CHAPTER FOUR

“HOME AT EVENING’S CLOSE, TO SWEET REPAST AND CALM REPOSE”

Mark Walpole came up the walk at a rapid gait, swinging one arm and

breathing through his puckered lips as though he were whistling, though

the tune of it was in his mind only; no sound came forth. Mary met him

at the door with her pretty air of self-forgetfulness and absorption

in others, the manner that was all Mary’s, as if she were an anxiously

motherly old lady and, at the same time, a childishly innocent young

girl.

“You were gone a long time; was it a nice visit?” she asked.

“Great!” cried Mark, in a tone that left no doubt of his sincerity.

“Such a collection as Mr. Moulton has made! I never saw plants pressed

and preserved like his. He says he has discovered a trifling secret,

but a big one, that makes his specimens less brittle. And his book is

all right, too! He is writing from a new angle. I don’t see how he

will ever finish it. Maybe some younger man will carry it on. That’s

what he said. He said he’d be relieved to know there was some one to

keep on with it if he dropped out, some one who understood his ideas

thoroughly. It would mean a lot to fit one’s self to carry on this

really great book, but maybe if I did my best----” Mark left his

sentence unfinished.

Mary caught at its meaning eagerly. “Then Mr. Moulton does want you to

help him?” she cried. “You did get on well with him?”

Mark grinned, with a boyishly sheepish look of satisfaction. “As to

that, he was awfully nice and kind, in a gruff way that I liked--after

I caught on to his methods. And I got so wound up over his specimens

and the book plans that--well, I guess he saw I wasn’t faking it, for

he thawed right out. He’s going to take me on as a--I don’t know what

you would call it--amanuensis, or secretary, but, thank goodness, it’s

more than that, because I’m to help with the work, if I know enough;

not merely copy and put notes in order.”

Mary laughed delightedly, clasping her hands before her in an ecstatic

little way that she had, as if she were congratulating herself on being

glad.

“You look like another boy!” she cried. “Isn’t it fine? I’m almost as

glad as you are! Mr. Moulton is a dear, the dearest of dears, but he

has to be found out--like gold and jewels! And his wife is another

dear. I know you will be happy, and the greatest comfort to Mr.

Moulton; he’s been longing for a helper. Isn’t it fine!”

“You girls and your unc--and Win did it. Florimel made me come home

with her, and you’ve all been great to me! I’m awfully grateful,

though I can’t say so as I want to, Miss Gard--well, then, Mary!” Mark

corrected himself, as Mary shook her head at his relapse into forbidden

formality. “But ‘Miss Guard’ suits you to a T! I’m not sure I shan’t

call you Miss Guard; you certainly mother this house, if you _are_

younger than I am.”

“She smothers the house,” Jane corrected him, entering that moment. But

she swung Mary off her feet in a rapid hug to illustrate her actual

meaning.

“What’s happened?” cried Florimel, dashing in from the garden. Chum

bounded after her; she had lost every remnant of doubt as to the

sort of home she had found; indeed her manner conveyed that she had

owned the house first and had kindly allowed the Gardens to use it.

Florimel’s skirt was torn and she and Chum left loam tracks wherever

they stepped, which seemed to be everywhere. But Chum’s expression

was so foolishly blissful, and Florimel’s brilliant beauty was so

irresistible, that Mary stifled her impulse to protest and beamed on

the youngest Garden and the dog, inwardly resolving to repair damages

before busy Abbie could see them.

“What’d he say?” panted Florimel, jumping up and down in front of Mark,

whose success or failure she considered her own particular affair.

“He said we’d have a trying time, Florimel,” replied Mark, laughing

at her. “He’d try me and I’d try him, and if the trial proved me

competent, he’d take me into his tent and be content; but if trying me

proved too trying he’d not try to try me any longer!”

“For pity’s sake!” cried Florimel, shaking Mark’s arm. “My head feels

like a snarl of wool! What do you mean, anyhow? What did Mr. Moulton

say, Mary?”

“Mark is going to help him, Mel,” said Mary. “I’m sure it is going to

be the best thing that ever happened; I’m as happy as I can be about

it. Did you know you had torn your skirt, dear? And it’s a new one.”

“I rolled over on it, Mary, too tight--I mean the skirt was pulled down

under me tight when I fell over. I was sitting on my heels, weeding.

And Chum thought it was a joke and ran over to bite and yank me, so

I kicked out, quite hard, I suppose, because I heard that tearing,

crashing sound that you read about in stories of ships striking

icebergs, and when I looked----” Florimel ended her account of the

disaster with a dramatic gesture downward.

“Make her mend it herself, Mary, and then wear it; she tears

everything, and you mend and mend for her, and never scold her!” said

Jane, frowning because Mary smiled when she should have frowned at

careless Florimel.

“Certainly I shall mend it!” said Florimel, who had never been known

to repair anything she had torn. “When I went with you to call on your

friend, Miss Aldine, Jane, I decided to begin to mend the very first

time anything happened to me! Then if Mary were sick I could mend for

you, when you went on the stage, if that sloppy lot were the way you’d

have to be. It was what Mrs. Moulton calls an object lesson to me.”

Jane coloured with annoyance over this allusion, but could not help

laughing at the look Florimel gave her out of her dancing black eyes,

her rosy face pulled down to severity as she spoke.

“It’s a precious good thing I let you go with me, Miss, if it was an

object lesson and makes you spare poor Mary some of your mending,” she

retorted. “There’s the telephone; I’ll answer it.”

At the end of the hall Jane took down the receiver and they heard her

say: “Yes. No, it’s Jane. Oh, Mr. Moulton, I didn’t know your voice.

How funny it sounds. Have you a cold? That’s good, but your voice

sounds husky and queer, as if it didn’t work right. Yes, sir; we’re

all here. You’ll be over in about an hour? All right, Mr. Moulton;

good-bye. They’re coming over, Mr. and Mrs. Moulton,” Jane said,

rejoining her sisters. “He says he has something most important and

unexpected to tell us. He sounded so queer! If it had been one of us

I’d have said he was excited.”

“No, you wouldn’t,” observed Mark. “You’d say _she_ was excited.”

“Oh, dear me,” sighed Jane. “Nothing worse than fussy people! Maybe

I wouldn’t; maybe Win would have been home, or you here, and I’d

still have said he. Coming with me to get ready to see the Moultons,

Marygold? They’ll be here so late we shall have to get dressed for

supper before they come.”

“Yes. Florimel, if Mrs. Moulton saw you wearing that torn skirt I don’t

know what might happen to her,” said Mary, joining Jane at the foot of

the stairs.

“She’ll see me wearing a whole skirt. Wait till I put Chum out,” said

Florimel.

Mary and Jane did not take Florimel’s “wait” literally. They knew that

putting Chum out could hardly be called putting--it involved long

coaxing and wiles, and feigned enthusiasm and excitement over a cat in

the garden, which had no existence there or elsewhere. So the two older

girls went on up to their rooms, leaving Florimel to the persuasion of

Chum.

“What do you say it is?” asked Jane a little later, standing in Mary’s

chamber door, her radiant hair falling over her white skirt and flying

around her face in a glory to which Mary never became thoroughly

accustomed. Jane was drying her face as she spoke; she never could be

kept in the proper spot long enough to finish any part of her toilet.

Mary was bent over, combing up the heavy masses of her own soft brown

hair. She looked up from under it at Jane’s reflection in the mirror.

“What do I suppose _what_ is?” Mary asked.

“What Mr. Moulton has to tell us, of course,” said Jane. “I’ve been

thinking. He’s our guardian, you know, so I think it’s one of two

things: Either we are a great deal poorer than we are supposed to

be, or a great deal richer. His voice certainly sounded excited;

the more I think of it the surer I am that Mr. Moulton’s voice was

queer. When guardians in books have anything to tell their wards it

is something about money, so I suppose we’re beggared, or else----”

“We’re not!” Mary ended Jane’s sentence for her with a laugh. “Just

like the effect of the White Knight’s poem, which either brought tears

to your eyes or it didn’t! Janie, you’re the greatest goose--for a

duck! You’re precisely like the heathen imagining vain things! Mr.

Moulton probably wants to talk about naming a plant for one of us; he’s

been talking about that ever since he began experimenting with those

hybrids of his, which are going to produce a new flower.”

“You’ll see!” said Jane, throwing out her hair and running her fingers

through it till it crackled and followed them, standing out around her.

“Jane,” protested Mary, “go away! You make me think of the burning

bush and ‘the pillar of fire by night,’ till I feel quite wicked and

irreverent.”

Instead of going away Jane came over and kissed Mary in the hollow of

the back of her neck: “If I could make you feel wicked, you old lump of

goodness, you, I’d follow you around every minute. ’Tisn’t fair that

Mel and I have all the Garden badness--all the weediness,” she declared.

Just as Mary and Jane ran downstairs, both fresh and lovely in pale

lawns, Win came in at the front door.

“What’s up?” he asked at once. “Mr. Moulton telephoned the office for

me to be home early, that he was coming here to tell us all something,

and would like me to be here, if I could be. What’s up?”

“We don’t know,” began Mary, slightly disturbed, feeling that this must

portend more than the naming of a new hybrid. Jane took the words out

of her mouth. “We don’t know,” she said, “but I’m sure that we have had

a lot of money come somehow, or else we’re so poor, everything swept

away, that we’ve got to be cash girls, at four dollars a week.”

“Too much,” said Win, shaking his head. “Red-haired girls at

three-fifty; that’s the rule.”

“They’re coming, anyway, Mr. and Mrs. Moulton are coming,” Florimel

called over the banisters as she hurriedly buttoned her waist in the

back and pulled it down into place after she had done this. “We’ll soon

know what it is. Mother was English, wasn’t she? Maybe we’re earls, I

mean dukes, duchesses--oh, noble!”

“We are noble, Mel,” said Win gravely; “very noble. If we weren’t

noble, my dear, we should long ago have dealt with you as you deserve.”

Mark was nowhere to be seen, though he was staying this second night in

Hollyhock House, having arranged to begin his service to Mr. Moulton on

the next day.

“He’s a nice boy to take himself off, but Mr. Moulton can’t have

anything to say that any one might not hear,” said Win, going out to

meet the visitors. Yet when Win came back, stepping aside to allow the

girls’ guardian to precede him into the house, there was an instant

perception of something out of the ordinary on the part of the three

Garden girls. It was so strong that it was as if they had not thought

of it before; Mr. Moulton’s face was quite red, his manner distinctly

nervous, and his wife looked greatly disturbed. Mary found it difficult

to greet them, while Jane, who was like an electrical wire in receiving

impressions, turned pale and put out her hand to her old friends

without speaking.

“My dears,” Mr. Moulton began, having cleared his throat portentously,

“I have an extraordinary announcement to make to you; nothing bad, so

don’t be frightened, but it will certainly amaze you. I don’t know how

to begin. Do you know your mother’s name?”

“There!” exclaimed Florimel involuntarily. “Jane said it was money, but

I knew it was the nobility!”

“Lynette Devon, wasn’t it, Mr. Moulton?” said Mary, with a reproving

glance at Florimel.

“Lynette Devon was her maiden name,” assented Mr. Moulton, glancing at

his wife, who sat nervously on the edge of her chair, as if prepared to

render any sort of aid to any one instantly. “You never heard of the

manner nor time of her death, did you?” Mr. Moulton went on. “No!” he

added as the three girls shook their heads and Mary clasped her hands

quickly and gasped: “Oh, Mr. Moulton!”

“No, you never did. The impression that she was dead has been

intentionally given you, because it was the kindest thing to do to keep

you from worrying and longing to get in touch with her. But, my dears,

your mother is not dead.”

The three girls sat in utter silence for a few moments after this

announcement. Mary, white to the lips, clasped and unclasped her

hands, looking imploringly at Mr. Moulton with her lovely brown eyes

as prayerful as a dog’s. Florimel seemed dazed, and Jane, alarmingly

white and thin looking--Jane had a trick of looking thin under

emotion--suddenly dropped over on the arm of her chair and shook with

dry sobs. Win sat silent, looking rather stern.

“We do not understand,” Mary managed to whisper at last.

“Win remembers her; he was eleven years old when she went away.” Mr.

Moulton halted again over the beginning of his story.

“He never talked about her to us,” said Mary reproachfully.

“I know,” assented Mr. Moulton, watching his wife as she vainly tried

to calm Jane, and finally went quietly to find Anne Kennington and

ask for aromatic ammonia. “Win had a boy’s resentment against his

sister-in-law for leaving you, and for leaving him, also. He was fond

of her and bitterly resented her ‘deserting you,’ as he called it.

I used to try to reconcile Win and teach him to judge Mrs. Garden

gently, but he was too young to learn charity. He helped me to keep

from you younger children the fact that she was alive--which he has

not suspected, I know--by believing that she had died, and asking no

questions.” Mr. Moulton smiled at the bewildered young man, who was not

less stunned than the girls by this information. “Jane, my dear, try to

control yourself. There is nothing about finding one’s mother alive to

cry over, and I want you to hear what I say,” said Mr. Moulton, with

better effect on Jane’s nerves than his wife’s prescription. Jane stood

in awe of her guardian.

“Your mother, my dears, was married young. It was not so young that

she had not tasted the delight of holding an audience by her charming

voice--she sang like the linnet she was called--and by her remarkable

talent for mimicry. She was the best mimic I ever heard; she could

burlesque anybody, and imitate almost any sound. She was a great

pet with audiences over in England, when she married an American,

considerably her elder--your father and my friend. He took her away

from her audiences and her country and set her down in the old Garden

house amid the old Garden garden. Here you, her three babies, were

born in four years. I knew Lynette as well as a sober codger like me

could know such a radiant creature, but I never knew whether or not

she longed for her professional life. Then, your father dead, Florimel

a baby of a year, she suddenly announced that she could bear it no

longer, but must return to her singing and entertaining. I was your

guardian, children; Anne was devotion to you incarnate; your mother

knew that she was leaving her babies to absolute safety, better care

than most mothered babies get. Of course no one else can understand how

the old life could call her with half the force your baby voices would

have to hold her. Mrs. Moulton has never understood it.” Mr. Moulton

glanced at his wife, who looked grimly at him in return. “I don’t

understand it myself, but Lynette Devon loved her old life and she was

unable to resist its lure. She went back, and all these past twelve

years, while you have thought her dead, she has been entrancing the

English public, quite as great a success as before her marriage.”

Mary looked at her guardian, her eyes so full of appeal that he paused.

“What is it, Mary, dear?” he asked.

“Nobody has been blaming our mother all this time, have they? She

is----” Mary could not frame her question.

“She is an artist, Mary, and everything she does is worth doing, if

that is what you would like to ask,” Mr. Moulton assured her. “She

sings good music and does clever entertaining; every one praises her.

She is a child and an artist; she could not be domestic, and, as long

as her babies were comfortable and safe, she saw no reason why she

should deny her nature and stay here. We cannot understand that----”

“Yes, I can!” Jane interrupted him to cry. “I couldn’t leave an

animal to suffer, but I can see why she had to go back. Isn’t it

_wonderful_, Mary?”

“Ah, but, Jane, here’s the hard part of it!” said Mr. Moulton. “You

see her days of giving and getting joy in her own way were not long.

Lynette is only thirty-seven now, and, though that may sound decrepit

to you, it is young. And your mother’s voice is gone, her career

ended. She caught a severe cold, was seriously ill for some months this

last winter, and when she recovered it was but a partial recovery--her

beautiful voice was completely gone. So now she is laid on the shelf.

She wrote to me----”

“She wants to come home!” cried Mary, starting to her feet, and Jane

and Florimel were on theirs as quickly.

“Sit down, children; she is not outside,” smiled Mr. Moulton. “She

wrote me that ‘if her little girls were not angry with her for having

cast them off for her career, if they would receive her, now that

her career was ended and she had nothing but them to turn to, she

would like to come here.’ She added that she realized that it had a

contemptible look to turn to her children only when nothing else was

left, but she wanted them now, and hoped that they would forgive her.

She also said, quite simply and, I think, sincerely, that she ‘had to

go.’”

“When will she get here?” cried Mary, still clasping and unclasping her

hands, still white to the lips.

“Will any one have to go to get her?” demanded Jane. “I’ll go.”

“Oh, say, couldn’t she take an airship and _hurry_?” burst out

Florimel, her face crimson with impatient excitement.

“If she needs an escort over, I could start Saturday, if they’d give me

two weeks out of the office now, instead of a summer vacation,” added

Win.

“She will come with her maid, if you invite her,” said Mr. Moulton.

“She is not poor; Mrs. Garden is really rather a wealthy woman, I

imagine. It is not because she needs support that she wants to come.”

“Of course not; she needs us, her daughters!” cried Mary.

“And we need her, if only to pet,” Jane supplemented her.

“I am bound to tell you one thing, my dears,” said Mr. Moulton. “You

are free to do precisely as you wish in the matter. There were some of

us who would not accept the responsibility for you--myself and some of

the Gardens--unless we were to have it completely. When your mother

went back to England, leaving you here, Florimel still a baby, you

know, she signed an agreement to relinquish all claim upon you and upon

this estate. She has no legal claim upon you. I am bound to tell you

that.”

“As though one remembered law about one’s mother!” cried Jane, losing

all hold on words.

“’Specially when she’s lost her voice and needs us,” said Florimel.

“She could not alter things with pen and ink, Mr. Moulton,” said sweet

Mary. And Mr. Moulton drew her to him and kissed her.

“Such true little girls!” he said. “What’s a voice and the public to

lose if the loss gains you three?”

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