CHAPTER II.

CELTS.

OF all the forms of bronze instruments the hatchet or axe, to which

the name of celt has been applied, is perhaps the most common and the

best known. It is also probably among the earliest of the instruments

fabricated from metal, though in this country it is possible that some

of the cutting instruments, such as the knife-daggers, which required

a less amount of metal for their formation, are of equal or greater

antiquity.

These tools or weapons—for, like the American tomahawk, they seem

to have been in use for peaceful as well as warlike purposes—may be

divided into several classes. Celts may be described as flat; flanged,

or having ribs along the sides; winged, or having the side flanges

extended so as almost to form a socket for the handle on either side of

the blade, to which variety the name of palstave has been given; and

socketed. Of most of these classes there are several varieties, as will

be seen farther on.

The name of celt which has been given to these instruments is derived

from the doubtful Latin word “celtis” or “celtes,” a chisel, which is

in its turn said to be derived _à cœlando_ (from carving), and to be

the equivalent of _cœlum_.

The only author in whose works the word is found is St. Jerome, and it

is employed both in his Vulgate translation of the Book of Job[105] and

in a quotation from that book in his Epistle to Pammachius. The word

also occurs in an inscription recorded by Gruter and Aldus,[106] but as

this inscription is a modern forgery, it does not add to the authority

of the word “celtis.”

Mr. Knight Watson, Sec. S. A., in an interesting paper communicated to

the Society of Antiquaries of London,[107] has given several details

as to the origin and use of this word, which he considers to have

been founded on a misreading of the word _certe_, and the derivation

of which from _cœlo_ he regards as impossible. There can be no doubt,

as Beger pointed out two centuries ago, that a number of MSS. of the

Vulgate read _certe_ instead of _celte_ in the passage in Job already

mentioned, and that in all probability these are the most ancient and

the best. But this only adds to the difficulty of understanding how a

recently invented and an unknown word, such as _celte_ is presumed to

be, can have ever supplanted a well-known word like _certe_; and so

far as the Burial Service of the Roman Catholic Church is concerned

can have maintained its ground for centuries. Nor is this difficulty

diminished when we consider that the ordinary and proper translation of

the Hebrew לֹער is either “in æternum” or “in testimonium,” according

as the word is pointed לָעַר or לְעֵר, and that, so far as I am aware,

there is no other instance of its being translated “_certe_.” On the

other hand, a nearly similar word, פְעֵס “with a stylus,” or, as it is

translated, “a pen,” occurs in the same passage; and assuming that this

was by some accident read for לער by St. Jerome, he would have thought

that the word for stylus was used twice over, and have inserted some

word to designate a graving tool, by way of a synonym. The probability

of such an error would be increased if his MS. had the lines arranged

in couplets in accordance with its poetical character, the passage

standing thus when un-pointed:—

עפרתו ברול בעס

יתצבון בַצזר לער

Very possibly the word used by St. Jerome may not have been _celte_ but

_cœlo_, and the corruption into _celte_ in order to make a distinction

between heaven and a chisel would then at all events have been possible.

The other contention involves two extreme improbabilities—the one,

that St. Jerome, having in his second revision of the Bible translated

the passage as “in testimonium in petris sculpantur,” should in the

Vulgate have given the inaccurate rendering “certe sculpantur in

silice;” the other and the more extreme of the two, that the well-known

word _certe_ should have been ousted by a word like _celte_ had it been

utterly new-fangled.

Under any view of the case there are considerable difficulties, but as

the word celt has now obtained a firm hold in our language, it will be

convenient to retain it, whatever its origin or derivation.

It has been the fashion among some who are fond of novelties to call

these instruments “kelts,” possibly from some mental association of the

instruments with a Celtic or Keltic population. From some such cause

also some of the French antiquaries must have coined the new plural

to the word, _Celtœ_. Even in this country it has been said[108] with

regard to “the ancient weapon denominated the celt,” “Our antiquarians

have commonly ascribed them to the ancient Celtæ, and hence have given

them this unmeaning appellation.” If any one prefers pronouncing celt

as “kelt,” or celestial as “kelestial,” let him do so; but at all

events let us adhere to the old spelling. How the Romans of the time of

St. Jerome would have pronounced the word _cœlum_ or _celtis_ may be

inferred from the punning line of Ausonius with regard to Venus.[109]

“Orta salo, suscepta solo, patre edita cœlo.”

The first author of modern times whose use of the word in

connection with Celts I can trace is Beger, who, in his “Thesaurus

Brandenburgicus”[110] (1696), gives an engraving of a celt of the

palstave form, under the title Celtes, together with the following

dialogue:—

“Et nomen et instrumentum mihi obscurum est, infit ARCHÆOPHILUS;

Instrumentum Statuariorum est, respondit DULODORUS, qui simulacra

ex Cera, Alabastro, aliisque lapidum generibus cædunt et poliunt.

Græcis dicitur Ἐγκοπεὺς, quâ voce Lucianus usus est in Somnio, ubi cum

lusum non insuavem dixisset, Deos sculpere, et parva quædam simulacra

adornare, addit ἐγκοπέα γὰρ τινά μοι δοὺς, scilicet avunculus, id quod

Joh. Benedictus vertit, _Celte datâ_. Celte? excepit ARCHÆOPHILUS; at

nisi fallor hæc vox Latinis incognita est? Habetur, inquit DULODORUS,

in versione vulgatâ Libri Hiob c. 19 quamvis alii non _Celte_,

sed _Certe_ ibi legant, quod tamen minus quadrat. Quicquid sit,

instrumentum Statuariorum hoc esse, ex formâ patet, figuris incidendis

aptissima; neque enim opinio Molineti videtur admittenda, qui _Securim_

appellat, cum nullus aptandi manubrii locus huic faveat. Metallum

reposuit ARCHÆOPHILUS, minus videtur convenire. Instrumentum hoc ex ære

est, quod duritiem lapidum nescio an superare potuerit? Uti lapides

diversi sunt, regessit DULODORUS, ita diversa fuisse etiam metalla

instrumentorum iis cædendis destinatorum, facilè cesserim. Vet.

Gloss. Celtem _instrumentum ferreum_ dicit proculdubio quòd durioribus

lapidibus ferreum chalybe munitum servierit. Hoc autem non obstat,

ut æreum vel ceris, vel terris, vel lapidibus mollioribus fuerit

adhibitum. Si tamen res Tibi minus probetur, me non contradicente,

molliori vocabulo γλυφεῖον _cœlum_ poteris et appellare et credere.

Γλυφεῖα etiam Statuariorum instrumenta fuisse, ex allegato modò Luciano

planum est, ubi Humanitas, _si me relinquis_, inquit, σχῆμα δουλοπρεπὲς

ἀναλήψη, καὶ μολία, καὶ γλυφεῖα, καὶ κοπέας, καὶ κολαπτῆρας ἐν ταῖν

χεροῖν ἕξεις, _habitum servilem assumes_, _Vectes_, _COELA_, _CELTES_,

_Scalpra præ manibus habebis_.”

The idea of a bronze celt being a statuary’s chisel for carving in wax,

alabaster, and the softer kinds of stone will seem the less absurd if

we remember that, at the time when Beger wrote, the manner in which

such instruments were hafted was unknown, and that all antiquities of

bronze were generally regarded as being of Roman or Greek origin.

Dr. Olaf Worm, a Danish antiquary of the seventeenth century, was more

enlightened than Beger, for in his “Museum Wormianum,”[111] published

in 1655, he states his belief that bronze weapons had formerly been

in use in Denmark, and cites two flat or flanged celts, or _cunei_,

as he calls them, found in Jutland, which he regards as hand weapons

for close encounters. He also was, nevertheless, at a loss to know how

they were hafted, for he adds that had they but been provided with

shaft-holes he should have considered them to have been axes.

In a work treating of the bronze antiquities of Britain we must,

however, first consider the opinion of British antiquaries, by whom

the word celt had been completely adopted as the name for bronze

hatchets and axes by the middle of the last century. Borlase,[112] in

his “Antiquities of Cornwall,” 1754, speaking of some “spear-heads” of

copper mentioned by Leland, says that by the spear-heads he certainly

meant those which we (from Begerus) now call Celts. Leland’s words are

as follows:[113]—“There was found of late Yeres syns Spere Heddes,

Axis for Warre, and Swerdes of coper wrapped up in lynid scant perished

nere the Mount in S. Hilaries Paroch in Tynne Works;” so that it by no

means follows but that he was right in speaking of spear-heads, for if

there were any celts among the objects discovered they were probably

termed battle-axes by Leland.

Camden makes mention of the same find:[114] “At the foote of this

mountaine (St. Michael’s Mount), within the memorie of our Fathers,

whiles men were digging up of tin, they found Spear-heads, axes, and

swordes of brasse wrapped in linnen, such as were sometimes found

within the forrest of Hercinia in Germanie, and not long since in our

Wales. For evident it is by the monuments of ancient Writers that the

Greeks, the Cimbrians, and the Britans used brazen weapons, although

the wounds given with brasse bee lesse hurtfull, as in which mettall

there is a medicinable vertue to heale, according as _Macrobius_

reporteth out of Aristotle. But happily that age was not so cunning in

devising meanes to mischiefe and murthers as ours is.”

Hearne, the editor of Leland’s “Itinerary,” took a less philosophical

view of these instruments. Writing to Thoresby[115] in 1709, he

maintains that some old instruments of bronze found near Bramham Moor,

Yorkshire, are not the heads of British spears; on the contrary, they

are Roman, not axes used in their sacrifices, nor the heads of spears

and javelins, but chisels which were used to cut and polish the stones

in their tents. Such instruments were also used in making the Roman

highways and in draining their fens.

Plot[116] also, at a somewhat earlier date, asserted a Roman origin

for bronze celts, which he regarded as the heads of bolts, founding

his opinion mainly on two, which are engraved in the Museum Moscardi.

These, which are reproduced in the _Archæologia_, vol. v. Pl. VIII. 18

and 19, are of the palstave form, and were regarded by Moscardo[117]

as the heads of great darts to be thrown from a catapult. A flat celt

found in Staffordshire,[118] Plot takes to be the head of a Roman

_securis_ with which the _Popæ_ slew their sacrifices.

Rowland,[119] in his “Mona Antiqua Restaurata,” 1723, suggested that

looped palstaves fastened by a thong to a staff might be used as war

flails.

The imaginative Dr. Stukeley, in the year 1724, communicated to the

Society of Antiquaries a discourse on the use of celts, which is to be

found in the Minute Book of the Society. An abstract of it is given

by Mr. Lort[120] in his paper subsequently mentioned. Dr. Stukeley

undertook to show that celts were British and appertaining to the

Druids, who, when not using them to cut off the boughs of oak and

mistletoe, put them in their pouches, or hung them to their girdles

by the little ring or loop at the side. In a more sensible manner he

divided them into two classes, the recipient and the received; that is

to say, the socketed, in which the handle was received, and the flat

and palstave forms, which entered into a notch in the handle.

Borlase,[121] notwithstanding that he was under the impression that a

number of socketed celts found at Karnbrê in 1744 were accompanied by

Roman coins, one of them at least as late as the time of Constantius

I., did “not take them to be purely Roman, foreign, or of Italian

invention and workmanship.”

He argues that the Romans of Italy would not have made such instruments

of brass after Julius Cæsar’s time, when the superior hardness of iron

was so well understood, and that metal was so easily to be procured.

Farther, that no representations of such weapons occur on the Trajan

or Antonine Columns, that few specimens exist in the cabinets of the

curious in Italy, where they are regarded as Transalpine antiquities,

and that none have been found among the ruins of Herculaneum;[122] nor

are any published in the Museum Romanum or the Museum Kircherianum. He

concludes that they were made and used in Britain, but that though they

were originally of British invention and fabric, they were for the most

part made when the Britons had improved their arts under their Roman

masters, as most of them seem too correct and shapely for the Britons

before the Julian conquest.

As to the uses of celts, Borlase cites the various opinions of the

learned, and observes that if they had not been advanced by men of

learning it would be scarce excusable to mention some of them, much

less to refute them. They had been taken for heads of walking staffs,

for chisels to cut stone withal (as such instruments must have been

absolutely necessary in making the great Roman roads), as tools with

which to engrave letters and inscriptions, as the sickles with which

the Druids cut the sacred mistletoe, and as rests to support the

_lituus_ of the Roman augurs. After all, however, Borlase himself comes

to the somewhat lame conclusion that they formed the head or arming

of the spear, the javelin, or the arrow, and thinks that Mr. Rowland

comes the nearest to the truth of any author he has read, when he says

that they might be used with a string to draw them back, and something

like a feather to guide them in flying towards the enemy, and calls

them sling-hatchets. He concedes, however, that for such weighty heads

there was no occasion for feathers, and as for slinging of hatchets

against an enemy, he does not remember any instance, ancient or modern.

Some of the celts, moreover, are too light to do any execution if

thrown from the hand.

The Rev. Mr. Lort,[123] who communicated some observations on celts

to the Society of Antiquaries in 1776, differed from Dr. Borlase, and

regarded a large flat celt found in the Lower Furness as manifestly

designed to be held in the hand only, and much better adapted to the

chipping of stone than to any other use which has hitherto been found

out for it. He will not, however, take upon himself to assert that

some socketed celts, which he also describes, were designed for the

same purpose. Appended to the paper by Mr. Lort are notices of several

bronze celts, which at different times had been brought under the

notice of the Society of Antiquaries. Some which had been exhibited in

1735 were regarded by Mr. Benjamin Cooke and Mr. Collinson as Gaulish

weapons used by the Roman auxiliaries at the time of Claudius. Mr.

Cooke, however, took them to be axes, and mounted one of them on a

shaft, citing Homer as his authority for doing so, and speaking of the

ἀξίνην ἔυχαλκον.

The Rev. Samuel Pegge in 1787 makes some pertinent remarks

respecting celts in a letter to Mr. Lort, which is published in the

_Archæologia_.[124] He points out that from some of them having been

found in barrows associated with spear-heads of flint, it is probable

that some at least were military weapons. He also maintains that though

the use of bronze originally preceded that of iron, yet that regard

must be had to the circumstances of each country, so that it would not

follow that a bronze celt found in Ireland was prior in age to the

invention of iron. All that could be said was that it was older than

the introduction of iron into Ireland, and when that was, no one could

pretend to say. Mr. Pegge did not approve of the derivation of the

name of celt from _celtis_ or _cœlare_, but thought it derived from

the name of the Celtic people who used the instruments. In his opinion

the instruments were not Roman, especially as they were frequent in

Ireland and in places where the Romans never were settled. The specimen

on which he comments is of the palstave form, and, though it might be

mounted as a tool, he thinks it could never have served as an axe, but

it might have tipped a dart or javelin.

Douglas[125] was of opinion that the bronze arms found in this country

were not Roman, but that it was more reasonable to refer them to the

early inhabitants, of probably not less than two centuries B.C.

Mr. C. J. Harford, F.S.A.,[126] writing in 1801, expressed his

opinion that a clue as to the uses of celts might be obtained from a

consideration of similar instruments which had been brought from the

South Sea Islands. “Our rude forefathers doubtless attached the celt

by thongs to the handle, in the same manner as modern savages do; and,

like them, formed a most useful implement or destructive weapon from

these simple materials.” He thought that the metal celts might have

been fabricated abroad and exported to this country, just as we have

sent to the South Sea Islands an imitation in iron of the stone hatchet

there in use.

Coming down to later times, we find Sir Richard Colt Hoare,[127] who

discovered a few flat and flanged celts in the Wiltshire barrows,

regarding them as for domestic, and not for military, architectural,

or religious purposes. He thought that the flat form must be the

most ancient, from which the pattern of that with the socket for the

insertion of a handle was taken; for among the numerous specimens

described by Mr. Lort in the _Archæologia_, not one of the latter

pattern is mentioned as having been discovered in a barrow. As many

were found in Gaul, he rather supposed that they were imported from

the Continent; or, perhaps, the art of making them might have been

introduced from Gaul. From the method of hafting of one of those he

found (see Fig. 189), he seems to have regarded the whole of them as

chisels rather than hatchets.

Sir Joseph Banks,[128] in some observations communicated to the

Society of Antiquaries in 1818, on an ancient celt found near Boston,

Lincolnshire, pointed out the manner in which looped palstaves could

be hafted so as to serve either as axes, adzes, or chisels. He thought

that they were ill adapted for any warlike purposes, and regarded them

as tools such as might be used in hollowing out the trunks of trees to

form canoes, and suggested that they were secured to their handles by

strings tied round them in the same manner as the stone axes used in

the South Sea Islands were fastened to theirs.

About the year 1816 the Rev. John Dow,[129] in some remarks on the

ancient weapon denominated the celt, advocated the opinion that it was

an axe, and probably a weapon of war. He also traces its connection

with the stone celt, from which he considered it to have been developed.

About the same year the Rev. John Hodgson, secretary of the Society

of Antiquaries of Newcastle-on-Tyne, communicated to that society a

valuable memoir in the shape of “An Enquiry into the Æra when Brass

was used in purposes to which Iron is now applied,”[130] of which

mention has already been made in the Introductory Chapter. He thought

that celts were tools which were well adapted for use as wedges for

splitting wood, or that with wooden hafts they might be used as chisels

for hollowing canoes and for similar purposes, some instruments found

with them being undoubtedly gouges. As to their date, he thought that

bronze began to give way to iron in Britain nearly as soon as it did

in Greece, and that consequently the celts, &c., found in this island

belonged to an era 500, or at least 400 years, B.C.

In 1839 Mr. Rickman[131] communicated to the Society of Antiquaries a

paper on the Antiquity of Abury and Stonehenge, in the notes to which

he propounds the theory that the socketed celts were used merely as

chisels, with hafts of wood inserted in the socket. They could be then

either held in the hand or by means of a withe, like a blacksmith’s

chisel, while they were struck with a stone hammer.

Among writers of comparatively modern times, the first whom I have to

mention is the late Mr. G. V. Du Noyer,[132] who in 1847 communicated

to the Archæological Institute two papers on the classification of

bronze celts, which are still of great value and interest. He traces

the gradual development in form from the bronze celt shaped like a

wedge to that which is socketed, and shows that an important element

in the transition from one form to the other has been the method

of hafting. He also enters into the subjects of the casting and

ornamentation of celts; and as in subsequent pages I shall have to

refer to these as well as to the methods of hafting, I content myself

here with citing Mr. Du Noyer’s papers as being worthy of all credit.

In 1849 Mr. James Yates communicated a paper to the Archæological

Institute of a far more speculative kind than those of Mr. Du Noyer,

his object being to prove that among the various uses of bronze celts

one of the most important was the application of them in destroying

fortifications and entrenchments, in making roads and earthworks, and

in similar military operations. He confines his inquiry, however, to

those which were adapted to be fitted to straight wooden handles.

Following in the steps of some of the older antiquaries, he appears

to regard them as of Roman origin, and identifies them with the Roman

_dolabra_, an instrument which he thinks was used as a chisel or a

crowbar. In fact, he was persuaded that the celt was commonly used not

as a hatchet, but as a spud or a crowbar. Had he but been acquainted

with the ancient handles, such as have been discovered in the Austrian

salt-mines and elsewhere, he would probably have come round to another

opinion as to the ordinary method of hafting, though it is of course

possible that in some instances these instruments may have been mounted

and used as spuds. Had he practically tried mounting them and using

them as crowbars, he would have found that with but slight strain the

shafts would break or the celts become loosened upon them. And had he

been better versed in archæology, he would have known that whatever

was the form of the Roman _dolabra_, or whatever the uses for which

it served, it can hardly have differed from their other implements

in being made of bronze and not of iron; and he would have thought

twice before engraving bronze celts from Cornwall and Furness as

illustrations of the Roman _dolabra_ in Smith’s “Dictionary of Greek

and Roman Antiquities.”

The ring or loop, which so often is found on the side of celts of

the palstave and socketed forms, was thought by Mr. Yates to have

been principally of use to assist in carrying them, a dozen or twenty

perhaps being strung together, or a much smaller number tied to the

soldier’s belt or girdle. He also thought that they might serve for the

attachment of a thong or chain to draw the instrument out of a wall,

should it become wedged among the stones in the process of destruction.

The next essay on celts and their classification which I must adduce

was written by the late Rev. Thomas Hugo, F.S.A.,[133] who followed

much the same system as Mr. Du Noyer, so far as the development of the

socketed celt was concerned, though he differed from him with regard

to the method of hafting, as he was persuaded that, in general, celts

were mounted with a straight shaft, like spuds. He considered that the

loop was not used for securing the celt to its haft, but for hanging

it up at home when not in use, or for suspending it from the soldier’s

girdle whilst on the march.

Mr. Hugo’s paper was followed by some supplementary remarks from

Mr. Syer Cuming, who suggests that a thong may have passed through

the loop by which the weapon might be propelled, and contends that

socketed celts are neither chisels nor axe-blades, but the ferrules of

spear-shafts, which might be fixed in the ground, or even used at times

as offensive weapons.

The name of the late Mr. Thomas Wright[134] has already been mentioned.

In his various works and papers he claims a Roman origin for bronze

celts and swords, though admitting that they may occasionally have been

made in the countries in which they are found.

Among other modern writers who have touched upon the subject of celts,

I may mention that accomplished antiquary, the late Mr. Albert Way,

F.S.A., whose remarks in connection with an exhibition of bronze

antiquities at a meeting of the Archæological Institute in 1861[135]

are well worth reading. I may also refer to the late Sir W. R. Wilde,

in his “Catalogue of the Copper and Bronze Antiquities in the Museum of

the Royal Irish Academy,” published in the same year; to Mr. Franks, in

the “Horæ Ferales;” to Sir John Lubbock, in his “Prehistoric Times;”

and to General A. Lane Fox (now Pitt-Rivers), in his excellent lecture

on Primitive Warfare, section iii.[136]

Canon Greenwell, in his “British Barrows,”[137] has also devoted a

few pages to the consideration of bronze celts and axe-heads, more

especially in connection with interments in sepulchral mounds.

Foreign writers I need hardly cite, but I may mention a remarkable idea

that has been promulgated by Professor Stefano de Rossi[138] as to

celts having served as money, which has, however, been shown by Count

Gozzadini to be unfounded.

In conclusion, I may also venture to refer to an address[139] which

I delivered to the Society of Antiquaries on the occasion of an

exhibition of bronze antiquities in their apartments in January, 1873.

* * * * *

In treating of the different forms of celts on the present occasion, I

shall divide them into the following classes:—

Flat celts.

Flanged celts.

Winged celts and palstaves, with and without loops.

Socketed celts.

What are known as tanged celts may perhaps be more properly included

under the head of chisels, to which class of tools it is not unlikely

that some of the narrow celts of the other forms should be referred.

It is difficult to draw a hard and fast line between the flat celts

and the flanged, and between these latter and the so-called palstaves.

I propose, therefore, to include the flanged celts, which are not

provided with a stop-ridge to prevent their being driven into their

haft, in the same chapter with the flat celts, and to treat of those

which have a stop-ridge in the same chapter as the palstaves, with and

without a loop. In a subsequent chapter I shall speak as to the manner

in which these instruments were probably hafted.

The Ancient Bronze Implements, Weapons, and Ornaments, of Great Britain and Ireland. · 第 2 / 24 章