“Much of it is too vile for utterance, and that I knew one Poole in

Newgate, and intended coining English shillings is as false as Hell.

When shall his prosecution be pushed?”

“At once,” answered Tamworth.

“On what charge?”

“Perjury.”

“The penalty is what?”

“He can be tried either under the statute or the common law. Under the

latter, the punishment is death.”

“Let it be the latter,” said Peele and Shakespere before Marlowe could

answer.

“But to return to the suggestion of your concealment,” said Peele, “How

can you remain concealed for any length of time?”

“No one will look for me. All who know me will hear the account of my

death at Deptford.”

“But someone besides us and the wife of Frazer will doubtless encounter

thee.”

“Can I not lie safely housed until passage can be secured for the

continent?”

“But in what quarter?”

“Far from the old familiar places, Peele,” answered Marlowe. “Not at

the Black Bull, nor at Gerard’s Hall; nor at the Mermaid Tavern. And

are these names to be but memories? Why, it is not two weeks since we

secretly played Tancred and Gismund to the crowded galleries in the

Bull; and then the dance around the fir-pole in the high-roofed hall at

Gerard’s! That was not a month since, Peele. And verily my lips have

not yet dried from the last glasses of fine old wine drank with thee,

Nash, Jonson and the other merry wags at the round table within the

bow-window at the Mermaid.”

Peele rocked backward and forward without speaking.

“Ah well, such frivolity should have ended long ago,” Marlowe went on,

in a tone growing sterner with every word. “When mine enemy, Greene,

dying of his surfeit of Rheinish wine and pickled herring, besought

his friends in his Groat’s Worth of Wit [note 35] to abandon dissolute

companions and in solitude nourish their spirit’s fire, why should I,

despite his attack upon me, have not listened to his warning voice

addressed to others, and not have waited for a finger dipped in blood

to write, ‘Here endeth thy career?’”

A pause followed in which no one spoke, and again he continued: “’Tis

well that this has happened. Without it what could have stayed me from

wasting the hours which henceforth can be spent only in intellectual

effort? Now the devil is chained. I can not even sell my soul to

him. The world with its temptations lieth as distant as the fields of

Trasymene. Is it not a subject for congratulation? What campaigns may I

not enter; what conquests may I not gain?”

With the egotism of a god, knowing himself, and the source from which

he drew his inspiration, he continued his torrent of words:

“Tamburlaine was written with the collar of the university about

my neck; Faustus, while my hatred of the existing laws designed to

chain one’s belief, prevented a just appreciation of true religion;

the Massacre of Paris, with my mind disturbed from the effects of

continuous dissipation; Hero and Leander, while deep in Love’s young

dream; and so on with the list. But now what is there to clog or muddy

the fountains? Is my mind not broader; are not the impediments to

studious application and undisturbed contemplation removed? For twenty,

thirty, yea forty or fifty years, what is before me but the opportunity

to produce immortal and transcendent work? Nay, give me ten years in

solitude, O thou dread force, and under my hand all form, all thought,

shall find expression in written words!”

He fell forward on the table with outstretched arms and clenched hands.

Shakespere lifted him up; pityingly brushed back the hair from his

face, and said: “Forget the matter for a moment.”

No other words were spoken; still the rain pattered on the window

opening towards St. Michael’s, and no sounds came up from the narrow

walks in Crooked Lane.

At length Tamworth broke the silence. “I do not doubt, dear Kit, that

whatever may be thy aim, thy arrow will reach. But life can not be

maintained without capital or revenue. Your design being linked with

an ambition for personal immortality precludes the publication of thy

productions till after thy death or when hope of life is gone. Now,

where will come the fund for thy maintenance?”

“Thou canst not appear as an actor,” suggested Shakespere.

“And neither can the works you may produce be sold as thine,” said

Peele.

“Could they not be sold under some one else’s name?” asked Marlowe. “At

the proper time their authorship could be confessed and established.”

“But in whose name?” queried Peele.

“Why not thine; at least temporarily?”

“Bah,” ejaculated Peele, “I could not pass thy dramas off as mine. The

style, my dear fellow, the style. Henslowe would at once say, ‘What

Peele, this thy drama? Marry, and where didst thou steal this new fire?

Off with thee. It is none of thine. Leave it. I will look up the older

dramatists, Greek and Latin, from which I ween thou hast taken its

entire,’”

“Then why not as thine, Shakespere?”

“Mine,” exclaimed Shakespere, shaking with laughter which he could not

control, “Greater objections than those stated by Peele would arise.

Only a few years ago I held horses before the Curtain and Theater. I

write a play; Ho! Ho!”

He laughed so heartily that Tamworth joined with him.

“Stop,” said Peele, endeavoring to interrupt the sudden mirth, “The

suggestion is a good one. What does Henslowe know of your horseholding,

friend Will?”

“But,” answered Shakespere, “he knoweth that I came from the miserable

village of Stratford-on-Avon only six years ago, where there are few

books and nothing better than a grammar school. [note 36] Although

I can say ‘Stipendium peccati mors est,’ as being learned from thy

Faustus, Marlowe, I would die in the attempt to give its meaning.”

“He surely will not question thee about thy Latin or thy Greek,” said

Tamworth, joining in with the scheme, “and as thou hast never turned

a hand at such work, there are not, as in Peele’s case, fair-skinned

children of earlier birth to give the lie to the paternity of the later

ones of different complexion.”

“And am I to claim them as mine?” asked Shakespere.

“Only as may be necessary for the sale to theatrical managers,”

answered Marlowe.

“And perchance grow famous; for we know the depth and strength of thy

work.”

“Only for a time,” said Marlowe, impressively, “In the end all will be

clear.”

“So be it then,” said Shakespere.

“But thy handwriting, Marlowe, is too well known. Still,” continued

Tamworth, “the manuscript may be copied, and as I write a clear hand I

would gladly aid thee.”

“But where are you to live, Kit?”

“At Southwark?” questioned the latter.

“Nay,” exclaimed Tamworth, “the Rose is there, with many players who

know thee, and its numerous hangers-on. The heart of this city is far

better. I know of a retreat. No hunted deer ever found so secure a

covert. It is the building known as the Prince’s Wardrobe on the Old

Jewry. Its corridors are unfrequented except by the few tenants who,

through the benevolence of the present keeper, dwell in some of the

chambers. Its demolition, begun many years ago, has been stayed. Once

vacated because of notice of its contemplated razing, it is again

being occupied through the apparent inertness of its owners. But this

inaction is due to other causes--”

“I have heard of secret chambers there,” interrupted Peele.

“There are,” continued Tamworth, “It was once used as a palace, but its

early history is lost. Some of its stone walls are down, and above the

cleared ruins at one end, divers lordly buildings have been reared; but

the half portion towards St. Olave is intact. A question concerning

its title being now unsettled in the courts, no progress can be made

either in its repair or its destruction. Years may pass before the

question is finally determined. The receiver appointed by the courts is

a descendant of Sir Anthony Cope, who purchased the property from the

crown in 1548, and, due to my acquaintance with him, and late services

rendered, I now have a furnished chamber therein. The way out, or in,

may be easy of discovery, and my quarters are occasionally visited by

friends, but to me alone is known an inner room where you can dwell in

perfect safety.”

“Thy words are of good cheer,” exclaimed Marlowe, “and no delay must be

incurred.”

“Did you encounter no one upon entering here?” asked Peele.

“No; I came in at the side entrance. It was open. Crooked Lane was

deserted as far as I could see.”

“And on the road from Deptford?”

“No one who knew me appeared upon the road. At the Golden Hind as I

passed the tap-room door I caught a glimpse of the drawer, one of the

actors who had been with me early in the evening, and the wife of

Frazer.”

“Ah; she has not escaped then?” exclaimed Tamworth. “This is serious.

She may be held until after the discovery of the deed.”

“Undoubtedly she has been,” answered Marlowe, “I could not catch the

occasion of her resting in the tap-room, neither could I pause, for

discovery would have been certain.”

“Did she see thee?”

“I think not, for the drawer stood before her, so that only a portion

of her gown was visible to me. I mounted hurriedly in the inn-yard and

riding to the gnarled oak I waited under it, and in the thick fog for

at least an hour. She did not come.”

“She will testify against thee.”

“Never,” exclaimed Marlowe.

“Ah,” said Tamworth, prolonging the word and opening wide his eyes.

“Have no fears of that,” continued Marlowe, firmly, and then as though

to turn their thoughts into another channel, he continued: “The ride

over that country road was lonely beyond all comparison. I slunk by

the lights at Redriffe like one unarmed passing by the known lair

of a sleeping lion. At the moment they struck my face I could have

fallen from the saddle. But no eye of careless watcher was apparently

following their seams into the darkness; for no haloo broke the night.

The wood of oak and elm fencing the road this side the half-way house

was resonant with swaying limbs. A wind was coming from the river, and

the fog was like rain.”

“Was it dark?”

“So dark I could not see the ground.”

“Thy horse found the way and reached the bridge?”

“No, I turned not in towards it; but passing Bataille’s Inn, I

rode down to a waterman’s house close by the river’s bank. There I

dismounted, tied my horse and found the waterman. He was tying his

wherry at the foot of the landing. With much persuasion, I induced him

to row me across and, reaching the stone steps somewhere near the Swan,

I came here with all haste.”

“And when were you last at your quarters in Coward Lane?”

“Just before starting for Deptford.”

“Whatever is there must be left.”

“Nay,” exclaimed Marlowe, “I have much unfinished work there.”

“Doth not Nash lodge in the same tenement?”

“Yes, in the room adjoining.”

“Doth he know of these writings?”

“All about them. He is engaged with me in writing the tragedy of Dido.

I read him the two sestiads of Hero and Leander only two nights since.”

“Well then such things can not be taken unless Nash is numbered with

us.”

“’Twould not be well,” said Tamworth, “the lesser the number holding

the secret, the less fear of discovery.”

“Thy judgment is sound, Tamworth,” said Marlowe, “let Nash finish the

tragedy, and have him place the poem of Hero and Leander in the hands

of Chapman with word that it was my dying request that he complete it

[note 37].”

“Good,” exclaimed Peele, “and perchance embodying within it some golden

lines touching thy unfortunate demise.”

“Most excellent,” said Marlowe, smiling at the thought of reading of

his own death and the estimate of his own worth expressed in the poetic

language of a loving friend.

“These matters,” said Tamworth, “will be attended to as strictly as

bequests should be by an executor. We must at once reach my lodgings.”

“Leave the Count’s cloak and take this of mine,” said Peele, taking

down a short mantle from a hook against the wall.

A POINT OF CONFLUENCE.

_If ever sun stained heaven with bloody clouds,_

_And made it look with terror on the world:_

_If ever day were turned to ugly night_

_And night made semblance of the hue of hell, etc._

--_The Massacre at Paris, scene 2._

_Oh! I have passed a miserable night,_

_So full of ugly sights, of ghastly dreams,_

_That as I am a Christian, faithful man,_

_I would not spend another such a night,_

_Though ’twere to buy a world of happy days._

--_King Richard III, i, 4._

The human sea of London was at the period of its deepest calm. The

noisy idle white-caps of the night had been laid at rest, and not

yet had the strong billows of the trade current begun their steady

roll. The sun might already have lifted his rim slightly above the

Langdon Hills, but no evidence of his coming was as yet visible in

the labyrinth of London streets. One might have turned one’s face

upward in the drizzling rain and noticed the clouds with faint glow

suffused, but whether it was moonlight filtering through broken ranks

of driving vapor, or the gray of the dawn, could not for a time have

been determined.

It was at this hour that two men were passing into that ancient

street of the city known as the Old Jewry. Their heads were muffled

in their cloaks or capes; their nearer arms locked as they walked

abreast, and their steps were as swift as it was possible to take in

the darkness. They stumbled along without a link light or a lanthorn to

show the holes in the broken pavements, the turns of streets and other

impediments and intricacies of the way. It was not only unusual but a

matter to excite suspicion, for any person with even the weight of an

untattered coat on his back to venture thus through the quarters from

which these two men had come. Here and there, a lanthorn in the hands

of a bellman of the night blinked and wavered; and directly before

them, the flaring torch of a link-boy shot a shifting light along

black, dripping shop fronts and displayed the figure, close following

in its wake, of a solitary horseman.

No part of the city was deemed safe after the candles, burning in the

horn receptacles before the dwellings and shops, were extinguished.

The hour for such extinguishment was nine; and close following it, on

moonless and foggy nights, bludgeon-bearing thieves issued from reeking

alleys into the public streets, and assaulted belated passers. The

bellman, with his formidable halberd, might rush where he heard the

cry of the person assaulted, but long before he reached the spot his

lanthorn had warned the assaulter, and naught but the bleeding victim,

with rifled pockets, would meet his gaze.

But the solitary thief, or skulking pairs of rufflers, were not the

only menace against night walks. Bodies, numbering sometimes a hundred

men, having assembled in some obscure den, would sally forth at

midnight and rob the houses of whomsoever were reported to have money

or treasure. Murder at such times, either of defenseless citizens in

night robes within their houses, or inoffensive unfortunates stumbling

into the ranks of the lawless crews, was a crime of frequent occurrence.

The neighborhood of the junction of Poultry street and the street of

the Old Jewry was a favorite rendezvous of these thieves; for the

majority of the persons stirring late at night in that locality was

of the class wearing jewels or carrying coin, and the situation was

favorable for robbing without hazard. At the corner of the two streets

one could command a vision for many blocks in several directions. The

moving lights of the guardians of the night could thus be watched

without fear of the unexpected approach of the latter. While one thief

might be thus occupied, his fellows could halt, assault and rob the

incautious passer. The lofty buildings rendered the shadows deep upon

the pavements on all nights, and the wide portico of St. Olave, with

its great columns, made an excellent ambush. Behind this church ran

Cutthroat Lane--a narrow and never-lighted alley, into which one, with

but a few feet of separation from a pursuing officer, could enter

and vanish as though swallowed by the sea. It was a row of shackly

tenements, facing one side of this alley, that thus gave friendly

aid. Their doors were always ajar, even when winter storms prevailed;

and stairs, ascending to intricate upper halls, and descending into

connecting cellars, soon baffled all panting pursuers. Even the

cautious police who, in daytime, attempted to thread the ways through

which some desperado had eluded pursuit, were confused with blind

passages and daunted by a darkness and silence that imported evil.

On this particular night, five thieves were hanging like trembling

shadows about the portico of St. Olave. The night was almost spent

and not one groat had they raised. All the passing groups of men had

comprised too many members to warrant any attack and the one sole

traveler, whom they had seized at the mouth of Cutthroat Lane proved

to be a beggar. His unconscious body now lay face downward in the mud

of that lane. The chance of his recovery from the blow of one of the

disappointed robbers was a question for the doctors.

What business had beggars to be abroad at the hour when gentlemen were

returning from nightly revels? Who could distinguish a ragged cloak

from one edged with gold in such darkness? Gentlemen thieves were not

to be lightly imposed upon. A varlet who has no angels in his pockets

should be abed at dark. For such the sleep that knows no waking is a

blessing. This was the argument of the men who had halted the beggar.

As the two men, whose steps we have been following, entered the Old

Jewry, their approach was a matter of notice, and as they reached a

spot directly before the church, three of the thieves sprang out of the

shadows of its projecting entrance. The attack came so unexpectedly

that the two men had no chance for flight, and safety seemed to lie

only in such effort. In the first grapple, the taller man’s cloak was

torn from him, but this was of fortunate occurrence, for it enabled

him to draw his sword. His companion had been felled to his knees,

but, avoiding another blow aimed at his head, he rose to his feet and

staggered to one side. The drawn sword of his friend swung through the

air. It cut a face wide open in its career, and was again wielded in

like manner, but without effect. Then the wounded robber seized the

knees of the swordsman, only to be thrust through and through, as the

latter stumbled and fell in the embrace.

In the meantime, the other man assailed, tugging at the hilt of his

own sword which was kept from handy withdrawal by the folds of his

cloak, retreated backward into the middle of the street. Approaching

him was the robber who had delivered the first ineffectual blow. In the

tussle he had dropped his bludgeon, and he was now trusting to his own

strength to overpower this man before him. Suddenly another sword was

out of its scabbard. There was a quick thrust at the dark body between

outstretched hands which had almost grasped the swordsman’s neck. A

groan escaped from agonized lips, and the wielder of the sword felt

warm blood upon his sword hand. His victim had fallen heavily against

him, but he pushed him off like so much dead weight, and at that moment

he heard his friend’s voice:

“Run, Kit, for thy life!”

“I am with you,” came the answer.

He saw that two other shadows had joined the decimated group. These two

had been drowsing on the portico, and at length, aroused by the cries,

had come forth. He saw his companion turn and run, and he followed him.

The lights of the windmill tavern streamed across the way, for its

doors were open. They reached the fronting pillars of its portico, as

though a haven, and then paused. Both of them knew that they could not

venture in, and fortunately their assailants had given up the chase.

In the gloom, behind one of the columns, they stood panting. Near them

stood a man also in the shadows. Their swift approach had been observed

by him; but if he had apprehended the cause, it had not shaken him from

his intent to remain concealed. He might have heard the retreating

footsteps of their now baffled pursuers, and this should have disturbed

him; for the cause of the men who had almost brushed against him was

his cause. It was his duty to pursue the assailants; but there are

times when the public weal is forgotten--blotted out by thoughts of

one’s private welfare. And so it was with the man in the darkness of

the portico. The continuance of his ability to act for the public, nay,

possibly his existence, depended on different service than the arrest

of midnight marauders.

This man was Gyves, the constable, and he was waiting to see Bame leave

the tavern so that he might venture in, find Tabbard, and obtain by

persuasion or violence the warrant for the arrest of Marlowe. He had

waited there for hours, through the mist which had drifted across the

portico, and then later, while the drizzling rain had beaten in his

face and set him shivering. He had yet no knowledge of the destruction

of the writ, and no whisper of the sudden visit of the plague had

touched his ears. So it was that the paper, upon which he dreamed

his welfare hung, and the man whom he had for the past eight hours

yearned most to see, were both beyond power of production to him.

But despite all this, the arrest of Marlowe, which was his ultimate

object, required at that moment neither the departure of Bame nor

his possession of the writ. And furthermore no long weary walk nor

tiresome search in an unfamiliar quarter would have been necessary. He

could have reached out his hand and have arrested the two men under

the neighboring column for a disturbance of the peace. Even then a

sword was being sheathed by one of them, and Gyves had heard the late

outcry which of itself was sufficient to have justified him in taking

them into custody to await further investigation. One of the men was

Christopher Marlowe.

To us, with our limited vision, what a comedy is life. Over what scenes

of merriment could we not amuse ourselves were we robbed of hearts

and consciences and there were added to our remaining faculties the

power of unlimited sight alone; to see the struggles of one during a

whole life for a result which required only a few days’ effort along

another line than that pursued; to see the entanglement, in a single

web, of many with worthy designs, and their struggles liberating only

that one who as it appeared to us should have remained entangled; to

see the life pursuit for a will-o’-the-wisp; to see genius strangled,

and dullness triumphant. Perhaps the truth would then burst upon us,

that we are but the pawns and knights of the chess-board, moved by an

Omniscient hand toward the final victory of the whole.

As the three men held back in the shadows, three more men came forth

from the portals of the tavern; but only two of them walked. The third

was between the others, but instead of being like them, erect, he was

in a horizontal position. He lay upon a stretcher which the two men

bore. He was motionless, and a rough cloth covered his form.

Certain it was that the covering of the man upon the stretcher

should have concealed his face, but through some inadvertency it had

rolled down upon his breast so that his face was revealed. It was

expressionless and that of one from whom the soul had fled. A man with

flaming torch now ran out of the doors, as though to lead the way, and

as the light struck upon the form upon the stretcher, one of the two

men who had escaped the murderous, bludgeons of the thieves, clutched

his companion’s arm and gasped:

“My God! the dead man is Tabbard.”

Then, as the flaming torch illuminated the man in front, who, with back

toward the corpse, bore the stretcher, Marlowe, for he was the speaker,

sunk his fingers deep into the clutched arm, for at that moment he

heard a voice near him whisper:

“And Bame, Richard Bame, carries him.”

A shadow, shifting with the wavering of the torch, fell across

Marlowe’s face. The latter looked to ascertain its cause and also

the source of the last words spoken, and saw the outline of a man in

the coat of an officer slink from the portico into the rain and the

darkness. The torch now revealed an object close to the edge of the

pavement. It was a heavy cart with horses attached like the one which

had passed Tabbard early that night. His body was being borne toward

it.

IN THE PRINCE’S WARDROBE.

_But stay, what star shines yonder in the East?_

--_Jew of Malta, ii, 1._

It Was Marlowe: A Story of the Secret of Three Centuries · 第 7 / 16 段