought him, if he thinks you’re kind of fussy

about—about little things. I knitted it myself. All but the orange

stripe. Mary Chipman was sleeping with me one Saturday night, and she

knows the zigzag stitch—she did the stripe.”

“A muffler! For me—all but the stripe—gee, swell—fellow needs

muffler—all but the stripe—gee——”

“He—wouldn’t let me put the one I knitted for him in,” sobbed Mathilda,

the words tumbling off her lips like coals, and then making a forward

jump as if she would scrape them all back again.

“Why, you darling, of course he wouldn’t. No son in the world ever

would.”

“He—he—said—no——”

“Mother, I didn’t mean——”

“You did!” said Dora, who had an armful of Mathilda, and stamped her

foot. “You did! You were horrid! You did!”

“He didn’t!” cried Mathilda. “You see, it was a gray one. Of a bit of

wool left over from his father’s socks. He was always a child liked

color. It’s the orange in this one. He didn’t!”

“That’s exactly what I meant, dear—he did—I mean he didn’t—I—mean—of

course I mean he did.”

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